FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.75.34-35

సభాయాం మయక్లృప్తాయాం క్వ‍ాపి ధర్మసుతోఽధిరాట్ । వృతోఽనుగైర్బన్ధుభిశ్చ కృష్ణేనాపి స్వచక్షుషా ॥ ౩౪ ॥ ఆసీన: కాఞ్చనే సాక్షాదాసనే మఘవానివ । పారమేష్ఠ్యశ్రియా జుష్ట: స్తూయమానశ్చ వన్దిభి: ॥ ౩౫ ॥
sabhāyāṁ maya-kḷptāyāṁ
[sabhaayaam maya-klriptaayaam]
kvāpi dharma-suto ’dhirāṭ
[kvaapi dharma-suto ’dhiraat]
vṛto ’nugair bandhubhiś ca
[vrito ’nugair bandhubhish cha]
kṛṣṇenāpi sva-cakṣuṣā
[krishnenaapi sva-chakshushaa]
āsīnaḥ kāñcane sākṣād
[aaseenah kaanchane saakshaad]
āsane maghavān iva
[aasane maghavaan iva]
pārameṣṭhya-śrīyā juṣṭaḥ
[paarameshthya-shreeyaa jushtah]
stūyamānaś ca vandibhiḥ
[stooyamaanash cha vandibhih]
sabhāyām — in the assembly hall maya — by Maya Dānava kḷptāyām — constructed kva api — on one occasion dharma - sutaḥ — the son of Yamarāja (Yudhiṣṭhira) adhirāṭ — the emperor vṛtaḥ — accompanied anugaiḥ — by his attendants bandhubhiḥ — by his family members ca — and kṛṣṇena — by Lord Kṛṣṇa api — also sva — his own cakṣuṣā — eye āsīnaḥ — seated kāñcane — made of gold sākṣāt — in person āsane — on a throne maghavān — Lord Indra iva — as if pārameṣṭhya — of Brahmā, or of supreme rulership śriyā — with the opulences juṣṭaḥ — joined stūyamānaḥ — being praised ca — and vandibhiḥ — by the court poets .
Blended reading (Sanskrit + English inline)
sabhāyāṁ maya-kḷptāyāṁ
sabhāyām
in the assembly hall
maya
by Maya Dānava
kḷptāyām
constructed
kvāpi dharma-suto ’dhirāṭ
kva api
on one occasion
dharma - sutaḥ
the son of Yamarāja (Yudhiṣṭhira)
vṛto ’nugair bandhubhiś ca
kṛṣṇenāpi sva-cakṣuṣā
āsīnaḥ kāñcane sākṣād
adhirāṭ
the emperor
vṛtaḥ
accompanied
āsane maghavān iva
anugaiḥ
by his attendants
bandhubhiḥ
by his family members
pārameṣṭhya-śrīyā juṣṭaḥ
stūyamānaś ca vandibhiḥ
ca
and
kṛṣṇena
by Lord Kṛṣṇa
api
also
sva
his own
cakṣuṣā
eye
āsīnaḥ
seated
kāñcane
made of gold
sākṣāt
in person
āsane
on a throne
maghavān
Lord Indra
iva
as if
pārameṣṭhya
of Brahmā, or of supreme rulership
śriyā
with the opulences
juṣṭaḥ
joined
stūyamānaḥ
being praised
ca
and
vandibhiḥ
by the court poets .
  • sabhāyām-maya-kḷptāyām — in the assembly hall constructed by Maya
    Locative compound. The hall is named — Maya-sabhā. Gauḍīyas note: the most beautiful room in the world was built by an asura. Beauty is not theology's monopoly; it is its battlefield.
  • dharma-sutaḥ — the son of Dharma
    Yudhiṣṭhira's defining patronymic. He sits on a Maya-Dānava throne but he himself is Dharma's son — the substrate matters more than the seat.
  • kṛṣṇena-api-sva-cakṣuṣā — with Kṛṣṇa as his own eye
    Phrase: kṛṣṇena (with Kṛṣṇa) + sva-cakṣuṣā (as his own eye). The Gauḍīya jewel of the verse. A bhakta does not look AT Kṛṣṇa; he looks WITH Kṛṣṇa. Sambandha at its tightest.
  • maghavān-iva — as if Indra
    Indra-resemblance is loaned. Gauḍīyas note the iva (as if): Yudhiṣṭhira is not Indra; he is positioned LIKE Indra. The kingship is a costume; the eye behind is the truth.
  • pārameṣṭhya-śriyā — with the opulence of supreme position (Brahmā)
    Compound: pārameṣṭhya (highest position, i.e. Brahmā's) + śrī (opulence). Even Brahmā's-level wealth on display. Verse 37 will undercut the entire scene by one piece of cloth lifted in fear of water.
It so happened that Emperor Yudhiṣṭhira, the son of Dharma, was sitting just like Indra on a golden throne in the assembly hall built by Maya Dānava. Present with him were his attendants and family members, and also Lord Kṛṣṇa, his special eye. Displaying the opulences of Brahma himself, King Yudhiṣṭhira was being praised by the court poets.

