FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.12.4

ఫలప్రబాలస్తవకసుమన:పిచ్ఛధాతుభి: । కాచగుఞ్జామణిస్వర్ణభూషితా అప్యభూషయన్ ॥ ౪ ॥
phala-prabāla-stavaka-
[phala-prabaala-stavaka-]
sumanaḥ-piccha-dhātubhiḥ
[sumanah-pichcha-dhaatubhih]
kāca-guñjā-maṇi-svarṇa-
[kaacha-gunjaa-mani-svarna-]
bhūṣitā apy abhūṣayan
[bhooshitaa apy abhooshayan]
phala — fruits from the forest prabāla — green leaves stavaka — bunches sumanaḥ — beautiful flowers piccha — peacock feathers dhātubhiḥ — very soft and colorful minerals kāca — a kind of gem guñjā — small conchshells maṇi — pearls svarṇa — gold bhūṣitāḥ — although decorated api abhūṣayan — in spite of being decorated by their mothers, the boys decorated themselves still more with the above-mentioned articles .
Blended reading (Sanskrit + English inline)
phala-prabāla-stavaka-
phala
fruits from the forest
prabāla
green leaves
stavaka
bunches
sumanaḥ-piccha-dhātubhiḥ
sumanaḥ
beautiful flowers
piccha
peacock feathers
dhātubhiḥ
very soft and colorful minerals
kāca-guñjā-maṇi-svarṇa-
kāca
a kind of gem
guñjā
small conchshells
maṇi
pearls
svarṇa
gold
bhūṣitā apy abhūṣayan
bhūṣitāḥ
although decorated
api abhūṣayan
in spite of being decorated by their mothers, the boys decorated themselves still more with the above-mentioned articles .
  • guñjā — small red-and-black berries used as ornaments
    Guñjā berries are an iconic Vraja ornament — Kṛṣṇa Himself wears a guñjā-mālā in many Gauḍīya dhyāna verses (Rūpa Gosvāmī, Stava-mālā). Forest decoration is more dear to Kṛṣṇa than palace gold.
  • piccha — peacock feathers
    The piccha-mauli, peacock-feather crown, is Kṛṣṇa's signature ornament — Gauḍīya iconography fixes this in every mūrti. Here His friends share the look; Vraja-sakhas dress like their Lord.
  • dhātubhiḥ — with mineral colors from the forest
    Coloured earth pigments — gairika, etc. — used as tilaka and body-paint. The forest itself supplies the paint; the dhātu is what Vraja's hills offer freely to its children.
  • bhūṣitāḥ — decorated
    From bhūṣ- (to adorn). Used here in passive — they were already adorned by their mothers. Vātsalya labors at the start of every day; the boys then add a sakhya-layer on top.
Although all these boys were already decorated by their mothers with ornaments of kāca, guñjā, pearls and gold, when they went into the forest they further decorated themselves with fruits, green leaves, bunches of flowers, peacock feathers and soft minerals.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Although all these boys were already decorated by their mothers with ornaments of kāca, guṣjā, pearls and gold, when they went into the forest they further decorated themselves with fruits, green leaves, bunches of flowers, peacock feathers and soft minerals.
Commentary

Though the boys were ornamented by their mothers with crystal and gunja seed beads, when they went to the forest they ornamented themselves with forest fruits and flowers.

Jīva Gosvāmī Gauḍīya
Commentary

Seven verses describe the playing of the young boys. Stavaka means flower clusters and sumanaḥ means flowers. Ornaments made of crystal were attractive to the boys because they could not be distinguished from valuable gems. The boys took guṣja berries growing in Vṛndāvana out of curiosity and their mothers strung them into necklaces. Sometimes mukta (pearl) is seen instead of guṣja.

Related values
Vairagya (Detachment / Dispassion)Tejas (Inner Radiance / Vigour)Anahankarah (Freedom from False Ego)
Related verses

Picture children at a wedding wearing the jewelry their mothers fastened on them at dawn — and then, on the road, picking up wildflowers and pinning them on top, until the wildflowers nearly outshine the gold. Vraja's love decorates twice: once at home with kāca and gold, again in the forest with leaves and minerals.

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