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10.41 · Kṛṣṇa and Balarāma Enter Mathurā

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Canto 10 (Part 2)

M – Mathura-Lila (41-51) After entering Mathura, Krishna was worshipped by the florist Sudama and the maiden Trivakra (Kubja). The elephant Kuvalayapida, however, challenged Him and was comfortably dispatched, after which Krishna killed the two wrestlers and King Kamsa. After completing Their studies at gurukula , Krishna and Balarama brought back Sandipani Muni’s dead son. While in Mathura, Krishna (through Uddhava) sent a message to the gopis , visited Trivakra’s house, defeated Jarasandha seventeen times, and favoured Mucukunda by appearing before him in a cave.

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M – Mathura-Lila (41-51)

Canto 10 (Part 2)

M – Mathura-Lila (41-51) After entering Mathura, Krishna was worshipped by the florist Sudama and the maiden Trivakra (Kubja). The elephant Kuvalayapida, however, challenged Him and was comfortably dispatched, after which Krishna killed the two wrestlers and King Kamsa. After completing Their studies at gurukula , Krishna and Balarama brought back Sandipani Muni’s dead son. While in Mathura, Krishna (through Uddhava) sent a message to the gopis , visited Trivakra’s house, defeated Jarasandha seventeen times, and favoured Mucukunda by appearing before him in a cave.

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Cry for Krishna

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Cry for Krishna “Sri Uddhava is described in this verse as buddhi-sattamah, “the most intelligent,” and thus he could expertly pacify the residents of Vrindavana, who were feeling such intense separation from Lord Krishna. Then, upon his return to Mathura, Uddhava would describe to all the members of the Vrsni dynasty the extraordinary pure love he had seen in Vrindavana. Indeed, the love the cowherd men and gopis felt for Krishna was far beyond anything the Lord’s other devotees had ever experienced, and by hearing about that love all the Lord’s devotees would increase their faith and devotion.” ( SB 10.46.1 ) Srila Visvanatha Chakravarti Thakura explains how one can place valuable gold within a fire to ascertain its purity. In the same way, he says, Krishna placed His most beloved devotees, the residents of Vrindavana, in the fire of separation from Him, just to reveal the purity of their love. From the day Krishna left Vrindavana, Mother Yasoda could only see His beautiful face, and she cried constantly despite being consoled by friends and family. When Uddhava came, she was so overwhelmed by love that she couldn’t even interact with him. These were the unique manifestations of love in separation that Krishna wanted Uddhava to witness. Interestingly, Krishna Himself came to this world to experience those same emotions. Krishna is known as rasaraja , the king of all relationships. As the fierce Nrsinghadeva, He savoured the mood of servitude that His devotees embody. As Lord Ramachandra, He experienced the brotherly love of Laksman and marital joy with Sita. As Lord Krishna, He relished intimate friendship with the cowherd boys, and unwedded paramour love with the cowherd girls. Although Krishna delighted in these relationships, a curiosity still remained. Krishna had not yet experienced the spiritual emotion that His devotees feel in their relationship with Him. It is said that Srimati Radharani, the most celebrated devotee, feels pleasure which is ten million times greater than the Lord’s! Thus, Sri Chaitanya, the manifestation of Krishna in Kali-yuga, descended to:

Delight in the position of Srimati Radharani

Understand the sweetness of Krishna’s qualities

Experience the happiness of a pure devotee

As the ‘maintainer’ of the universe, Visvambhara (Sri Chaitanya) taught the world what life’s priority really is. Though maintenance of the body is essential, one should not forget the necessity of the soul: to reawaken pure love of God ( prayojana ). The great teacher Visvanatha Chakravarti Thakura summarises the four main precepts that Sri Chaitanya came to teach: 1) The Goal: Pure Love of God The essence of each spirit soul is to seek love and express love. We spend our lives looking for those persons and objects in which we can repose the loving sentiment, but we’re often left frustrated and dissatisfied. When we develop our love for Krishna, however, we not only feel deep fulfillment and satisfaction, but we connect with others on a much deeper and satisfying level as well. By loving Krishna we become a conduit of love for others. 2) The Object of Love: Sri Krishna (who resides in Vrindavana) In Sanskrit, God is known as ‘Bhagavan,’ or the possessor of all opulences. Jiva Goswami explains that God is more intimately known as Krishna, and Bhagavan stands for bhajaniya guna visistha: “One whose qualities are so enchanting that nobody can resist worshipping Him.” Only Sri Krishna manifests the glories of God in full. Krishna, whose eternal playground is Vrindavana, performs exquisite pastimes of love there, and never takes one step out of that sacred land. Even when it appears that He has left, He remains there in a concealed form. 3) The Example of Love: Gopis of Vrindavana Amongst Vrindavana’s residents, the love of the gopis is particularly special since they sacrificed everything to be with Krishna. They left their family members, disregarded social customs, rejected the path of chastity and underwent all tribulations to be with Him. They were unconcerned with people’s opinions, and held nothing back, exhibiting affection without constraint. After meeting with the gopis , Krishna apparently left Vrindavana, throwing the cowherd maidens into an intense love in separation known as vipralambha-bhava. Their feelings of transcendental madness are considered the highest expressions of the soul in connection with God. 4) The Guidebook for Developing Love: Srimad-Bhagavatam Though such ecstatic emotions seem far and distant for the conditioned soul, the Srimad-Bhagavatam is the priceless guidebook to help us reawaken that love. It describes the incredible feelings of the most celebrated devotees in creation, but also narrates historical incidents and didactic passages which help one progress to such pure devotion. Thus, the light of Srimad-Bhagavatam is an incredible blend of inspiration and instruction for the lost souls in this dark age of Kali-yuga.

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Separation for a Sadhaka

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Cry for Krishna Separation for a Sadhaka The mood of separation from Krishna is not only an intensified emotional state found in pure devotees, but is also a cultivation that can assist the practitioner devotees in their spiritual progress. In 1969, Srila Prabhupada instructed the devotees to cry prayerfully for Krishna while chanting His name: “So we are addressing, Hare Krishna, Hare Krishna: ’O the energy of the Lord, O the Lord, please accept me.’ That’s all. ’Please accept me.’ We have no other prayer. ’Please accept me.’ Lord Chaitanya taught that we should simply cry, and we shall simply pray for accepting us. That’s all. So this vibration is simply a cry for addressing the Supreme Lord, requesting Him, ’Please accept me. Please accept me.’” Srila Prabhupada confirms this in another place: “This crying is the last word in the progressive path of devotional service. One who can cry for the Lord in love is certainly successful in the line of devotional service.” (SB 3.4.35) It is said that separation is the best mood in which to perform one’s spiritual practices. When we are chanting Hare Krishna with an awareness of how we separated from Krishna, we’ll begin to feel a deep necessity to reconnect with Him. Srila Prabhupada once said, “Actually, meeting Krishna is possible through the attitude of separation taught by Sri Chaitanya Mahaprabhu. When the feeling of separation becomes very intense, one attains the stage of meeting Sri Krishna.” ( CC Adi 4.108 ) The acaryas explain that vipralambha , love in separation, expresses itself in four varieties: Purva-raga – the feeling of separation that is experienced before the lovers actually meet and express their sentiments for one another Mana – the feeling of separation that is experienced when lovers quarrel with one another Prema-vaicittya – the feeling of separation that occurs when the lovers are together but they fear the potentiality of parting Pravasa – the feeling of separation that occurs when lovers are actually parted by distance and time In analysing the relevance of these for a practitioner devotee ( sadhaka ), Bhaktivinoda Thakura comments as follows: “It is essential for the sadhaka jivas to cultivate only the mood of vipralambha , and because they have never experienced meeting with Krishna, their vipralambha will come only in the category of purva-raga. But without having ever met with Krishna, how can they experience separation in purva-raga from Him? By hearing the lila-katha of Sri Krishna from others, purva-raga is awakened. This was the case with the dvija-patnis as well as the ladies of Mathura before Krishna’s arrival there. Rukmini also had never seen Krishna, but by hearing about Him from Sri Narada, purva-raga arose within her heart. Thus she became exceedingly anxious to meet with Krishna. Similarly, by hearing from the guru and Vaisnavas or by reading the sastras , the jivas may have purva-raga vipralambha awakened within their hearts.”

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The Mood of Sri Chaitanya

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Cry for Krishna The Mood of Sri Chaitanya For the final twelve years of Sri Chaitanya’s manifest pastimes, He remained secluded in the Gambhira, the garden house of Kasi Misra. The Lord merged into a deep spiritual communion, obsessed day and night in thought of Krishna. This esoteric phenomenon is described by Krishnadasa Kaviraja Goswami: “When Sri Chaitanya Mahaprabhu felt separation from Krishna, His condition exactly corresponded to that of the gopis in Vrindavana after Krishna’s departure for Mathura. Sri Chaitanya Mahaprabhu’s emotions exactly corresponded to those of Srimati Radharani when She met Uddhava in Vrindavana.” Sri Chaitanya’s ecstasy resulted in bodily transformations and delirious behaviour which resembled that of a madman. He would sometimes catch hold of the necks of His associates and plead “My dear friends, please listen to Me. What shall I do? Where shall I go? Where can I go to get Krishna? Please, both of you, tell Me how I can find Him.” In this way, Sri Chaitanya exhibited the intense longing of a pure devotee.

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Dwaraka Established

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Dwaraka Established Chapter 50, 51 When Kamsa’s two wives complained to their father, Jarasandha, about their husband’s death, Jarasandha decided to attack Krishna. The brothers annihilated his armies, and when Balarama was poised to arrest Jarasandha, Krishna decided to set him free. Krishna wanted Jarasandha to attack multiple times since it would facilitate a large-scale annihilation of his demoniac forces. In total, Jarasandha’s armies were defeated seventeen times. During the eighteenth attack, Narada Muni instigated the wicked Kalayavana and his 30 million soldiers to also join in. The dual attack tipped the scales, and Krishna thus created a magnificent city in the sea (Dwaraka), and mystically transferred the entire Yadava clan there for safety. When Kalayavana pursued Krishna to kill Him, he was led into a mountain cave. In that dark cave, Kalayavana kicked a man he thought was Krishna. That personality stood up and burned Kalayavana to death! This was Mucukunda, who had been awarded the boon of unbroken sleep, and also the power to annihilate anyone who interrupted it. After seeing the beautiful form of Krishna, Mucukunda lamented his absorption in material affairs, and thus requested the divine gift of pure devotional service.

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Gurukula

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Gurukula Chapter 45 Krishna consoled Vasudeva and Devaki for the traumatic incidents they had to endure, and expressed His indebtedness for each of their incredible sacrifices. After reinstating Ugrasena on the throne, many exiled family members returned and everyone felt safe and secure again. Krishna bade farewell to Nanda Maharaja, who returned to Vrindavana with all the cowherd community. To set the ideal example, Krishna and Balarama then took their vows of brahmacarya and began their education in Avantipura, at the school of Sandipani Muni. They learnt the detailed knowledge of the Vedas in sixty-four days and demonstrated how to suitably honour the spiritual master. Their traditional donation to the teacher came in the form of retrieving Sandipani Muni’s son from the abode of Yamaraja, the god of death.

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Kamsa Killed

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Kamsa Killed Chapter 41, 42, 43, 44 Entering Mathura: As Krishna and Balarama entered the opulent city of Mathura, the residents were mesmerised. Their minds were captivated and their hearts melted; everyone stopped to drink the beauty of the brothers through their eyes. The exception was a miserly washerman, who, when he rudely refused to gift Krishna some garments, lost his head! A pious weaver, who generously gifted Them ornaments, was benedicted, while the florist, Sudama, welcomed the transcendental brothers into his home with a warm reception. Breaking the Bow: After offering her finest oils to Krishna, Trivakra’s hunchbacked body was miraculously straightened by Krishna. The Supreme Lord then proceeded to the wrestling arena. There, Krishna broke the sacrificial bow and annihilated the guards who tried to attack Him. Hearing of these events, Kamsa was beset with anxiety since every sign he saw spelt doom. The following morning, crowds filled the arena, and Kamsa became more and more apprehensive. Killing Kuvalayapida: When Krishna arrived at the arena gate, He was greeted with an attack from Kuvalayapida, the mighty elephant. After a playful tussle, Krishna extracted the elephant’s tusk and used it to beat him and his keepers to death. When Krishna entered the arena, the various personalities there perceived Him in different ways according to their character and consciousness. They all chattered amongst themselves, recounting the extraordinary activities of Krishna in Vrindavana. Just then, Chanura appeared and insisted on a personal duel with Krishna. Killing Kamsa: The two professional wrestlers, Chanura and Mustika, enthusiastically jumped in for a fight, though Krishna and Balarama expertly manoeuvered themselves to remain unharmed. The onlookers complained that it was an unfair duel since Kamsa’s agents were much older. Krishna soon mitigated their anxiety by tossing Chanura onto the ground and ending his life, while Balarama followed suit with Mustika. When the other wrestlers attempted to intervene, they also lost their lives. Kamsa was aghast! When the evil King ordered his henchmen to kill Vasudeva, Krishna furiously leapt onto the royal dais where he sat. He threw Kamsa onto the floor of the wrestling ring and brought his life to an end. When the evil King’s widowed wives lamented, Krishna consoled them and arranged for the funeral rites.

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Uddhava in Vrindavana / Akrura in Hastinapura

Canto 10 (Part 2)

M – Mathura-Lila (41-51) Uddhava in Vrindavana / Akrura in Hastinapura Chapter 46, 47, 48, 49 Thinking about His beloved devotees in Vrindavana, Krishna asked His intimate friend, Uddhava, to deliver a message to them. He also wanted Uddhava, an advanced spiritualist himself, to witness the unique emotions of love in separation that they embodied - the love of Vrindavana’s residents is unparalleled. Upon arrival, Uddhava was enchanted by the beauty and spirituality of Vrindavana, and was particularly inspired by Nanda and Yasoda, whose absorption in Krishna was profound. He reassured them that the Lord would return soon. Uddhava then approached the gopis , who were astounded by how much he resembled Krishna. In the pain of separation from their beloved Krishna, the gopis questioned the motives of His friendship with them. When one gopi saw a bee and considered it a messenger of Krishna, she poetically expressed her feelings of transcendental anger in separation. To comfort them, Uddhava read Lord Krishna’s message, wherein He told the gopis “I am the Supreme Soul and Supreme shelter of all, but to increase your attraction and intensify your remembrance of Me I left you.” With heartfelt emotion, they expressed their hopes, confusions, pains and incredible appreciation for Krishna. Uddhava stayed there for several months longer to witness the exalted nature of their love and share more narrations about Krishna. He eventually returned to Mathura and described all that he had witnessed. Uddhava prayed to take birth as a creeper in Vrindavana, just so he would be blessed with the footdust of those exalted associates of Krishna. After hearing Uddhava’s report, Krishna, as promised, visited Trivakra and satisfied her lusty desires. Krishna then visited Akrura, who welcomed Him graciously. The Lord requested him to visit Hastinapura to ascertain how the Pandavas, now without their father, were coping with the difficult situation. In Hastinapura, Vidura and Kuntidevi relayed how Dhritarastra’s envious sons were conspiring to destroy the saintly Pandavas. Kunti sincerely prayed that Krishna comes to the rescue. Akrura delivered Krishna’s advice to Dhritarastra, reminding him of the temporary nature of family relationships and the dangers of bodily consciousness, but the blind King expressed his inability to follow. These words of wisdom, he said, were simply like lightning flashes – though illuminating, the darkness of ignorance kept returning. After staying there for several months and analysing the situation, Akrura left for Mathura.

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— S.B. Keshava Swami, Book Bhagavata

Śrīmad-Bhāgavatam 10.41.1

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శ్రీశుక ఉవాచ స్తువతస్తస్య భగవాన్ దర్శయిత్వా జలే వపు: । భూయ: సమాహరత్ కృష్ణో నటో నాట్యమివాత్మన: ॥ ౧ ॥
śrī-śuka uvāca
[shree-shuka uvaacha]
stuvatas tasya bhagavān
[stuvatas tasya bhagavaan]
darśayitvā jale vapuḥ
[darshayitvaa jale vapuh]
bhūyaḥ samāharat kṛṣṇo
[bhooyah samaaharat krishno]
naṭo nāṭyam ivātmanaḥ
[nato naatyam ivaatmanah]
śrī - śukaḥ uvāca — Śukadeva Gosvāmī said stuvataḥ — while praying tasya — he, Akrūra bhagavān — the Supreme Lord darśayitvā — having shown jale — in the water vapuḥ — His personal form bhūyaḥ — again samāharat — withdrew kṛṣṇaḥ — Śrī Kṛṣṇa naṭaḥ — an actor nāṭyam — the performance iva — as ātmanaḥ — his own .
Blended reading (Sanskrit + English inline)
śrī-śuka uvāca
śrī - śukaḥ uvāca
Śukadeva Gosvāmī said
stuvatas tasya bhagavān
stuvataḥ
while praying
tasya
he, Akrūra
bhagavān
the Supreme Lord
darśayitvā jale vapuḥ
darśayitvā
having shown
jale
in the water
vapuḥ
His personal form
bhūyaḥ samāharat kṛṣṇo
bhūyaḥ
again
samāharat
withdrew
kṛṣṇaḥ
Śrī Kṛṣṇa
naṭo nāṭyam ivātmanaḥ
naṭaḥ
an actor
nāṭyam
the performance
iva
as
ātmanaḥ
his own .
  • bhagavān — the Supreme Lord
    Parāśara's six aiśvaryas (Viṣṇu Purāṇa 6.5.47) — wealth, strength, fame, beauty, knowledge, renunciation — fully present. Gauḍīyas read bhagavān here as Kṛṣṇa svayaṁ, not a partial expansion (kṛṣṇas tu bhagavān svayam, SB 1.3.28).
  • darśayitvā — having shown
    Causative absolutive of √dṛś. The vision was actively granted, not stumbled upon — a deliberate gift to Akrūra's bhāva. Darśana in Gauḍīya use is always relational: Bhagavān shows Himself to the eye He chooses.
  • samāharat — He withdrew
    Imperfect of saṁ + √hṛ — to gather back, fold up. The same verb-field used for an actor packing his costume. The Lord's līlā-rūpas are not metaphysical illusions but real forms He controls absolutely.
  • naṭaḥ — an actor
    Vyāsa's chosen image: Bhagavān as nartaka. Caitanya-line ācāryas (Viśvanātha) read this carefully — the analogy concerns sovereign control over the play, not unreality of the role. Every līlā is fully real and fully chosen.
  • ātmanaḥ — his own
    Genitive of ātman. The actor winds up his own performance — the Lord owns His forms. No outside script binds Him; aiśvarya-darśana and Vraja-līlā alike are svecchā-mayī.
Śukadeva Gosvāmī said: While Akrūra was still offering prayers, the Supreme Lord Kṛṣṇa withdrew His form that He had revealed in the water, just as an actor winds up his performance.

Lord Kṛṣṇa withdrew from Akrūra’s sight the Viṣṇu form along with the vision of the spiritual sky and its eternal inhabitants.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Śukadeva Gosvāmī said: While Akrūra was still offering prayers, the Supreme Lord Kṛṣṇa withdrew His form that He had revealed in the water, just as an actor winds up his performance.
Commentary

In the forty first chapter, Krsna goes to see Mathura, and attracts all the women there. He kills Kamsa’s washerman and bestows boons to the weaver and the garland maker named Sudama. Having shown Akrura his remarkable form in the water, he made that form disappear without asking Akrura. The disregard for Akrura is expressed by the use of the sixth case (tasya) instead of the second case (tam). Just as the players give up their costumes at the conclusion of a play, Krsna, after showing the eternal objects of Vaikuntha within the water, made that scene disappear. Krsna, seeing the astonishment on Akrura’s face and in his eyes, asked him, "It appears that you must have seen something very astonishing, for your eyes are wide with wonder and full of tears."

Jīva Gosvāmī Gauḍīya
Commentary

Stuvatas tasya in the genitive case indicates that Kṛṣṇa was not much attracted to the prayers. Thus, without asking Akrūra he withdrew that form, as quickly as an actor sheds his costume after a play. But this form he was Kṛṣṇa’s own (ātmanaḥ) body, an eternal form.

Śrīdhara Svāmī Gauḍīya
Commentary

As Akrūra offered prayers, Kṛṣṇa then (bhuyaḥ) made the form disappear. Genitive case indicates disinterest on the part of Kṛṣṇa. Or having showed the form in the water explicitly (bhuyaḥ) he showed the form since he was bhagavān, full of all powers. This was one of his powers. He withdrew the form since he was fond of fun (kṛṣṇaḥ) or attracted to his devotee by his affection. Otherwise he could not accomplish bliss in realizing his sweetness. He showed and withdrew the form by himself, easily (ātmanaḥ). The form was non-different from himself. He was like an actor who shows many forms. This indicates that the form shown was not his only form. It arose from Kṛṣṇa.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)
Related verses
Concepts
Jiva

Like an actor who lowers the curtain the moment his role is done, Kṛṣṇa folds away the four-armed Nārāyaṇa-darśana in the Yamunā the instant Akrūra's stuti is complete. The form was not illusion — it was a precise gift, opened only for the eye that prayed.

Brahmā's bewilderment and Kṛṣṇa's withdrawal

When Brahmā stole the calves and boys in SB 10.13, Kṛṣṇa expanded into millions of cowherds and calves identical to the originals. After a full year, He withdrew the entire display in a single moment and showed Brahmā the four-armed Viṣṇu-forms of each.

The same poet-grammar is at work here: the Lord opens aiśvarya-darśana to a specific devotee at a specific moment, then closes it without trace. Bhagavān is the actor; the līlā is the play; the curtain is His will.

📝 My note

Śrīmad-Bhāgavatam 10.41.2

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సోఽపి చాన్తర్హితం వీక్ష్య జలాదున్మజ్య సత్వర: । కృత్వా చావశ్యకం సర్వం విస్మితో రథమాగమత్ ॥ ౨ ॥
so ’pi cāntarhitaṁ vīkṣya
[so ’pi chaantarhitam veekshya]
jalād unmajya satvaraḥ
[jalaad unmajya satvarah]
kṛtvā cāvaśyakaṁ sarvaṁ
[kritvaa chaavashyakam sarvam]
vismito ratham āgamat
[vismito ratham aagamat]
saḥ — he, Akrūra api — indeed ca — and antarhitam — disappeared vīkṣya — seeing jalāt — from the water unmajya — emerging satvaraḥ — quickly kṛtvā — performing ca — and āvaśyakam — his prescribed duties sarvam — all vismitaḥ — surprised ratham — to the chariot āgamat — went .
Blended reading (Sanskrit + English inline)
so ’pi cāntarhitaṁ vīkṣya
jalād unmajya satvaraḥ
saḥ
he, Akrūra
api
indeed
kṛtvā cāvaśyakaṁ sarvaṁ
ca
and
antarhitam
disappeared
vismito ratham āgamat
vīkṣya
seeing
jalāt
from the water
unmajya
emerging
satvaraḥ
quickly
kṛtvā
performing
ca
and
āvaśyakam
his prescribed duties
sarvam
all
vismitaḥ
surprised
ratham
to the chariot
āgamat
went .
  • antarhitam — disappeared
    Past participle of antar + √dhā — to place within, to conceal. The form is not destroyed; it is folded back inside Bhagavān. The same root-field appears whenever a Viṣṇu-darśana closes (e.g. after Dhruva's tapasya).
  • vismitaḥ — astonished
    Past participle of vi + √smi. Vismaya is the sthāyī-bhāva of adbhuta-rasa — the proper response to aiśvarya-darśana. Akrūra is the Bhāgavatam's model of dāsya tinged with adbhuta.
  • āvaśyakam — the prescribed duties
    From ava + √vaś — what must be done. Even after seeing Nārāyaṇa in the water, Akrūra completes his sandhyā. Gauḍīya doctrine: bhakti does not annul vidhi for the householder; it transfigures it.
  • satvaraḥ — quickly
    sa + tvara — with haste. The urgency of one who has tasted darśana and now hurries back to Kṛṣṇa's physical proximity. Aiśvarya glimpsed in the water is not the prize; the Person on the chariot is.
  • ratham — to the chariot
    Accusative of ratha. The chariot is where Kṛṣṇa and Balarāma are bodily present — the focal point of the chapter's geography. Akrūra's instinct: return to where Bhagavān actually sits.
When Akrūra saw the vision disappear, he came out of the water and quickly finished his various ritual duties. He then returned to the chariot, astonished.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
When Akrūra saw the vision disappear, he came out of the water and quickly finished his various ritual duties. He then returned to the chariot, astonished.
Jīva Gosvāmī Gauḍīya
Commentary

Api ca indicates all that he had previously seen. Seeing that it had all disappeared he came out of the water and completed his mid day rites such as worship of the Lord using water. Viṣṇu Purāṇa says arcayām āsa sarveśaṁ dhūpa-puṣpa-manomayaiḥ: he worshipped the Lord mentally with incense and flowers. This means he offered water to represent the various offerings.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)
Related verses
Concepts
Jiva

Akrūra surfaces from the Yamunā the way one wakes from a dream that was more real than waking — and yet, like any twice-born, he finishes his āhnika first. The vision did not abolish the duty; it sanctified it.

📝 My note

Śrīmad-Bhāgavatam 10.41.3

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తమపృచ్ఛద్‌ధృషీకేశ: కిం తే ద‍ృష్టమివాద్భ‍ుతమ్ । భూమౌ వియతి తోయే వా తథా త్వాం లక్షయామహే ॥ ౩ ॥
tam apṛcchad dhṛṣīkeśaḥ
[tam aprichchad dhrisheekeshah]
kiṁ te dṛṣṭam ivādbhutam
[kim te drishtam ivaadbhutam]
bhūmau viyati toye vā
[bhoomau viyati toye vaa]
tathā tvāṁ lakṣayāmahe
[tathaa tvaam lakshayaamahe]
tam — of him apṛcchat — asked hṛṣīkśaḥ — Lord Kṛṣṇa kim — whether te — by you dṛṣṭam — seen iva — indeed adbhutam — something exceptional bhūmau — on the earth viyati — in the sky toye — in the water va — or tathā — so tvām — you lakṣayāmahe — We surmise .
Blended reading (Sanskrit + English inline)
tam apṛcchad dhṛṣīkeśaḥ
tam
of him
apṛcchat
asked
hṛṣīkśaḥ
Lord Kṛṣṇa
kiṁ te dṛṣṭam ivādbhutam
kim
whether
te
by you
dṛṣṭam
seen
iva
indeed
adbhutam
something exceptional
bhūmau viyati toye vā
bhūmau
on the earth
viyati
in the sky
toye
in the water
va
or
tathā tvāṁ lakṣayāmahe
tathā
so
tvām
you
lakṣayāmahe
We surmise .
  • hṛṣīkśaḥ — Lord of the senses
    hṛṣīka (senses) + īśa (lord). The name Arjuna uses throughout the Gītā (1.21, 11.36). The One who knows what every sense has seen — and still asks, because the asking itself is a līlā of reciprocity.
  • adbhutam — something exceptional
    From √bhū with prefix at- — that which exceeds (literally 'over-being'). Adbhuta is one of the seven secondary rasas of Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu. Here the word names what Akrūra has just tasted in the water.
  • viyati — in the sky
    Locative of viyat (sky, ākāśa). Earth, sky, water — the standard triad of cosmic loci. Kṛṣṇa's question scans the three worlds, but the wonder Akrūra saw was inside Him, not outside.
  • lakṣayāmahe — We surmise
    Royal/divine plural of √lakṣ — to mark, infer. Kṛṣṇa speaks as the king-of-kings, reading the lakṣaṇas (signs) on Akrūra's face. Gauḍīya ācāryas note the playfulness: He who already knows reads aṣṭa-sāttvika-bhāvas like any rasika.
Lord Kṛṣṇa asked Akrūra: Have you seen something wonderful on the earth, in the sky or in the water? From your appearance, We think you have.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Lord Kṛṣṇa asked Akrūra: Have you seen something wonderful on the earth, in the sky or in the water? From your appearance, We think you have.
Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa, who inspires the senses or is omniscient (hṛṣīkeśaḥ), spoke out of curiosity. What did you experience at this holy place? It looks like you have seen something astonishing. It can see that by your appearance, such as your wide eyes. nūnaṁ te dṛṣṭam āścaryam akrūra yamunājale / vismayotphulla-nayano bhavān saṁ lakṣyate yataḥ // O Akrūra! You must have seen something astonishing in the water of the Yamunā since you have wide eyes. Viṣṇu Purāṇa. He spoke in the plural to indicate that his elder brother also had noticed this.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)
Related verses

Kṛṣṇa, the antaryāmī, asks Akrūra what he has seen — not because He doesn't know, but because love prefers the beloved's own telling. A father lets a child describe the gift he has just unwrapped, though the father wrapped it himself.

📝 My note

Śrīmad-Bhāgavatam 10.41.4

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శ్రీఅక్రూర ఉవాచ అద్భ‍ుతానీహ యావన్తి భూమౌ వియతి వా జలే । త్వయి విశ్వాత్మకే తాని కిం మేఽద‍ృష్టం విపశ్యత: ॥ ౪ ॥
śrī-akrūra uvāca
[shree-akroora uvaacha]
adbhutānīha yāvanti
[adbhutaaneeha yaavanti]
bhūmau viyati vā jale
[bhoomau viyati vaa jale]
tvayi viśvātmake tāni
[tvayi vishvaatmake taani]
kiṁ me ’dṛṣṭaṁ vipaśyataḥ
[kim me ’drishtam vipashyatah]
śrī - akrūraḥ uvāca — Śrī Akrūra said adbhutāni — wonderful things iha — in this world yāvanti — whatever bhūmau — on the earth viyati — in the sky vā — or jale — in the water tvayi — in You viśva - ātmake — who comprise everything tāni — they kim — what me — by me adṛṣṭam — not seen vipaśyataḥ — seeing (You) .
Blended reading (Sanskrit + English inline)
śrī-akrūra uvāca
śrī - akrūraḥ uvāca
Śrī Akrūra said
adbhutānīha yāvanti
adbhutāni
wonderful things
iha
in this world
yāvanti
whatever
bhūmau viyati vā jale
bhūmau
on the earth
viyati
in the sky
vā
or
jale
in the water
tvayi viśvātmake tāni
tvayi
in You
viśva - ātmake
who comprise everything
tāni
they
kiṁ me ’dṛṣṭaṁ vipaśyataḥ
kim
what
me
by me
adṛṣṭam
not seen
vipaśyataḥ
seeing (You) .
  • viśva-ātmake — who comprise everything
    Locative of viśva-ātmaka — having the universe as one's body. Gauḍīya frame: this is not Advaitin merging but acintya-bhedābheda — the cosmos is Kṛṣṇa's śakti, simultaneously one with and different from Him.
  • adbhutāni — wonderful things
    Neuter plural. Akrūra answers Kṛṣṇa's question by relocating the locus of wonder — not 'out there' but 'in You.' The verse-grammar enacts the very dāsya it confesses.
  • adṛṣṭam — not seen
    Past participle of √dṛś with privative a-. The rhetorical climax: 'what have I not seen?' For a devotee who has seen Bhagavān, no other vision is news. Echoes Kunti's tvāṁ sākṣāt draṣṭum īśate (SB 1.8.20).
  • vipaśyataḥ — while seeing You
    Present participle, genitive (of one who is seeing). vi + √paś — to see thoroughly. Darśana here is sustained, not a flash. Gauḍīyas read this as nirantara-smaraṇa, the unbroken interior vision of the devotee.
Śrī Akrūra said: Whatever wonderful things the earth, sky or water contain, all exist in You. Since You encompass everything, when I am seeing You, what have I not seen?
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Śrī Akrūra said: Whatever wonderful things the earth, sky or water contain, all exist in You. Since You encompass everything, when I am seeing You, what have I not seen?
Commentary

"Krsna has shown me his own opulences (as described in the previous chapter verses 44-55)." Akrura came to this conclusion, when Krsna asked his question. With great joy he then spoke the truth. "Whatever remarkable things are on the earth, in the sky or water, they are all within your form as the universe. Seeing you before me, what more remarkable sight remains? Everything is seen by seeing you."

