Śrīmad-Bhāgavatam 10.75.34-35
Blended reading (Sanskrit + English inline)
-
sabhāyām-maya-kḷptāyām
—
in the assembly hall constructed by Maya
Locative compound. The hall is named — Maya-sabhā. Gauḍīyas note: the most beautiful room in the world was built by an asura. Beauty is not theology's monopoly; it is its battlefield.
-
dharma-sutaḥ
—
the son of Dharma
Yudhiṣṭhira's defining patronymic. He sits on a Maya-Dānava throne but he himself is Dharma's son — the substrate matters more than the seat.
-
kṛṣṇena-api-sva-cakṣuṣā
—
with Kṛṣṇa as his own eye
Phrase: kṛṣṇena (with Kṛṣṇa) + sva-cakṣuṣā (as his own eye). The Gauḍīya jewel of the verse. A bhakta does not look AT Kṛṣṇa; he looks WITH Kṛṣṇa. Sambandha at its tightest.
-
maghavān-iva
—
as if Indra
Indra-resemblance is loaned. Gauḍīyas note the iva (as if): Yudhiṣṭhira is not Indra; he is positioned LIKE Indra. The kingship is a costume; the eye behind is the truth.
-
pārameṣṭhya-śriyā
—
with the opulence of supreme position (Brahmā)
Compound: pārameṣṭhya (highest position, i.e. Brahmā's) + śrī (opulence). Even Brahmā's-level wealth on display. Verse 37 will undercut the entire scene by one piece of cloth lifted in fear of water.
Śrīla Śrīdhara Svāmī explains that Lord Kṛṣṇa is described here as Yudhiṣṭhira’s special eye since He advised the King on what was beneficial and what was not.
He was surrounded by friends, attendants and also Krsna who acted as his eyes (svacaksusa krsnena), pointing out what was beneficial and not beneficial.
Six verses describe what happened at that time. Yudhiṣṭhira was sitting in that hall made by Maya. This suggests its wondrous nature. This is described in Mahābhārata, Sabhā-parva. sabhā tu sā mahārāja śātakumbha-maya-drumā daśa kiṣkusahasrāṇi samantād āyatābhavat yathā vahner yathārkasya somasya ca yathaiva sā bhrājamānā tathā divyā babhāra paramaṁ vapuḥ tāṁ sma tatra mayenoktā rakṣanti ca vahanti ca sabhām aṣṭau sahasrāṇi kiṅkarā nāma rākṣasāḥ That hall had pillars of gold, ten thousand hands wide. Its exalted, divine form shone like fire, like the sun and like the moon. Eight thousand Rākṣasa and Kiṅkaras, directed by Maya, protected and maintained the hall. Though Yudhiṣṭhira was the emperor (adhirāṭ), he was not proud of his position because he was dedicated to dharma (dharma-sutaḥ). Kṛṣṇa was like his eye, advising what was beneficial or harmful (sva-cakṣuṣā). Or Kṛṣṇa was the object of Yudhiṣṭhira’s eyes. Or, just as one cannot enjoy such wealth without eyes, Yudhiṣṭhira could not enjoy his wealth without Kṛṣṇa. What more can be said? He was like Indra, and served by wealth equal to Brahmā’s.
Six verses describe what happened at that time. Yudhiṣṭhira was sitting in that hall made by Maya. This suggests its wondrous nature. This is described in Mahābhārata, Sabhā-parva. sabhā tu sā mahārāja śātakumbha-maya-drumā daśa kiṣkusahasrāṇi samantād āyatābhavat yathā vahner yathārkasya somasya ca yathaiva sā bhrājamānā tathā divyā babhāra paramaṁ vapuḥ tāṁ sma tatra mayenoktā rakṣanti ca vahanti ca sabhām aṣṭau sahasrāṇi kiṅkarā nāma rākṣasāḥ That hall had pillars of gold, ten thousand hands wide. Its exalted, divine form shone like fire, like the sun and like the moon. Eight thousand Rākṣasa and Kiṅkaras, directed by Maya, protected and maintained the hall. Though Yudhiṣṭhira was the emperor (adhirāṭ), he was not proud of his position because he was dedicated to dharma (dharma-sutaḥ). Kṛṣṇa was like his eye, advising what was beneficial or harmful (sva-cakṣuṣā). Or Kṛṣṇa was the object of Yudhiṣṭhira’s eyes. Yudhiṣṭhira was always looking at Kṛṣṇa, not fully satisfied. Thus being absorbed in Kṛṣṇa, he did not see Duryodhana fall in the water. If he had seen him, he would have sent his brother to bring him. He was like Indra, and served by wealth of a kingdom (pārameṣṭhya) like Indra’s. Or what to speak of being like Indra’s rule, it was directly like Brahmā’s (pārameṣṭhya) rule.
Or, just as one cannot enjoy such wealth without eyes, Yudhiṣṭhira could not enjoy his wealth without Kṛṣṇa. What more can be said? He was like Indra, and served by wealth equal to Brahmā’s.
Yudhiṣṭhira on Maya's golden throne with Kṛṣṇa as his eye (sva-cakṣuṣā) is a single image of what bhakti looks like at its political peak — Indra's posture, Brahmā's opulence, and yet sight itself loaned by Kṛṣṇa. The chapter freezes this picture so that the very next verse can shatter it.
My note
Source: vedabase.io