FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.52.4

బదర్యాశ్రమమాసాద్య నరనారాయణాలయమ్ । సర్వద్వన్ద్వసహ: శాన్తస్తపసారాధయద్ధరిమ్ ॥ ౪ ॥
badary-āśramam āsādya
[badary-aashramam aasaadya]
nara-nārāyaṇālayam
[nara-naaraayanaalayam]
sarva-dvandva-sahaḥ śāntas
[sarva-dvandva-sahah shaantas]
tapasārādhayad dharim
[tapasaaraadhayad dharim]
badarī - āśramam — the hermitage Badarikāśrama āsādya — reaching nara - nārāyaṇa — of the Supreme Lord’s dual incarnation as Nara and Nārāyaṇa ālayam — the residence sarva — all dvandva — dualities sahaḥ — tolerating śāntaḥ — peaceful tapasā — with severe austerities ārādhayat — he worshiped harim — Lord Kṛṣṇa .
Blended reading (Sanskrit + English inline)
badary-āśramam āsādya
badarī - āśramam
the hermitage Badarikāśrama
āsādya
reaching
nara-nārāyaṇālayam
nara - nārāyaṇa
of the Supreme Lord’s dual incarnation as Nara and Nārāyaṇa
ālayam
the residence
sarva-dvandva-sahaḥ śāntas
sarva
all
dvandva
dualities
sahaḥ
tolerating
śāntaḥ
peaceful
tapasārādhayad dharim
tapasā
with severe austerities
ārādhayat
he worshiped
harim
Lord Kṛṣṇa .
  • badarī-āśramam — the hermitage Badarikāśrama
    Compound naming the holy place where Nara-Nārāyaṇa eternally perform austerity. Badarī refers to the jujube fruit on which the ṛṣis subsisted. The site is one of the few earthly addresses of an active avatāra of Viṣṇu in tapas-mode.
  • nara-nārāyaṇa-ālayam — the residence of Nara-Nārāyaṇa
    Compound. Nara-Nārāyaṇa is one of Viṣṇu's puruṣa-avatāras — Nara represents the perfected jīva, Nārāyaṇa the Lord. Their pairing makes Badarī a doctrinal map of acintya-bhedābheda set in stone.
  • dvandva-sahaḥ — tolerating dualities
    Compound: dvandva (pair of opposites) + sahaḥ (tolerating). Echoes Gītā 2.14's titikṣasva — the same equanimity Kṛṣṇa prescribed to Arjuna is now operative in Mucukunda after the Lord's mercy.
  • harim — Lord Hari
    Hari is the Lord who removes (√hṛ) — both the sins of His devotees and their bodily distress. Mucukunda's object of worship is named not as 'the absolute' but as the Personal Hari, the same Kṛṣṇa whose glance just liberated him.
There he arrived at Badarikāśrama, the abode of Lord Nara-Nārāyaṇa, where, remaining tolerant of all dualities, he peacefully worshiped the Supreme Lord Hari by performing severe austerities.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
There he arrived at Badarikāśrama, the abode of Lord Nara-Nārāyaṇa, where, remaining tolerant of all dualities, he peacefully worshiped the Supreme Lord Hari by performing severe austerities.
Śrīdhara Svāmī Gauḍīya
Commentary

In Badarikāśrama he came to the abode of Nara-nārāyaṇa. Or, he came to Badarikāśrama, where Nara-nārāyaṇa had taken shelter. His main reason for coming there was austerity, for there the two avatāras were directly present who propagating austerity. Tolerating dualities like heat and cold, with undisturbed heart, he worshipped the Lord who removes all suffering or is most attractive (hariḥ).

Related values
Shaucha (Cleanliness / Purity)Kshama (Forgiveness / Patience)Svadhyaya (Self-study & Scripture Study)Shraddha (Faith / Reverence)Seva (Service / Selfless Action)Brahmacharya (Self-discipline / Restraint)Atma Nigraha (Self-control)Karuna (Kindness / Compassion)Satya (Truthfulness)Ahimsa (Non-violence / Compassion)
Related verses
Concepts
Jiva

Badarikāśrama is the original mountain temple — Nara-Nārāyaṇa themselves are doing tapas there for the welfare of all jīvas, and Mucukunda simply joins the standing offering. He does not invent worship; he steps into a worship already in progress, the way a small flame joins a larger one and adds its own brightness.

Nara-Nārāyaṇa's perpetual tapas

Bhāgavatam describes Nara-Nārāyaṇa Ṛṣis as the Lord's incarnation performing penance at Badarī continuously for the welfare of the universe. Their austerity is not for their own liberation — they are eternally liberated — but as a model and a current that ordinary tapasvīs can step into.

Mucukunda's worship at this site is therefore catalyzed by the līlā already underway. In Gauḍīya frame, this prefigures how Caitanya's saṅkīrtana movement remains the standing wave any chanter can join.

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