Jīva Gosvāmī Gauḍīya
Commentary

Having understood that Kṛṣṇa was non-different from that form, now he considered that all this to be Kṛṣṇa’s power after Kṛṣṇa mercifully asked him a question and he gained further realization. Whatever remarkable things exist on earth, in the sky and in the water exist within you alone. They do not exist separately in water, on earth or in the sky since you are the root cause of the universe (viśvātmake), giving shelter to it. The middle term of the compound is omitted. Yasmin vijṣāte sarvaṁ vijṣātaṁ bhavati: knowing him, everything is known. (Śāndilya Upaniṣad) What can I see that is astonishing on earth, in the water or in the air? Nothing. What I have seen, I have seen within you. In seeing you, I have seen everything.

Śrīdhara Svāmī Gauḍīya
Commentary

Iha means “in the world.” The cause of astonishing things is you, the form of the universe (viśvātmake). As I directly saw (vipaśyataḥ) you, what have I not seen?

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

A child who has seen the ocean cannot be surprised by any river. Akrūra, having seen Kṛṣṇa, the viśvātmā, can no longer encounter anything that is not already inside Him.

Yaśodā seeing the universe in Kṛṣṇa's mouth

In SB 10.8, when mother Yaśodā asked baby Kṛṣṇa to open His mouth to check for clay, she saw inside it all the worlds — the directions, the stars, the wind, the fire, the moon, even herself holding Him. She nearly fainted.

Akrūra's confession here echoes that moment in the dāsya key: whatever is wonderful in earth, sky or water — all of it lives inside the Person whose hand he is presently driving toward Mathurā. Viśva is not somewhere else; viśva is in Him.

📝 My note

Śrīmad-Bhāgavatam 10.41.5

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యత్రాద్భ‍ుతాని సర్వాణి భూమౌ వియతి వా జలే । తం త్వానుపశ్యతో బ్రహ్మన్ కిం మే ద‍ృష్టమిహాద్భ‍ుతమ్ ॥ ౫ ॥
yatrādbhutāni sarvāṇi
[yatraadbhutaani sarvaani]
bhūmau viyati vā jale
[bhoomau viyati vaa jale]
taṁ tvānupaśyato brahman
[tam tvaanupashyato brahman]
kiṁ me dṛṣṭam ihādbhutam
[kim me drishtam ihaadbhutam]
yatra — in whom adbhutāni — amazing things sarvāṇi — all bhūmau — on the earth viyati — in the sky vā — or jale — in the water tam — that person tvā — You anupaśyataḥ — seeing brahman — O Supreme Absolute Truth kim — what me — by me dṛṣṭam — seen iha — in this world adbhutam — amazing .
Blended reading (Sanskrit + English inline)
yatrādbhutāni sarvāṇi
yatra
in whom
adbhutāni
amazing things
sarvāṇi
all
bhūmau viyati vā jale
bhūmau
on the earth
viyati
in the sky
vā
or
jale
in the water
taṁ tvānupaśyato brahman
tam
that person
tvā
You
anupaśyataḥ
seeing
brahman
O Supreme Absolute Truth
kiṁ me dṛṣṭam ihādbhutam
kim
what
me
by me
dṛṣṭam
seen
iha
in this world
adbhutam
amazing .
  • brahman — O Supreme Absolute Truth
    Vocative. Akrūra addresses Kṛṣṇa as Brahman — exactly the Bhāgavatam's settled identification (brahmeti paramātmeti bhagavān iti śabdyate, SB 1.2.11). Gauḍīyas insist: para-brahma is a Person, and that Person is Kṛṣṇa.
  • anupaśyataḥ — seeing
    anu + √paś — to see in succession, to follow with the eye. The prefix anu carries continuity. Bhakti-darśana is not a single event but a sustained following — the eye trailing the Person.
  • yatra — in whom
    Relative locative. The wonders are not 'with' or 'around' Kṛṣṇa but in Him — locative of containment. This is the precise pratyak-pada of the verse: everything astonishing is inside the Person Akrūra is looking at.
  • adbhutam — amazing
    Repeated from verse 3 (Kṛṣṇa's question) and verse 4. The word is the spine of this exchange — Kṛṣṇa asks what is adbhuta; Akrūra answers that the only adbhuta is Kṛṣṇa Himself.
And now that I am seeing You, O Supreme Absolute Truth, in whom reside all amazing things on the earth, in the sky and in the water, what amazing things could I see in this world?

Akrūra has now realized that Lord Kṛṣṇa is not merely his nephew.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
And now that I am seeing You, O Supreme Absolute Truth, in whom reside all amazing things on the earth, in the sky and in the water, what amazing things could I see in this world?
Commentary

"What was amazing was not all the things I saw within you, but that form which contained everything. I am gazing upon you, within whom all amazing things exist. There are many amazing things, but on the land and in the water, but I realize that your form standing before me is more amazing than all things of the universe. The form I see here is thousands of times more amazing than the sight of Vaikuntha with Sankarsana and all of Narayana’s attendants. O Brahman, you are the para brahma, the lord of all lords. By your mercy my foolishness of thinking that you are simply my brother’s son has disappeared."

Jīva Gosvāmī Gauḍīya
Commentary

Seeing this form of yours, all these objects are not seen to be remarkable, but are your very form. Whatever exists on earth, in the sky or water, I see that as you. What other astonishing thing have I seen continually by good fortune now at this place? This means “I have seen this form more astonishing that previously.” He explains the reason. You are Brahman. Śruti says: atha kasmād ucyate brahma bṛṁhati bṛḥayati ca Why is it called Brahman? It is big and expands. Śandilya Upaniṣad bṛhattvād bṛṁhaṇatvac ca yad brahma paramaṁ vidhuḥ The wise know this as the supreme Brahman because it is huge and causes increase. Viṣṇu Purāṇa yan martya-līlaupayikaṁ sva-yoga- māyā-balaṁ darśayatā gṛhītam vismāpanaṁ svasya ca saubhagarddheḥ paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam Kṛṣṇa possesses that form suitable for human pastimes to show the full capacity of his yoga-māyā. That form astonishes even the lord of Vaikuṇṭha. It is the pinnacle of auspicious qualities and enhances the beauty of his ornaments. SB 3.2.12 Akrūra thus calls Kṛṣṇa Brahman since he is the greatest of all. It is well known that your form is the highest truth. Another version has brahma instead of brahman, with the same meaning. Another version has drṣṭam iva. This suggests the inferior nature of his seeing.

Śrīdhara Svāmī Gauḍīya
Commentary

Seeing you, certainly (nu) what is amazing to see in this world? Or seeing you again and again (anu), what is amazing? The reference to amazing things is in the previous verse. What was seen on land etc. was previously unseen. But it is seen here. This is according to Citsukha’s explanation. Śrīdhara Svāmī agrees with it. Another version has apaśyataḥ: I saw previously. Tam tvām iha paśyataḥ is also seen. This is acceptable. What was astonishing was also seen by you. Or what was astonishing was shown by you. Now like a fool, I ask about it. You are most astonishing.

Related values
Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Samata (Equanimity / Even-mindedness)Shraddha (Faith / Reverence)Asteya (Non-stealing / Honesty)Seva (Service / Selfless Action)Kritajnata (Gratitude)Karuna (Kindness / Compassion)
Related verses
Concepts
BrahmanYogaJiva

Once you have entered the gold-mine, what value is a single coin found on the road? Akrūra has touched the source of all marvels; the marvels themselves now seem like small change.

📝 My note

Śrīmad-Bhāgavatam 10.41.6

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ఇత్యుక్త్వా చోదయామాస స్యన్దనం గాన్దినీసుత: । మథురామనయద్ రామం కృష్ణం చైవ దినాత్యయే ॥ ౬ ॥
ity uktvā codayām āsa
[ity uktvaa chodayaam aasa]
syandanaṁ gāndinī-sutaḥ
[syandanam gaandinee-sutah]
mathurām anayad rāmaṁ
[mathuraam anayad raamam]
kṛṣṇaṁ caiva dinātyaye
[krishnam chaiva dinaatyaye]
iti — thus uktvā — saying codayām āsa — drove forward syandanam — the chariot gāndinī - sutaḥ — the son of Gāndinī, Akrūra mathurām — to Mathurā anayat — he brought rāmam — Lord Balarāma kṛṣṇam — Lord Kṛṣṇa ca — and eva — also dina — of the day atyaye — at the end .
Blended reading (Sanskrit + English inline)
ity uktvā codayām āsa
iti
thus
uktvā
saying
codayām āsa
drove forward
syandanaṁ gāndinī-sutaḥ
syandanam
the chariot
gāndinī - sutaḥ
the son of Gāndinī, Akrūra
mathurām anayad rāmaṁ
mathurām
to Mathurā
anayat
he brought
rāmam
Lord Balarāma
kṛṣṇaṁ caiva dinātyaye
kṛṣṇam
Lord Kṛṣṇa
ca
and
eva
also
dina
of the day
atyaye
at the end .
  • gāndinī-sutaḥ — the son of Gāndinī
    Compound: Gāndinī (Akrūra's mother) + suta (son). Matronymic — Gāndinī was famously charitable, and her son carries her bhāva: he brings Kṛṣṇa, the highest gift, into Mathurā.
  • mathurām — to Mathurā
    Accusative. Mathurā is one of the seven mokṣa-purīs and the eternal birth-place of Kṛṣṇa. Gauḍīyas hold Mathurā-maṇḍala (84 krośas) as non-different from Vraja in tattva. Rūpa Gosvāmī ranks even brief residence here above sārūpya.
  • codayām āsa — drove forward
    Periphrastic perfect of √cud — to impel, urge. The same verb-field used for impelling horses, weapons, the mind in dhyāna. Akrūra's hands move the reins; Yogamāyā moves the day.
  • dina-atyaye — at the end of the day
    Compound: dina (day) + atyaya (passing, end). Locative. Kṛṣṇa enters Mathurā at evening — the sandhyā hour, twilight between Vraja-līlā and Mathurā-līlā. The geography of bhāva-transition.
With these words, Akrūra, the son of Gāndinī, began driving the chariot onward. At the end of the day he arrived in Mathurā with Lord Balarāma and Lord Kṛṣṇa.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
With these words, Akrūra, the son of Gāndinī, began driving the chariot onward. At the end of the day he arrived in Mathurā with Lord Balarāma and Lord Kṛṣṇa.
Commentary

Gandini suta means Akrura.

Jīva Gosvāmī Gauḍīya
Commentary

In stating that Akrūra brought Kṛṣṇa and Balarāma to Mathurā, Śukadeva identifies with the people of Vraja. He brought them there in the last yāma of daylight—afternoon since this will be mentioned later and since Kṛṣṇa performed many pastimes during that time. It also is said in SB 10.42.23 that the two wandered about the city and then the sun set. Viṣṇu Purāṇa says saṁprāptaś cāpi sāyāhne so 'krūro mathurāṁ purīm: Akrūra reached Mathurā in the evening. The two versions may be reconciled by saying that he arrived in Mathurā during the fourth prahara, between the ten daṇḍas of afternoon and the six daṇḍas of evening. Hari-vaṁśa says viviśus te purīm ramyāṁ kāle rakta-divākaraḥ: they entered the attractive city when the sun turned red. The sun turning red was a sign of evening. Akrūra arrived in the evening though the place where he bathed was close, since he was delayed a long time by seeing the Lord in the water.

Śrīdhara Svāmī Gauḍīya
Commentary

Gāndini came out of the womb only when a cow was donated to a brāhmaṇa every day. By mentioning her name, it is suggested that Akrūra, her son had similar piety. He brought the boys to Mathurā. Mathurā means mantha viloḍane or churning. Thus the boys hearts were excited by the city. Though separated from the gopīs, Kṛṣṇa would perform pastimes in Mathurā. They arrived during the last part of the day. Verse 19 mentions afternoon. They also performed many pastimes before dark. Viṣṇu Purāṇa says saṁprāptaś cāpi sāyāhne so 'krūro mathurāṁ purīm: Akrūra reached Mathurā in the evening. Hari-vaṁśa says viviśus te purīm ramyāṁ kāle rakta-divākaraḥ: they entered the attractive city when the sun turned red. These descriptions are from another kalpa. It also is said in SB 10.42.23 that the two wandered about the city and then the sun set. It also is said in SB 10.42.23 that the two wandered about the city and then the sun set.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

The chariot is no longer a vehicle of duty — it is a thread Kaṁsa pulled, not knowing the other end was held by Yogamāyā. Akrūra drives it, but the route was drawn long before by Kṛṣṇa's own will to enter Mathurā.

📝 My note

Śrīmad-Bhāgavatam 10.41.7

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మార్గే గ్రామజనా రాజంస్తత్ర తత్రోపసఙ్గతా: । వసుదేవసుతౌ వీక్ష్య ప్రీతా ద‍ృష్టిం న చాదదు: ॥ ౭ ॥
mārge grāma-janā rājaṁs
[maarge graama-janaa raajams]
tatra tatropasaṅgatāḥ
[tatra tatropasangataah]
vasudeva-sutau vīkṣya
[vasudeva-sutau veekshya]
prītā dṛṣṭiṁ na cādaduḥ
[preetaa drishtim na chaadaduh]
mārge — on the road grāma — of the villages janāḥ — the people rājan — O King (Parīkṣit) tatra tatra — here and there upasaṅgatāḥ — approaching vasudeva - sutau — at the two sons of Vasudeva vīkṣya — looking prītāḥ — pleased dṛṣṭim — their vision na — not ca — and ādaduḥ — could take back .
Blended reading (Sanskrit + English inline)
mārge grāma-janā rājaṁs
mārge
on the road
grāma
of the villages
janāḥ
the people
rājan
O King (Parīkṣit)
tatra tatropasaṅgatāḥ
tatra tatra
here and there
upasaṅgatāḥ
approaching
vasudeva-sutau vīkṣya
vasudeva - sutau
at the two sons of Vasudeva
vīkṣya
looking
prītā dṛṣṭiṁ na cādaduḥ
prītāḥ
pleased
dṛṣṭim
their vision
na
not
ca
and
ādaduḥ
could take back .
  • vasudeva-sutau — the two sons of Vasudeva
    Dual compound. The villagers along the road do not know Yogamāyā's switch (Yaśodā / Devakī); they see two brothers and are pulled. Gauḍīya reading: the Person is so attractive that even concealed identity does not blunt the magnetic force.
  • prītāḥ — pleased
    Past participle of √prī. Prīti is the foundational ingredient of bhakti-rasa (Bhakti-rasāmṛta-sindhu 1.4.1). The villagers feel it spontaneously — sahajā prīti, the natural response of the jīva to its source.
  • dṛṣṭim — their vision
    Accusative of dṛṣṭi. The eyes have a will of their own when Kṛṣṇa enters the visual field. The Bhāgavatam repeatedly uses this image (gopīs in 10.21, Kunti in 1.8) — bhakti enters first through the eye.
  • ādaduḥ — could take back
    Perfect 3rd plural of ā + √dā — to take back. With negation na: they could not take back their gaze. The verb-form is precise: not 'did not' but 'could not' — the eye's autonomy is overridden by darśana.
Wherever they passed along the road, O King, the village people came forward and looked upon the two sons of Vasudeva with great pleasure. In fact, the villagers could not withdraw their eyes from Them.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Wherever they passed along the road, O King, the village people came forward and looked upon the two sons of Vasudeva with great pleasure. In fact, the villagers could not withdraw their eyes from Them.
Commentary

Having seen Krsna and Balarama, the people on the road could not withdraw their eyes (na adaduh). Seeing them, they remained motionless.

Jīva Gosvāmī Gauḍīya
Commentary

Moreover they proceeded slowly because they wanted to give pleasure to the people on the road. The village people were simple but by nature, they were attracted (prītāḥ) to the two boys. O king! You can understand their nature. Or remembering those people’s affection for Kṛṣṇa, he calls out to the king when pain arises from his prema.

Śrīdhara Svāmī Gauḍīya
Commentary

Moreover they proceeded slowly because they wanted to give pleasure to the people on the road. The village people were simple but by nature, they were attracted (prītāḥ) to the two boys. O king! You can understand their nature. Or remembering those people’s affection for Kṛṣṇa, he calls out to the king when pain arose from his prema. At that time, the people gathered on the road to see the sons of Vasudeva (vasudeva-sutau). They became aware at this time of Kṛṣṇa’s birth. Or they watched because of the great beauty, since Kṛṣṇa revealed qualities of bhagavān, though he was his son. Or Vasudeva means the best of Vasus, Nanda.

Related values
Anahankarah (Freedom from False Ego)Prema (Divine Love)Kshama (Forgiveness / Patience)
Related verses
Concepts
Jiva

A magnet pulls iron filings without speaking. Kṛṣṇa and Balarāma pass through villages and the eyes of the villagers simply will not return — sight is the body's instinctive answer to sākṣād-darśana of Bhagavān.

Bhīṣma fixing his eyes on Kṛṣṇa at death

On the bed of arrows, dying, Bhīṣmadeva fixed his gaze on Kṛṣṇa standing nearby and refused to look away (SB 1.9.32-42). His vision dissolved into Kṛṣṇa's body — eyes that had seen the whole Mahābhārata war could not, in the last hour, turn from this one face.

The villagers along the Mathurā road are an earlier, lighter instance of the same gravitational pull: once Bhagavān is in the field of vision, the eye refuses to surrender Him.

📝 My note

Śrīmad-Bhāgavatam 10.41.8

↗
తావద్ వ్రజౌకసస్తత్ర నన్దగోపాదయోఽగ్రత: । పురోపవనమాసాద్య ప్రతీక్షన్తోఽవతస్థిరే ॥ ౮ ॥
tāvad vrajaukasas tatra
[taavad vrajaukasas tatra]
nanda-gopādayo ’grataḥ
[nanda-gopaadayo ’gratah]
puropavanam āsādya
[puropavanam aasaadya]
pratīkṣanto ’vatasthire
[prateekshanto ’vatasthire]
tāvat — by then vraja - okasaḥ — the inhabitants of Vraja tatra — there nanda - gopa - ādayaḥ — headed by Nanda, the king of the cowherds agrataḥ — before pura — of the city upavanam — a garden āsādya — coming upon pratīkṣantaḥ — waiting avatasthire — they stayed there .
Blended reading (Sanskrit + English inline)
tāvad vrajaukasas tatra
tāvat
by then
vraja - okasaḥ
the inhabitants of Vraja
tatra
there
nanda-gopādayo ’grataḥ
nanda - gopa - ādayaḥ
headed by Nanda, the king of the cowherds
agrataḥ
before
puropavanam āsādya
pura
of the city
upavanam
a garden
āsādya
coming upon
pratīkṣanto ’vatasthire
pratīkṣantaḥ
waiting
avatasthire
they stayed there .
  • vraja-okasaḥ — the inhabitants of Vraja
    Compound: Vraja + okas (dweller). The Gauḍīya term for Kṛṣṇa's eternal associates in Vraja-līlā. Nanda, Yaśodā, the gopas — all marked by vātsalya and sakhya. Their presence at Mathurā's edge marks Vraja-rasa accompanying Kṛṣṇa even into Mathurā-līlā.
  • nanda-gopa-ādayaḥ — headed by Nanda the cowherd-king
    Triple compound. Nanda is called gopa, not rāja — the Bhāgavatam preserves his identity as a cowherd even as he leads his community. Gauḍīyas hold Nanda as the supreme reservoir of vātsalya, second only to Yaśodā.
  • upavanam — a garden
    upa + vana — a near-forest, a grove on the outskirts. Nanda stops at the city's threshold, not inside it. The geography enacts vātsalya's limit: paternal love can follow the child to the edge of his next līlā, then must wait.
  • pratīkṣantaḥ — waiting
    Present participle of prati + √īkṣ — to look toward, await. Vātsalya is largely a posture of waiting — Yaśodā waiting for the calf-grazing son, Nanda waiting in the upavana. Bhakti's grammar includes long stretches of pratīkṣā.
Nanda Mahārāja and the other residents of Vṛndāvana, having reached Mathurā ahead of the chariot, had stopped at a garden on the outskirts of the city to wait for Kṛṣṇa and Balarāma.

Nanda and the others reached Mathurā first because the chariot carrying Kṛṣṇa and Balarāma was delayed by Akrūra’s bathing.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Nanda Mahārāja and the other residents of Vṛndāvana, having reached Mathurā ahead of the chariot, had stopped at a garden on the outskirts of the city to wait for Kṛṣṇa and Balarāma.
Commentary

Nanda and others remained standing, waiting for Krsna and Balarama to arrive. Not being able to keep up with the swift chariot of Akrura, they had given up the main road and taken a short cut. Thus they arrived earlier. As well, Akrura was delayed because of his bath in the Yamuna.

Jīva Gosvāmī Gauḍīya
Commentary

Nanda and others waited until Kṛṣṇa and Balarāma arrived. They stared at the road from a high vantage point, since close friends worry about the safety of friends. They did not enter the city without them. Previously they could not follow the chariot because it went more quickly. Though they did not see the marks of the chariot wheels there, they went on the straight road, but suspected that he had gone on an indirect road, from seeing the marks. They thought that by going on the straight road they would quickly meet him. When the roads joined near the city and they did not see him, they remained gazing at the road with great longing.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Karuna (Kindness / Compassion)
Related verses

A father and mother wait in a garden outside the great city, knowing they cannot follow their son inside the palace tomorrow. Nanda Mahārāja's encampment is vātsalya at its threshold — he came as far as Mathurā would let him.

📝 My note

Śrīmad-Bhāgavatam 10.41.9

↗
తాన్ సమేత్యాహ భగవానక్రూరం జగదీశ్వర: । గృహీత్వా పాణినా పాణిం ప్రశ్రితం ప్రహసన్నివ ॥ ౯ ॥
tān sametyāha bhagavān
[taan sametyaaha bhagavaan]
akrūraṁ jagad-īśvaraḥ
[akrooram jagad-eeshvarah]
gṛhītvā pāṇinā pāṇiṁ
[griheetvaa paaninaa paanim]
praśritaṁ prahasann iva
[prashritam prahasann iva]
tān — with them sametya — meeting āha — said bhagavān — the Supreme Personality of Godhead akrūram — to Akrūra jagat - īśvaraḥ — the Lord of the universe gṛhītvā — taking pāṇinā — with His hand pāṇim — his hand praśritam — who was humble prahasan — smiling iva — indeed .
Blended reading (Sanskrit + English inline)
tān sametyāha bhagavān
tān
with them
sametya
meeting
āha
said
bhagavān
the Supreme Personality of Godhead
akrūraṁ jagad-īśvaraḥ
akrūram
to Akrūra
jagat - īśvaraḥ
the Lord of the universe
gṛhītvā pāṇinā pāṇiṁ
gṛhītvā
taking
pāṇinā
with His hand
pāṇim
his hand
praśritaṁ prahasann iva
praśritam
who was humble
prahasan
smiling
iva
indeed .
  • jagat-īśvaraḥ — Lord of the universe
    Compound: jagat (world) + īśvara (controller). The Bhāgavatam intentionally pairs this aiśvarya-title with the gesture of hand-holding — sovereignty and intimacy in one frame. Acintya-bhedābheda in narrative form.
  • gṛhītvā — taking
    Absolutive of √grah. The same verb used for accepting an offering, receiving a gift. Bhagavān's grasp of the devotee's hand is itself a vara — He accepts Akrūra's praśraya by physical contact.
  • pāṇim — his hand
    Accusative of pāṇi. Pāṇi-grahaṇa is a Sanskrit ritual term — the marriage hand-clasp. Gauḍīyas read this with care: Bhagavān's hand-clasp of His devotee is the prototype of all surrender-bonds.
  • praśritam — who was humble
    Past participle of pra + √śri — bowed forward, leaning into surrender. The posture of vinaya. Kṛṣṇa receives Akrūra exactly in the bent posture of dāsya — humility and divine clasp meet.
  • prahasan — smiling
    Present participle of pra + √has. The Lord's smile (mānda-hāsa, mṛdu-smita) is a leitmotif of Kṛṣṇa-līlā. Here it carries a private weight — He is about to send Akrūra home alone, and softens the disappointment with His mouth before His words.
After joining Nanda and the others, the Supreme Lord Kṛṣṇa, the controller of the universe, took humble Akrūra’s hand in His own and, smiling, spoke as follows.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
After joining Nanda and the others, the Supreme Lord Kṛṣṇa, the controller of the universe, took humble Akrūra's hand in His own and, smiling, spoke as follows.
Commentary

While seeming to smile, Krsna spoke to Akrura with humility (prasritam). He smiled in order to please Akrura, but actually he was full of grief on seeing the city of Mathura, because he remembered that he had left Vraja.

Jīva Gosvāmī Gauḍīya
Commentary

Though he was Lord of the universe, Kṛṣṇa took Akrūra’s hands in his own because he was displaying his unlimited qualities (bhagavān) such as being affectionate to his devotees. He appeared to smile to show that he was not deceptive.

Śrīdhara Svāmī Gauḍīya
Commentary

He met with Nanda. It was proper to give up others and join with his friends in order to experience happiness in his pastimes. Though he was Lord of the universe, Kṛṣṇa took Akrūra’s hands in his own because he was displaying his unlimited qualities (bhagavān) such as being affectionate to his devotees. He appeared to smile. This was natural. He had no deception. Or iva indicates it was a slight smile since he was pained by separation from the gopīs.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)
Related verses

Kṛṣṇa takes Akrūra's hand the way a king takes the hand of a minister he intends to honor — not for support, but for intimacy. The Lord of the universe holds the hand of His servant, and the holding is itself the message.

📝 My note

Śrīmad-Bhāgavatam 10.41.10

↗
భవాన్ ప్రవిశతామగ్రే సహయాన: పురీం గృహమ్ । వయం త్విహావముచ్యాథ తతో ద్రక్ష్యామహే పురీమ్ ॥ ౧౦ ॥
bhavān praviśatām agre
[bhavaan pravishataam agre]
saha-yānaḥ purīṁ gṛham
[saha-yaanah pureem griham]
vayaṁ tv ihāvamucyātha
[vayam tv ihaavamuchyaatha]
tato drakṣyāmahe purīm
[tato drakshyaamahe pureem]
bhavān — you praviśatām — should enter agre — ahead saha — together with yānaḥ — the vehicle purīm — the city gṛham — and your home vayam — we tu — on the other hand iha — here avamucya — getting down atha — then tataḥ — afterwards drakṣyāmahe — will see purīm — the city .
Blended reading (Sanskrit + English inline)
bhavān praviśatām agre
bhavān
you
praviśatām
should enter
agre
ahead
saha-yānaḥ purīṁ gṛham
saha
together with
yānaḥ
the vehicle
purīm
the city
gṛham
and your home
vayaṁ tv ihāvamucyātha
vayam
we
tu
on the other hand
iha
here
avamucya
getting down
atha
then
tato drakṣyāmahe purīm
tataḥ
afterwards
drakṣyāmahe
will see
purīm
the city .
  • praviśatām — should enter
    Third-person imperative of pra + √viś. Kṛṣṇa speaks with the calm authority of one assigning order. He does not enter Mathurā in the conveyance Kaṁsa sent — He sends the conveyance ahead and walks in later, on His own time.
  • avamucya — getting down
    Absolutive of ava + √muc — to release, unyoke. The same verb-field used for unyoking horses at the day's end. Kṛṣṇa unyokes the chariot of Kaṁsa's intention; from here on, He travels by His own līlā.
  • drakṣyāmahe — We will see
    Future plural of √dṛś. Kṛṣṇa announces the sight-seeing tour of Mathurā that will fill the rest of the chapter. The Lord 'sees' the city — but the seeing is His act of survey, of taking possession before tomorrow's killing.
[Lord Kṛṣṇa said:] Take the chariot and enter the city ahead of us. Then go home. After resting here a while, we will go to see the city.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
[Lord Kṛṣṇa said:] Take the chariot and enter the city ahead of us. Then go home. After resting here a while, we will go to see the city.
Commentary

"You go ahead to your house in the city with the chariot. We will rest here (avamucya) and then we will see the city."

Jīva Gosvāmī Gauḍīya
Commentary

After you enter the city we see the city. Kṛṣṇa addresses him as tata to show respect. Since we want to rest and then see the city going we will be delayed. Therefore it is not possible for us to enter with you. They wanted to see the city in a leisurely way.

Concepts
Jiva

A traveler who has reached his destination tells his coachman, 'Go on ahead — I will come to your house, but on My own feet.' Kṛṣṇa refuses to enter Kaṁsa's city the way Kaṁsa wanted Him to enter — in a chariot, on schedule. He chooses His own pace.

📝 My note

Śrīmad-Bhāgavatam 10.41.11

↗
శ్రీఅక్రూర ఉవాచ నాహం భవద్‌భ్యాం రహిత: ప్రవేక్ష్యే మథురాం ప్రభో । త్యక్తుం నార్హసి మాం నాథ భక్తం తే భక్తవత్సల ॥ ౧౧ ॥
śrī-akrūra uvāca
[shree-akroora uvaacha]
nāhaṁ bhavadbhyāṁ rahitaḥ
[naaham bhavadbhyaam rahitah]
pravekṣye mathurāṁ prabho
[pravekshye mathuraam prabho]
tyaktuṁ nārhasi māṁ nātha
[tyaktum naarhasi maam naatha]
bhaktaṁ te bhakta-vatsala
[bhaktam te bhakta-vatsala]
śrī - akrūraḥ uvāca — Śrī Akrūra said na — cannot aham — I bhavadbhyām — of the two of You rahitaḥ — deprived pravekṣye — enter mathurām — Mathurā prabho — O master tyaktum — abandon na arhasi — You should not mām — me nātha — O Lord bhaktam — devotee te — Your bhakta - vatsala — O You who have parental affection for Your devotees .
Blended reading (Sanskrit + English inline)
śrī-akrūra uvāca
śrī - akrūraḥ uvāca
Śrī Akrūra said
nāhaṁ bhavadbhyāṁ rahitaḥ
na
cannot
aham
I
bhavadbhyām
of the two of You
rahitaḥ
deprived
pravekṣye mathurāṁ prabho
pravekṣye
enter
mathurām
Mathurā
prabho
O master
tyaktuṁ nārhasi māṁ nātha
tyaktum
abandon
na arhasi
You should not
mām
me
nātha
O Lord
bhaktaṁ te bhakta-vatsala
bhaktam
devotee
te
Your
bhakta - vatsala
O You who have parental affection for Your devotees .
  • bhakta-vatsala — O You who have parental affection for Your devotees
    Compound vocative: bhakta + vatsala (calf-loving, hence parentally affectionate). One of Kṛṣṇa's most-invoked names. Vatsala is the cow's love for the calf — Gauḍīyas read this as Bhagavān reversing the directionality of love: not just the devotee yearning for Him, but Him yearning for the devotee.
  • rahitaḥ — deprived
    Past participle of √rah — to abandon, leave behind. Akrūra cannot bear the verb being applied to himself. The dāsya-devotee's primary terror is separation, not death.
  • tyaktum — to abandon
    Infinitive of √tyaj. Akrūra inverts the verse's bhakta-vatsala: 'You who love Your devotee — You cannot now abandon him.' The grammar holds Bhagavān to His own name.
  • nātha — O Lord
    Vocative of nātha — master, protector, one to whom one belongs. Pairs with bhakta: nātha-bhakta is the standard relational frame of dāsya-rasa. Akrūra speaks as one who has already given Kṛṣṇa the title.
Śrī Akrūra said: O master, without the two of You I shall not enter Mathurā. I am Your devotee, O Lord, so it is not fair for You to abandon me, since You are always affectionate to Your devotees.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Śrī Akrūra said: O master, without the two of You I shall not enter Mathurā. I am Your devotee, O Lord, so it is not fair for You to abandon me, since You are always affectionate to Your devotees.
Jīva Gosvāmī Gauḍīya
Commentary

Because of great pain, he calls out to Kṛṣṇa many times with “O Lord! O giver! O Kṛṣṇa, affection to your devotees!” I cannot enter the city without you because you give shelter to all beings, since you are most powerful (prabho)! “Enter with my permission.” I cannot leave you, since you give a person whatever he desires (nātha). “But detached, neutral persons can be given up.” I am your devotee (te bhaktam), surrendered completely to you. “I cannot give you up, but for a short time you should go to your house from relaxing in the city.” It is not proper for you to give up your devotee for even a moment, since you are most affection to them (bhakti-vatsala).

