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Śrīmad-Bhāgavatam 10.63.20

తన్మాతా కోటరా నామ నగ్నా మక్తశిరోరుహా । పురోఽవతస్థే కృష్ణస్య పుత్రప్రాణరిరక్షయా ॥ ౨౦ ॥
tan-mātā koṭarā nāma
[tan-maataa kotaraa naama]
nagnā makta-śiroruhā
[nagnaa makta-shiroruhaa]
puro ’vatasthe kṛṣṇasya
[puro ’vatasthe krishnasya]
putra-prāṇa-rirakṣayā
[putra-praana-rirakshayaa]
tat — his (Bāṇāsura’s) mātā — mother koṭarā nāma — named Koṭarā nagnā — naked mukta — loosened śiraḥ - ruhā — her hair puraḥ — in front avatasthe — stood kṛṣṇasya — of Kṛṣṇa putra — her son’s prāṇa — life rirakṣayā — hoping to save .
Blended reading (Sanskrit + English inline)
tan-mātā koṭarā nāma
tat
his (Bāṇāsura’s)
mātā
mother
koṭarā nāma
named Koṭarā
nagnā
naked
mukta
loosened
nagnā makta-śiroruhā
śiraḥ - ruhā
her hair
puro ’vatasthe kṛṣṇasya
puraḥ
in front
avatasthe
stood
kṛṣṇasya
of Kṛṣṇa
putra-prāṇa-rirakṣayā
putra
her son’s
prāṇa
life
rirakṣayā
hoping to save .
  • koṭarā nāma — named Koṭarā
    Koṭarā — literally 'hollow of a tree'. Bāṇa's mother. The Bhāgavatam names her by a hollow because her stratagem is to create a hollow in Bhagavān's gaze, a momentary inattention through which her son can escape.
  • nagnā — naked
    The desperate maternal weapon — Koṭarā weaponizes her own body's exposure to compel Kṛṣṇa's modesty. Gauḍīyas read this as proof that Bhagavān, having accepted nara-līlā, accepts also its proprieties; He could see through it but chooses to honor them.
  • putra-prāṇa-rirakṣayā — with the desire to protect her son's life
    Compound: putra (son) + prāṇa (life) + rirakṣayā (with intent to protect). Maternal vātsalya in the asura register — even on this side of the line, a mother's wish to save her son moves the cosmos. The Lord will honor that wish in the larger frame by sparing Bāṇa entirely (v. 47).
  • avatasthe — she stood before
    Perfect of ava-√sthā (to stand near, present oneself). The same root that gives sthāyī-bhāva — standing-emotion. Koṭarā's standing forces a counter-standing from Bhagavān: He averts His face. Bhakti's grammar acknowledges even an opponent's standing.
Just then Bāṇāsura’s mother, Koṭarā, desiring to save her son’s life, appeared before Lord Kṛṣṇa naked and with her hair undone.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Just then Bāṇāsura's mother, Koṭarā, desiring to save her son's life, appeared before Lord Kṛṣṇa naked and with her hair undone.
Commentary

Bana's mother, named Kothara, sometimes called Kotari, is a form of Parvati worshipped by the demons. With a desire to protect her son (riraksaya), she appeared naked.

Jīva Gosvāmī Gauḍīya
Commentary

According to Hari-vaṁśa, Bāṇa became Śiva’ṣ son by great austerities. Because the mother was thus considered to be like Pārvatī she was called Koṭarā, another form of Pārvatī. In Hari-vaṁśa she is famous as Koṭarī. Śiva says, “Please save him, O Pārvatī. Go quickly to save Bāṇa without delay.” kṛṣṇasyaikasya tad rūpaṁ darśayat pārśvam āgatā antardhānam upāgamya tyaktvā sā vāsasī punaḥ / paritrāṇāya bāṇasya vijayādhiṣṭhitā tataḥ / pramukhe vāsudevasya digvāsāḥ koṭavī sthitā // She came close to Kṛṣṇa in her form. Giving up invisibility, she appeared before him while wearing clothing. In order to protect Bāṇa she then stood there facing Kṛṣṇa, without clothing. Koṭarī is another name of Bāṇa’s mother. According to Viṣṇu Purāṇa however Koṭarī is the name of devatā of the demons who possessed powerful mantras. Nāmnā daiteya-vidyābhūt koḍarī purato hareḥ: Koṭarī, who had demonic knowledge, appeared before Kṛṣṇa. She is also called Kotavī. Another version has rirakṣiṣayā instead of rīraakṣayā.

Related values
Dana (Charity / Generosity)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Nishkama Karma (Selfless Action)Seva (Service / Selfless Action)
Related verses
Concepts
Jiva

When all weapons fail, the asura mother throws the only weapon left — shame. Koṭarā appears naked before Kṛṣṇa to force His eyes away, knowing the Lord's own grace will use up His attention for one breath and give her son a chance to run.

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