Śrīmad-Bhāgavatam 10.75.36
Blended reading (Sanskrit + English inline)
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duryodhanaḥ
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Duryodhana
Named again — second time the chapter uses his real name (not Suyodhana). The narrative is dropping the polite mask; what follows will not be polite.
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mānī
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proud
Nominal — 'possessing māna (pride).' In Gauḍīya rasa-śāstra, māna is also a beautiful word in a different context (Rādhā's loving sulk). But here it is the bitter māna — pride without prema. Same syllables, opposite spirits.
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kirīṭa-mālī
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wearing crown and necklace
Compound: kirīṭa (crown) + mālin (garlanded). Royal ornament. The next verse will show what crowns do not protect against — illusion's water.
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asi-hastaḥ
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a sword in his hand
Compound: asi (sword) + hasta (hand). He arrives armed into his cousin's celebration. Gauḍīyas mark the detail: he carries weapon into yajña-space. The desecration is already underway.
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kṣipan-ruṣā
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insulting angrily
Phrase: kṣipan (insulting) + ruṣā (with anger). The chapter is naming, in plain words, the heart's state. Duryodhana cannot blame the floor in verse 37; he is already overflowing.
Śrīla Prabhupāda writes that Duryodhana “was always in an envious and angry mood, and therefore, on a slight provocation, he spoke sharply with the doorkeepers and became angry.”
Duryodhana, abusing the guards (ksipa), entered the hall.
In that hall, thinking he would be praised for wearing his crown and necklace so he could display his own wealth, out of pride (mānī), thinking they were very valuable, he entered the hall. To show his valour he held a sword in his hand. To show his support, he came surrounded by his brothers. Proud and angry, shouting abusive words, he entered without any respect (ni—āviśat). O king! Kings will become proud like this. Giving up going on the regular path because of fear of the guards, but not knowing the presence of water, because of his deep envy, he began wandering here and there to see the splendour of the hall as described in Mahābhārata. Not understanding the hall’s nature, he lifted his cloth to avoid the water. He then fell into the water, and his crown fell off. By falling in the water he became ashamed.
A man entering a palace with a sword in hand and contempt for the doorkeepers has decided, before any insult, to be insulted. Duryodhana brings his own wound and looks for surfaces to bleed on. The mānī (proud one) is, in śāstra, always the one who will fall.
Rāvaṇa's whole career is a study in mānī-style entries — sword in hand, insulting servants, demanding respect already owed. The Rāmāyaṇa frames the Lankā-king's posture identically to Duryodhana's here.
Gauḍīyas read both figures as the same archetype: pride armed. The sword is never the real weapon; the heart's posture is. Both Rāvaṇa and Duryodhana will be undone not by enemies but by the structures their own pride sets up.
My note
Source: vedabase.io