Related values
Anahankarah (Freedom from False Ego)Udyama (Industriousness / Effort)Atma Nigraha (Self-control)
Related verses

A bee, having found the lotus, will not enter a stone city without it. Akrūra clings to Kṛṣṇa's companionship — refusing the journey's reward if its center is missing.

📝 My note

Śrīmad-Bhāgavatam 10.41.12

↗
ఆగచ్ఛ యామ గేహాన్న: సనాథాన్కుర్వధోక్షజ । సహాగ్రజ: సగోపాలై: సుహృద్భ‍ిశ్చ సుహృత్తమ ॥ ౧౨ ॥
āgaccha yāma gehān naḥ
[aagachcha yaama gehaan nah]
sa-nāthān kurv adhokṣaja
[sa-naathaan kurv adhokshaja]
sahāgrajaḥ sa-gopālaiḥ
[sahaagrajah sa-gopaalaih]
suhṛdbhiś ca suhṛttama
[suhridbhish cha suhrittama]
āgaccha — please come yāma — let us go gehān — to the house naḥ — our sa — having nāthān — a master kuru — please make it adhokṣaja — O transcendental Lord saha — with agra - jaḥ — Your elder brother sa - gopālaiḥ — with the cowherd men suhṛdbhiḥ — with Your friends ca — and suhṛt - tama — O supreme well-wisher .
Blended reading (Sanskrit + English inline)
āgaccha yāma gehān naḥ
āgaccha
please come
yāma
let us go
gehān
to the house
naḥ
our
sa-nāthān kurv adhokṣaja
sa
having
nāthān
a master
kuru
please make it
adhokṣaja
O transcendental Lord
sahāgrajaḥ sa-gopālaiḥ
saha
with
agra - jaḥ
Your elder brother
sa - gopālaiḥ
with the cowherd men
suhṛdbhiś ca suhṛttama
suhṛdbhiḥ
with Your friends
ca
and
suhṛt - tama
O supreme well-wisher .
  • adhokṣaja — O transcendental Lord
    Etymologically: adhaḥ-kṛta + akṣa-ja — He before whom sense-knowledge falls down. The name Akrūra has just used in his Yamunā-stuti (40.32 etc.). For Gauḍīyas it names Kṛṣṇa as beyond mental speculation — yet here, paradoxically, He is being invited home for dinner.
  • suhṛt-tama — O supreme well-wisher
    Superlative of suhṛt — friend who wishes well without expectation of return. Echoes BG 5.29 (suhṛdaṁ sarva-bhūtānām). The Gītā establishes the title; the Bhāgavatam invokes it personally.
  • sa-nāthān — having a master
    Compound: sa (with) + nātha (master). To 'have a master' is the householder's blessing in Akrūra's framing. The Gauḍīya reversal of secular grammar: anāthā is suffering; sa-nātha is fulfilment.
  • agra-jaḥ — elder brother
    agra (front, foremost) + ja (born). Balarāma is included in the invitation — Gauḍīyas always pair Them, kṛṣṇa-balarāmau, never severing them. The duality is structural to Vraja-tattva.
Come, let us go to my house with Your elder brother, the cowherd men and Your companions. O best of friends, O transcendental Lord, in this way please grace my house with its master.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Come, let us go to my house with Your elder brother, the cowherd men and Your companions. O best of friends, O transcendental Lord, in this way please grace my house with its master.
Commentary

"Let the inhabitants of Vraja, you and I go to our houses. I will not go to Kamsa and announce the news of your arrival now. How can I announce that he will die the day after tomorrow? I do not have a speck of fear from him, because I have seen your powers in the Yamuna. Also, there will be no lack of things in my house. Therefore let us all go there."

Jīva Gosvāmī Gauḍīya
Commentary

“What should I do?” Come to my house. “You should go to Kaṁsa in order to tell him that we have arrived.” Fearing such an answer from Kṛṣṇa, he shows fearlessness because of experiencing Kṛṣṇa’s powers in the Yamunā. I will not go there. Come to my house. You two, the others and I will first go to our residences. But not seeing Kṛṣṇa’s consent, he then prayed with humility. Do this for us, who protected by you (sanāthān). He speaks in the plural (naḥ) to indicate his friends as well. You are beyond the knowledge of the senses but you will prove your protective qualities (sanātha) by coming to my house personally. Or go to our (naḥ) houses and give the residents protection (sanāthān). Since the houses are without masters, by going to them your quality of giving protection will be shown. Do not come alone but with your brother and the cowherds. Or come with your friends who protect the carts and oxen. This meaning can be derived according to the rule tṛtīyāsaptamyor bahula. (Pāṇini 2.4.84) “Why do we have to go immediately?” Those who show unconditional mercy are friends. Devotees are even better friends. Bhagavān is the best friend (suhṛttama).

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

A poor villager begs the king to spend the night under his roof — knowing the dust of those feet will outlast the house. Akrūra asks not for wealth but for proximity, with all His associates included.

📝 My note

Śrīmad-Bhāgavatam 10.41.13

↗
పునీహి పాదరజసా గృహాన్ నో గృహమేధినామ్ । యచ్ఛౌచేనానుతృప్యన్తి పితర: సాగ్నయ: సురా: ॥ ౧౩ ॥
punīhi pāda-rajasā
[puneehi paada-rajasaa]
gṛhān no gṛha-medhinām
[grihaan no griha-medhinaam]
yac-chaucenānutṛpyanti
[yach-chauchenaanutripyanti]
pitaraḥ sāgnayaḥ surāḥ
[pitarah saagnayah suraah]
punīhi — please purify pāda — of Your feet rajasā — with the dust gṛhān — the home naḥ — of us gṛha - medhinām — who are attached to household ritual duties yat — by which śaucena — purification anutṛpyanti — will become satisfied pitaraḥ — my forefathers sa — together with agnayaḥ — the sacrificial fires surāḥ — and the demigods .
Blended reading (Sanskrit + English inline)
punīhi pāda-rajasā
punīhi
please purify
pāda
of Your feet
rajasā
with the dust
gṛhān no gṛha-medhinām
gṛhān
the home
naḥ
of us
gṛha - medhinām
who are attached to household ritual duties
yac-chaucenānutṛpyanti
yat
by which
pitaraḥ sāgnayaḥ surāḥ
śaucena
purification
anutṛpyanti
will become satisfied
pitaraḥ
my forefathers
sa
together with
agnayaḥ
the sacrificial fires
surāḥ
and the demigods .
  • pāda-rajasā — with the dust of Your feet
    Compound instrumental: pāda (foot) + rajas (dust). The most precious purifier in Vaiṣṇava idiom. Gauḍīyas hold pāda-padma-rajaḥ above all tīrtha-jala — Ganges-water is itself sanctified by having washed those feet (next verse).
  • gṛha-medhinām — who are attached to household ritual duties
    Compound: gṛha (house) + medhin (sacrificer). The technical term for the gṛhastha bound to the five mahā-yajñas. Akrūra labels himself thus with humility — admitting he has not transcended karma-kāṇḍa, and so begs the higher purification.
  • punīhi — please purify
    Imperative of √pū. The verb of yajña-suddhi. Akrūra inverts the ritual order: instead of a brāhmaṇa purifying the home by mantra, he asks the Supreme Person to purify it by His feet. Bhakti-yajña outranks vidhi-yajña.
  • pitaraḥ — forefathers
    Nominative plural of pitṛ. The ancestors fed by śrāddha. Their satisfaction depends not on rice-pinda but on the descendant's contact with Bhagavān. Gauḍīyas cite this verse as proof that one Vaiṣṇava in a family liberates fourteen generations.
I am simply an ordinary householder attached to ritual sacrifices, so please purify my home with the dust of Your lotus feet. By that act of purification, my forefathers, the sacrificial fires and the demigods will all become satisfied.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
I am simply an ordinary householder attached to ritual sacrifices, so please purify my home with the dust of Your lotus feet. By that act of purification, my forefathers, the sacrificial fires and the demigods will all become satisfied.
Commentary

"The water from washing the dust from your feet (yat saucena), which will fall in my house and on my head, will satisfy all the devas, agni and the pitras."

Jīva Gosvāmī Gauḍīya
Commentary

“Your houses will be protected by worship of the Pitṛs, the fire and the devatās.” Purify our houses with the dust from your feet. We are householders, constant engaged in harming others in five ways (by fire, sweeping, crushing, drowning and grinding). By purifying just once, they will all be continually satisfied (anutṛpyanti). By satisfying the Pitṛs and devatās, our household duties will be completed. Thus the houses will be successful.

Related values
Anahankarah (Freedom from False Ego)Aparigraha (Non-possessiveness)Atma Nigraha (Self-control)Tyaga (Renunciation / Letting Go)
Related verses

A householder asks the king's elephant to step into his courtyard — knowing the footprint will sanctify the soil for generations. Akrūra knows that pādo-raja, not silver or cooked food, is the gift his pitṛs are actually waiting for.

Kuntī sweeping Kṛṣṇa's footprint-dust

In SB 1.8 Kunti laments Kṛṣṇa's departure from Hastināpura by saying that the road on which the dust of His feet lay was now empty. The Pāṇḍava queen, a kṣatriya woman, behaved exactly like Akrūra here: she measured holiness by the proximity of those feet.

Gauḍīyas read both verses together — pāda-rajaḥ-snāna is the highest sacrament. Caitanya Mahāprabhu's washing of Sārvabhauma Bhaṭṭācārya's house with the dust of His own feet (Caitanya-caritāmṛta) is the same līlā extended into Kali-yuga.

📝 My note

Śrīmad-Bhāgavatam 10.41.14

↗
అవనిజ్యాఙ్‍‍‍‍‍ఘ్రియుగలమాసీత్శ్లోక్యో బలిర్మహాన్ । ఐశ్వర్యమతులం లేభే గతిం చైకాన్తినాం తు యా ॥ ౧౪ ॥
avanijyāṅghri-yugalam
[avanijyaanghri-yugalam]
āsīt ślokyo balir mahān
[aaseet shlokyo balir mahaan]
aiśvaryam atulaṁ lebhe
[aishvaryam atulam lebhe]
gatiṁ caikāntināṁ tu yā
[gatim chaikaantinaam tu yaa]
avanijya — bathing aṅghri - yugalam — the two feet āsīt — became ślokyaḥ — glorious baliḥ — King Bali mahān — the great aiśvaryam — power atulam — unequaled lebhe — he achieved gatīm — the destination ca — and ekāntinām — of the unalloyed devotees of the Lord tu — indeed yā — which .
Blended reading (Sanskrit + English inline)
avanijyāṅghri-yugalam
avanijya
bathing
aṅghri - yugalam
the two feet
āsīt ślokyo balir mahān
āsīt
became
ślokyaḥ
glorious
baliḥ
King Bali
mahān
the great
aiśvaryam atulaṁ lebhe
aiśvaryam
power
atulam
unequaled
lebhe
he achieved
gatiṁ caikāntināṁ tu yā
gatīm
the destination
ca
and
ekāntinām
of the unalloyed devotees of the Lord
tu
indeed
yā
which .
  • baliḥ — King Bali
    Nominative. The Daitya emperor who surrendered everything to Vāmana. Gauḍīyas count Bali among the twelve mahājanas (SB 6.3.20) — devotion proven not by birth but by act.
  • ekāntinām — of the unalloyed devotees
    Genitive plural of ekāntin — one who is exclusively dedicated. The Gauḍīya technical term for ananya-bhakti. The gati of ekāntins is Vaikuṇṭha, or higher — for Kṛṣṇa's ekāntins, Goloka.
  • avanijya — bathing
    Absolutive of ava + √nij — to wash down. The verb of pāda-prakṣālana. The single act named here is the foundation of Bali's entire promotion. Bhakti's grammar: one small act on Bhagavān's feet outranks vast karma-kāṇḍa.
  • ślokyaḥ — glorious, worthy of being sung
    From śloka (verse, fame-song). Bali became one whose name is sung in verses — exactly the destiny the Bhāgavatam itself confers by recording him. The text enacts what it predicts.
By bathing Your feet, the exalted Bali Mahārāja attained not only glorious fame and unequaled power but also the final destination of pure devotees.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
By bathing Your feet, the exalted Bali Mahārāja attained not only glorious fame and unequaled power but also the final destination of pure devotees.
Commentary

"Bali Maharaja, by washing your feet, attained a position of great fame (slokya). He attained unequalled power and the destination of the pure devotees."

Jīva Gosvāmī Gauḍīya
Commentary

This is not empty praise. One can see the results. Or Kṛṣṇa may say “Then just take some dust or water from my feet to your houses.” I desire to wash your feet just as Bali did. Bali was the best among those with good qualities since he is praised by Vyāsa and others. He attained powers unobtainable by Indra and what is attained by the greatest devotees. In this world the Lord became his doorkeeper.

Related values
Anahankarah (Freedom from False Ego)
Related verses
Concepts
Jiva

Bali bathed two small feet and gained three worlds — the cosmic exchange-rate of bhakti. A single act of pāda-pūjā outweighs every empire he had ever conquered, because the feet were the Lord's.

Bali Mahārāja's surrender to Vāmana

When Vāmana, the dwarf-brāhmaṇa avatāra, came to Bali's sacrificial arena and asked for three paces of land (SB 8.18-22), Bali — against Śukrācārya's warning — washed Vāmana's feet and poured the water on his own head. With two steps the Lord covered the universe; for the third, Bali offered his own head.

The result, recorded right here in verse 14: glory, unequaled power, and finally gati ekāntinām — the destination of pure devotees. Akrūra uses Bali as precedent: 'Let me also bathe Your feet, Lord, and the rest will follow.'

📝 My note

Śrīmad-Bhāgavatam 10.41.15

↗
ఆపస్తేఽఙ్‌ఘ్య్రవనేజన్యస్త్రీంల్లోకాన్ శుచయోఽపునన్ । శిరసాధత్త యా: శర్వ: స్వర్యాతా: సగరాత్మజా: ॥ ౧౫ ॥
āpas te ’ṅghry-avanejanyas
[aapas te ’nghry-avanejanyas]
trīḻ lokān śucayo ’punan
[treeḻ lokaan shuchayo ’punan]
śirasādhatta yāḥ śarvaḥ
[shirasaadhatta yaah sharvah]
svar yātāḥ sagarātmajāḥ
[svar yaataah sagaraatmajaah]
āpaḥ — the water (namely, the river Ganges) te — Your aṅghri — of the feet avanejanyaḥ — coming from the bathing trīn — the three lokān — worlds śucayaḥ — being purely spiritual apunan — has purified śirasā — on his head ādhatta — has taken yāḥ — which śarvaḥ — Lord Śiva svaḥ — to heaven yātāḥ — went sagara - ātmajāḥ — the sons of King Sagara .
Blended reading (Sanskrit + English inline)
āpas te ’ṅghry-avanejanyas
āpaḥ
the water (namely, the river Ganges)
te
Your
aṅghri
of the feet
avanejanyaḥ
coming from the bathing
trīḻ lokān śucayo ’punan
trīn
the three
lokān
worlds
śucayaḥ
being purely spiritual
apunan
has purified
śirasādhatta yāḥ śarvaḥ
śirasā
on his head
ādhatta
has taken
yāḥ
which
śarvaḥ
Lord Śiva
svar yātāḥ sagarātmajāḥ
svaḥ
to heaven
yātāḥ
went
sagara - ātmajāḥ
the sons of King Sagara .
  • aṅghri-avanejanyaḥ — coming from the bathing of the feet
    Compound: aṅghri (foot) + avanejana (foot-washing). Names the Ganges by her origin-point, not her geography. Vaiṣṇava grammar: tīrthas are tīrthas because of what once touched them. Caitanya-caritāmṛta says tīrthas come to the bhakta, not the other way.
  • śarvaḥ — Lord Śiva
    Nominative. Śiva accepted Gaṅgā on his head — vaiṣṇavānāṁ yathā śambhuḥ. Gauḍīyas hold Śiva as the greatest Vaiṣṇava; his receiving Gaṅgā on his head is itself an act of bhakti, not aiśvarya.
  • śucayaḥ — being purely spiritual
    Nominative plural of śuci. The Ganges-waters are intrinsically pure — but their śauca is borrowed from contact with Kṛṣṇa's feet. All purity in the cosmos is, finally, contact-purity.
  • sagara-ātmajāḥ — the sons of King Sagara
    Compound: Sagara + ātmaja (self-born, son). The sixty thousand burnt princes. Their svarga-gati is given as proof of pāda-toya-mahimā. Akrūra is building a chain of precedents to justify his invitation.
The water of the river Ganges has purified the three worlds, having become transcendental by bathing Your feet. Lord Śiva accepted that water on his head, and by that water’s grace the sons of King Sagara attained to heaven.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The water of the river Ganges has purified the three worlds, having become transcendental by bathing Your feet. Lord Śiva accepted that water on his head, and by that water's grace the sons of King Sagara attained to heaven.
Commentary

Apah refers to the water of the Ganga. "That spiritual (sucayah) water of the Ganga, having washed your feet, which gave svarga (svar yata) to the descendants of Sagara and which Siva holds on his head, purifies the three worlds. "

Jīva Gosvāmī Gauḍīya
Commentary

That is the glory of the water that washed your feet. The power of being touched by that water is most astonishing. Other holy places become impure by burning up great sins of the people who visit. But your foot water as the Gaṅgā is most pure (śucayaḥ) and never becomes impure. Not only does it purify the three worlds but it is worshipped by Śiva, the chief of all the protectors of the planets, who is worthy of worship. Śiva holds that water on his head. athāpi yat-pāda-nakhāvasṛṣṭaṁ jagad viriṣcopahṛtārhaṇāmbhaḥ | seśaṁ punāty anyatamo mukundāt ko nāma loke bhagavat-padārthaḥ || Who can be called by the name Bhagavān except Mukunda whose toe-nail water purifies the universe along with Śiva and becomes arghya for Brahmā. SB 1.18.21 The impurity of the crematorium (Śiva’s place) becomes purified. Thus the water from your feet is the ultimate goal of all people. Not only does that water purify by its touch but it produces the highest purity, giving attainment of Brahmaloka to Sagara’s sons just by touching that place where the sons of Sagara were burned up-- even though they were great offenders and were burned up because of their offenses. The sons attained the three worlds (svar), meaning the top of the three worlds, Brahmaloka. This is explained in the Ninth Canto. That water purifies. It is most worshipable. It liberates the worst offenders and gives them the highest goal. That is the order of glory stated here.

Related values
Anahankarah (Freedom from False Ego)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

The Ganges falls from Kṛṣṇa's toenail, washes Śiva's matted hair, redeems Sagara's sixty thousand burnt sons — one river, three sanctifications, all radiating from a single foot-bath. Pāda-jala is more powerful than the river it produces.

Bhagīratha bringing Gaṅgā down for Sagara's sons

King Sagara's sixty thousand sons were burnt to ash by sage Kapila's glance after they accused him of stealing their sacrificial horse (SB 9.8). Generations later, Bhagīratha performed tapasya for thousands of years to bring Gaṅgā from heaven; Śiva caught her in his jaṭā to break her fall; finally she touched the ashes, and the burnt princes were lifted to svarga.

Akrūra compresses the whole story in one line: 'the water that bathed Your feet purified three worlds, Śiva took her on his head, and the sons of Sagara went to heaven.' Gauḍīyas note: the Ganges is great because of Kṛṣṇa's foot, not the other way.

📝 My note

Śrīmad-Bhāgavatam 10.41.16

↗
దేవదేవ జగన్నాథ పుణ్యశ్రవణకీర్తన । యదూత్తమోత్తమ:శ్లోక నారాయణ నమోఽస్తు తే ॥ ౧౬ ॥
deva-deva jagan-nātha
[deva-deva jagan-naatha]
puṇya-śravaṇa-kīrtana
[punya-shravana-keertana]
yadūttamottamaḥ-śloka
[yadoottamottamah-shloka]
nārāyaṇa namo ’stu te
[naaraayana namo ’stu te]
deva - deva — O Lord of lords jagat - nātha — O master of the universe puṇya — pious śravaṇa — hearing kīrtana — and chanting (about whom) yadu - uttama — O best of the Yadus uttamaḥ - śloka — O You who are glorified in excellent verses nārāyaṇa — O Supreme Lord Nārāyaṇa namaḥ — obeisances astu — let there be te — unto You .
Blended reading (Sanskrit + English inline)
deva-deva jagan-nātha
deva - deva
O Lord of lords
jagat - nātha
O master of the universe
puṇya-śravaṇa-kīrtana
puṇya
pious
śravaṇa
hearing
kīrtana
and chanting (about whom)
yadūttamottamaḥ-śloka
yadu - uttama
O best of the Yadus
uttamaḥ - śloka
O You who are glorified in excellent verses
nārāyaṇa namo ’stu te
nārāyaṇa
O Supreme Lord Nārāyaṇa
namaḥ
obeisances
astu
let there be
te
unto You .
  • deva-deva — O Lord of lords
    Vocative reduplication: God of gods. The standard Vaiṣṇava reply to any list of devatas — there is one Bhagavān above them all. The Bhāgavatam systematically deflects worship from secondary deities back to Kṛṣṇa.
  • puṇya-śravaṇa-kīrtana — whose hearing and chanting is most pious
    Triple compound: puṇya (pious) + śravaṇa (hearing) + kīrtana (chanting). Two of the nine limbs of bhakti named in SB 7.5.23. Akrūra is invoking the very practices that Gauḍīyas place at the center of sādhana — kṛṣṇa-kīrtana is the yuga-dharma.
  • uttamaḥ-śloka — O You who are glorified in excellent verses
    Compound: uttama (highest) + śloka (verse, song of fame). One of the most-used names of Kṛṣṇa in the Bhāgavatam — He whose śloka is itself the highest dharma. The text names its own subject.
  • nārāyaṇa — O Supreme Lord Nārāyaṇa
    Vocative. Akrūra had just seen the four-armed Nārāyaṇa-rūpa in the Yamunā; he addresses Kṛṣṇa with that name to honor the form recently shown. Gauḍīya tattva: Nārāyaṇa is Kṛṣṇa's aiśvarya-feature; Kṛṣṇa is Nārāyaṇa's mādhurya-source (kṛṣṇas tu bhagavān svayam).
O Lord of lords, master of the universe, O You whose glories it is most pious to hear and chant! O best of the Yadus, O You whose fame is recounted in excellent poetry! O Supreme Lord Nārāyaṇa, I offer You my obeisances.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O Lord of lords, master of the universe, O You whose glories it is most pious to hear and chant! O best of the Yadus, O You whose fame is recounted in excellent poetry ! O Supreme Lord Nārāyaṇa, I offer You my obeisances.
Commentary

"O devadeva, you shine among all the devatas. Today, illuminate my house. O jagannatha, you are the lord of the universe. As I am a member of the universe, please be present in my house today as the lord. O punya sravana kirtana, who purifies those who perform hearing and chanting, purify my house today. O yaduttama, o best of the Yadus, please come to my house, as I am also a Yadu. O uttamah sloka, famous as the deliverer of the fallen, please purify my fallen household."

Jīva Gosvāmī Gauḍīya
Commentary

O Lord of lords! By your coming it is certain that there were be great purification. Or, you are worthy of worship by the devatās. Though you are merciful to them because they serve you, you should be merciful to me since you are the Lord of the universe (jagan-natha). “But I give mercy to pure people.” I will become pure by hearing your glories (puṇya-śravaṇa-kīrtana). Or you will purify me greatly by letting me see you, since you purify people just by having them hear or chant your glories. I am worthy of your mercy since I have been born in the Yadu dynasty and you are the best of the Yadus, appearing in their family. “How can I give you mercy since you are an associate of Kaṁsa and committed offense in Gokula?” You have the greatest qualities (uttama-śloka), by which you gave a place in the spiritual world to Pūtanā and others. “Since I am the Lord, I do this if I wish, and sometimes I do not do it.” You are shelter of all jīvas (Nārāyaṇa). You may or may not give mercy, but you are the shelter of all jīvas. In great zeal, Akrūra then falls on the ground and grasps Kṛṣṇa’s feet. I offer respects to you (namaḥ). He prays only to Kṛṣṇa since he considers Balarāma to be non-different from him because of the two brothers have such great affection for each other and because Kṛṣṇa is the most prominent.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Aparigraha (Non-possessiveness)
Related verses
Concepts
Punya

Akrūra closes his stuti the way a bee closes its circling of a lotus — with full obeisance. The string of vocatives is not flattery; it is the inventory of names by which the bhakta has known Bhagavān across his life.

📝 My note

Śrīmad-Bhāgavatam 10.41.17

↗
శ్రీభగవానువాచ ఆయాస్యే భవతో గేహమహమార్యసమన్విత: । యదుచక్రద్రుహం హత్వా వితరిష్యే సుహృత్ప్రియమ్ ॥ ౧౭ ॥
śrī-bhagavān uvāca
[shree-bhagavaan uvaacha]
āyāsye bhavato geham
[aayaasye bhavato geham]
aham arya-samanvitaḥ
[aham arya-samanvitah]
yadu-cakra-druhaṁ hatvā
[yadu-chakra-druham hatvaa]
vitariṣye suhṛt-priyam
[vitarishye suhrit-priyam]
śrī - bhagavān uvāca — the Supreme Lord said āyāsye — will come bhavataḥ — to your geham — house aham — I ārya — by My elder (brother, Balarāma) samanvitaḥ — accompanied yadu - cakra — of the circle of Yadus druham — the enemy (Kaṁsa) hatvā — killing vitariṣye — I will grant suhṛt — to My well-wishers priyam — satisfaction .
Blended reading (Sanskrit + English inline)
śrī-bhagavān uvāca
śrī - bhagavān uvāca
the Supreme Lord said
āyāsye bhavato geham
āyāsye
will come
bhavataḥ
to your
geham
house
aham arya-samanvitaḥ
aham
I
ārya
by My elder (brother, Balarāma)
samanvitaḥ
accompanied
yadu-cakra-druhaṁ hatvā
yadu - cakra
of the circle of Yadus
druham
the enemy (Kaṁsa)
hatvā
killing
vitariṣye suhṛt-priyam
vitariṣye
I will grant
suhṛt
to My well-wishers
priyam
satisfaction .
  • yadu-cakra-druham — the enemy of the circle of Yadus
    Triple compound: yadu + cakra (circle, clan) + druh (one who injures). Kaṁsa, in one word. The Bhāgavatam consistently names him not by personal title but by his function as Yadu-druh — enemy of Kṛṣṇa's own house.
  • vitariṣye — I will grant
    Future of vi + √tṝ — to extend, distribute. The same verb-field used for the gift of mokṣa. Here Kṛṣṇa promises to 'extend' satisfaction to His suhṛdas — the gift He is about to give is Kaṁsa's death.
  • suhṛt-priyam — satisfaction to My well-wishers
    Compound: suhṛt (well-wisher) + priya (what is dear). Kṛṣṇa frames Kaṁsa's killing not as His vendetta but as a gift to others — Vasudeva, Devakī, Ugrasena, the entire Yadu line. Bhagavān's violence is always for someone else's relief.
  • ārya-samanvitaḥ — accompanied by My elder brother
    Compound: ārya (noble, elder) + sam-anvita (accompanied). Balarāma is named ārya — the elder. Gauḍīyas note: Kṛṣṇa never undertakes a public act without Balarāma; the dvi-mūrti-tattva is constitutive.
The Supreme Lord said: I will come to Your house with My elder brother, but first I must satisfy My friends and well-wishers by killing the enemy of the Yadu clan.

Akrūra glorified Kṛṣṇa in text 16 as yadūttama, “the best of the Yadus.” Śrī Kṛṣṇa here confirms this by saying, in effect, “Since I am the best of the Yadus, I must kill the enemy of the Yadus, Kaṁsa, and then I will come to your house.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The Supreme Lord said: I will come to Your house with My elder brother, but first I must satisfy My friends and well-wishers by killing the enemy of the Yadu clan.
Commentary

"O Akrura, you have correctly called me the best of the Yadus. Therefore first I will kill Kamsa, the violator of the Yadu clan, and then I will come to your house."

Jīva Gosvāmī Gauḍīya
Commentary

I will come with Balarāma. Kṛṣṇa would not come with the other cowherds, since they would not stay that long in Mathurā. When will that be? I will come when I have killed the enemy of the Yadus. He does not directly mention Kaṁsa because of Kaṁsa’s inauspiciousness and fear of revealing the plan. I show affection for the Yadus by freeing Vasudeva and others. It is not proper to come to your house and receive a welcome when the Yadus are suffering and my parents are imprisoned.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)Kshama (Forgiveness / Patience)
Related verses
Concepts
Jiva

A surgeon promises the family he will visit the home after the operation — but first the tumor must come out. Kṛṣṇa gently postpones Akrūra's hospitality until Kaṁsa has been cut from the body of the Yadu clan.

📝 My note

Śrīmad-Bhāgavatam 10.41.18

↗
శ్రీశుక ఉవాచ ఏవముక్తో భగవతా సోఽక్రూరో విమనా ఇవ । పురీం ప్రవిష్ట: కంసాయ కర్మావేద్య గృహం యయౌ ॥ ౧౮ ॥
śrī-śuka uvāca
[shree-shuka uvaacha]
evam ukto bhagavatā
[evam ukto bhagavataa]
so ’krūro vimanā iva
[so ’krooro vimanaa iva]
purīṁ praviṣṭaḥ kaṁsāya
[pureem pravishtah kamsaaya]
karmāvedya gṛhaṁ yayau
[karmaavedya griham yayau]
śrī - śukaḥ uvāca — Śukadeva Gosvāmī said evam — thus uktaḥ — addressed bhagavatā — by the Lord saḥ — he akrūraḥ — Akrūra vimanāḥ — disheartened iva — somewhat purīm — the city praviṣṭaḥ — entering kaṁsāya — to Kaṁsa karma — about his activities āvedya — informing gṛham — to his home yayau — went .
Blended reading (Sanskrit + English inline)
śrī-śuka uvāca
śrī - śukaḥ uvāca
Śukadeva Gosvāmī said
evam ukto bhagavatā
evam
thus
uktaḥ
addressed
bhagavatā
by the Lord
so ’krūro vimanā iva
purīṁ praviṣṭaḥ kaṁsāya
saḥ
he
akrūraḥ
Akrūra
vimanāḥ
disheartened
iva
somewhat
purīm
the city
praviṣṭaḥ
entering
karmāvedya gṛhaṁ yayau
kaṁsāya
to Kaṁsa
karma
about his activities
āvedya
informing
gṛham
to his home
yayau
went .
  • vimanāḥ — disheartened
    vi + manas — mind-emptied, dejected. The exact word the Bhāgavatam later uses for the gopīs after Kṛṣṇa leaves Vraja (10.39). Akrūra is the first to taste vipralambha at Mathurā's threshold; the gopīs will inherit the same word.
  • karma — his activities
    Accusative of karman. Akrūra reports his 'work' to Kaṁsa — but his real karma was darśana of Kṛṣṇa in the Yamunā. The verse runs on this irony: official duty discharged, secret reward already received.
  • kaṁsāya — to Kaṁsa
    Dative of Kaṁsa, the asuric king of Mathurā. In the Bhāgavatam's economy of names, Kaṁsa is the prototypical kṛṣṇa-dveṣī — the one who hates Bhagavān. His name's appearance in this verse marks the chapter's pivot toward the next.
  • gṛham — to his home
    Accusative of gṛha. Akrūra goes home alone. Gauḍīyas read the ache: he had invited Kṛṣṇa home (verses 11-12); now he goes home without Him. Vipralambha-bhakti's first measurement in this chapter.
Śukadeva Gosvāmī said: Thus addressed by the Lord, Akrūra entered the city with a heavy heart. He informed King Kaṁsa of the success of his mission and then went home.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Śukadeva Gosvāmī said: Thus addressed by the Lord, Akrūra entered the city with a heavy heart. He informed King Kaṁsa of the success of his mission and then went home.
Jīva Gosvāmī Gauḍīya
Commentary

Most eager, and joyful that he had brought Kṛṣṇa, he was now morose. Iva is an ornament (it does not mean “as if” in the context). Or, since Kṛṣṇa promised to come later, and had promised to kill Kaṁsa, he was not really morose. He thought, “Tomorrow Kṛṣṇa will kill Kaṁsa and come to my house.” Thus he went home to clean his house for Kṛṣṇa’s coming. Out of attachment for Kṛṣṇa, he did nothing else until Kṛṣṇa arrived. It is not described anywhere later that he did anything else.

