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Śrīmad-Bhāgavatam 10.44.3

అరత్నీ ద్వే అరత్నిభ్యాం జానుభ్యాం చైవ జానునీ । శిర: శీర్ష్ణోరసోరస్తావన్యోన్యమభిజఘ్నతు: ॥ ౩ ॥
aratnī dve aratnibhyāṁ
[aratnee dve aratnibhyaam]
jānubhyāṁ caiva jānunī
[jaanubhyaam chaiva jaanunee]
śiraḥ śīrṣṇorasoras tāv
[shirah sheershnorasoras taav]
anyonyam abhijaghnatuḥ
[anyonyam abhijaghnatuh]
aratnī — against the opponent’s fists dve — two aratnibhyām — their fists jānubhyām — their knees ca eva — also jānunī — against the opponent’s knees śiraḥ — head śīrṣṇā — with head urasā — with chest uraḥ — chest tau — they in pairs anyonyam — each other abhijaghnatuḥ — struck .
Blended reading (Sanskrit + English inline)
aratnī dve aratnibhyāṁ
aratnī
against the opponent’s fists
dve
two
aratnibhyām
their fists
jānubhyāṁ caiva jānunī
jānubhyām
their knees
ca eva
also
jānunī
against the opponent’s knees
śiraḥ śīrṣṇorasoras tāv
śiraḥ
head
śīrṣṇā
with head
urasā
with chest
uraḥ
chest
tau
they in pairs
anyonyam abhijaghnatuḥ
anyonyam
each other
abhijaghnatuḥ
struck .
  • aratnī — fists, elbows
    Dual of aratni — the closed hand or elbow. The verse's quartet (aratnī / jānunī / śiraḥ / uras) catalogues the body part by part: bhakti-rasa loves the body of Bhagavān in detail, even in the form of combat.
  • śiraḥ — head
    Same head that the gopīs will weep to imagine endangered (cf. 18). The Bhāgavatam keeps showing us Kṛṣṇa's head in tension — bound by Yaśodā, butted by Cāṇūra, finally crowned in Mathurā.
  • urasā — with the chest
    The chest is Lakṣmī's resting place (śrīvatsa). The wrestler strikes the seat of Śrī. Verse 21 will return to this: Cāṇūra's fists on the chest where the goddess of fortune resides — and she does not move.
  • abhijaghnatuḥ — they struck each other
    Dual perfect of abhi + √han (to strike). The verb of striking that will, in just a few verses, reverse — Cāṇūra strikes, then Kṛṣṇa is the only one striking. The Bhāgavatam stages the turn through one verb.
They each struck fists against fists, knees against knees, head against head and chest against chest.

The word aratni in this verse may indicate the elbow as well as the fist. Thus blows were perhaps also struck with the elbow, a technique seen today in various martial arts.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
They each struck fists against fists, knees against knees, head against head and chest against chest.
Commentary

Aratni refers to making a fist with exception of the little finger. As fighting in this way is very difficult, it is not as commonly known as fighting with the full fist. But just as Krsna invented new ways of playing on the flute, so he also fought in this way with great skill. Though Canura experience great difficult with this, he accepted this style to show his bravery.

Jīva Gosvāmī Gauḍīya
Commentary

Each fist of one wrestler struck the fist of his opponent. This description refers to Kṛṣṇa and Cāṇūra (tau). They struck each other with their elbows (aratnī). Śrīdhara Svāmī defines aratni as the measurement from the middle of the arm to the fist, excluding the little finger. This however cannot be used in fighting. Though this can also refer to using that bodily part for fighting, it is not possible to use this part of the arm for striking the opponent because the little finger is extended. Nor is such a technique well known in wrestling. Thus aratni refers to the fist, which is one of the limbs used in the measurement. Later his limbs including the aratni will be mentioned in the commentary. Or aratni means the elbow according to Viśva-prakāśa and Dvirūpa-kośa.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Bhakti (Devotion)
Related verses

Fists, knees, head, chest — limb against limb, the body inventoried in collision. The Lord allows His body to be enumerated this way the same way He allowed Yaśodā to count it with her rope: His form consents to be measured by hands that cannot finally hold Him.

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