Śrīla Śrīdhara Svāmī explains that Lord Kṛṣṇa is described here as Yudhiṣṭhira’s special eye since He advised the King on what was beneficial and what was not.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
It so happened that Emperor Yudhiṣṭhira, the son of Dharma, was sitting just like Indra on a golden throne in the assembly hall built by Maya Dānava. Present with him were his attendants and family members, and also Lord Kṛṣṇa, his special eye. Displaying the opulences of Brahma himself, King Yudhiṣṭhira was being praised by the court poets.
Commentary

He was surrounded by friends, attendants and also Krsna who acted as his eyes (svacaksusa krsnena), pointing out what was beneficial and not beneficial.

Jīva Gosvāmī Gauḍīya
Commentary

Six verses describe what happened at that time. Yudhiṣṭhira was sitting in that hall made by Maya. This suggests its wondrous nature. This is described in Mahābhārata, Sabhā-parva. sabhā tu sā mahārāja śātakumbha-maya-drumā daśa kiṣkusahasrāṇi samantād āyatābhavat yathā vahner yathārkasya somasya ca yathaiva sā bhrājamānā tathā divyā babhāra paramaṁ vapuḥ tāṁ sma tatra mayenoktā rakṣanti ca vahanti ca sabhām aṣṭau sahasrāṇi kiṅkarā nāma rākṣasāḥ That hall had pillars of gold, ten thousand hands wide. Its exalted, divine form shone like fire, like the sun and like the moon. Eight thousand Rākṣasa and Kiṅkaras, directed by Maya, protected and maintained the hall. Though Yudhiṣṭhira was the emperor (adhirāṭ), he was not proud of his position because he was dedicated to dharma (dharma-sutaḥ). Kṛṣṇa was like his eye, advising what was beneficial or harmful (sva-cakṣuṣā). Or Kṛṣṇa was the object of Yudhiṣṭhira’s eyes. Or, just as one cannot enjoy such wealth without eyes, Yudhiṣṭhira could not enjoy his wealth without Kṛṣṇa. What more can be said? He was like Indra, and served by wealth equal to Brahmā’s.

Śrīdhara Svāmī Gauḍīya
Commentary

Six verses describe what happened at that time. Yudhiṣṭhira was sitting in that hall made by Maya. This suggests its wondrous nature. This is described in Mahābhārata, Sabhā-parva. sabhā tu sā mahārāja śātakumbha-maya-drumā daśa kiṣkusahasrāṇi samantād āyatābhavat yathā vahner yathārkasya somasya ca yathaiva sā bhrājamānā tathā divyā babhāra paramaṁ vapuḥ tāṁ sma tatra mayenoktā rakṣanti ca vahanti ca sabhām aṣṭau sahasrāṇi kiṅkarā nāma rākṣasāḥ That hall had pillars of gold, ten thousand hands wide. Its exalted, divine form shone like fire, like the sun and like the moon. Eight thousand Rākṣasa and Kiṅkaras, directed by Maya, protected and maintained the hall. Though Yudhiṣṭhira was the emperor (adhirāṭ), he was not proud of his position because he was dedicated to dharma (dharma-sutaḥ). Kṛṣṇa was like his eye, advising what was beneficial or harmful (sva-cakṣuṣā). Or Kṛṣṇa was the object of Yudhiṣṭhira’s eyes. Yudhiṣṭhira was always looking at Kṛṣṇa, not fully satisfied. Thus being absorbed in Kṛṣṇa, he did not see Duryodhana fall in the water. If he had seen him, he would have sent his brother to bring him. He was like Indra, and served by wealth of a kingdom (pārameṣṭhya) like Indra’s. Or what to speak of being like Indra’s rule, it was directly like Brahmā’s (pārameṣṭhya) rule.

Or, just as one cannot enjoy such wealth without eyes, Yudhiṣṭhira could not enjoy his wealth without Kṛṣṇa. What more can be said? He was like Indra, and served by wealth equal to Brahmā’s.

Related values
Daya (Compassion / Mercy)Vairagya (Detachment / Dispassion)Discriminative WisdomAsteya (Non-stealing / Honesty)Atma Nigraha (Self-control)
Related verses
Concepts
MayaJivaDharma

Yudhiṣṭhira on Maya's golden throne with Kṛṣṇa as his eye (sva-cakṣuṣā) is a single image of what bhakti looks like at its political peak — Indra's posture, Brahmā's opulence, and yet sight itself loaned by Kṛṣṇa. The chapter freezes this picture so that the very next verse can shatter it.

📝 My note

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