Related values
Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)Nishkama Karma (Selfless Action)
Related verses
Concepts
JivaKarma

Akrūra walks into Kaṁsa's court the way a witness walks into a courtroom whose verdict has already been pronounced. He delivers the report, then goes home alone — the chariot has emptied of its real cargo.

📝 My note

Śrīmad-Bhāgavatam 10.41.19

↗
అథాపరాహ్నే భగవాన్ కృష్ణ: సఙ్కర్షణాన్విత: । మథురాం ప్రావిశద్ గోపైర్దిద‍ృక్షు: పరివారిత: ॥ ౧౯ ॥
athāparāhne bhagavān
[athaaparaahne bhagavaan]
kṛṣṇaḥ saṅkarṣaṇānvitaḥ
[krishnah sankarshanaanvitah]
mathurāṁ prāviśad gopair
[mathuraam praavishad gopair]
didṛkṣuḥ parivāritaḥ
[didrikshuh parivaaritah]
atha — then apara - ahne — in the afternoon bhagavān — the Supreme Lord kṛṣṇaḥ — Kṛṣṇa saṅkarṣaṇa - anvitaḥ — together with Lord Balarāma mathurām — Mathurā prāviśat — entered gopaiḥ — by the cowherd boys didṛkṣuḥ — wanting to see parivāritaḥ — joined .
Blended reading (Sanskrit + English inline)
athāparāhne bhagavān
atha
then
apara - ahne
in the afternoon
bhagavān
the Supreme Lord
kṛṣṇaḥ saṅkarṣaṇānvitaḥ
kṛṣṇaḥ
Kṛṣṇa
saṅkarṣaṇa - anvitaḥ
together with Lord Balarāma
mathurāṁ prāviśad gopair
mathurām
Mathurā
prāviśat
entered
gopaiḥ
by the cowherd boys
didṛkṣuḥ parivāritaḥ
didṛkṣuḥ
wanting to see
parivāritaḥ
joined .
  • didṛkṣuḥ — wanting to see
    Desiderative of √dṛś — desiring to see. Kṛṣṇa's purpose for entering Mathurā is named as 'wanting to see.' Bhagavān as subject of darśana, not only its object. He is the seer of His own city before tomorrow's killing.
  • saṅkarṣaṇa-anvitaḥ — together with Lord Balarāma
    Compound: Saṅkarṣaṇa (Balarāma's name from saṅ + √kṛṣ, the puller-together — He who pulled the embryo from Devakī to Rohiṇī) + anvita (accompanied). Saṅkarṣaṇa is the first vyūha; Gauḍīyas hold Balarāma as ādi-guru and Kṛṣṇa's first expansion.
  • gopaiḥ — by the cowherd boys
    Instrumental plural of gopa. Kṛṣṇa enters Mathurā surrounded by Vraja-sakhās — Śrīdāmā, Sudāmā, Subala and others. Sakhya-rasa walks beside Him into the city of aiśvarya. Vraja does not leave Him.
  • apara-ahne — in the afternoon
    Compound: apara (later) + ahan (day). The day's later half. Kṛṣṇa enters Mathurā at the time when shadows lengthen — the slow, deliberate hour, not the urgent dawn. The Lord moves with the calm of foreknown victory.
Lord Kṛṣṇa desired to see Mathurā, so toward evening He took Lord Balarāma and the cowherd boys with Him and entered the city.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Lord Kṛṣṇa desired to see Mathurā, so toward evening He took Lord Balarāma and the cowherd boys with Him and entered the city.
Commentary

In the afternoon, Krsna along with Balarama, surrounded by his cowherd friends (gopaih parivaritah), entered Mathura to see the city.

Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa went with his friends into the city.

Śrīdhara Svāmī Gauḍīya
Commentary

After Akrūra entered the city, the Lord, displaying his powers (bhagavān), who attracts all hearts (kṛṣṇaḥ), entered the city to give mercy to the inhabitants, by attracting their minds. He was endowed with the bhāva of attracting the hearts of devotees (saṅkārṣaṇānvitaḥ). Or he went with Balarāma, who had the same bhāva. In this way he would be happy in seeing the city. His friends like Śrīdāma served him. Or he was surrounded completely by them, since Balarāma or Nanda feared for his safety.

Related values
Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Samata (Equanimity / Even-mindedness)Seva (Service / Selfless Action)Kritajnata (Gratitude)Karuna (Kindness / Compassion)Daya (Compassion / Mercy)Satya (Truthfulness)Maitri (Friendship / Goodwill)
Related verses
Concepts
JivaBhava

After the long midday rest in Nanda's encampment, Kṛṣṇa rises and walks toward Mathurā the way a lion approaches a cattle-pen at dusk — with His own brother at His side and His own companions around Him, on no one's schedule but His own.

📝 My note

Śrīmad-Bhāgavatam 10.41.20-23

↗
దదర్శ తాం స్ఫాటికతుఙ్గగోపుర- ద్వారాం బృహద్ధేమకపాటతోరణామ్ । తామ్రారకోష్ఠాం పరిఖాదురాసదా- ముద్యానరమ్యోపవనోపశోభితామ్ ॥ ౨౦ ॥ సౌవర్ణశ‍ృఙ్గాటకహర్మ్యనిష్కుటై: శ్రేణీసభాభిర్భవనైరుపస్కృతామ్ । వైదూర్యవజ్రామలనీలవిద్రుమై- ర్ముక్తాహరిద్భ‍ిర్వలభీషు వేదిషు ॥ ౨౧ ॥ జుష్టేషు జాలాముఖరన్ధ్రకుట్టిమే- ష్వావిష్టపారావతబర్హినాదితామ్ । సంసిక్తరథ్యాపణమార్గచత్వరాం ప్రకీర్ణమాల్యాఙ్కురలాజతణ్డులామ్ ॥ ౨౨ ॥ ఆపూర్ణకుమ్భైర్దధిచన్దనోక్షితై: ప్రసూనదీపావలిభి: సపల్లవై: । సవృన్దరమ్భాక్రముకై: సకేతుభి: స్వలఙ్కృతద్వారగృహాం సపట్టికై: ॥ ౨౩ ॥
dadarśa tāṁ sphāṭika-tuṇga-gopura-
[dadarsha taam sphaatika-tunga-gopura-]
dvārāṁ bṛhad-dhema-kapāṭa-toraṇām
[dvaaraam brihad-dhema-kapaata-toranaam]
tāmrāra-koṣṭhāṁ parikhā-durāsadām
[taamraara-koshthaam parikhaa-duraasadaam]
udyāna-ramyopavanopaśobhitām
[udyaana-ramyopavanopashobhitaam]
sauvarṇa-śṛṅgāṭaka-harmya-niṣkuṭaiḥ
[sauvarna-shringaataka-harmya-nishkutaih]
śreṇī-sabhābhir bhavanair upaskṛtām
[shrenee-sabhaabhir bhavanair upaskritaam]
vaidūrya-vajrāmala-nīla-vidrumair
[vaidoorya-vajraamala-neela-vidrumair]
muktā-haridbhir valabhīṣu vediṣu
[muktaa-haridbhir valabheeshu vedishu]
juṣṭeṣu jālāmukha-randhra-kuṭṭimeṣv
[jushteshu jaalaamukha-randhra-kuttimeshv]
āviṣṭa-pārāvata-barhi-nāditām
[aavishta-paaraavata-barhi-naaditaam]
saṁsikta-rathyāpaṇa-mārga-catvarāṁ
[samsikta-rathyaapana-maarga-chatvaraam]
prakīrṇa-mālyāṅkura-lāja-taṇḍulām
[prakeerna-maalyaankura-laaja-tandulaam]
āpūrṇa-kumbhair dadhi-candanokṣitaiḥ
[aapoorna-kumbhair dadhi-chandanokshitaih]
prasūna-dīpāvalibhiḥ sa-pallavaiḥ
[prasoona-deepaavalibhih sa-pallavaih]
sa-vṛnda-rambhā-kramukaiḥ sa-ketubhiḥ
[sa-vrinda-rambhaa-kramukaih sa-ketubhih]
sv-alaṅkṛta-dvāra-gṛhāṁ sa-paṭṭikaiḥ
[sv-alankrita-dvaara-grihaam sa-pattikaih]
dadarśa — He saw tam — that (city) sphāṭika — of crystal tuṅga — high gopura — whose main gates dvārām — and household gates bṛhat — immense hema — gold kapāṭa — whose doors toraṇām — and ornamental arches tāmra — of copper āra — and brass koṣṭhām — whose storehouses parikhā — with its canals durāsadām — inviolable udyāna — with public gardens ramya — attractive upavana — and parks upaśobhitam — beautified sauvarṇa — gold śṛṅgāṭaka — with crossways harmya — mansions niṣkuṭaiḥ — and pleasure gardens śreṇī — of guilds sabhābhiḥ — with the assembly halls bhavanaiḥ — and with houses upaskṛtām — ornamented vaidūrya — with vaidūrya gems vajra — diamonds amala — crystal quartz nīla — sapphires vidrumaiḥ — and coral muktā — with pearls haridbhiḥ — and emeralds valabhīṣu — on the wood panels decorating the rafters in front of the houses vediṣu — on columned balconies juṣṭeṣu — bedecked jāla - āmukha — of lattice windows randhra — in the openings kuṭṭimeṣu — and on gem-studded floors āviṣṭa — sitting pārāvata — with the pet doves barhi — and the peacocks nāditām — resounding saṁsikta — sprinkled with water rathyā — with royal avenues āpaṇa — commercial streets mārga — other roads catvarām — and courtyards prakīrṇa — scattered mālya — with flower garlands aṅkura — new sprouts lāja — parched grains taṇḍulām — and rice āpūrṇa — full kumbhaiḥ — with pots dadhi — with yogurt candana — and sandalwood paste ukṣitaiḥ — smeared prasūna — with flower petals dīpa - āvalibhiḥ — and rows of lamps sa - pallavaiḥ — with leaves sa - vṛnda — with bunches of flowers rambhā — with trunks of banana trees kramukaiḥ — and trunks of betel-nut trees sa - ketubhiḥ — with flags su - alaṅkṛta — nicely decorated dvāra — with doors gṛhām — whose houses sa - paṭṭikaiḥ — with ribbons .
Blended reading (Sanskrit + English inline)
dadarśa tāṁ sphāṭika-tuṇga-gopura-
dadarśa
He saw
tam
that (city)
sphāṭika
of crystal
tuṅga
high
gopura
whose main gates
dvārāṁ bṛhad-dhema-kapāṭa-toraṇām
dvārām
and household gates
bṛhat
immense
hema
gold
kapāṭa
whose doors
toraṇām
and ornamental arches
tāmrāra-koṣṭhāṁ parikhā-durāsadām
tāmra
of copper
āra
and brass
koṣṭhām
whose storehouses
parikhā
with its canals
durāsadām
inviolable
udyāna-ramyopavanopaśobhitām
udyāna
with public gardens
ramya
attractive
sauvarṇa-śṛṅgāṭaka-harmya-niṣkuṭaiḥ
śreṇī-sabhābhir bhavanair upaskṛtām
upavana
and parks
upaśobhitam
beautified
vaidūrya-vajrāmala-nīla-vidrumair
muktā-haridbhir valabhīṣu vediṣu
juṣṭeṣu jālāmukha-randhra-kuṭṭimeṣv
āviṣṭa-pārāvata-barhi-nāditām
saṁsikta-rathyāpaṇa-mārga-catvarāṁ
sauvarṇa
gold
śṛṅgāṭaka
with crossways
prakīrṇa-mālyāṅkura-lāja-taṇḍulām
āpūrṇa-kumbhair dadhi-candanokṣitaiḥ
harmya
mansions
niṣkuṭaiḥ
and pleasure gardens
śreṇī
of guilds
prasūna-dīpāvalibhiḥ sa-pallavaiḥ
sabhābhiḥ
with the assembly halls
sa-vṛnda-rambhā-kramukaiḥ sa-ketubhiḥ
bhavanaiḥ
and with houses
upaskṛtām
ornamented
sv-alaṅkṛta-dvāra-gṛhāṁ sa-paṭṭikaiḥ
vaidūrya
with vaidūrya gems
vajra
diamonds
amala
crystal quartz
nīla
sapphires
vidrumaiḥ
and coral
muktā
with pearls
haridbhiḥ
and emeralds
valabhīṣu
on the wood panels decorating the rafters in front of the houses
vediṣu
on columned balconies
juṣṭeṣu
bedecked
jāla - āmukha
of lattice windows
randhra
in the openings
kuṭṭimeṣu
and on gem-studded floors
āviṣṭa
sitting
pārāvata
with the pet doves
barhi
and the peacocks
nāditām
resounding
saṁsikta
sprinkled with water
rathyā
with royal avenues
āpaṇa
commercial streets
mārga
other roads
catvarām
and courtyards
prakīrṇa
scattered
mālya
with flower garlands
aṅkura
new sprouts
lāja
parched grains
taṇḍulām
and rice
āpūrṇa
full
kumbhaiḥ
with pots
dadhi
with yogurt
candana
and sandalwood paste
ukṣitaiḥ
smeared
prasūna
with flower petals
dīpa - āvalibhiḥ
and rows of lamps
sa - pallavaiḥ
with leaves
sa - vṛnda
with bunches of flowers
rambhā
with trunks of banana trees
kramukaiḥ
and trunks of betel-nut trees
sa - ketubhiḥ
with flags
su - alaṅkṛta
nicely decorated
dvāra
with doors
gṛhām
whose houses
sa - paṭṭikaiḥ
with ribbons .
  • gopura — main gates
    From go (cow) + pura (city) — originally the gate through which cows passed. The standard South Asian temple-city term. Mathurā's gopuras are crystal and gold — but the real gopura today is the body of Kṛṣṇa walking through them.
  • upavana — public parks, groves
    upa + vana — near-forest, grove. The same word used for Nanda Mahārāja's encampment in verse 8 — but here the upavanas are inside the city, ornamental and royal. Vraja's wild groves vs Mathurā's manicured ones: two registers of bhāva, one word.
  • saṁsikta-rathyā — sprinkled royal avenues
    Compound: saṁ + sikta (well-sprinkled) + rathyā (chariot-road). The streets watered to settle dust before a royal procession. Mathurā prepares for Kṛṣṇa with the protocol of a state visit — without knowing He is here as the avatāra of yuga-shift.
  • āpūrṇa-kumbhaiḥ — with full pots
    Compound: ā-pūrṇa (completely full) + kumbha (pot). Pūrṇa-kalaśa at every doorway — the universal Indic auspicious sign. Gauḍīyas note: the city greets Kṛṣṇa as if for Lakṣmī's arrival; aiśvarya recognizes its own source before the conscious mind does.
  • dadhi-candana — yogurt and sandalwood paste
    Compound: dadhi (curd) + candana (sandalwood). The two substances smeared on welcome-pots. Dadhi is Yaśodā's offering substance in 10.6-9; candana is the gopīs' anointing substance — Vraja's two emblems already greeting Him at Mathurā's threshold.
The Lord saw Mathurā, with its tall gates and household entrances made of crystal, its immense archways and main doors of gold, its granaries and other storehouses of copper and brass, and its impregnable moats. Beautifying the city were pleasant gardens and parks. The main intersections were fashioned of gold, and there were mansions with private pleasure gardens, along with guildhalls and many other buildings. Mathurā resounded with the calls of peacocks and pet turtledoves, who sat in the small openings of the lattice windows and on the gem-studded floors, and also on the columned balconies and on the ornate rafters in front of the houses. These balconies and rafters were adorned with vaidūrya stones, diamonds, crystal quartz, sapphires, coral, pearls and emeralds. All the royal avenues and commercial streets were sprinkled with water, as were the side roads and courtyards, and flower garlands, newly grown sprouts, parched grains and rice had been scattered about everywhere. Gracing the houses’ doorways were elaborately decorated pots filled with water, which were bedecked with mango leaves, smeared with yogurt and sandalwood paste, and encircled by flower petals and ribbons. Near the pots were flags, rows of lamps, bunches of flowers and the trunks of banana and betel-nut trees.

Śrīla Viśvanātha Cakravartī Ṭhākura gives this description of the elaborately decorated pots: “On either side of each doorway, above the scattered rice, is a pot. Encircling each pot are flower petals, on its neck are ribbons and in its mouth are leaves of mango and other trees. Above each pot, on a gold plate, are rows of lamps. A trunk of a banana tree stands on either side of each pot, and a betel-nut tree trunk stands in front and also behind. Flags lean against the pots.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The Lord saw Mathurā, with its tall gates and household entrances made of crystal, its immense archways and main doors of gold, its granaries and other storehouses of copper and brass, and its impregnable moats. Beautifying the city were pleasant gardens and parks. The main intersections were fashioned of gold, and there were mansions with private pleasure gardens, along with guildhalls and many other buildings. Mathurā resounded with the calls of peacocks and pet turtledoves, who sat in the small openings of the lattice windows and on the gem-studded floors, and also on the columned balconies and on the ornate rafters in front of the houses. These balconies and rafters were adorned with vaidūrya stones, diamonds, crystal quartz, sapphires, coral, pearls and emeralds. All the royal avenues and commercial streets were sprinkled with water, as were the side roads and courtyards, and flower garlands, newly grown sprouts, parched grains and rice had been scattered about everywhere. Gracing the houses' doorways were elaborately decorated pots filled with water, which were bedecked with mango leaves, smeared with yogurt and sandalwood paste, and encircled by flower petals and ribbons. Near the pots were flags, rows of lamps, bunches of flowers and the trunks of banana and betel-nut trees.
Commentary

Four verses describe the city. The tall towers and gates as well as the gates of the houses were made of crystal. The door panels and outer doors were made of gold. The storerooms for grains (kostha) were made of brass and copper. Surrounded by moats, the city was difficult to enter. The intersections were made of gold. There were mansions with large gardens and buildings for the different craftsmen to meet, as well as other dwellings. The rafters were inlaid with vaidurya and other jewels. The buildings echoed with the cries of the doves and peacocks which sat on the rafters, floors and balconies. According to Ksiraswami, valabhi refers to the peak of the roof, and according to Halayudha it refers to the roof. According to Trikanda it refers to the top storey of a building. In any case it refers to the top part of the building. Vedi refers to a terrace in front of a building surrounded by bricks for relaxing. The windows had lattices to let in fresh air. The floors (kuttima) were paved with mosaics of precious stones. There were main roads and lanes, lines of shops and courtyards. Krsna saw the houses with doors decorated with full water pots decorated with flowers smeared with yogurt and sandalwood paste and five other auspicious elements, flags, cloth, lamps, mango leaves, and banana and betel nut trees hanging with fruits. The pots were placed in the following manner: on both sides of the door on piles of raw rice the pots were placed. Around the pots were spread various flowers. Silk cloth was wrapped around the neck of the pots, and mango leaves placed in the mouths of the pots. Lamps on gold trays were places over this. On either side of each pot were banana trees. In front and behind each pot was a betel nut tree. The flags were leaning on the pots.

Jīva Gosvāmī Gauḍīya
Commentary

The city is described in four verses. First is natural beauty is described. Āra means brass. The city is said to have moats since the east and west sides were bordered by the Yamunā. The gardens (udyāna) were filled with fruits and the upanavas were mainly growing flowers. The grove where the cowherds left their carts was outside the city and a natural forest, not produced by humans. The groves were attractive. Koṣṭām can refer to the walls of the fort. The city was decorated with groves and the pleasantness of gardens. The order of the excellent is the gardens, then the groves, the moats, treasuries and the entrance gates and other doors made of gold. According to Kṣīrasvāmī vallabhi means the support of a roof, a cross beam or the crest of a roof. Halayudha says that vallabhi means a roof of a house. It also refers to a stone ridge covering a house made of brick. Trikāṇḍaśeṣa says that vallabhi means a room at the top of a house. Māgha-kāvya says yasyām asevanta namadvalīkāḥ samaṁ vadhūbhir valabhīr yuvāṇaḥ: there the young men enjoyed with their wives the sloping roofs with turrets. (Śiśupāla-vadha3.53) Vedī refers to a yard surrounded by bricks. The houses resounded with peacocks and doves which were sitting (āviṣṭa) in yards and on rooftops in an impassioned condition. Kaṁsa had arranged special decorations to publicize the festival of the bow among the citizens, or there were daily decorations made by the citizens to make the city festive at all times. The decorations indicated the auspicious entrance of Kṛṣṇa into the city. The roads were sprinkled with water in order to keep the dust down, and made fragrant with perfumed water. Sprouted barley and other grains were scattered about. All the decorations were arranged wherever possible. There were pots filled with pure water (āpūrṇa). The doors of the houses were decorated nicely (su) with yogurts and other ingredients. In Śrīdhara Svāmī’s commentary the word can in toraṇam ca means decorations over the doors were also made of gold.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Asteya (Non-stealing / Honesty)
Related verses
Concepts
Jiva

Mathurā is dressed like a bride at a wedding — crystal gates, gold doors, pearls on the lintels, yogurt-smeared pots at every threshold. The city has decorated itself for a guest it does not yet know is its judge.

📝 My note

Śrīmad-Bhāgavatam 10.41.24

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తాం సమ్ప్రవిష్టౌ వసుదేవనన్దనౌ వృతౌ వయస్యైర్నరదేవవర్త్మనా । ద్రష్టుం సమీయుస్త్వరితా: పురస్త్రియో హర్మ్యాణి చైవారురుహుర్నృపోత్సుకా: ॥ ౨౪ ॥
tāṁ sampraviṣṭau vasudeva-nandanau
[taam sampravishtau vasudeva-nandanau]
vṛtau vayasyair naradeva-vartmanā
[vritau vayasyair naradeva-vartmanaa]
draṣṭuṁ samīyus tvaritāḥ pura-striyo
[drashtum sameeyus tvaritaah pura-striyo]
harmyāṇi caivāruruhur nṛpotsukāḥ
[harmyaani chaivaaruruhur nripotsukaah]
tām — that (Mathurā) sampraviṣṭau — entering vasudeva — of Vasudeva nandanau — the two sons vṛtau — surrounded vayasyaiḥ — by Their young friends nara - deva — of the King vartmanā — by the road draṣṭum — to see samīyuḥ — came forward together tvaritāḥ — hurriedly pura — of the city striyaḥ — the women harmyāṇi — their houses ca — and eva — also āruruhuḥ — they climbed on top of nṛpa — O King (Parīkṣit) utsukāḥ — eager .
Blended reading (Sanskrit + English inline)
tāṁ sampraviṣṭau vasudeva-nandanau
tām
that (Mathurā)
sampraviṣṭau
entering
vasudeva
of Vasudeva
nandanau
the two sons
vṛtau vayasyair naradeva-vartmanā
vṛtau
surrounded
vayasyaiḥ
by Their young friends
nara - deva
of the King
vartmanā
by the road
draṣṭuṁ samīyus tvaritāḥ pura-striyo
draṣṭum
to see
samīyuḥ
came forward together
tvaritāḥ
hurriedly
pura
of the city
striyaḥ
the women
harmyāṇi caivāruruhur nṛpotsukāḥ
harmyāṇi
their houses
ca
and
eva
also
āruruhuḥ
they climbed on top of
nṛpa
O King (Parīkṣit)
utsukāḥ
eager .
  • vasudeva-nandanau — the two sons of Vasudeva
    Compound: Vasudeva + nandana (son, joy-bringer). Vasudeva is named here, not Nanda — the Mathurā women know the political genealogy, not the Vraja one. Yogamāyā's veil is still partly in place even at the city's edge.
  • vayasyaiḥ — by Their young friends
    Instrumental plural of vayasya — agemate, peer-friend. The Vraja-sakhās. Sakhya-rasa walks into Mathurā with Him; aiśvarya never displaces it. Gauḍīyas emphasize: Kṛṣṇa's surrounding is constitutive of His Person, not decorative.
  • tvaritāḥ — hurriedly
    Past participle of √tvar — to hasten. The same word the gopīs are described by when running to the rāsa-dance (10.29). Mathurā's women receive a small foretaste of the gopī-impulse — but they will return home; the gopīs never could.
  • utsukāḥ — eager
    From ut + √suc — burning-out, with great longing. The technical bhāva-word for the longing that drives one to abandon dharma. Mathurā's women feel it; the gopīs feel it absolutely.
The women of Mathurā hurriedly assembled and went forth to see the two sons of Vasudeva as They entered the city on the King’s road, surrounded by Their cowherd boyfriends. Some of the women, my dear King, eagerly climbed to the roofs of their houses to see Them.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The women of Mathurā hurriedly assembled and went forth to see the two sons of Vasudeva as They entered the city on the King's road, surrounded by Their cowherd boyfriends. Some of the women, my dear King, eagerly climbed to the roofs of their houses to see Them.
Commentary

In order to see Krsna and Balaram enter Mathura on the wide road, the women of Mathura came forward in groups (samiyuh). Others climbed onto the roof tops.

Jīva Gosvāmī Gauḍīya
Commentary

Three verses describe the scene as the two boys entered completely (sampraviṣṭa) into the city. The women came close (samīyuḥ) to see them as they entered but because of the crowds they climbed on the roofs. Though some tried to prevent them they could not stop them because of their zeal. Śukadeva calls out to Parīkṣit with the same zeal.

Related values
Dana (Charity / Generosity)Prema (Divine Love)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)Karuna (Kindness / Compassion)Santosha (Contentment)Bhakti (Devotion)
Related verses
Concepts
Jiva

The women of Mathurā move toward Kṛṣṇa the way iron filings move toward a magnet — abandoning whatever was in their hands. Aiśvarya-puri reacts to mādhurya the moment it walks through the gate.

📝 My note

Śrīmad-Bhāgavatam 10.41.25

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కాశ్‍చిద్ విపర్యగ్ధృతవస్త్రభూషణా విస్మృత్య చైకం యుగలేష్వథాపరా: । కృతైకపత్రశ్రవనైకనూపురా నాఙ్‌క్త్వా ద్వితీయం త్వపరాశ్చ లోచనమ్ ॥ ౨౫ ॥
kāścid viparyag-dhṛta-vastra-bhūṣaṇā
[kaashchid viparyag-dhrita-vastra-bhooshanaa]
vismṛtya caikaṁ yugaleṣv athāparāḥ
[vismritya chaikam yugaleshv athaaparaah]
kṛtaika-patra-śravanaika-nūpurā
[kritaika-patra-shravanaika-noopuraa]
nāṅktvā dvitīyaṁ tv aparāś ca locanam
[naanktvaa dviteeyam tv aparaash cha lochanam]
kaścit — some of them viparyak — backwards dhṛta — putting on vastra — their clothes bhūṣaṇaḥ — and ornaments vismṛtya — forgetting ca — and ekam — one yugaleṣu — of the pairs atha — and aparāḥ — others kṛta — placing eka — only one patra — earring śravaṇa — on their ears eka — or one nūpurāḥ — set of ankle bells na aṅktvā — not anointing dvitīyam — the second tu — but aparāḥ — other ladies ca — and locanam — an eye .
Blended reading (Sanskrit + English inline)
kāścid viparyag-dhṛta-vastra-bhūṣaṇā
kaścit
some of them
viparyak
backwards
dhṛta
putting on
vastra
their clothes
bhūṣaṇaḥ
and ornaments
vismṛtya caikaṁ yugaleṣv athāparāḥ
vismṛtya
forgetting
ca
and
ekam
one
yugaleṣu
of the pairs
atha
and
aparāḥ
others
kṛtaika-patra-śravanaika-nūpurā
kṛta
placing
eka
only one
patra
earring
śravaṇa
on their ears
eka
or one
nūpurāḥ
set of ankle bells
nāṅktvā dvitīyaṁ tv aparāś ca locanam
na aṅktvā
not anointing
dvitīyam
the second
tu
but
aparāḥ
other ladies
ca
and
locanam
an eye .
  • viparyak — backwards, reversed
    Adverbial. The ornament is on, but the orientation is wrong. The body's instinct to dress is intact; the body's attention to itself is not. Bhāva inverts the mirror-relation.
  • vismṛtya — forgetting
    Absolutive of vi + √smṛ — to forget. The Bhāgavatam consistently uses this verb for the forgetfulness that bhāva produces. To forget one's earring is the first sign of having remembered Kṛṣṇa.
  • nūpurāḥ — ankle bells
    Nominative plural of nūpura. One ankle bell, not two — a near-comic detail. The ladies are still themselves enough to dress, not enough to dress correctly. Vyāsa's eye for the precise depth of the lapse.
  • locanam — the eye
    Accusative singular of locana — eye. The kajjala on only one eye is the Bhāgavatam's most-cited image of bhāva-disorder. The eye that has already seen Him does not need to be readied to see Him again.
Some of the ladies put their clothes and ornaments on backwards, others forgot one of their earrings or ankle bells, and others applied makeup to one eye but not the other.

The ladies were very eager to see Kṛṣṇa, and in their haste and excitement they forgot themselves.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Some of the ladies put their clothes and ornaments on backwards, others forgot one of their earrings or ankle bells, and others applied makeup to one eye but not the other.
Commentary

This verse and the next describe the eagerness of the women of Mathura. They put their clothing and ornaments on in reverse manner. They forgot to put on one of the pair of earrings and bangles and went to Krsna. Thus they appeared with only one earring and one anklet. Some women had kajal on one eye only.

Jīva Gosvāmī Gauḍīya
Commentary

This verse is connected with the next verse. After hearing the commotion which arose from the citizens on seeing the two boys they acted in this way. The singular ekam is used to express a type. Some put their clothing on backwards. They took both parts of the clothing but forgot to put one on and then went to see Kṛṣṇa. Then (atha) others decorated themselves with only one of a pair of ornaments. After starting to decorate their eyes with ointment, they left after decorating only one eye. The word ca indicates that other anomalies also occurred in their dressing. Another version has sva-locanam. The word sva indicates that they were absorbed in decorating their eyes.

Śrīdhara Svāmī Gauḍīya
Commentary

This verse is connected with the next verse. After hearing the commotion which arose from the citizens on seeing the two boys, the women acted in this way. The singular ekam is used to express a type. Some put their clothing on backwards. They took both parts of the clothing but forgot to put one on and then went to see Kṛṣṇa. Then (atha) others decorated themselves with only one element of a pair of ornaments. After starting to decorate their eyes with ointment, they left after decorating only one eye. The word ca indicates that other anomalies also occurred in their dressing. Another version has sva-locanam. The word sva indicates that they were absorbed in decorating their eyes.

Related values
Anahankarah (Freedom from False Ego)
Related verses
Concepts
Jiva

Saris worn backwards, one earring on, kohl on a single eye — the body abandons its mirror when the heart sees Kṛṣṇa. The disorder of ornament is the order of bhāva.

The gopīs leaving everything for the rāsa-call

When Kṛṣṇa's flute called the gopīs to the rāsa-līlā (SB 10.29), they abandoned half-cooked food on the fire, husbands mid-sentence, infants at the breast, ornaments half-fastened. Some wore one earring; some applied kajjala to only one eye. The Bhāgavatam treats their disorder as ornament.

The ladies of Mathurā here perform a paler version of the same — the same disorder, a smaller pitch. Gauḍīyas read this verse as Vyāsa's deliberate preview: aiśvarya-purī cannot help mimicking, in miniature, the Vraja-women's mādhurya-loss.

📝 My note

Śrīmad-Bhāgavatam 10.41.26

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అశ్న‍న్త్య ఏకాస్తదపాస్య సోత్సవా అభ్యజ్యమానా అకృతోపమజ్జనా: । స్వపన్త్య ఉత్థాయ నిశమ్య ని:స్వనం ప్రపాయయన్త్యోఽర్భమపోహ్య మాతర: ॥ ౨౬ ॥
aśnantya ekās tad apāsya sotsavā
[ashnantya ekaas tad apaasya sotsavaa]
abhyajyamānā akṛtopamajjanāḥ
[abhyajyamaanaa akritopamajjanaah]
svapantya utthāya niśamya niḥsvanaṁ
[svapantya utthaaya nishamya nihsvanam]
prapāyayantyo ’rbham apohya mātaraḥ
[prapaayayantyo ’rbham apohya maatarah]
aśnantyaḥ — taking meals ekaḥ — some tat — that apāsya — abandoning sa - utsavaḥ — joyfully abhyajyamānāḥ — being massaged akṛta — not finishing upamajjanāḥ — their bathing svapantyaḥ — sleeping utthāya — getting up niśamya — having heard niḥsvanam — the loud sounds prapāyayantyaḥ — giving milk arbham — to an infant apohya — put aside mātaraḥ — mothers .
Blended reading (Sanskrit + English inline)
aśnantya ekās tad apāsya sotsavā
aśnantyaḥ
taking meals
ekaḥ
some
tat
that
apāsya
abandoning
sa - utsavaḥ
joyfully
abhyajyamānā akṛtopamajjanāḥ
abhyajyamānāḥ
being massaged
akṛta
not finishing
upamajjanāḥ
their bathing
svapantya utthāya niśamya niḥsvanaṁ
svapantyaḥ
sleeping
utthāya
getting up
niśamya
having heard
niḥsvanam
the loud sounds
prapāyayantyo ’rbham apohya mātaraḥ
prapāyayantyaḥ
giving milk
arbham
to an infant
apohya
put aside
mātaraḥ
mothers .
  • apāsya — abandoning
    Absolutive of apa + √as — to throw away, set aside. The verb of relinquishment. The Bhāgavatam uses it here for meals; in 10.29 it uses it for infants the gopīs set down to run to the rāsa.
  • prapāyayantyaḥ — giving milk
    Present participle of pra + √pā (causative) — causing to drink. Mothers in the act of breastfeeding put the infant aside. The Bhāgavatam's most piercing image of how Kṛṣṇa-darśana interrupts even vātsalya — for the mortal-bound versions of it, at least.
  • niḥsvanam — the loud sounds
    Accusative of niḥsvana — outflowing sound. The acoustic field of Kṛṣṇa's procession — flute, anklets, voices, hooves. Gauḍīyas note: even before darśana, Bhagavān's śabda is already pulling people from sleep.
  • arbham — infant
    Accusative of arbha — small child. The infant set aside is the verse's most charged detail. The mothers do not stop being mothers; they have, in this one second, found a Person more worth attending to than even their own child.
Those who were taking their meals abandoned them, others went out without finishing their baths or massages, women who were sleeping at once rose when they heard the commotion, and mothers breast-feeding their infants simply put them aside.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Those who were taking their meals abandoned them, others went out without finishing their baths or massages, women who were sleeping at once rose when they heard the commotion, and mothers breast-feeding their infants simply put them aside.
Commentary

Some gave up eating their meals, some interrupted ceremonies such as wedding rites and left without circumambulating their husbands. Others, being massaged with oil by assistants, gave up the massage. Others without completing their bath, left. Others who were attentively feeding their babies, even those just born, gave them up and left.

Jīva Gosvāmī Gauḍīya
Commentary

Some gave up (apāsya) eating their meals and went out, even without performing ācamana. The word apāsya should be supplied for the other actions also. Others gave up celebrations such as weddings and left the house. Or sotsavā can mean that they were all overflowing with joy in their hearts and thus gave up eating etc. Some who were sleeping woke up and left. Others gave up feeding their newborn infants. This means they fed them later. Since the mothers were greatly affectionate to their infants, it would be harder to leave them. However even they left their children to see Kṛṣṇa. Thus they are mentioned last.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)Asteya (Non-stealing / Honesty)
Related verses
Concepts
Jiva

Lunches mid-bite, baths half-done, sleep abandoned mid-dream, infants set aside at the breast — the city's entire ordinary economy is interrupted by the sound of Kṛṣṇa walking. Bhagavān's footfall outvotes hunger, sleep, and even mother-love.

📝 My note

Śrīmad-Bhāgavatam 10.41.27

↗
మనాంసి తాసామరవిన్దలోచన: ప్రగల్భలీలాహసితావలోకై: । జహార మత్తద్విరదేన్ద్రవిక్రమో ద‍ృశాం దదచ్ఛ్రీరమణాత్మనోత్సవమ్ ॥ ౨౭ ॥
manāṁsi tāsām aravinda-locanaḥ
[manaamsi taasaam aravinda-lochanah]
pragalbha-līlā-hasitāvalokaiḥ
[pragalbha-leelaa-hasitaavalokaih]
jahāra matta-dviradendra-vikramo
[jahaara matta-dviradendra-vikramo]
dṛśāṁ dadac chrī-ramaṇātmanotsavam
[drishaam dadach chree-ramanaatmanotsavam]
manāṁsi — the minds tāsām — their aravinda — like lotuses locanaḥ — He whose eyes pragalbha — bold līlā — with His pastimes hasita — smiling avalokaiḥ — with His glances jahāra — He took away matta — in rut dvirada - indra — (like) a lordly elephant vikramaḥ — whose gait dṛśām — to their eyes dadat — affording śrī — of the goddess of fortune ramaṇa — which is the source of pleasure ātmanā — with His body utsavam — a festival .
Blended reading (Sanskrit + English inline)
manāṁsi tāsām aravinda-locanaḥ
manāṁsi
the minds
tāsām
their
aravinda
like lotuses
locanaḥ
He whose eyes
pragalbha-līlā-hasitāvalokaiḥ
pragalbha
bold
līlā
with His pastimes
hasita
smiling
avalokaiḥ
with His glances
jahāra matta-dviradendra-vikramo
jahāra
He took away
matta
in rut
dvirada - indra
(like) a lordly elephant
vikramaḥ
whose gait
dṛśāṁ dadac chrī-ramaṇātmanotsavam
dṛśām
to their eyes
dadat
affording
śrī
of the goddess of fortune
ramaṇa
which is the source of pleasure
ātmanā
with His body
utsavam
a festival .
  • aravinda-locanaḥ — lotus-eyed
    Compound: aravinda (lotus) + locana (eye). One of Kṛṣṇa's most-used epithets. Gauḍīyas read the lotus-eye as the optical instrument of bhāva-transmission — the eye's curvature pours rasa into whoever the eye lands on.
  • matta-dvirada-indra — like a lordly elephant in rut
    Triple compound: matta (intoxicated) + dvirada (twice-toothed = elephant) + indra (lord). Kṛṣṇa's gait is mast — heavy with His own juice. The Bhāgavatam unselfconsciously gives Kṛṣṇa a body, a walk, a mass.
  • pragalbha-līlā — bold pastimes
    Compound: pragalbha (bold, daring) + līlā. The līlās He is recollecting as He walks — the gopīs, the cīra-haraṇa, the rāsa. Mathurā's women receive the second-hand smile from līlās performed elsewhere. Vraja remains the source.
  • śrī-ramaṇa — the lover of Lakṣmī, source of pleasure for the goddess of fortune
    Compound: Śrī (Lakṣmī) + ramaṇa (one who delights). Lakṣmī's lover walking through the Yadu capital. The Bhāgavatam reminds the reader that Kṛṣṇa's mādhurya is the same that Lakṣmī herself meditates on.
  • utsavam — a festival
    Accusative of utsava. His body is a festival for the eyes that receive it. Gauḍīyas read darśana itself as utsava — bhakti's grammar always tilts toward celebration, not asceticism.
The lotus-eyed Lord, smiling as He recalled His bold pastimes, captivated those ladies’ minds with His glances. He walked with the gait of a lordly elephant in rut, creating a festival for their eyes with His transcendental body, which is the source of pleasure for the divine goddess of fortune.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The lotus-eyed Lord, smiling as He recalled His bold pastimes, captivated those ladies' minds with His glances. He walked with the gait of a lordly elephant in rut, creating a festival for their eyes with His transcendental body, which is the source of pleasure for the divine goddess of fortune.
Commentary

Krsna is described as sri-ramana to indicate that he gave pleasure to the women of Mathura with his beauty (sri). By the beauty of his body (atmana), the women’s eyes derived complete bliss (utasavam). He stole their minds. This indicates that by giving them enjoyment of the eyes, they became thrilled, and without their noticing, he then stole the jewel of their minds.

Jīva Gosvāmī Gauḍīya
Commentary

For far off, he gave pleasure to the eyes of the women by his form which caused rati in even Lakṣmī. When he came closer have pleasure to their eyes by his lotus eyes. Then he gave pleasure by his bold, playful, smiling glances. In this way he stole their minds. Pragalbha means he was capable of stealing their minds. Or his brows danced playfully and his smiles because playful on reaching the height of cleverness in the kaiśora age. Different types of smiles indicated his different emotions. His glances also displayed those emotions. His feet moved boldly as if he were a mad elephant. Though the singular manaḥ could be used to express the meaning, the plural (manāṁsi) is used to show that all their minds were stolen. The meaning becomes startling by indicating that even though they were all shy, all their minds became captivated. Their minds were like their treasures, and he was greedy for those treasures. This is suitable since their minds were filled with prema. He gave them pleasure and then stole their minds. This suggests his cleverness in stealing. It is seen that clever thieves steal wealth by deceiving people when there is a great festival. The verse expresses the order in which they saw him (from far to close up). The order of words in the verse is as follows. With his lotus eyes, he stole their minds. What then can be said of his whole body which was the shelter of various pastimes? The words in the instrumental case show progressively how their minds became captivated.

Śrīdhara Svāmī Gauḍīya
Commentary

From far off, he gave pleasure to the eyes of the women by his form which caused rati in even Lakṣmī. When he came closer he gave pleasure to their eyes by his lotus eyes. Then he gave pleasure by his bold, playful, smiling glances. In this way he stole their minds. Pragalbha means he was capable of stealing their minds. Or his brows danced playfully and his smiles became playful on reaching the height of cleverness in the kaiśora age. Different types of smiles indicated his different emotions. His glances also displayed those emotions. His feet moved boldly as if he were a mad elephant. Though the singular manaḥ could be used to express the meaning, the plural (manāṁsi) is used to show that all their minds were stolen. The meaning becomes startling by indicating that even though they were all shy, all their minds became captivated. Their minds were like their treasures, and he was greedy for those treasures. This is suitable since their minds were filled with prema. He gave them pleasure and then stole their minds. This suggests his cleverness in stealing. It is seen that clever thieves steal wealth by deceiving people when there is a great festival. The verse expresses the order in which they saw him (from far to close up). The order of words in the verse is as follows. With his lotus eyes, he stole their minds. What then can be said of his whole body which was the shelter of various pastimes? The words in the instrumental case show progressively how their minds became captivated.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Atma Nigraha (Self-control)
Related verses

Kṛṣṇa walks through Mathurā the way a mast-elephant walks through a market — slow, full of His own power, knowing the ground is honored to receive Him. His glance is the festival; the women's eyes are the lamps.

📝 My note

Śrīmad-Bhāgavatam 10.41.28

↗
ద‍ృష్ట్వా ముహు: శ్రుతమనుద్రుతచేతసస్తం తత్ప్రేక్షణోత్స్మితసుధోక్షణలబ్ధమానా: । ఆనన్దమూర్తిముపగుహ్య ద‍ృశాత్మలబ్ధం హృష్యత్త్వచో జహురనన్తమరిన్దమాధిమ్ ॥ ౨౮ ॥
dṛṣṭvā muhuḥ śrutam anudruta-cetasas
[drishtvaa muhuh shrutam anudruta-chetasas]
taṁ tat-prekṣaṇotsmita-sudhokṣaṇa-labdha-mānāḥ
[tam tat-prekshanotsmita-sudhokshana-labdha-maanaah]
ānanda-mūrtim upaguhya dṛśātma-labdhaṁ
[aananda-moortim upaguhya drishaatma-labdham]
hṛṣyat-tvaco jahur anantam arindamādhim
[hrishyat-tvacho jahur anantam arindamaadhim]
dṛṣṭvā — seeing muhuḥ — repeatedly śrutam — heard about anudruta — melted cetasaḥ — whose hearts tam — Him tat — His prekṣaṇa — of the glances ut - smita — and the broad smiles sudhā — by the nectar ukṣaṇa — from the sprinkling labdha — receiving mānāḥ — honor ānanda — of ecstasy mūrtim — the personal form upaguhya — embracing dṛśā — through their eyes ātma — within themselves labdham — gained hṛṣyat — erupting tvacaḥ — their skin jahuḥ — they gave up anantam — unlimited arim - dama — O subduer of enemies (Parīkṣit) ādhim — mental distress .
Blended reading (Sanskrit + English inline)
dṛṣṭvā muhuḥ śrutam anudruta-cetasas
dṛṣṭvā
seeing
muhuḥ
repeatedly
śrutam
heard about
anudruta
melted
cetasaḥ
whose hearts
taṁ tat-prekṣaṇotsmita-sudhokṣaṇa-labdha-mānāḥ
tam
Him
tat
His
prekṣaṇa
of the glances
ut - smita
and the broad smiles
sudhā
by the nectar
ukṣaṇa
from the sprinkling
labdha
receiving
mānāḥ
honor
ānanda-mūrtim upaguhya dṛśātma-labdhaṁ
ānanda
of ecstasy
mūrtim
the personal form
upaguhya
embracing
dṛśā
through their eyes
ātma
within themselves
labdham
gained
hṛṣyat-tvaco jahur anantam arindamādhim
hṛṣyat
erupting
tvacaḥ
their skin
jahuḥ
they gave up
anantam
unlimited
arim - dama
O subduer of enemies (Parīkṣit)
ādhim
mental distress .
  • ānanda-mūrtim — the personal form of ecstasy
    Compound: ānanda (bliss) + mūrti (personal form). Gauḍīya doctrine in one word: ānanda is not an attribute; it is the very form of Bhagavān (sac-cid-ānanda-vigraha). To embrace Kṛṣṇa is to embrace ānanda incarnate.
  • upaguhya — embracing
    Absolutive of upa + √guh — to cover, to enclose with the body. The mothering-embrace verb. The Mathurā ladies' eyes do not just see; they enfold. The body of darśana is intimate, not distant.
  • hṛṣyat-tvacaḥ — their skin erupting (with bliss)
    Compound: hṛṣyat (rejoicing) + tvac (skin). Romāñca — the standing-up of body-hair. One of Rūpa Gosvāmī's eight sāttvika-bhāvas. The verse documents bhāva on the body, not in the abstract.
  • ādhim — mental distress
    Accusative of ādhi — interior pain. Pairs with vyādhi (bodily pain) in standard Sanskrit. The women's interior ache, accumulated by long hearing-without-seeing, dissolves on contact. Gauḍīyas read this as the consummation of śravaṇa into darśana.
  • arim-dama — O subduer of enemies
    Vocative of Parīkṣit. Śuka addresses the dying king with a fighter's title even as he narrates ladies dissolving at Kṛṣṇa's smile. The narrative frame holds: ari-dama Parīkṣit is being prepared to die into the same darśana.
The ladies of Mathurā had repeatedly heard about Kṛṣṇa, and thus as soon as they saw Him their hearts melted. They felt honored that He was sprinkling upon them the nectar of His glances and broad smiles. Taking Him into their hearts through their eyes, they embraced Him, the embodiment of all ecstasy, and as their bodily hairs stood on end, O subduer of enemies, they forgot the unlimited distress caused by His absence.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The ladies of Mathurā had repeatedly heard about Kṛṣṇa, and thus as soon as they saw Him their hearts melted. They felt honored that He was sprinkling upon them the nectar of His glances and broad smiles. Taking Him into their hearts through their eyes, they embraced Him, the embodiment of all ecstasy, and as their bodily hairs stood on end, O subduer of enemies, they forgot the unlimited distress caused by His absence.
Commentary

Their hearts melted on looking at Krsna. They developed great interest in Krsna because of his sprinkling of nectar in the form of his sweet smiles and glances. They embraced the embodiment of bliss (ananda murti) who they had obtained in their minds through the glancing from just one of their eyes. By this they removed their unlimited sorrow generated from the absence of Krsna.

Jīva Gosvāmī Gauḍīya
Commentary

Their minds quickly pursued him, or their minds melted with prema for him (anudruta), first by hearing about him and then by seeing him. This was the cause of embracing him with their eyes. They felt honored by the sprinkling of nectar of his attractive similes (utsmita) and glances or of his smiles arising from his glances. They thus gave up unlimited distress because they embraced the form of condensed bliss, having attained him in their minds (ātma-labdham)—by means of their eyes. If their eyes were filled with tears, or they closed them from shyness or fainting, they were still able to embrace him directly and constantly since he appeared in their minds as a sphūṛti. The symptoms of the embraces were that their hairs stood on end on all parts of their bodies. The obstacles to special rasas related to Kṛṣṇa are material rasas such as material conjugal rasa. Lack of proper judgment or such a material view may be called an enemy. O destroyer of obstacles or enemies (arindama)! Their rasa has been described for you, who has destroyed all obstacles to rasa. I would not describe this to you if it were otherwise.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Atma Nigraha (Self-control)
Related verses
Concepts
Ananda

The women take Him into their hearts through their eyes — like rivers taking in monsoon clouds. Once inside, He is no longer outside; the body's hair stands on end, and the long ache of having only heard about Him collapses into the present.

📝 My note

Śrīmad-Bhāgavatam 10.41.29

↗
ప్రాసాదశిఖరారూఢా: ప్రీత్యుత్ఫుల్లముఖామ్బుజా: । అభ్యవర్షన్ సౌమనస్యై: ప్రమదా బలకేశవౌ ॥ ౨౯ ॥
prāsāda-śikharārūḍhāḥ
[praasaada-shikharaaroodhaah]
prīty-utphulla-mukhāmbujāḥ
[preety-utphulla-mukhaambujaah]
abhyavarṣan saumanasyaiḥ
[abhyavarshan saumanasyaih]
pramadā bala-keśavau
[pramadaa bala-keshavau]
prāsāda — of the mansions śikhara — to the roofs ārūḍhāḥ — having climbed prīti — with affection utphulla — blooming mukha — their faces ambujāḥ — which were like lotuses abhyavarṣan — they showered saumanasyaiḥ — with flowers pramadāḥ — the attractive women bala - keśavau — Balarāma and Kṛṣṇa .
Blended reading (Sanskrit + English inline)
prāsāda-śikharārūḍhāḥ
prāsāda
of the mansions
śikhara
to the roofs
ārūḍhāḥ
having climbed
prīty-utphulla-mukhāmbujāḥ
prīti
with affection
utphulla
blooming
mukha
their faces
ambujāḥ
which were like lotuses
abhyavarṣan saumanasyaiḥ
abhyavarṣan
they showered
saumanasyaiḥ
with flowers
pramadā bala-keśavau
pramadāḥ
the attractive women
bala - keśavau
Balarāma and Kṛṣṇa .
  • mukha-ambujāḥ — whose faces were like lotuses
    Compound: mukha (face) + ambuja (lotus). The standard Vaiṣṇava facial-trope, used here for the Mathurā ladies. Their lotus-faces above, the lotus-feet below — Kṛṣṇa walks between two layers of lotuses.
  • abhyavarṣan — they showered
    Imperfect of abhi + √vṛṣ — to rain down upon. The flower-rain (puṣpa-vṛṣṭi) is the standard Indic sign that a divine procession is in progress. Vyāsa records it without comment: Mathurā recognizes Kṛṣṇa even without theology.
  • saumanasyaiḥ — with flowers
    Instrumental plural of saumanasya — flower, but literally 'good-mindedness.' The Sanskrit pun is intentional: they offered flowers and they offered the good-mind those flowers represented. Both senses are valid.
  • bala-keśavau — Balarāma and Kṛṣṇa
    Dvandva: Bala + Keśava. The brothers are again named together. Gauḍīyas note: in this chapter every public act includes Balarāma; the dual-form is theologically constitutive, not stylistic.
Their lotus faces blooming with affection, the ladies who had climbed to the roofs of the mansions rained down showers of flowers upon Lord Balarāma and Lord Kṛṣṇa.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Their lotus faces blooming with affection, the ladies who had climbed to the roofs of the mansions rained down showers of flowers upon Lord Balarāma and Lord Kṛṣṇa.
Commentary

The women began to shower flowers in the form of their smiles, or showered the flowers in the form of actions indicating their love.

Jīva Gosvāmī Gauḍīya
Commentary

The sign of disappearance of suffering is shown. Previously it was said that the women climbed on the roofs. Here it is described that they climbed to the very top of the buildings. This shows their extreme zeal. They completely (abhi) covered (varṣan) Kṛṣṇa and Balarāma with flowers since the two were together (but they fell in love with Kṛṣṇa). Or they showered both because Balarāma, being his elder brother, was identified with Kṛṣṇa. The word pramadā (women) also suggests they had strong (pra) desire (madā). They showered flowers because they no longer had fear of Kaṁsa since Balarāma manifested strength (bala) and Kṛṣṇa showed himself as the killer of Keśī (keśava). In fact no one had fear of Kaṁsa at this time. The word bala is placed first because being elder, Balarāma walked in front.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Kshama (Forgiveness / Patience)Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)
Related verses
Concepts
Jiva

From the rooftops the women rain flowers — as if the sky itself, seeing Kṛṣṇa walk in, sent down petals. The vertical geometry inverts: heaven now sits above the city street, and the street holds the Lord whom heaven worships.

📝 My note

Śrīmad-Bhāgavatam 10.41.30

↗
దధ్యక్షతై: సోదపాత్రై: స్రగ్గన్ధైరభ్యుపాయనై: । తావానర్చు: ప్రముదితాస్తత్ర తత్ర ద్విజాతయ: ॥ ౩౦ ॥
dadhy-akṣataiḥ soda-pātraiḥ
[dadhy-akshataih soda-paatraih]
srag-gandhair abhyupāyanaiḥ
[srag-gandhair abhyupaayanaih]
tāv ānarcuḥ pramuditās
[taav aanarchuh pramuditaas]
tatra tatra dvijātayaḥ
[tatra tatra dvijaatayah]
dadhi — with yogurt akṣataiḥ — unbroken barleycorns sa — and uda - pātraiḥ — with pots filled with water srak — with garlands gandhaiḥ — and fragrant substances abhyupāyanaiḥ — and also with other items of worship tau — the two of Them ānarcuḥ — worshiped pramuditāḥ — joyful tatra tatra — in various places dvi - jātayaḥ — brāhmaṇas. .
Blended reading (Sanskrit + English inline)
dadhy-akṣataiḥ soda-pātraiḥ
dadhi
with yogurt
akṣataiḥ
unbroken barleycorns
sa
and
srag-gandhair abhyupāyanaiḥ
tāv ānarcuḥ pramuditās
uda - pātraiḥ
with pots filled with water
srak
with garlands
gandhaiḥ
and fragrant substances
abhyupāyanaiḥ
and also with other items of worship
tau
the two of Them
ānarcuḥ
worshiped
pramuditāḥ
joyful
tatra tatra dvijātayaḥ
tatra tatra
in various places
dvi - jātayaḥ
brāhmaṇas. .
  • dvi-jātayaḥ — brāhmaṇas (the twice-born)
    Compound: dvi (two) + jāti (birth). The technical term for those whose upanayana has given them their second birth. Their recognition of Kṛṣṇa here outweighs Kaṁsa's hostility — Mathurā's varṇāśrama instinctively bows to its true king.
  • akṣataiḥ — unbroken barleycorns
    Instrumental plural of akṣata — un-broken (privative a- + √kṣad). The standard auspicious offering. Akṣata is itself a Vaiṣṇava emblem — Bhagavān is the akṣara whose substance never breaks.
  • uda-pātraiḥ — with pots of water
    Compound: udaka (water) + pātra (vessel). Welcome-water. The same hospitality offered to a son-in-law arriving for a wedding. Kṛṣṇa receives in public street what every Yadu wedding receives in the courtyard.
  • pramuditāḥ — joyful
    Past participle of pra + √mud — to rejoice intensely. The brāhmaṇas' joy is itself an offering — bhāva is more precious to Bhagavān than rice or sandalwood. Gauḍīyas: the dravya is secondary; the bhāva is primary.
Brāhmaṇas standing along the way honored the two Lords with presentations of yogurt, unbroken barleycorns, pots full of water, garlands, fragrant substances such as sandalwood paste, and other items of worship.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Brāhmaṇas standing along the way honored the two Lords with presentations of yogurt, unbroken barleycorns, pots full of water, garlands, fragrant substances such as sandalwood paste, and other items of worship.
Jīva Gosvāmī Gauḍīya
Commentary

How the women with special bhāva respected Kṛṣṇa with completely soft hearts has been described. Now the actions of the brāhmaṇas are described. They worshipped the two with offerings like yogurt, full water pots and other auspicious items like fruit (abhyupāyanaiḥ). Why were they not afraid of Kaṁsa? They were overjoyed (pramuditāḥ). “He is the Supreme Lord!” In great joy their fear disappeared. Here dvijātayaḥ means brāhmaṇas, since they are described later.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)
Related verses
Concepts
Jiva

The brāhmaṇas line the road with their pots, barleycorns, and sandalwood — performing on the open street the welcome-ritual normally done inside a temple. The road has become the altar; Kṛṣṇa is the deity being installed in Mathurā.

📝 My note

Śrīmad-Bhāgavatam 10.41.31

↗
ఊచు: పౌరా అహో గోప్యస్తప: కిమచరన్మహత్ । యా హ్యేతావనుపశ్యన్తి నరలోకమహోత్సవౌ ॥ ౩౧ ॥
ūcuḥ paurā aho gopyas
[oochuh pauraa aho gopyas]
tapaḥ kim acaran mahat
[tapah kim acharan mahat]
yā hy etāv anupaśyanti
[yaa hy etaav anupashyanti]
nara-loka-mahotsavau
[nara-loka-mahotsavau]
ūcuḥ — said paurāḥ — the women of the city aho — ah gopyaḥ — the cowherd girls (of Vṛndāvana) tapaḥ — austerity kim — what acaran — have executed mahat — great yāḥ — who hi — indeed etau — these two anupaśyanti — constantly see nara - loka — for human society mahā - utsavau — who are the greatest source of pleasure .
Blended reading (Sanskrit + English inline)
ūcuḥ paurā aho gopyas
ūcuḥ
said
paurāḥ
the women of the city
aho
ah
gopyaḥ
the cowherd girls (of Vṛndāvana)
tapaḥ kim acaran mahat
tapaḥ
austerity
kim
what
acaran
have executed
mahat
great
yā hy etāv anupaśyanti
yāḥ
who
hi
indeed
etau
these two
anupaśyanti
constantly see
nara-loka-mahotsavau
nara - loka
for human society
mahā - utsavau
who are the greatest source of pleasure .
  • gopyaḥ — the cowherd girls
    Nominative plural of gopī. The Mathurā women name the gopīs even before knowing the full līlā. Vyāsa makes the Mathurā chorus introduce, in one word, the Bhāgavatam's highest topic. Gauḍīyas: gopī-bhāva is the parama-prāpti.
  • tapaḥ — austerity
    Accusative of tapas. The Mathurā women assume the gopīs' constant darśana must be the reward of vast tapasya. They cannot yet conceive that gopī-prema is itself the highest tapas. Gauḍīyas read this gently — Mathurā's bhakti is still karma-flavored.
  • mahā-utsavau — the greatest source of pleasure
    Compound: mahā (great) + utsava (festival). Kṛṣṇa and Balarāma named as the festival itself. Echoes verse 27 (utsavam). The body of Bhagavān is the celebration; mokṣa is only the door.
  • anupaśyanti — constantly see
    anu + √paś, present 3rd plural — see continuously. The verb of nirantara-darśana. The Mathurā women envy precisely the continuity, not just the seeing. Gauḍīyas note: bhakti is measured in its unbrokenness.
The women of Mathurā exclaimed: Oh, what severe austerities the gopīs must have performed to be able to regularly see Kṛṣṇa and Balarāma, who are the greatest source of pleasure for all mankind!
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The women of Mathurā exclaimed: Oh, what severe austerities the gopīs must have performed to be able to regularly see Kṛṣṇa and Balarāma, who are the greatest source of pleasure for all mankind!
Commentary

The word paurah refers to the women living in the city (pura) of Mathura.

Jīva Gosvāmī Gauḍīya
Commentary

Paurāḥ refers to the women of Mathurā since they praise only the gopīs. Paurāḥ instead of pauryaḥ is poetic license. It was previously shown that both men and women were overjoyed. Now he is glorified by all the citizens to show the reason why they could see his form. The gopīs represent all the inhabitants of Vraja. The two boys were joy for humans. This also represents all beings on earth, but humans are the most important. Therefore they are mentioned. Or the two were joy for the humans and all the fourteen worlds (loka). Or the two were joy for all jīvas (naraloka). The gopīs and others continually see (anupaśyanti) the two boys. The present tense is used because it was possible that the two would return there.

Concepts
Jiva

The Mathurā women look at Kṛṣṇa walking the avenue and immediately think upward — what tapas, what previous-life austerities, must the gopīs have done to drink this face every dawn? Bhāva measures itself by envying the deeper bhāva.

The Vraja women's own envy of Yaśodā

In SB 10.8 the elder gopīs of Vraja describe to mother Yaśodā the wonderful things they have seen her son do — and in the same breath confess that Yaśodā is the most fortunate of all, because she can bind Him with her rope. The Bhāgavatam systematically constructs a ladder of envy: aiśvarya-bhaktas envy dāsya-bhaktas, dāsyas envy sakhyas, sakhyas envy vātsalyas, all envy the gopīs.

The Mathurā women's exclamation here is the first rung. Gauḍīyas read this verse as Vyāsa's own theology in dialogue-form: gopī-bhāva is the apex; everyone else stands below it and looks up.

📝 My note

Śrīmad-Bhāgavatam 10.41.32

↗
రజకం కఞ్చిదాయాన్తం రఙ్గకారం గదాగ్రజ: । ద‍ృష్ట్వాయాచత వాసాంసి ధౌతాన్యత్యుత్తమాని చ ॥ ౩౨ ॥
rajakaṁ kañcid āyāntaṁ
[rajakam kanchid aayaantam]
raṅga-kāraṁ gadāgrajaḥ
[ranga-kaaram gadaagrajah]
dṛṣṭvāyācata vāsāṁsi
[drishtvaayaachata vaasaamsi]
dhautāny aty-uttamāni ca
[dhautaany aty-uttamaani cha]
rajakam — washerman kañcit — a certain āyāntam — approaching raṅga - kāram — engaged in dyeing gada - agrajaḥ — Lord Śrī Kṛṣṇa, the elder brother of Gada dṛṣṭvā — seeing ayācata — requested vāsāṁsi — garments dhautāni — cleaned ati - uttamāni — first class ca — and .
Blended reading (Sanskrit + English inline)
rajakaṁ kañcid āyāntaṁ
rajakam
washerman
kañcit
a certain
āyāntam
approaching
raṅga-kāraṁ gadāgrajaḥ
raṅga - kāram
engaged in dyeing
gada - agrajaḥ
Lord Śrī Kṛṣṇa, the elder brother of Gada
dṛṣṭvāyācata vāsāṁsi
dṛṣṭvā
seeing
ayācata
requested
vāsāṁsi
garments
dhautāny aty-uttamāni ca
dhautāni
cleaned
ati - uttamāni
first class
ca
and .
  • rajakam — washerman
    Accusative of rajaka — one who dyes/launders. The rajaka belongs to the king's household, which makes his hostility doubly tragic. Gauḍīyas read his proximity-without-bhakti as a paradigm: closeness to Kaṁsa-tattva (kings, power) hardens the heart faster than distance.
  • gada-agrajaḥ — Kṛṣṇa, the elder brother of Gada
    Compound: Gada (Vasudeva's son by Sutanu) + agra-ja (elder brother). The Bhāgavatam names Kṛṣṇa here by family-relation to Gada — quietly reminding the reader that this 'forest-boy' is in fact the eldest son of the city's royal family.
  • ati-uttamāni — first class
    Compound: ati (very) + uttama (highest). Kṛṣṇa asks for the best — not because He needs the best, but because the rajaka now has the chance to give Him the best. The opportunity is graded by the request.
  • ayācata — requested
    Imperfect of √yāc — to ask, to beg. The same verb used for Vāmana's begging from Bali (14:14 referent). Bhagavān becomes a yācaka before His devotees; the rajaka does not recognize what is happening.
Seeing a washerman approaching who had been dyeing some clothes, Kṛṣṇa asked him for the finest laundered garments he had.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Seeing a washerman approaching who had been dyeing some clothes, Kṛṣṇa asked him for the finest laundered garments he had.
Commentary

One who washes clothing is called rajakah. If he also dyes clothing he is called rangakara.

Jīva Gosvāmī Gauḍīya
Commentary

The great joy of the good citizens has been described. Now the opposite reaction of the wicked is described, starting with the washer man. This is described in six verses. Rajakaṁ kaṣcid indicates a loyal follower of Kaṁsa with a demonic nature. Viṣṇu Purāṇa describes him as a wicked follower of Kaṁsa (tasya durātmanaḥ). He had some cloth for selling. However to deceive Kṛṣṇa, he said the cloth was for Kaṁsa. He was going from the washing place into the city. Kṛṣṇa’s glance upon him was the dyer’s only auspiciousness for it is said that a dyer with freshly washed cloth is inauspicious. The alliteration in rajakam and raṅgakāram is repeated with the word gadagrajaḥ. Or gadāgrajaḥ indicates that though Gada was famous for good qualities, Kṛṣṇa his elder brother who was Svayam Bhagavān would have so much more qualities. This phrase also indicates that at the beginning of pastimes with the Yadus, Gada, chief among all the brothers of Kṛṣṇa and Balarāma, had been born. There were two Gadas. Three sons of Rohiṇī were Balarāma, Gada and Sāraṇa. Another wife of Vasudeva called Devarakṣitā had sons starring with Gada. That is the Gada mentioned in this verse, since Rohiṇī’s son Gada had not been born yet. This is understood from other sources also. Gada was a younger relative but played with Kṛṣṇa in Mathurā like an elder brother. Kaccid gadāgrajaḥ saumya karoti pura-yoṣitām: O gentle Uddhava, is the elder brother of Gada now bestowing on the city women the pleasure that actually belongs to us? (SB 10.47.40) Rukmiṇī later says: pūrteṣṭa-datta-niyama-vrata-deva-vipra gurv-arcanādibhir alaṁ bhagavān pareśaḥ ārādhito yadi gadāgraja etya pāṇiṁ gṛhṇātu me na damaghoṣa-sutādayo ’nye If I have sufficiently worshiped the Supreme Lord by pious works, sacrifices, charity, rituals and vows, and also by worshiping the devatās, brāhmaṇas and gurus, then may Gadāgraja come and take my hand, and not Damaghoṣa’s son or anyone else. SB 10.52.40

Related values
Anahankarah (Freedom from False Ego)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

A king's washerman, dyeing royal cloth, walks past — Kṛṣṇa stops him and asks for new clothes. The Lord, who provides garments for the universe, plays the role of a youth in need, opening for the washerman a door that the washerman is about to slam shut.

📝 My note

Śrīmad-Bhāgavatam 10.41.33

↗
దేహ్యావయో: సముచితాన్యఙ్గ వాసాంసి చార్హతో: । భవిష్యతి పరం శ్రేయో దాతుస్తే నాత్ర సంశయ: ॥ ౩౩ ॥
dehy āvayoḥ samucitāny
[dehy aavayoh samuchitaany]
aṅga vāsāṁsi cārhatoḥ
[anga vaasaamsi chaarhatoh]
bhaviṣyati paraṁ śreyo
[bhavishyati param shreyo]
dātus te nātra saṁśayaḥ
[daatus te naatra samshayah]
dehi — please give āvayoḥ — to Us two samucitāni — suitable aṅga — My dear vāsāṁsi — clothes ca — and arhatoḥ — to the two who are deserving bhaviṣyati — there will be param — supreme śreyaḥ — benefit dātuḥ — for the giver te — you na — there is not atra — in this matter saṁśayaḥ — doubt .
Blended reading (Sanskrit + English inline)
dehy āvayoḥ samucitāny
dehi
please give
āvayoḥ
to Us two
samucitāni
suitable
aṅga vāsāṁsi cārhatoḥ
aṅga
My dear
vāsāṁsi
clothes
ca
and
arhatoḥ
to the two who are deserving
bhaviṣyati paraṁ śreyo
bhaviṣyati
there will be
param
supreme
śreyaḥ
benefit
dātus te nātra saṁśayaḥ
dātuḥ
for the giver
te
you
na
there is not
atra
in this matter
saṁśayaḥ
doubt .
  • param-śreyaḥ — the supreme benefit
    Compound: para (highest) + śreyas (good, welfare). The Vaiṣṇava technical term for mokṣa-or-better — what is finally good for the jīva. Kṛṣṇa offers exactly this in exchange for two pieces of cloth. The rajaka cannot read the price tag.
  • samucitāni — suitable
    Past participle of sam + ud + √ci — well-collected, fitting. Kṛṣṇa specifies: clothes that fit. Gauḍīyas note the politeness — Bhagavān asks with the courtesy of one approaching an equal, though He is the giver of all clothing in existence.
  • arhatoḥ — to the two who are deserving
    Genitive dual of arhat — worthy. Kṛṣṇa names Himself and Balarāma as 'the two who are deserving' — a quiet, deadpan claim. The truthfulness is exact; the rajaka mistakes it for arrogance.
  • dātuḥ — for the giver
    Genitive of dātṛ — giver. The verse's grammar offers the rajaka the title of dātṛ — the rare title given to those whose dāna reaches Bhagavān. Bali was a dātṛ; the rajaka could have been. The hinge of the verse.
[Lord Kṛṣṇa said:] Please give suitable garments to the two of Us, who certainly deserve them. If you grant this charity, you will undoubtedly receive the greatest benefit.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
[Lord Kṛṣṇa said:] Please give suitable garments to the two of Us, who certainly deserve them. If you grant this charity, you will undoubtedly receive the greatest benefit.
Jīva Gosvāmī Gauḍīya
Commentary

This verse describes how he asked for the cloth. O dyer (aṅga)! These clothes are suitable since they have the color and form suitable for us. You cannot say that this cloth is not suitable for us. We deserve this cloth (arhatoḥ). “How can I give it without payment?” There will be the greatest benefit in this life and the next (śreyaḥ) for the donor. Otherwise there will no auspiciousness. He made this statement to reveal the washer man’s wicked nature when he responded. Even in death he would get benefit. After some time he would receive more than the price of the cloth. He would obtain the highest benefit. Even to the wicked, Kṛṣṇa spoke most gently. By this proper conduct, he also desired to remove any criticism concerning killing the washer man since such criticism is intolerable to the devotees. Another meaning of the last line is “One who does not give (adatuḥ) will not attain Vaikuṇṭha, but will merge in Brahman. For him, in this life there is only doubt or death.”

Related values
Dana (Charity / Generosity)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)Karuna (Kindness / Compassion)Santosha (Contentment)Discriminative Wisdom
Related verses
Concepts
BrahmanJiva

A merchant who refuses to sell a small thing to a king disguised as a beggar — and so refuses, unknowingly, the king's gold. Kṛṣṇa tells the washerman exactly the deal: 'Give us cloth, and the supreme good will be yours.' The deal is rejected.

📝 My note

Śrīmad-Bhāgavatam 10.41.34

↗
స యాచితో భగవతా పరిపూర్ణేన సర్వత: । సాక్షేపం రుషిత: ప్రాహ భృత్యో రాజ్ఞ: సుదుర్మద: ॥ ౩౪ ॥
sa yācito bhagavatā
[sa yaachito bhagavataa]
paripūrṇena sarvataḥ
[paripoornena sarvatah]
sākṣepaṁ ruṣitaḥ prāha
[saakshepam rushitah praaha]
bhṛtyo rājñaḥ su-durmadaḥ
[bhrityo raajnah su-durmadah]
saḥ — he yācitaḥ — requested bhagavatā — by the Supreme Lord paripūrṇena — who is absolutely complete sarvataḥ — in all respects sa - ākṣepam — insultingly ruṣitaḥ — angered prāha — he spoke bhṛtyaḥ — the servant rājñaḥ — of the King su — very much durmadaḥ — falsely proud .
Blended reading (Sanskrit + English inline)
sa yācito bhagavatā
saḥ
he
yācitaḥ
requested
bhagavatā
by the Supreme Lord
paripūrṇena sarvataḥ
paripūrṇena
who is absolutely complete
sarvataḥ
in all respects
sākṣepaṁ ruṣitaḥ prāha
sa - ākṣepam
insultingly
ruṣitaḥ
angered
prāha
he spoke
bhṛtyo rājñaḥ su-durmadaḥ
bhṛtyaḥ
the servant
rājñaḥ
of the King
su
very much
durmadaḥ
falsely proud .
  • paripūrṇena — who is absolutely complete
    Compound: pari (around) + pūrṇa (full). Bhagavān is pari-pūrṇa — full from every side. Echoes the maṅgalācaraṇa of the Bhāgavatam (oṁ pūrṇam adaḥ, Iśopaniṣad). The supremely complete asks the supremely insolvent.
  • durmadaḥ — falsely proud
    Compound: dur (bad) + mada (intoxication). Bad-intoxication — pride drunk on borrowed status. The rajaka is intoxicated by serving Kaṁsa. Gauḍīyas read this as the warning against any pride borrowed from proximity to power.
  • sa-ākṣepam — insultingly
    Compound: sa (with) + ākṣepa (rebuke, slight). The technical rhetorical term for sarcastic speech. The rajaka does not just refuse — he mocks. The Bhāgavatam grades offenses by tone, not just content.
  • ruṣitaḥ — angered
    Past participle of √ruṣ — to be angry. The rajaka becomes angry at the very request that should have made him grateful. Bhāva's mirror-reversal: the same darśana that melted the ladies hardened him.
Thus requested by the Supreme Lord, who is perfectly complete in all respects, that arrogant servant of the King became angry and replied insultingly.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Thus requested by the Supreme Lord, who is perfectly complete in all respects, that arrogant servant of the King became angry and replied insultingly.
Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa, Bhagavān, who is complete in all ways, requested him. This means that Kṛṣṇa simply asked him to see the washer man’s reaction (not because he needed anything). Viṣṇu Purāṇa describes his wicked nature. Kaṁsasya rajakaḥ so ‘tha prāsādāruḍha-vismayaḥ: Kaṁsa’s washer man who was going to the palace became astonished. Another version has sudurmukhaḥ (speaking rudely) instead of sudurmadaḥ (proud). Hari-vaṁśa says prāptāviṣṭāya murkhāya sṛjate vāṅmayaṁ viṣam: he began speaking poison in order to attain the destination desired by the foolish.

Śrīdhara Svāmī Gauḍīya
Commentary

Kṛṣṇa, Bhagavān, who is complete in all ways, requested him. He did not need any cloth. He was an ocean of sweetness capable of instantly manifesting unlimited excellent cloth. He asked because he was the Lord who had appeared to relieve the earth of its burden. This would produce a cause of killing Kaṁsa. Or the cause of his being completely was that he was full of all powers (bhagavān). The washerman spoke distinctly. He spoke insultingly because he was a servant of Kaṁsa and was very wicked (su-durmadaḥ). Kaṁsasya rajakaḥ so ‘tha prāsādāruḍha-vismayaḥ: Kaṁsa’s washer man who was going to the palace became astonished. Another version has sudurmukhaḥ (speaking rudely) instead of sudurmadaḥ (proud). Hari-vaṁśa says prāptāviṣṭāya murkhāya sṛjate vāṅmayaṁ viṣam: he began speaking poison in order to attain the destination desired by the foolish.

Related values
Anahankarah (Freedom from False Ego)Karuna (Kindness / Compassion)Tyaga (Renunciation / Letting Go)
Related verses

A servant of a doomed king carries the king's pride in his own neck. The rajaka borrows Kaṁsa's arrogance and answers Kṛṣṇa with it — not knowing the borrowed pride borrows the borrower's life.

📝 My note

Śrīmad-Bhāgavatam 10.41.35

↗
ఈద‍ృశాన్యేవ వాసాంసి నిత్యం గిరివనేచర: । పరిధత్త కిముద్‌వృత్తా రాజద్రవ్యాణ్యభీప్సథ ॥ ౩౫ ॥
īdṛśāny eva vāsāṁsī
[eedrishaany eva vaasaamsee]
nityaṁ giri-vane-caraḥ
[nityam giri-vane-charah]
paridhatta kim udvṛttā
[paridhatta kim udvrittaa]
rāja-dravyāṇy abhīpsatha
[raaja-dravyaany abheepsatha]
īdṛśāni — of this sort eva — indeed vāsāṁsi — garments nityam — always giri — on the mountains vane — and in the forests carāḥ — those who travel paridhatta — would put on kim — whether udvṛttāḥ — impudent rāja — the King’s dravyāṇi — things abhīpsatha — You want .
Blended reading (Sanskrit + English inline)
īdṛśāny eva vāsāṁsī
īdṛśāni
of this sort
eva
indeed
vāsāṁsi
garments
nityaṁ giri-vane-caraḥ
nityam
always
giri
on the mountains
vane
and in the forests
carāḥ
those who travel
paridhatta kim udvṛttā
paridhatta
would put on
kim
whether
udvṛttāḥ
impudent
rāja-dravyāṇy abhīpsatha
rāja
the King’s
dravyāṇi
things
abhīpsatha
You want .
  • giri-vane-carāḥ — those who travel in mountains and forests
    Compound: giri (mountain) + vana (forest) + cara (one who roams). The rajaka taunts Kṛṣṇa with His Vraja-origin — not knowing he is naming the Lord of Govardhana and Vṛndāvana, places more sanctified than the city he serves.
  • udvṛttāḥ — impudent
    Past participle of ud + √vṛt — risen up, gotten above oneself. The vocabulary of caste-pride and royal-protocol. The rajaka measures Kṛṣṇa by station; he cannot measure beyond it.
  • rāja-dravyāṇi — the King's things
    Compound: rāja (king) + dravya (substance, property). The rajaka invokes Kaṁsa's property-rights — not knowing that Kaṁsa himself is being asked to surrender his property to the rightful king. Vyāsa's irony is dry and absolute.
[The washerman said:] You impudent boys! You’re accustomed to roaming the mountains and forests, and yet You would dare put on such clothes as these! These are the King’s possessions You’re asking for!
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
[The washerman said:] You impudent boys! You're accustomed to roaming the mountains and forests, and yet You would dare put on such clothes as these! These are the King's possessions You're asking for!
Commentary

Udvrtta means one who has deviated (ut) from good conduct (vrtta). "O ill mannered boys! Have you ever worn such clothing?" By the cleverness of Sarasvati the washerman’s words also mean the opposite: "O boys of excellent (utkrsta) character (vrtta), who herd cows on Govardhana, will you wear these material clothes? That can never be! Therefore, why do you want to don the clothes of an impure king even in play?"

Jīva Gosvāmī Gauḍīya
Commentary

O arrogant boys, who talk without fear of the king (udvṛttā)! This is because you are forest vagabonds. Can persons like you wear such cloth? Why do you desire the king’s objects? You will gain nothing from this. Rather, having come to the king’s city, you will gain only fear by offending the king. And if you wear the clothing, it is a joke since you are forest wanderers. To deceive them he then spoke as if being truthful. Why do you desire the king’s possessions? Or, why do you desire such clothing since it indicates that you are arrogant and desire the king’s possessions. You should not wear this clothing and you should not desire in this way. This shows you are arrogant. It was said śyāmaṁ hiraṇya-paridhim: Kṛṣṇa’s complexion was dark blue and his belt was golden. (SB 10.23.21) Being complete in himself (paripūrṇena) his clothing was already most attractive. Viṣṇu Purāṇa says concerning their playing in the forest suvarṇāṣjana-cūrṇābhyāṁ tau tadā bhūṣitāmbarau: the two boys had cloth ornamented with gold and black powder. However the demon’s eye cannot see this. There is also a hidden meaning in his words. O boys having an attractive occupation! Wandering in the forests of Govardhana you wear most attractive cloth. Do you desire the king’s cloth? Of course not. You are asking for this cloth as a trick.

Śrīdhara Svāmī Gauḍīya
Commentary

You are of bad character or uncontrolled (udvṛttāḥ). Do you desire to put on these clothes? He laughs. You do not belong to the king’s family. Even at the time of final destruction you will remain excluded. Why do you desire the king’s possessions? You should not do so. Plural number is used to indicate all the cowherd boys. Or will you put on these clothes very day (nityam)? Or how arrogant you are (kim udvṛttāḥ).

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)
Related verses

The forest-boy is offered the king's silks — and the king's launderer scoffs. He cannot see that his hands are holding cloth that has finally arrived at its true owner; he sees only the wildness of the body asking for it.

📝 My note

Śrīmad-Bhāgavatam 10.41.36

↗
యాతాశు బాలిశా మైవం ప్రార్థ్యం యది జిజీవీషా । బధ్నన్తి ఘ్నన్తి లుమ్పన్తి ద‍ృప్తం రాజకులాని వై ॥ ౩౬ ॥
yātāśu bāliśā maivaṁ
[yaataashu baalishaa maivam]
prārthyaṁ yadi jijīvīṣā
[praarthyam yadi jijeeveeshaa]
badhnanti ghnanti lumpanti
[badhnanti ghnanti lumpanti]
dṛptaṁ rāja-kulāni vai
[driptam raaja-kulaani vai]
yāta — go āśu — quickly bāliśaḥ — fools mā — do not evam — like this prārthyam — beg yadi — if jijīviṣā — You have the desire to live badhnanti — they tie up ghnanti — kill lumpanti — and loot (his house) dṛptam — one who is bold rāja - kulāni — the King’s men vai — indeed .
Blended reading (Sanskrit + English inline)
yātāśu bāliśā maivaṁ
yāta
go
āśu
quickly
bāliśaḥ
fools
mā
do not
evam
like this
prārthyaṁ yadi jijīvīṣā
prārthyam
beg
yadi
if
jijīviṣā
You have the desire to live
badhnanti ghnanti lumpanti
badhnanti
they tie up
ghnanti
kill
lumpanti
and loot (his house)
dṛptaṁ rāja-kulāni vai
dṛptam
one who is bold
rāja - kulāni
the King’s men
vai
indeed .
  • jijīviṣā — the desire to live
    Desiderative of √jīv — desire to live. The rajaka invokes jijīviṣā as the basic instinct — and within seconds will lose it himself. The Bhāgavatam's irony is structural, not decorative.
  • rāja-kulāni — the King's men
    Compound: rāja (king) + kula (clan, household). The royal household-staff who enforce the king's reach. The rajaka identifies himself with them — and so inherits, in the next verse, their fate at Bhagavān's hand.
  • bāliśaḥ — fools
    Vocative plural of bāliśa — foolish, childish. The rajaka calls Kṛṣṇa and Balarāma 'fools.' The Bhāgavatam preserves the exact word — for the reader to feel the weight of its misapplication.
  • lumpanti — and loot
    Present 3rd plural of √lup — to plunder, tear away. The verb of seizure. The rajaka's vocabulary is the vocabulary of confiscation — and Kṛṣṇa will, in the very next verse, confiscate his head.
Fools, get out of here quickly! Don’t beg like this if You want to stay alive. When someone is too bold, the King’s men arrest him and kill him and take all his property.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Fools, get out of here quickly! Don't beg like this if You want to stay alive. When someone is too bold, the King's men arrest him and kill him and take all his property.
Commentary

The normal meaning of the verse is clear. However, there is another meaning. "O bhagavan, who on the pretext of taking three steps of land, claimed the body of Bali (Balisa)! You should not request in this way if you want to keep me alive, just as Bali fell into danger by giving in charity. If I give you the cloth, I will not live beyond today. The servants of the king will bind up that person who is not afraid of Kamsa (drptam), and after informing Kamsa, they will kill him and loot his house."

Jīva Gosvāmī Gauḍīya
Commentary

O fools! You should quickly flee. You should not ask like this again. The king’s men will beat you (ghnanti) and injure you (lumpanti). I forgive you now since you are children. The hidden meaning is as follows. People like me are fickle fools. If you desire to show how you maintain others’ lives, you should not ask like this. “How can warriors test their strength on a washer man?” Persons like you, coming in a royal family, tie up persons filled with pride. Jīva can mean maintaining strength or life.

Śrīdhara Svāmī Gauḍīya
Commentary

O fools! Or O boys (bāliśa)! This means they had not reach yauvana period. You are innocent, without pride. Quickly flee! Do not ask for anything again. The king’s men will beat you and stab you.

Related values
Dana (Charity / Generosity)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)Karuna (Kindness / Compassion)Santosha (Contentment)Discriminative Wisdom
Related verses
Concepts
Jiva

He warns Kṛṣṇa about the king's executioners — not knowing that the executioner of the king is standing in front of him asking for cloth. The threat is a self-portrait.

📝 My note

Śrīmad-Bhāgavatam 10.41.37

↗
ఏవం వికత్థమానస్య కుపితో దేవకీసుత: । రజకస్య కరాగ్రేణ శిర: కాయాదపాతయత్ ॥ ౩౭ ॥
evaṁ vikatthamānasya
[evam vikatthamaanasya]
kupito devakī-sutaḥ
[kupito devakee-sutah]
rajakasya karāgreṇa
[rajakasya karaagrena]
śiraḥ kāyād apātayat
[shirah kaayaad apaatayat]
evam — thus vikatthamānasya — who was brazenly speaking kupitaḥ — angered devakī - sutaḥ — Kṛṣṇa, the son of Devakī rajakasya — of the washerman kara — of one hand agreṇa — with the front śiraḥ — the head kāyāt — from his body apātayat — made fall .
Blended reading (Sanskrit + English inline)
evaṁ vikatthamānasya
evam
thus
vikatthamānasya
who was brazenly speaking
kupito devakī-sutaḥ
kupitaḥ
angered
devakī - sutaḥ
Kṛṣṇa, the son of Devakī
rajakasya karāgreṇa
rajakasya
of the washerman
kara
of one hand
agreṇa
with the front
śiraḥ kāyād apātayat
śiraḥ
the head
kāyāt
from his body
apātayat
made fall .
  • devakī-sutaḥ — Kṛṣṇa, the son of Devakī
    Compound: Devakī + suta (son). Vyāsa names Kṛṣṇa here as Devakī's son — not Yaśodā's — because the act is Mathurā-līlā, the asura-dalana side of His Person. The killing of the rajaka belongs to Devakī-suta's mode, not Yaśodā-bāla's.
  • kara-agreṇa — with the fingertip
    Compound: kara (hand) + agra (tip). With the tip of one hand. The Bhāgavatam preserves the precise instrument — not a sword, not a fist, only the finger. Aiśvarya needs no weapon.
  • kupitaḥ — angered
    Past participle of √kup — to be angry. The same Bhagavān who smiled at the Mathurā women becomes kupita at the rajaka. Gauḍīyas read this carefully: Kṛṣṇa's anger is itself līlā, not loss of equanimity; it is calibrated to the offense.
  • apātayat — made fall
    Causative imperfect of √pat — caused to fall. The same verb used for the felling of demons. The rajaka has been quietly assimilated to the asura-roster — his offense at Bhagavān's request placed him there.
As the washerman thus spoke brazenly, the son of Devakī became angry, and then merely with His fingertips He separated the man’s head from his body.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
As the washerman thus spoke brazenly, the son of Devakī became angry, and then merely with His fingertips He separated the man's head from his body.
Jīva Gosvāmī Gauḍīya
Commentary

The washer man had spoken rashly in a loud voice, praising himself, and opposing the Lord (vikatthamānasya), “I am a great craftsman, personal servant to the king.” Hari-vaṁśa makes this clear. ahaṁ kaṁsasya vāsāṁsi nānādeśodbhavāni ca / kāma-rāgāṇi śataśo rajāmi vividhāni ca // I dye thousands of pieces of Kaṁsa’s clothes which come from various states in a variety of attractive colors. Kṛṣṇa became angry because the washer man was siding with Kaṁsa and also insulted Balarāma by using the plural number in speaking about Kṛṣṇa. Standing with a sword in his hand he cut off his head from his body, making it fly at a distance. He is here called the son of Devakī because, pained by the suffering inflicted on Devakī by Kaṁsa, how could Kṛṣṇa tolerate the audacity of Kaṁsa’s followers?

Related values
Anahankarah (Freedom from False Ego)
Related verses
Concepts
Jiva

A single fingertip — and the head falls. The rajaka who threatened Kṛṣṇa with the king's executioners has met the actual executioner, and his sword is one finger. Bhāva's reciprocity has its physical correlate.

📝 My note

Śrīmad-Bhāgavatam 10.41.38

↗
తస్యానుజీవిన: సర్వే వాస:కోశాన్విసృజ్య వై । దుద్రువు: సర్వతో మార్గం వాసాంసి జగృహేఽచ్యుత: ॥ ౩౮ ॥
tasyānujīvinaḥ sarve
[tasyaanujeevinah sarve]
vāsaḥ-kośān visṛjya vai
[vaasah-koshaan visrijya vai]
dudruvuḥ sarvato mārgaṁ
[dudruvuh sarvato maargam]
vāsāṁsi jagṛhe ’cyutaḥ
[vaasaamsi jagrihe ’chyutah]
tasya — his anujīvinaḥ — employees sarve — all vāsaḥ — of clothes kośān — the bundles visṛjya — leaving behind vai — indeed dadruvuḥ — they fled sarvataḥ — in all directions mārgam — down the road vāsāṁsi — garments jagṛhe — took acyutaḥ — Lord Kṛṣṇa .
Blended reading (Sanskrit + English inline)
tasyānujīvinaḥ sarve
tasya
his
anujīvinaḥ
employees
sarve
all
vāsaḥ-kośān visṛjya vai
vāsaḥ
of clothes
kośān
the bundles
visṛjya
leaving behind
vai
indeed
dadruvuḥ
they fled
dudruvuḥ sarvato mārgaṁ
sarvataḥ
in all directions
mārgam
down the road
vāsāṁsi jagṛhe ’cyutaḥ
vāsāṁsi
garments
jagṛhe
took
acyutaḥ
Lord Kṛṣṇa .
  • acyutaḥ — the infallible Lord
    Nominative of acyuta — the one who never falls. The name is placed deliberately right after the rajaka has fallen. Bhagavān is acyuta; everything that opposes Him is cyuta. The verb-pair of the chapter.
  • kośān — bundles
    Accusative plural of kośa — bundle, treasure. The same word used for cosmic kośas (annamaya, prāṇamaya, etc.). The rajaka's literal kośas are abandoned in fear; the Bhāgavatam's eye plays on the resonance.
  • dadruvuḥ — they fled
    Perfect 3rd plural of √dru — to run. The assistants run because they have seen what proximity to Kaṁsa-tattva produces. The Bhāgavatam preserves their flight without judgment — they are spared because they ran.
  • jagṛhe — took
    Perfect 3rd singular of √grah — to take. The same verb-field as Kṛṣṇa taking Akrūra's hand in verse 9. Bhagavān 'takes' — sometimes a hand in friendship, sometimes cloth in līlā-conquest. The verb is the constant; the mode varies.
The washerman’s assistants all dropped their bundles of clothes and fled down the road, scattering in all directions. Lord Kṛṣṇa then took the clothes.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The washerman's assistants all dropped their bundles of clothes and fled down the road, scattering in all directions. Lord Kṛṣṇa then took the clothes.
Commentary

The followers of the washerman dropped the baskets of clothing (vasah kosan) and fled.

Jīva Gosvāmī Gauḍīya
Commentary

Vai means certainly. Another version has ca, indicating they left clothing and other items. The men and donkeys fled here and there (sarvataḥ) on the road. Or they fled in all directions on the road. Or they fled everywhere, not on the road (amārgam). They did not use the road and fled to other places (not the city). Kṛṣṇa remained on the spot (acyutaḥ).

Concepts
Jiva

The assistants drop the bundles and scatter — the cloth they had hoarded for the king becomes ownerless in one moment. Property changes hands not by contract but by darśana: what the rajaka guarded, Kṛṣṇa simply takes.

📝 My note

Śrīmad-Bhāgavatam 10.41.39

↗
వసిత్వాత్మప్రియే వస్‍‍‍‍‍త్రే కృష్ణ: సఙ్కర్షణస్తథా । శేషాణ్యాదత్త గోపేభ్యో విసృజ్య భువి కానిచిత్ ॥ ౩౯ ॥
vasitvātma-priye vastre
[vasitvaatma-priye vastre]
kṛṣṇaḥ saṅkarṣaṇas tathā
[krishnah sankarshanas tathaa]
śeṣāṇy ādatta gopebhyo
[sheshaany aadatta gopebhyo]
visṛjya bhuvi kānicit
[visrijya bhuvi kaanichit]
vasitvā — dressing Himself ātma - priye — which He liked vastre — in a pair of garments kṛṣṇaḥ — Kṛṣṇa saṅkarṣaṇaḥ — Balarāma tathā — also śeṣāṇi — the rest ādatta — He gave gopebhyaḥ — to the cowherd boys visṛjya — throwing away bhuvi — on the ground kānicit — several .
Blended reading (Sanskrit + English inline)
vasitvātma-priye vastre
vasitvā
dressing Himself
ātma - priye
which He liked
vastre
in a pair of garments
kṛṣṇaḥ saṅkarṣaṇas tathā
kṛṣṇaḥ
Kṛṣṇa
saṅkarṣaṇaḥ
Balarāma
tathā
also
śeṣāṇy ādatta gopebhyo
śeṣāṇi
the rest
ādatta
He gave
gopebhyaḥ
to the cowherd boys
visṛjya bhuvi kānicit
visṛjya
throwing away
bhuvi
on the ground
kānicit
several .
  • ātma-priye — which He liked
    Compound locative: ātma (self) + priya (dear). The garments are 'self-pleasing' — Kṛṣṇa chooses for His own pleasure. Gauḍīyas note: ātmārāma Bhagavān, even in a small wardrobe-decision, is pleasing only Himself, by His own taste.
  • gopebhyaḥ — to the cowherd boys
    Dative plural of gopa. Vraja's sakhās receive the king's silks. The geographic-and-bhāva-inversion is complete: forest-cloth and city-cloth have changed places. Sakhya outranks aiśvarya in the Lord's distribution-list.
  • śeṣāṇi — the remainder
    Nominative plural of śeṣa — remainder, residue. Kṛṣṇa eats the residue (yajña-śeṣa) is a Bhāgavata-Gītā idiom; here He distributes the residue. The verb-field is the same: residue is what Bhagavān manages.
  • saṅkarṣaṇaḥ — Balarāma
    Nominative. Balarāma is named with His vyūha-name Saṅkarṣaṇa — the one who pulls together. Even in the act of dressing, Gauḍīyas emphasize: Balarāma is constitutive, never an accessory to the scene.
Kṛṣṇa and Balarāma put on pairs of garments that especially pleased Them, and then Kṛṣṇa distributed the remaining clothes among the cowherd boys, leaving some scattered on the ground.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Kṛṣṇa and Balarāma put on pairs of garments that especially pleased Them, and then Kṛṣṇa distributed the remaining clothes among the cowherd boys, leaving some scattered on the ground.
Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa and Balarāma dressed themselves in yellow and blue lower and upper cloths, dear to them (ātma-priye). They gave cloth to each of the other boys according to the desire of each (ādatta). Or they took the extra cloth to give it out. The intention of the Lord was this. “These splendid cloths have been given by Kaṁsa to glorify his family members at the great festival. To destroy his glory I will make my family glorious. First I will uproot his confidence.” Actually these clothes belonged to Kṛṣṇa, like the daughters of kings stolen by Narkāsura. By the līlā-śakti, for creating sweetness in his pastimes, he obtained those cloths.

Concepts
ChitLilaJiva

Kṛṣṇa dresses Himself and Balarāma in the new silks, gives the rest to His cowherd boys, and lets some fall on the road. Distribution is the bhāva: Vraja's sakhās are dressed first; Mathurā's earth gets the leftovers.

📝 My note

Śrīmad-Bhāgavatam 10.41.40

↗
తతస్తు వాయక: ప్రీతస్తయోర్వేషమకల్పయత్ । విచిత్రవర్ణైశ్చైలేయైరాకల్పైరనురూపత: ॥ ౪౦ ॥
tatas tu vāyakaḥ prītas
[tatas tu vaayakah preetas]
tayor veṣam akalpayat
[tayor vesham akalpayat]
vicitra-varṇaiś caileyair
[vichitra-varnaish chaileyair]
ākalpair anurūpataḥ
[aakalpair anuroopatah]
tataḥ — then tu — moreover vāyakaḥ — a weaver prītaḥ — affectionate tayoḥ — for the two of Them veṣam — dress akalpayat — arranged vicitra — various varṇaiḥ — with colors caileyaiḥ — made of cloth ākalpaiḥ — with ornaments anurūpataḥ — suitably .
Blended reading (Sanskrit + English inline)
tatas tu vāyakaḥ prītas
tataḥ
then
tu
moreover
vāyakaḥ
a weaver
prītaḥ
affectionate
tayor veṣam akalpayat
tayoḥ
for the two of Them
veṣam
dress
akalpayat
arranged
vicitra-varṇaiś caileyair
vicitra
various
varṇaiḥ
with colors
caileyaiḥ
made of cloth
ākalpair anurūpataḥ
ākalpaiḥ
with ornaments
anurūpataḥ
suitably .
  • vāyakaḥ — a weaver
    Nominative of vāyaka — weaver. The rajaka refused; the vāyaka offers without being asked. Gauḍīyas read the three Mathurā craftsmen of this chapter (rajaka, vāyaka, mālā-kāra) as a graded ladder: hostile, devotional, surrendered.
  • prītaḥ — affectionate
    Past participle of √prī. The same word that named the villagers (verse 7) and will name Sudāmā (verse 49). Prīti is the chapter's connective fluid — wherever it flows toward Kṛṣṇa, the verse turns toward mercy.
  • akalpayat — arranged
    Imperfect of √kḷp (causative) — to arrange, to make fit. The same verb used for cosmic-ordering in Bhāgavatam philosophical passages. The weaver, in miniature, performs a cosmos-fitting act: ornamenting the Person around whom the cosmos is ordered.
  • anurūpataḥ — suitably
    Compound: anu + rūpa + tas — according to the form. The weaver's ornamentation 'follows the form' of the Lord. Gauḍīyas: bhakti is the only sevā that fits the form of its object; everything else distorts the contour.
Thereupon a weaver came forward and, feeling affection for the Lords, nicely adorned Their attire with cloth ornaments of various colors.

Śrīla Jīva Gosvāmī explains that the weaver adorned the Lords with cloth armlets and earrings that looked just like jewels. The word anurūpataḥ indicates that the colors matched nicely.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Thereupon a weaver came forward and, feeling affection for the Lords, nicely adorned Their attire with cloth ornaments of various colors.
Commentary

The vayakah is one who weaves using bamboo. He dressed Krsna and Balarama in soft silk cloth of gold color embedded with jewels and ornaments, suitable for wresters who after massaging their bodies, dress them in soft cloth.

Jīva Gosvāmī Gauḍīya
Commentary

Having punished the wicked in order to give joy to the righteous, Kṛṣṇa then showed mercy to the righteous. First he gave mercy to the weaver. After the killing of the washer man and putting on the clothes, a weaver, showing affection, made ornaments like bracelets and earrings for the two boys out of gems, gold and cloth of various colors, brought from his house. Where did they put their jewels they were already wearing? Why did he give cloth ornaments? These ornaments were suitable (anurūpataḥ) for his wrestling pastimes in which his limbs would be pressed. And the ornaments were suitable for each of them.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Karuna (Kindness / Compassion)
Related verses

The weaver, watching the brothers stand in fresh cloth, sees what is missing — the ornamentation. Without being asked, his hands fit decorations of color around them. Sevā that anticipates the Lord's wish, before the request is voiced, is the higher rung.

📝 My note

Śrīmad-Bhāgavatam 10.41.41

↗
నానాలక్షణవేషాభ్యాం కృష్ణరామౌ విరేజతు: । స్వలఙ్కృతౌ బాలగజౌ పర్వణీవ సితేతరౌ ॥ ౪౧ ॥
nānā-lakṣaṇa-veṣābhyāṁ
[naanaa-lakshana-veshaabhyaam]
kṛṣṇa-rāmau virejatuḥ
[krishna-raamau virejatuh]
sv-alaṅkṛtau bāla-gajau
[sv-alankritau baala-gajau]
parvaṇīva sitetarau
[parvaneeva sitetarau]
nānā — various lakṣaṇa — having fine qualities veṣābhyām — with Their individual clothes kṛṣṇa - rāmau — Kṛṣṇa and Balarāma virejatuḥ — appeared resplendent su - alaṅkṛtau — nicely decorated bāla — young gajau — elephants parvaṇi — during a festival iva — as if sita — white itarau — and the opposite (black) .
Blended reading (Sanskrit + English inline)
nānā-lakṣaṇa-veṣābhyāṁ
nānā
various
lakṣaṇa
having fine qualities
veṣābhyām
with Their individual clothes
kṛṣṇa-rāmau virejatuḥ
kṛṣṇa - rāmau
Kṛṣṇa and Balarāma
virejatuḥ
appeared resplendent
su - alaṅkṛtau
nicely decorated
sv-alaṅkṛtau bāla-gajau
bāla
young
gajau
elephants
parvaṇīva sitetarau
parvaṇi
during a festival
iva
as if
sita
white
itarau
and the opposite (black) .
  • kṛṣṇa-rāmau — Kṛṣṇa and Balarāma
    Dvandva dual. The fundamental dual-form of the Bhāgavatam. Gauḍīyas: Kṛṣṇa-Balarāma is one tattva in two forms — eka-tattvam apy āśritam (Caitanya-caritāmṛta Ādi 1.4). The names always paired, the bodies always together.
  • bāla-gajau — young elephants
    Compound dual: bāla (young) + gaja (elephant). The standard Vraja-comparison for the brothers' walk and bulk. Kṛṣṇa as gaja-rāja — the bull-elephant of the heart. The Bhāgavatam returns to this image whenever Their procession is described.
  • sita-itarau — white and the opposite (black)
    Compound dual: sita (white) + itara (other). One white, one not-white — Balarāma is named by color, Kṛṣṇa by the privative. Gauḍīyas read sita-asita as the chromatic emblem of Their unified-yet-distinct tattva.
  • parvaṇi — during a festival
    Locative of parvan — joint, festival day. The simile places the brothers in festival-time. Echoes utsavam (verse 27) and mahā-utsavau (verse 31). The chapter is built on this word — Kṛṣṇa's body in Mathurā is structurally a festival.
Kṛṣṇa and Balarāma looked resplendent, each in His own unique, wonderfully ornamented outfit. They resembled a pair of young elephants, one white and the other black, decorated for a festive occasion.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Kṛṣṇa and Balarāma looked resplendent, each in His own unique, wonderfully ornamented outfit. They resembled a pair of young elephants, one white and the other black, decorated for a festive occasion.
Commentary

Krsna and Balarama were decorated with cloth suitable for their different colored bodies. They appeared like young elephants, one white and the other black (sitetarah) at a festival.

Jīva Gosvāmī Gauḍīya
Commentary

With their pleasing attire of various sorts individually suitable for each of the two (veśābhyām), they appeared brilliant, since they had accepted service of the devotee. They were like two elephants, one white and one black. However in the same sentence Kṛṣṇa is mentioned before Balarāma. The order is reversed because the main point is the beauty of their ornaments without regard for who was first and second.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)
Related verses
Concepts
Jiva

Kṛṣṇa dark, Balarāma white — two young festival-elephants walking the same avenue, their cloth glinting from a stranger's loving hands. The brothers carry the city's wonder the way temple-elephants carry the deity at a procession.

📝 My note

Śrīmad-Bhāgavatam 10.41.42

↗
తస్య ప్రసన్నో భగవాన్ ప్రాదాత్సారూప్యమాత్మన: । శ్రియం చ పరమాం లోకే బలైశ్వర్యస్మృతీన్ద్రియమ్ ॥ ౪౨ ॥
tasya prasanno bhagavān
[tasya prasanno bhagavaan]
prādāt sārūpyam ātmanaḥ
[praadaat saaroopyam aatmanah]
śriyaṁ ca paramāṁ loke
[shriyam cha paramaam loke]
balaiśvarya-smṛtīndriyam
[balaishvarya-smriteendriyam]
tasya — with him prasannaḥ — satisfied bhagavān — the Supreme Lord prādāt — granted sārūpyam — the liberation of having the same form ātmanaḥ — as Himself śriyam — opulence ca — and paramām — supreme loke — in this world bala — physical strength aiśvarya — influence smṛti — strength of memory indriyam — dexterity of the senses .
Blended reading (Sanskrit + English inline)
tasya prasanno bhagavān
tasya
with him
prasannaḥ
satisfied
bhagavān
the Supreme Lord
prādāt sārūpyam ātmanaḥ
prādāt
granted
sārūpyam
the liberation of having the same form
ātmanaḥ
as Himself
śriyaṁ ca paramāṁ loke
śriyam
opulence
ca
and
paramām
supreme
loke
in this world
balaiśvarya-smṛtīndriyam
bala
physical strength
aiśvarya
influence
smṛti
strength of memory
indriyam
dexterity of the senses .
  • sārūpyam — the liberation of having the same form
    Compound: sa (with) + rūpa (form) + ya (state). The fourth of the five mokṣas. Gauḍīya doctrine: sārūpya is one of the lower mukti-rungs because it stops at form-identity; bhāva-identity (Vraja-prema) reaches higher.
  • prasannaḥ — satisfied
    Past participle of pra + √sad — to be settled, pleased. Kṛṣṇa's prasannatā is the giver of all benediction. Echoes the Bhāgavatam's standard tat-prasāda formula — by His pleasure, everything is given.
  • smṛti-indriyam — strength of memory and senses
    Compound: smṛti (memory) + indriya (sense). The weaver gets sharp memory and acute senses — the practical infrastructure of bhajana. Gauḍīyas: memory of Kṛṣṇa (smaraṇa) is one of the nine bhakti-aṅgas (SB 7.5.23); strong smṛti is sādhana-equipment.
  • ātmanaḥ — as Himself
    Genitive of ātman. The weaver's new form is patterned after the Lord's own form. Gauḍīya parsing: the ātman of Bhagavān includes His vigraha — sac-cid-ānanda-vigraha is personal, with form, not a formless absolute.
Pleased with the weaver, the Supreme Lord Kṛṣṇa blessed him that after death he would achieve the liberation of attaining a form like the Lord’s, and that while in this world he would enjoy supreme opulence, physical strength, influence, memory and sensory vigor.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Pleased with the weaver, the Supreme Lord Kṛṣṇa blessed him that after death he would achieve the liberation of attaining a form like the Lord's, and that while in this world he would enjoy supreme opulence, physical strength, influence, memory and sensory vigor.
Commentary

Pleased, Krsna immediately endowed the weaver with alert senses, memory, power, strength and a spiritual body of a cowherd.

Jīva Gosvāmī Gauḍīya
Commentary

The Lord especially gave (pra—adāt) him (tasya) a spiritual form like his own. The possessive case is used (tasya) instead of the dative case (tasmai) to show that the weaver was qualified for obtaining a spiritual form and planet because of his bhakti. In this life (loke) the weaver would attain the greatest wealth, strength, power, memory and strong senses. What to speak of his next life! Or he gave him these blessings in the presence of others (loke). The prefix pra (very much) indicates that he gave a special form, that of a cowherd (ātmanaḥ). He would have wealth greater (śriyam paramām) than that of Brahmā. The word ca indicates that he also got the highest power etc. all together at once, in the manner of Kubjā. This was possible because Kṛṣṇa is Bhagavān.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Kshama (Forgiveness / Patience)Svadhyaya (Self-study & Scripture Study)Samata (Equanimity / Even-mindedness)Guru Bhakti (Reverence for Teacher)Shraddha (Faith / Reverence)
Related verses
Concepts
Jiva

The weaver, who knew the contour of cloth, is given a body in Vaikuṇṭha that matches the contour of Bhagavān Himself — sārūpya as the perfected version of his trade. Bhagavān returns the gift in the exact key the giver gave it.

Sārūpya as one of the five liberations

The Bhāgavatam classifies five mokṣa-types: sālokya (same world as the Lord), sārṣṭi (same opulence), sāmīpya (close proximity), sārūpya (same form), and sāyujya (merger). Gauḍīyas accept all five — except the last, sāyujya, which Caitanya-line ācāryas reject because merging dissolves the personal relation that bhakti requires.

The weaver receives sārūpya — a four-armed body like Viṣṇu's. In Gauḍīya hierarchy this is high but not highest; the gopīs' bhāva exceeds even this. Vyāsa records it precisely: small sevā, calibrated reward.

📝 My note

Śrīmad-Bhāgavatam 10.41.43

↗
తత: సుదామ్నో భవనం మాలాకారస్య జగ్మతు: । తౌ ద‍ృష్ట్వా స సముత్థాయ ననామ శిరసా భువి ॥ ౪౩ ॥
tataḥ sudāmno bhavanaṁ
[tatah sudaamno bhavanam]
mālā-kārasya jagmatuḥ
[maalaa-kaarasya jagmatuh]
tau dṛṣṭvā sa samutthāya
[tau drishtvaa sa samutthaaya]
nanāma śirasā bhuvi
[nanaama shirasaa bhuvi]
tataḥ — then sudāmnaḥ — of Sudāmā bhavanam — to the home mālā - kārasya — of the garland-maker jagmatuḥ — the two of Them went tau — Them dṛṣṭvā — seeing saḥ — he samutthāya — standing up nanāma — bowed down śirasā — with his head bhuvi — on the ground .
Blended reading (Sanskrit + English inline)
tataḥ sudāmno bhavanaṁ
tataḥ
then
sudāmnaḥ
of Sudāmā
bhavanam
to the home
mālā-kārasya jagmatuḥ
mālā - kārasya
of the garland-maker
jagmatuḥ
the two of Them went
tau dṛṣṭvā sa samutthāya
tau
Them
dṛṣṭvā
seeing
saḥ
he
samutthāya
standing up
nanāma śirasā bhuvi
nanāma
bowed down
śirasā
with his head
bhuvi
on the ground .
  • sudāmnaḥ — of Sudāmā
    Genitive of Sudāmā — 'he whose gifts are excellent.' Not the brāhmaṇa Sudāmā of Canto 10.80; this Sudāmā is the Mathurā mālā-kāra. Gauḍīyas note: the same auspicious name is given to two devotees in different cantos, both of whom delight Kṛṣṇa by small offerings.
  • mālā-kārasya — of the garland-maker
    Compound genitive: mālā (garland) + kāra (maker). A floral artisan — low in the varṇāśrama ladder but high on the bhakti ladder. The Bhāgavatam consistently elevates such figures (Vidura, Mālinī, this Sudāmā) above brāhmaṇas-by-birth.
  • samutthāya — standing up
    Absolutive of sam + ut + √sthā — rising up completely. Sudāmā stands at once — the body's first response to darśana before the mind can catch up. The Bhāgavatam preserves the somatic sequence: standing, then bowing, only then speaking.
  • nanāma — bowed down
    Perfect of √nam — to bend. Sudāmā lays his head on the ground (śirasā bhuvi). Sāṣṭāṅga-praṇāma is the body's confession of total dependence. Gauḍīyas: the namaḥ-act is the foundation of dāsya, the gateway to higher rasas.
The two Lords then went to the house of the garland-maker Sudāmā. When Sudāmā saw Them he at once stood up and then bowed down, placing his head on the ground.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The two Lords then went to the house of the garland-maker Sudāmā. When Sudāmā saw Them he at once stood up and then bowed down, placing his head on the ground.
Commentary

After dressing and putting on ornaments one puts on a garland. This verse describes putting on garlands.

Jīva Gosvāmī Gauḍīya
Commentary

After the two had been decorated to cloth ornaments (tataḥ), they needed flower garlands. Or after giving mercy to the weaver they gave even more (tataḥ) mercy to the garland maker. The reasons he did not approach the Lord earlier like all others was that he was absorbed in making the splendid garland for Kṛṣṇa. This will be made clear later. He got up from his seat with great respect (sam--utthāya) and then touched his head to the ground. Viṣṇu Purāṇa says bhuvaṁ viṣṭabhya hastābhyāṁ pasparśa śirasā mahīm: putting his hands on the ground he then touched his head to the ground. All the garland maker’s assistants had also gone out to see the Lord. The garland maker’s eyes were fixed upon his garland. When the Lord suddenly approached him by his mercy, the garland maker did not have room to offer full respects on the ground. Thus he only touched his head. Or, out of confusion he could not remember to offer full respects on the ground.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

The garland-maker sees Kṛṣṇa at his door and immediately falls — face on the ground, the garland-maker who has been threading flowers for unknown gods has at last seen the deity worth them all.

📝 My note

Śrīmad-Bhāgavatam 10.41.44

↗
తయోరాసనమానీయ పాద్యం చార్ఘ్యార్హణాదిభి: । పూజాం సానుగయోశ్చక్రే స్రక్తామ్బూలానులేపనై: ॥ ౪౪ ॥
tayor āsanam ānīya
[tayor aasanam aaneeya]
pādyaṁ cārghyārhaṇādibhiḥ
[paadyam chaarghyaarhanaadibhih]
pūjāṁ sānugayoś cakre
[poojaam saanugayosh chakre]
srak-tāmbūlānulepanaiḥ
[srak-taamboolaanulepanaih]
tayoḥ — for Them āsanam — seats ānīya — bringing pādyam — water to wash the feet ca — and arghya — with water to wash the hands arhaṇa — presents ādibhiḥ — and so on pūjām — worship sa - anugayoḥ — of the two, together with Their companions cakre — he performed srak — with garlands tāmbūla — betel-nut preparation ( pān ) anulepanaiḥ — and sandalwood paste .
Blended reading (Sanskrit + English inline)
tayor āsanam ānīya
tayoḥ
for Them
āsanam
seats
ānīya
bringing
pādyaṁ cārghyārhaṇādibhiḥ
pādyam
water to wash the feet
ca
and
arghya
with water to wash the hands
arhaṇa
presents
ādibhiḥ
and so on
pūjāṁ sānugayoś cakre
pūjām
worship
sa - anugayoḥ
of the two, together with Their companions
cakre
he performed
srak-tāmbūlānulepanaiḥ
srak
with garlands
tāmbūla
betel-nut preparation ( pān )
anulepanaiḥ
and sandalwood paste .
  • pādyam — water to wash the feet
    Adjectival nominative — that which pertains to the feet. The first of the sixteen upacāras of pañcarātrika pūjā. Sudāmā, untrained in pūjā-protocol but trained by bhakti, performs the sequence by instinct. Bhakti supplies the ritual it has not been taught.
  • arghya — water to wash the hands
    From √argh — to honor. The standard offering of welcome-water. Sudāmā's substances are humble — water, betel, sandalwood — but the upacāras themselves are full. Gauḍīyas: the dravya-grade is irrelevant when the bhāva-grade is full.
  • sa-anugayoḥ — of the two, together with Their companions
    Compound genitive dual: sa (with) + anuga (follower) + dual. Sudāmā worships not just Kṛṣṇa-Balarāma but the sakhās. Gauḍīyas: the proper object of bhakti includes Bhagavān's parikara — His associates — not Him alone.
  • anulepanaiḥ — with sandalwood paste
    Instrumental plural of anulepana — anointment. The cooling substance applied after bath. The same substance the Vraja gopīs use; Sudāmā unknowingly performs Vraja-style sevā in his Mathurā shop. The substance recognizes the body.
After offering Them seats and bathing Their feet, Sudāmā worshiped Them and Their companions with arghya, garlands, pān, sandalwood paste and other presentations.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
After offering Them seats and bathing Their feet, Sudāmā worshiped Them and Their companions with arghya, garlands, pān, sandalwood paste and other presentations.
Jīva Gosvāmī Gauḍīya
Commentary

Arghya refers to a mixture of eight auspicious items fragrant oil, flowers, unbroken barleycorns, husked barleycorns, the tips of kuśa grass, sesame seeds, mustard seeds and dūrvā grass. Arahana refers to other items offered during worship such as incense, lamps and food. The word ādi indicates offering cāmara, fan and āratrika. Though he offered all these items, he offered worship again using garlands, betel nut and sandalwood.

Related values
Dana (Charity / Generosity)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Nishkama Karma (Selfless Action)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)Karuna (Kindness / Compassion)Tyaga (Renunciation / Letting Go)
Related verses
Concepts
Jiva

The garland-maker brings out everything his small house contains — seats, foot-water, arghya, pān, sandalwood paste — and offers it not just to Kṛṣṇa and Balarāma but to all the cowherd boys around Them. Vraja's whole company is included in his pūjā because his bhāva is wide.

📝 My note

Śrīmad-Bhāgavatam 10.41.45

↗
ప్రాహ న: సార్థకం జన్మ పావితం చ కులం ప్రభో । పితృదేవర్షయో మహ్యం తుష్టా హ్యాగమనేన వామ్ ॥ ౪౫ ॥
prāha naḥ sārthakaṁ janma
[praaha nah saarthakam janma]
pāvitaṁ ca kulaṁ prabho
[paavitam cha kulam prabho]
pitṛ-devarṣayo mahyaṁ
[pitri-devarshayo mahyam]
tuṣṭā hy āgamanena vām
[tushtaa hy aagamanena vaam]
prāha — he said naḥ — our sa - arthakam — worthwhile janma — the birth pāvitam — purified ca — and kulam — the family prabho — O Lord pitṛ — my forefathers deva — the demigods ṛṣayaḥ — and the great sages mahyam — with me tuṣṭāḥ — are satisfied hi — indeed āgamanena — by the arrival vām — of You two .
Blended reading (Sanskrit + English inline)
prāha naḥ sārthakaṁ janma
prāha
he said
naḥ
our
sa - arthakam
worthwhile
janma
the birth
pāvitaṁ ca kulaṁ prabho
pāvitam
purified
ca
and
kulam
the family
prabho
O Lord
pitṛ-devarṣayo mahyaṁ
pitṛ
my forefathers
deva
the demigods
ṛṣayaḥ
and the great sages
mahyam
with me
tuṣṭā hy āgamanena vām
tuṣṭāḥ
are satisfied
hi
indeed
āgamanena
by the arrival
vām
of You two .
  • sa-arthakam — worthwhile, meaningful
    Compound: sa (with) + artha (purpose, meaning). 'My birth has-meaning.' The verse-formula of bhakti: pre-Kṛṣṇa life was nirarthaka; post-Kṛṣṇa darśana, sa-arthaka. The same shift Akrūra confessed at verses 4-5.
  • pāvitam — purified
    Past participle of √pū. Sudāmā's kula is purified — not just himself, the entire family-line. Echoes the standard Vaiṣṇava promise: one bhakta purifies fourteen generations (echo of pitaraḥ in verse 13). Gauḍīyas: bhakti is intrinsically a family-purification.
  • pitṛ-deva-ṛṣayaḥ — forefathers, demigods, and sages
    Triple compound: pitṛ + deva + ṛṣi. The three classes one is born indebted to (pitṛ-ṛṇa, deva-ṛṇa, ṛṣi-ṛṇa). Sudāmā's hospitality to Kṛṣṇa simultaneously pays all three debts. Bhakti is the master-key.
  • āgamanena — by the arrival
    Instrumental of āgamana — coming, arrival. The arrival itself is the gift; no further act is needed. Gauḍīyas: Bhagavān's mere āgamana to a place is the place's promotion — Vṛndāvana, Navadvīpa, the bhakta's home alike.
[Sudāmā said:] O Lord, my birth is now sanctified and my family free of contamination. Now that You both have come here, my forefathers, the demigods and the great sages are certainly all satisfied with me.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
[Sudāmā said:] O Lord, my birth is now sanctified and my family free of contamination. Now that You both have come here, my forefathers, the demigods and the great sages are certainly all satisfied with me.
Jīva Gosvāmī Gauḍīya
Commentary

Then Sudāmā began praising him with devotion. His voice choked because of prema, he spoke excellently. He speaks in the plural (naḥ) to indicate his great respect for Kṛṣṇa’s coming there or to indicate his family members. By your coming, just by your touching the objects of my house, the Pitṛs and devatās are satisfied. What to speak of seeing you directly! My life has become successful by your coming and directly seeing the two of you. All ancestors and relatives, past and future have been delivered. Since the Pitṛs are satisfied all duties are fulfilled. The word hi indicates there is proof. Akrūra will later say: adyeśa no vasatayaḥ khalu bhūri-bhāgā yaḥ sarva-deva-pitṛ-bhūta-nṛ-deva-mūrtiḥ yat-pāda-śauca-salilaṁ tri-jagat punāti sa tvaṁ jagad-gurur adhokṣaja yāḥ praviṣṭaḥ Today, O Lord, my home has become most fortunate because you have entered it. As the Supreme Truth, you embody the forefathers, ordinary creatures, human beings and demigods, and the water that has washed your feet purifies the three worlds. Indeed, O transcendent one, you are the spiritual master of the universe. SB 10.48.5 The reason for all of this is that Kṛṣṇa was the Supreme Lord (prabho).

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Samata (Equanimity / Even-mindedness)Svadhyaya (Self-study & Scripture Study)
Related verses
Concepts
Jiva

Sudāmā says aloud what every devotee discovers in the moment of darśana: 'My birth has finally meant something.' The whole genealogical line — pitṛs, devas, ṛṣis — receives the back-payment of meaning the instant Bhagavān crosses the threshold.

📝 My note

Śrīmad-Bhāgavatam 10.41.46

↗
భవన్తౌ కిల విశ్వస్య జగత: కారణం పరమ్ । అవతీర్ణావిహాంశేన క్షేమాయ చ భవాయ చ ॥ ౪౬ ॥
bhavantau kila viśvasya
[bhavantau kila vishvasya]
jagataḥ kāraṇaṁ param
[jagatah kaaranam param]
avatīrṇāv ihāṁśena
[avateernaav ihaamshena]
kṣemāya ca bhavāya ca
[kshemaaya cha bhavaaya cha]
bhavantau — You two kila — indeed viśvasya — of the entire jagataḥ — universe kāraṇam — the cause param — ultimate avatīrṇau — having descended iha — here aṁśena — with Your plenary portions kṣemāya — for the benefit ca — and bhavāya — for the prosperity ca — also .
Blended reading (Sanskrit + English inline)
bhavantau kila viśvasya
bhavantau
You two
kila
indeed
viśvasya
of the entire
jagataḥ kāraṇaṁ param
jagataḥ
universe
kāraṇam
the cause
param
ultimate
avatīrṇāv ihāṁśena
avatīrṇau
having descended
iha
here
aṁśena
with Your plenary portions
kṣemāya ca bhavāya ca
kṣemāya
for the benefit
ca
and
bhavāya
for the prosperity
ca
also .
  • kāraṇam-param — the ultimate cause
    Compound noun-phrase: kāraṇa (cause) + para (ultimate). Echoes Brahma-saṁhitā 5.1 — sarva-kāraṇa-kāraṇam, Kṛṣṇa as the cause of all causes. Gauḍīyas: kāraṇa-tattva is one of the central tattvas the Bhāgavatam ascribes to Bhagavān; Sudāmā confesses it at his doorstep.
  • avatīrṇau — having descended
    Dual past participle of ava + √tṝ — to descend, cross down. The technical term for avatāra. Sudāmā uses it confidently — he knows the two figures before him are not just brothers but the descended Cause. Gauḍīyas: avatāra-tattva is right-knowledge, not myth.
  • aṁśena — with Your plenary portions
    Instrumental of aṁśa — portion, expansion. Bhagavān descends with His parikara — Yadus, gopas, gopīs, weapons. Gauḍīya doctrine: avatāra is never solitary; the parikara descends with the Person. The līlā arrives as a whole society.
  • kṣemāya — for benefit, for welfare
    Dative of kṣema — welfare, security. The purpose-pad of avatāra, paired in this verse with bhavāya (prosperity). Gauḍīyas note: Bhagavān does not descend to redeem an abstract cosmos; He descends for the kṣema of His devotees, specifically. The dative is personal, not generic.
You two Lords are the ultimate cause of this entire universe. To bestow sustenance and prosperity upon this realm, You have descended with Your plenary expansions.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
You two Lords are the ultimate cause of this entire universe. To bestow sustenance and prosperity upon this realm, You have descended with Your plenary expansions.
Jīva Gosvāmī Gauḍīya
Commentary

“Why are you praising us, the two sons of Nanda?” He answers with this verse. It is well known from scripture (kila) that you two are the cause of the temporary universe starting with mahat-tattva and other elements. But more than being the cause as puruṣāvatāras, you are supreme as Svayam Bhagavān in Mathurā. You have appeared along with your associates the cowherds and the Yādavas. The singular (aṁśena) is used to represent one class of beings. Or you two are the cause of the universe by your expansion. yasyāṁśāṁśāṁśa-bhāgena viśvotpatti-layodayāḥ bhavanti kila viśvātmaṁs taṁ tvādyāhaṁ gatiṁ gatā O Soul of all that be, the creation, maintenance and destruction of the universe are all carried out by a fraction of an expansion of an expansion of your expansion. Today I have come to take shelter of you, the Supreme Lord. SB 10.85.31 The repetition of the word ca indicates that fearlessness in this life and the next (kṣemāya) and prosperity are the two principle purposes of their appearance.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Karuna (Kindness / Compassion)
Related verses

Sudāmā's hands have just held Kṛṣṇa's feet — and his words rise immediately into cosmology: 'You are the cause of the universe.' Bhakti compresses theology into thirty seconds at the doorstep; what philosophers labor over for lifetimes, the garland-maker says while drying his hands.

📝 My note

Śrīmad-Bhāgavatam 10.41.47

↗
న హి వాం విషమా ద‍ృష్టి: సుహృదోర్జగదాత్మనో: । సమయో: సర్వభూతేషు భజన్తం భజతోరపి ॥ ౪౭ ॥
na hi vāṁ viṣamā dṛṣṭiḥ
[na hi vaam vishamaa drishtih]
suhṛdor jagad-ātmanoḥ
[suhridor jagad-aatmanoh]
samayoḥ sarva-bhūteṣu
[samayoh sarva-bhooteshu]
bhajantaṁ bhajator api
[bhajantam bhajator api]
na — there is not hi — indeed vām — on Your part viṣamā — biased dṛṣṭiḥ — vision suhṛdoḥ — who are well-wishing friends jagat — of the universe ātmanoḥ — the Soul samayoḥ — equal sarva — to all bhūteṣu — living beings bhajantam — those who worship You bhajatoḥ — reciprocating with api — even .
Blended reading (Sanskrit + English inline)
na hi vāṁ viṣamā dṛṣṭiḥ
na
there is not
hi
indeed
vām
on Your part
viṣamā
biased
dṛṣṭiḥ
vision
suhṛdor jagad-ātmanoḥ
suhṛdoḥ
who are well-wishing friends
jagat
of the universe
ātmanoḥ
the Soul
samayoḥ sarva-bhūteṣu
samayoḥ
equal
sarva
to all
bhūteṣu
living beings
bhajantaṁ bhajator api
bhajantam
those who worship You
bhajatoḥ
reciprocating with
api
even .
  • suhṛdoḥ — who are well-wishing friends
    Genitive dual of suhṛt — friend without expectation of return. Echoes BG 5.29 (suhṛdaṁ sarva-bhūtānām). Sudāmā places suhṛt-bhāva at the universal level — Bhagavān as the impartial friend of every jīva.
  • samayoḥ — equal
    Genitive dual of sama — even, equal. The verse names Kṛṣṇa as sama — equally disposed. Pairs precisely with the next pada (bhajantaṁ bhajatoḥ). Sama-dṛṣṭi at the universal level; preferential reciprocity at the bhakta level.
  • bhajantam-bhajatoḥ — reciprocating with those who worship
    Echo-pair: bhajantam (the worshipper, acc.) + bhajatoḥ (the worshipped two, gen.). The signature Gauḍīya formula: ye yathā māṁ prapadyante (BG 4.11). Bhagavān reciprocates in the exact key of the bhakta's bhajana — the doctrinal hinge of the entire chapter.
  • viṣamā — biased
    Feminine of viṣama — uneven. The verse denies viṣamatā in Bhagavān's vision. Gauḍīyas reconcile this with bhakta-vatsalya: the vision is sama; the reciprocation is bhāva-graded. No contradiction — only two simultaneous levels of relation.
Because You are the well-wishing friends and Supreme Soul of the whole universe, You regard all with unbiased vision. Therefore, although You reciprocate Your devotees’ loving worship, You always remain equally disposed toward all living beings.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Because You are the well-wishing friends and Supreme Soul of the whole universe, You regard all with unbiased vision. Therefore, although You reciprocate Your devotees' loving worship, You always remain equally disposed toward all living beings.
Commentary

"Though you are equal to all, you show special mercy to your devotees (bhajantam bhajator api). As Krsna says in Gita, samo’ham sarva bhutesu, but ye bhajanti to mam bhaktya, mayi ye tesu capy aham. Actually, you are merciful to that person who worships you , whether he is brahmana or dog eater, without regard for birth or caste. Because of this, you have satisfied me, a garland maker, and the weaver."

Jīva Gosvāmī Gauḍīya
Commentary

You two are the friends since you assist all beings by bestowing jṣāna-śakti and kriya-śakti to them and are the soul of all conscious and unconscious things (jagad-ātmanoḥ), since you are the root cause of all consciousness. Or in spreading over the universe you are the friends and souls of all beings. The word api indicates all beings. You respond to all those who worship you. You are the shelter of anyone from brāhmaṇa to caṇḍāla who surrenders to you. Therefore you do not have prejudiced vision since, having equal vision, you are the friend of all and the soul of all. Though you are merciful to those who worship you, you do not have prejudiced vision, since you are equal in material happiness and distress. The sun is not affected by darkness and the owl’s eye does not see light. Similarly material happiness and sorrow cannot affect the consciousness of you two. samo 'haṁ sarva-bhūteṣu na me dveṣyo 'sti na priyaḥ | ye bhajanti tu māṁ bhaktyā mayi te teṣu cāpy aham || I am equal to all living beings. I do not hate anyone nor do I favor anyone. To whatever extent a person worships me with devotion, I am attached to him in a similar way. BG 9.29 sādhavo hṛdayaṁ mahyaṁ sādhūnāṁ hṛdayaṁ tv aham mad-anyat te na jānanti nāhaṁ tebhyo manāg api The pure devotee is my very heart: what pains him pains me. I am the heart of the pure devotee: what pleases him pleases me. My devotees do not know anything else but me, and I do not know more than they do. SB 9.4.68 In both the above verses, the Lord’s heart is affected by bhakti and nothing else. Or, Sudāmā speaks out of humility. The two Lords, by coming to the house of a low person devoid of bhakti, show equal vision to all beings. You do not have prejudiced vision (na hi vāṁ viṣamā dṛṣṭiḥ) thinking “This person deserves mercy and that person does not” since you two have unconditional mercy (suhṛdoḥ). Moreover, you have affection for the universe (jagad-ātmanoḥ). Though you show mercy to those who worship you, you are equal to all beings high or low since you are Lords of the universe and affectionate to the fallen.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)
Related verses

The Lord is the friend of all beings — and yet He reciprocates particularly with those who worship Him. Like the sun that shines on every field equally, but only the open lotus drinks the light. Sama-dṛṣṭi and bhakta-vatsalya are not in conflict; they are different faces of the same gaze.

📝 My note

Śrīmad-Bhāgavatam 10.41.48

↗
తావాజ్ఞాపయతం భృత్యం కిమహం కరవాణి వామ్ । పుంసోఽత్యనుగ్రహో హ్యేష భవద్భ‍ిర్యన్నియుజ్యతే ॥ ౪౮ ॥
tāv ajñāpayataṁ bhṛtyaṁ
[taav ajnaapayatam bhrityam]
kim ahaṁ karavāṇi vām
[kim aham karavaani vaam]
puṁso ’ty-anugraho hy eṣa
[pumso ’ty-anugraho hy esha]
bhavadbhir yan niyujyate
[bhavadbhir yan niyujyate]
tau — They ājñāpayatam — should please order bhṛtyam — Their servant kim — what aham — I karavāṇi — should do vām — for You puṁsaḥ — for any person ati — extreme anugrahaḥ — mercy hi — indeed eṣaḥ — this bhavadbhiḥ — by You yat — in which niyujyate — he is engaged .
Blended reading (Sanskrit + English inline)
tāv ajñāpayataṁ bhṛtyaṁ
tau
They
ājñāpayatam
should please order
bhṛtyam
Their servant
kim ahaṁ karavāṇi vām
kim
what
aham
I
karavāṇi
should do
vām
for You
puṁso ’ty-anugraho hy eṣa
puṁsaḥ
for any person
bhavadbhir yan niyujyate
ati
extreme
anugrahaḥ
mercy
hi
indeed
eṣaḥ
this
bhavadbhiḥ
by You
yat
in which
niyujyate
he is engaged .
  • niyujyate — he is engaged
    Passive present of ni + √yuj — to be yoked, employed. The verb of being put-into-service. Gauḍīyas: bhakti is being yoked, not the yoking. The bhakta is the patient of the verb; Bhagavān is the agent. The grammar enacts dāsya.
  • anugrahaḥ — mercy
    Compound: anu (toward) + graha (grasping). To 'grasp toward' someone — favor. To be made to serve is described as anugraha, not duty. The Gauḍīya signature: sevā is the gift Bhagavān gives, not the price He extracts.
  • ājñāpayatam — should please order
    Causative imperative dual of ā + √jñā — please command. Sudāmā does not say 'tell me' but 'order me' — a slave's grammar, used willingly. The dual form addresses both Kṛṣṇa and Balarāma; sevā is offered to the dual-Person, not the singular.
  • bhṛtyam — Their servant
    Accusative of bhṛtya — one who is to be maintained, a dependent. Sudāmā labels himself bhṛtya — not friend, not host, but dependent. The vocabulary inversion of dāsya: the more one is dependent, the freer one is.
Please order me, Your servant, to do whatever You wish. To be engaged by You in some service is certainly a great blessing for anyone.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Please order me, Your servant, to do whatever You wish. To be engaged by You in some service is certainly a great blessing for anyone.
Jīva Gosvāmī Gauḍīya
Commentary

The two are devoid of prejudice. “Then follow my order in the form of the Vedas.” What can I do for you two who have come to me directly? “Without my ordering you, you performed your duty of welcoming us as a guest.” To be engaged by you is the greatest mercy. This is the greatest mercy for the jīva (puṁsaḥ). The plural is used in bhavabdhiḥ to include Kṛṣṇa’s associates as well. He expresses “I desire to do some service for you.”

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Samata (Equanimity / Even-mindedness)Shraddha (Faith / Reverence)
Related verses
Concepts
Jiva

The garland-maker, having received the highest darśana, asks not for a benediction but for a task: 'Order me.' The deepest bhakti is not asking but being asked — to be employed by Bhagavān is itself the highest gift.

Hanumān asking Rāma only for service

After the entire Rāmāyaṇa was won and Rāvaṇa was killed, Rāma offered Hanumān whatever he wished. Hanumān asked for nothing but eternal service — to remain by Rāma's side, in His name, as long as the story would be told.

Sudāmā the garland-maker, in the same key, asks not for boons but for niyojana — employment. Gauḍīyas read Hanumān as the prototype of dāsya-rasa; Sudāmā's request in this verse stands in the same lineage. To be engaged in sevā is the prize, not the prerequisite.

📝 My note

Śrīmad-Bhāgavatam 10.41.49

↗
ఇత్యభిప్రేత్య రాజేన్ద్ర సుదామా ప్రీతమానస: । శస్తై: సుగన్ధై: కుసుమైర్మాలా విరచితా దదౌ ॥ ౪౯ ॥
ity abhipretya rājendra
[ity abhipretya raajendra]
sudāmā prīta-mānasaḥ
[sudaamaa preeta-maanasah]
śastaiḥ su-gandhaiḥ kusumair
[shastaih su-gandhaih kusumair]
mālā viracitā dadau
[maalaa virachitaa dadau]
iti — thus speaking abhipretya — understanding Their intention rāja - indra — O best of kings (Parīkṣit) sudāmā — Sudāmā prīta - mānasaḥ — pleased at heart śastaiḥ — fresh su - gandhaiḥ — and fragrant kusumaiḥ — with flowers malaḥ — garlands viracitāḥ — made dadau — he gave .
Blended reading (Sanskrit + English inline)
ity abhipretya rājendra
iti
thus speaking
abhipretya
understanding Their intention
rāja - indra
O best of kings (Parīkṣit)
sudāmā prīta-mānasaḥ
sudāmā
Sudāmā
prīta - mānasaḥ
pleased at heart
śastaiḥ
fresh
śastaiḥ su-gandhaiḥ kusumair
su - gandhaiḥ
and fragrant
kusumaiḥ
with flowers
mālā viracitā dadau
malaḥ
garlands
viracitāḥ
made
dadau
he gave .
  • abhipretya — understanding Their intention
    Absolutive of abhi + pra + √i — to approach with the mind, to discern intention. The verb of bhāva-reading. Sudāmā reads the unsaid wish. Gauḍīyas: the highest sevā is performed before the request; the bhakta's mind is tuned to the Lord's interior.
  • prīta-mānasaḥ — pleased at heart
    Compound: prīta (pleased) + mānasa (mind). Sudāmā's mānas is prīta even before the garlands are handed over. The pleasure of being about to serve outranks the pleasure of any reward. Gauḍīya bhakti's signature reversal.
  • su-gandhaiḥ — fragrant
    Compound: su (good) + gandha (fragrance). The flowers are not just fresh but fragrant. Gauḍīyas: gandha is one of the five tan-mātras, but in bhakti it is also a vehicle of Bhagavān's presence — fragrant flowers are themselves a śravaṇa for the nose.
  • viracitāḥ — made, fashioned
    Past participle of vi + √rac — to compose, arrange artistically. The garlands are not generic — they are composed. Sudāmā composes garlands the way a poet composes verses; his trade and his bhakti are one act.
[Śukadeva Gosvāmī continued:] O best of kings, having spoken these words, Sudāmā could understand what Kṛṣṇa and Balarāma wanted. Thus with great pleasure he presented Them with garlands of fresh, fragrant flowers.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
[Śukadeva Gosvāmī continued:] O best of kings, having spoken these words, Sudāmā could understand what Kṛṣṇa and Balarāma wanted. Thus with great pleasure he presented Them with garlands of fresh, fragrant flowers.
Commentary

"O Sudama, do whatever you intend to do. That is my order. It will be very good if you do that." Understanding that Krsna’s order would be to get a garland, since that was the garland makers job and desire, he gave an excellent garland, extremely fragrant, attractive, soft, of pleasing flowers. The singular is used, though he gave two garlands, one to each brother, because he selected the best garland among all his garlands for Krsna without others noticing.

Jīva Gosvāmī Gauḍīya
Commentary

Because of shyness, Kṛṣṇa and Balarāma did not directly say they wanted the garlands but since they came to the house of a garland maker, he understood their desire by Kṛṣṇa’s glance at an unfinished garland. O king! Such a garland is rare even for a king. Or rajendra indicates that the garland maker was most fortunate, like a king. The garland was endowed with good color, softness and other qualities or was auspicious because of its qualities. He gave garlands which were suitable for the Lords (vi—racitām), better than previous garlands suitable for kings. He gave Kṛṣṇa one such garland and others as well. The garland was superior to previous garlands. Another version has viracitā. He gave garlands among all those made by his family to the two boys who came suddenly. He gave garlands which had been made quickly for worship. Otherwise the word viracitā would be meaningless in the verse. He gave with great pleasure. Viṣṇu Purāṇa says: tataḥ prahṛṣṭa-vadanas tayoḥ puṣpaṇi kāmataḥ / cārūṇy etānyathaitāni pradadau sa pralobhayan With smiling face, with great greed, he gave the two boys beautiful flowers.

Related values
Dana (Charity / Generosity)Kshama (Forgiveness / Patience)Mardava (Gentleness)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Tejas (Inner Radiance / Vigour)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)
Related verses
Concepts
Jiva

Sudāmā does not need to be told — he reads the brothers' wish from the air of his shop and brings out fresh garlands. Bhakti's deepest sevā is anticipatory: knowing what Bhagavān wants before He says it, by the bhakta's own attunement.

📝 My note

Śrīmad-Bhāgavatam 10.41.50

↗
తాభి: స్వలఙ్కృతౌ ప్రీతౌ కృష్ణరామౌ సహానుగౌ । ప్రణతాయ ప్రపన్నాయ దదతుర్వరదౌ వరాన్ ॥ ౫౦ ॥
tābhiḥ sv-alaṅkṛtau prītau
[taabhih sv-alankritau preetau]
kṛṣṇa-rāmau sahānugau
[krishna-raamau sahaanugau]
praṇatāya prapannāya
[pranataaya prapannaaya]
dadatur vara-dau varān
[dadatur vara-dau varaan]
tābhiḥ — with those (garlands) su - alaṅkṛtau — beautifully ornamented prītau — satisfied kṛṣṇa - rāmau — Kṛṣṇa and Balarāma saha — along with anugau — Their companions praṇatāya — who was bowing down prapannāya — to the surrendered (Sudāmā) dadatuḥ — They gave varadau — the two givers of benedictions varān — a choice of benedictions .
Blended reading (Sanskrit + English inline)
tābhiḥ sv-alaṅkṛtau prītau
tābhiḥ
with those (garlands)
su - alaṅkṛtau
beautifully ornamented
prītau
satisfied
kṛṣṇa-rāmau sahānugau
kṛṣṇa - rāmau
Kṛṣṇa and Balarāma
saha
along with
anugau
Their companions
praṇatāya prapannāya
praṇatāya
who was bowing down
prapannāya
to the surrendered (Sudāmā)
dadatur vara-dau varān
dadatuḥ
They gave
varadau
the two givers of benedictions
varān
a choice of benedictions .
  • prapannāya — to the surrendered
    Past participle of pra + √pad — to fall forward, to surrender. The technical term of śaraṇāgati. Gauḍīyas: prapatti is the gateway-act of bhakti; the moment one is prapanna, Bhagavān is contractually bound to respond (rakṣiṣyatīti viśvāsa).
  • varadau — the two givers of benedictions
    Compound dual: vara (boon) + da (giver). Kṛṣṇa-Balarāma named by Their function as boon-givers. Sudāmā receives both — the dual-Person who gives in dual. Gauḍīyas: every Vraja-tattva has a dual structure; even the bestowal of varas is dual.
  • praṇatāya — who was bowing down
    Past participle dative of pra + √nam — bowing forward. Sudāmā receives boons in the posture of bowing. The bhakta's standard physical position when grace arrives — vertical pride does not catch what falls.
  • anugau — Their companions
    Nominative dual of anuga — follower, attendant. The gopas with Them are also satisfied. Gauḍīyas note: the parikara's satisfaction is included in Kṛṣṇa's satisfaction. Pleasing Bhagavān cannot be done while displeasing His companions.
Beautifully adorned with these garlands, Kṛṣṇa and Balarāma were delighted, and so were Their companions. The two Lords then offered the surrendered Sudāmā, who was bowing down before Them, whatever benedictions he desired.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Beautifully adorned with these garlands, Kṛṣṇa and Balarāma were delighted, and so were Their companions. The two Lords then offered the surrendered Sudāmā, who was bowing down before Them, whatever benedictions he desired.
Jīva Gosvāmī Gauḍīya
Commentary

After giving the garland Sudāmā offered respects on the ground with eight limbs. He was also surrendered, saying “Please save me.” Or Kṛṣṇa offered blessings to his devotee for a long time.

Related values
Anahankarah (Freedom from False Ego)Dana (Charity / Generosity)Prema (Divine Love)Shraddha (Faith / Reverence)Asteya (Non-stealing / Honesty)
Related verses
Concepts
Jiva

Sudāmā bows; Kṛṣṇa and Balarāma, pleased, offer him varas — any boon he wants. The chapter has built three vignettes (rajaka, vāyaka, mālā-kāra) precisely to arrive here: hostility met its end, devotion received sārūpya, surrender now receives a blank cheque.

📝 My note

Śrīmad-Bhāgavatam 10.41.51

↗
సోఽపి వవ్రేఽచలాం భక్తిం తస్మిన్నేవాఖిలాత్మని । తద్భ‍క్తేషు చ సౌహార్దం భూతేషు చ దయాం పరామ్ ॥ ౫౧ ॥
so ’pi vavre ’calāṁ bhaktiṁ
[so ’pi vavre ’chalaam bhaktim]
tasminn evākhilātmani
[tasminn evaakhilaatmani]
tad-bhakteṣu ca sauhārdaṁ
[tad-bhakteshu cha sauhaardam]
bhūteṣu ca dayāṁ parām
[bhooteshu cha dayaam paraam]
saḥ — he api — and vavre — chose acalām — unshakable bhaktim — devotion tasmin — to Him eva — alone akhila — of everything ātmani — the Supreme Soul tat — toward His bhakteṣu — devotees ca — and sauhārdam — friendship bhūteṣu — toward living beings in general ca — and dayām — mercy parām — transcendental .
Blended reading (Sanskrit + English inline)
so ’pi vavre ’calāṁ bhaktiṁ
tasminn evākhilātmani
tad-bhakteṣu ca sauhārdaṁ
saḥ
he
api
and
vavre
chose
acalām
unshakable
bhūteṣu ca dayāṁ parām
bhaktim
devotion
tasmin
to Him
eva
alone
akhila
of everything
ātmani
the Supreme Soul
tat
toward His
bhakteṣu
devotees
ca
and
sauhārdam
friendship
bhūteṣu
toward living beings in general
ca
and
dayām
mercy
parām
transcendental .
  • acalām-bhaktim — unshakable devotion
    Compound: a-cala (immovable) + bhakti. The Gauḍīya summum bonum — bhakti that does not shift with circumstance. Echoes BG 6.22 (yasmin sthito na duḥkhena guruṇāpi vicālyate). Asking for acalā bhakti is asking for everything bhakti can give.
  • tat-bhakteṣu — toward His devotees
    Compound locative: tat (His) + bhakta (devotee). The verse pairs this with sauhārdam (friendship). Gauḍīya doctrine: bhakti for Bhagavān without bhakta-saṅga is incomplete. Sudāmā asks for the second leg of the tripod — sādhu-saṅga, classified by Rūpa Gosvāmī as the most powerful of all bhakti-aṅgas.
  • dayām — compassion
    Accusative of dayā — compassion. The third request, directed bhūteṣu (toward all beings). Gauḍīyas: bhakti naturally flowers into dayā for all jīvas, because all jīvas are Kṛṣṇa's eternal servants currently asleep. Compassion is the bhakta's natural posture toward those who have forgotten their own ātman.
  • akhila-ātmani — the Supreme Soul of all
    Compound locative: akhila (everything) + ātman (Soul). Bhagavān named as the Self of everything. Gauḍīya parsing: Kṛṣṇa is ātman of every ātman — but personally, not by Advaitin merging. The locative says 'in Him,' not 'as Him.'
Sudāmā chose unshakable devotion for Kṛṣṇa, the Supreme Soul of all existence; friendship with His devotees; and transcendental compassion for all living beings.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Sudāmā chose unshakable devotion for Kṛṣṇa, the Supreme Soul of all existence; friendship with His devotees; and transcendental compassion for all living beings.
Jīva Gosvāmī Gauḍīya
Commentary

What were his boons? Did the devoted Sudāmā ask for boons or not? He asked for devotion to Kṛṣṇa. Why did he not pray for devotion to Balarāma? Kṛṣṇa was the aṁśī, the root form of all forms like Balarāma (akhilātmani). By bhakti to Kṛṣṇa, by this ultimate goal, bhakti to Balarāma was achieved. Previously Balarāma and Kṛṣṇa were described together. But Balarāma as his elder brother is one with him in the pastimes evoking reverence. One entity, suitable for sheltering the highest powers, appears as two forms. This device is a form of praise of Kṛṣṇa. Sudāmā prayed for unconditional mercy for all beings. The first ca means “but.”The second ca means “all.” (He is most merciful to all beings, but he is friends with his devotees.)

Śrīdhara Svāmī Gauḍīya
Commentary

Though the two offered boons, Sudāmā prayed to Kṛṣṇa with devotion. The word api indicates that this was his desire among his many desires. He wanted bhakti to Kṛṣṇa only. “At this time, he had praised and worshipped Baladeva as well as Kṛṣṇa. Why did he not ask for devotion to Balarāma?” Kṛṣṇa is spread as avatāra in Balarāma (ātmani) and others or is dear to them all. By bhakti to Kṛṣṇa, bhakti to Balarāma is accomplished. Or Kṛṣṇa is the lord of the universe (akhilātmani). By prayers to Kṛṣna, everything is accomplished since he is non-different from Balarāma. Doing otherwise would be inappropriate. Balarāma is included among the devotees. Previously they were both praised to please Kṛṣṇa. The word eva indicates exclusive devotion to Kṛṣṇa. Sudāmā prayed for unconditional mercy for all beings. The first ca means “but.” The second ca means “all.” (He is most merciful to all beings, but he is the friend of the devotee.)

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Aparigraha (Non-possessiveness)
Related verses
Concepts
Avatara

Offered any boon by the Lord of the universe, Sudāmā asks for three things — unshakable bhakti, friendship with bhaktas, and compassion for all beings. He refuses Vaikuṇṭha to keep the door of sevā open forever. This is the Gauḍīya benediction in three lines.

Prahlāda refusing every boon except devotion

When Nṛsiṁhadeva offered young Prahlāda anything he wished (SB 7.10), Prahlāda explicitly refused boons of wealth, sense-pleasure, and even mokṣa — saying that a true servant does not bargain with the master. He asked only that he never lose his devotion, and that his demon father be liberated.

Sudāmā the mālā-kāra stands in this exact lineage. Gauḍīyas place Prahlāda among the twelve mahājanas (SB 6.3.20) precisely for this refusal-pattern. The chapter ends with the mālā-kāra at the Prahlāda-level of asking — bhakti for himself, bhakta-sauhṛd, and dayā for every jīva.

📝 My note

Śrīmad-Bhāgavatam 10.41.52

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ఇతి తస్మై వరం దత్త్వా శ్రియం చాన్వయవర్ధినీమ్ । బలమాయుర్యశ: కాన్తిం నిర్జగామ సహాగ్రజ: ॥ ౫౨ ॥
iti tasmai varaṁ dattvā
[iti tasmai varam dattvaa]
śriyaṁ cānvaya-vardhinīm
[shriyam chaanvaya-vardhineem]
balam āyur yaśaḥ kāntiṁ
[balam aayur yashah kaantim]
nirjagāma sahāgrajaḥ
[nirjagaama sahaagrajah]
iti — thus tasmai — to him varam — the benediction dattvā — giving śriyam — opulence ca — and anvaya — his family vardhinīm — expanding balam — strength āyuḥ — long life yaśaḥ — fame kāntim — beauty nirjagāma — He left saha — together with agra - jaḥ — His elder brother, Lord Balarāma .
Blended reading (Sanskrit + English inline)
iti tasmai varaṁ dattvā
iti
thus
tasmai
to him
varam
the benediction
dattvā
giving
śriyaṁ cānvaya-vardhinīm
śriyam
opulence
ca
and
anvaya
his family
vardhinīm
expanding
balam āyur yaśaḥ kāntiṁ
balam
strength
āyuḥ
long life
yaśaḥ
fame
kāntim
beauty
nirjagāma sahāgrajaḥ
nirjagāma
He left
saha
together with
agra - jaḥ
His elder brother, Lord Balarāma .
  • anvaya-vardhinīm — expanding the family-line
    Compound: anvaya (lineage) + vardhin (increasing). The Lord blesses not only Sudāmā but his kula. Echoes verse 13 (pitaraḥ-sa-agnayaḥ-surāḥ) and verse 45 (pāvitam-kulam). The chapter's family-thread closes here.
  • śriyam — opulence
    Accusative of Śrī. Kṛṣṇa grants Lakṣmī to His mālā-kāra. The Bhāgavatam does not reject worldly opulence for bhaktas — it grants it as a side-effect, while the bhakta refuses to ask for it. The reversal is structural.
  • kāntim — beauty
    Accusative of kānti — radiance, beauty. Bhagavān adds kānti to the gift-list. Gauḍīyas: kānti is one of the six aiśvaryas (Parāśara's list); to grant it is to share a portion of His own attribute. Sevā transmits its own object.
  • nirjagāma — He left
    Perfect of nir + √gam — to go out. The chapter ends on Kṛṣṇa's departure from Sudāmā's house. The brothers walk out into the Mathurā evening, leaving the garland-maker with the three bhaktas' boons. The next chapter opens with Kubjā and the bow.
Not only did Lord Kṛṣṇa grant Sudāmā these benedictions, but He also awarded him strength, long life, fame, beauty and ever-increasing prosperity for his family. Then Kṛṣṇa and His elder brother took Their leave.

We can see a clear difference between Lord Kṛṣṇa’s dealings with the nasty washerman and His dealings with the devoted florist Sudāmā. The Lord is as hard as a thunderbolt for those who defy Him and as soft as a rose for those who surrender to Him. Therefore we should all sincerely surrender to Lord Kṛṣṇa, since that is clearly in our self-interest. Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Forty-first Chapter, of the Śrīmad-Bhāgavatam, entitled “Kṛṣṇa and Balarāma Enter Mathurā.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Not only did Lord Kṛṣṇa grant Sudāmā these benedictions, but He also awarded him strength, long life, fame, beauty and ever-increasing prosperity for his family. Then Kṛṣṇa and His elder brother took Their leave.
Commentary

They gave the garland maker strength, power, wealth and beauty though he did not desire them. This was a response to his enthusiastic desire to give to Krsna and Balarama. In all cases, affection for the Lord’s devotee is the dominant rule.

Jīva Gosvāmī Gauḍīya
Commentary

“Why did Kṛṣṇa not give him benedictions since he is most generous?” After he prayed for bhakti, Kṛṣṇa gave him all wealth. The word ca indicates “all.” Another version has anvaya-vardhinam (increased descendants) instead of anvaya-vardhanīm (uninterrupted wealth in his dynasty). Viṣṇu Purāṇa says: balahānirna te saumya dhanahānir athāpi vā / yāvad dināni tāvacca na naśiṣyati saṁtatiḥ // bhuktvā ca vipulān bhogāṁs tvam ante mat-prasādataḥ / mamānusmaraṇaṁ prāpya divyaṁ lokam avāpsyasi // dharme manaś ca te bhadra sārvakālaṁ bhaviṣyati / yuṣmat saṁtatijātānāṁ dhīrgham āyur bhaviṣyati // nopasargādikaṁ doṣaṁ yuṣmat saṁtati-saṁbhavaḥ / avāpsyati mahābhāga yāvat sūryo bhaviṣyati // As long as you live on this earth you will not decrease in strength. Your wealth will not decrease and your offspring will not perish. After enjoying by my mercy, finally, remembering me, you will attain the spiritual world. O auspicious one! Your mind will be fixed in dharma at all times. Your offspring will have long life. O fortunate one! Your offspring will not experience troubles as long as the sun exists. Strength, long life, fame, beauty and ever-increasing prosperity for his family are all aspects of śriyam ānvaya-vardhinīm. Then after giving benedictions, Kṛṣṇa left Sudāmā’s house with his elder brother. Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Forty-first Chapter, of the Śrīmad-Bhāgavatam, entitled "Kṛṣṇa and Balarāma Enter Mathurā." 10.42: The Breaking of the Sacrificial Bow verses: Summary, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26-27, 28-31, 32, 33, 34, 35, 36, 37, 38 Chapter Summary This chapter describes the benediction Trivakrā received, the breaking of the sacrificial bow, the destruction of Kaṁsa's soldiers, the inauspicious omens Kaṁsa saw and the festivities at the wrestling arena. After leaving Sudāmā's house, Lord Kṛṣṇa came upon Trivakrā, a young hunchbacked maidservant of Kaṁsa's who was carrying a tray of fine ointments. The Lord asked her who she was and requested some ointment from her. Entranced by His beauty and joking words, Trivakrā gave both Kṛṣṇa and Balarāma a good deal of ointment. In return, Kṛṣṇa stepped on her toes with His lotus feet, took hold of her chin and lifted, thus straightening her spine. The now beautiful and charming Trivakrā then grabbed the edge of Kṛṣṇa's upper cloth and asked Him to come to her house. Kṛṣṇa replied that after He had taken care of some business He would certainly come and relieve her mental torment. Then the two Lords continued Their sightseeing tour of Mathurā. As Kṛṣṇa and Balarāma walked along the King's road, the merchants worshiped Them with various offerings. Kṛṣṇa asked where the bow sacrifice was to take place, and when He arrived at the arena He saw the wonderful bow, which resembled Lord Indra's. Despite the guards' protests, Kṛṣṇa forcibly picked up the bow, easily strung it and in an instant broke it in half, producing an ear-splitting sound that filled the heavens and struck terror in the heart of Kaṁsa. The many guards attacked Kṛṣṇa, crying out "Seize Him! Kill Him!" But Kṛṣṇa and Balarāma simply picked up the two halves of the bow and beat the guards to death. Next the Lords annihilated a company of soldiers sent by Kaṁsa, and then They left the arena and continued Their tour. When the people of the city saw the amazing prowess and beauty of Kṛṣṇa and Balarāma, they thought They must be two chief demigods. Indeed, as the residents of Mathurā gazed upon the Lords, they enjoyed all the blessings the gopīs had predicted. At sunset Kṛṣṇa and Balarāma returned to the cowherds' camp for Their evening meal. They then passed the night resting comfortably. But King Kaṁsa was not so fortunate. When he heard how Kṛṣṇa and Balarāma had easily broken the mighty bow and destroyed his soldiers, he spent the night in great anxiety. Both while awake and while dreaming he saw many ill omens portending his imminent death, and his fear ruined any chance for rest. At dawn the wrestling festival began. Crowds of people from the city and outlying districts entered the arena and took their seats in the lavishly decorated galleries. Kaṁsa, his heart trembling, sat down on the royal dais and invited Nanda Mahārāja and the other cowherd men to come sit in their places, and they did so after offering him their gifts. The musical overture then began as the sounds of the wrestlers slapping their arms resounded.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
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Concepts
Dharma

Sudāmā asked for three high gifts; Kṛṣṇa, like a king who throws in extra coins beyond the requested wage, adds strength, longevity, fame, beauty, and family-prosperity. The garland-maker did not bargain — and so received more than the bargain could have named.

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