FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.39.51-52

సుమహార్హమణివ్రాతకిరీటకటకాఙ్గదై: । కటిసూత్రబ్రహ్మసూత్రహారనూపురకుణ్డలై: ॥ ౫౧ ॥ భ్రాజమానం పద్మకరం శఙ్ఖచక్రగదాధరమ్ । శ్రీవత్సవక్షసం భ్రాజత్కౌస్తుభం వనమాలినమ్ ॥ ౫౨ ॥
su-mahārha-maṇi-vrāta
[su-mahaarha-mani-vraata]
kirīṭa-kaṭakāṅgadaiḥ
[kireeta-katakaangadaih]
kaṭi-sūtra-brahma-sūtra
[kati-sootra-brahma-sootra]
hāra-nūpura-kuṇḍalaiḥ
[haara-noopura-kundalaih]
bhrājamānaṁ padma-karaṁ
[bhraajamaanam padma-karam]
śaṅkha-cakra-gadā-dharam
[shankha-chakra-gadaa-dharam]
śrīvatsa-vakṣasaṁ bhrājat
[shreevatsa-vakshasam bhraajat]
kaustubhaṁ vana-mālinam
[kaustubham vana-maalinam]
su - mahā — greatly arha — precious maṇi - vrāta — having many gems kirīṭa — with helmets kaṭaka — bracelets aṅgadaiḥ — and armlets kaṭi - sūtra — with belt brahma - sūtra — sacred thread hāra — necklaces nūpura — ankle bells kuṇḍalaiḥ — and earrings bhrājamānam — effulgent padma — carrying a lotus karam — whose hand śaṅkha — a conchshell cakra — discus gadā — and club dharam — holding śrīvatsa — carrying the mark known as Śrīvatsa vakṣasam — whose chest bhrājat — brilliant kaustubham — with the Kaustubha gem vana - mālinam — with a flower garland .
Blended reading (Sanskrit + English inline)
su-mahārha-maṇi-vrāta
su - mahā
greatly
arha
precious
maṇi - vrāta
having many gems
kirīṭa-kaṭakāṅgadaiḥ
kirīṭa
with helmets
kaṭaka
bracelets
aṅgadaiḥ
and armlets
kaṭi-sūtra-brahma-sūtra
kaṭi - sūtra
with belt
brahma - sūtra
sacred thread
hāra-nūpura-kuṇḍalaiḥ
hāra
necklaces
nūpura
ankle bells
kuṇḍalaiḥ
and earrings
bhrājamānaṁ padma-karaṁ
bhrājamānam
effulgent
padma
carrying a lotus
karam
whose hand
śaṅkha-cakra-gadā-dharam
śaṅkha
a conchshell
cakra
discus
gadā
and club
dharam
holding
śrīvatsa-vakṣasaṁ bhrājat
śrīvatsa
carrying the mark known as Śrīvatsa
vakṣasam
whose chest
bhrājat
brilliant
kaustubhaṁ vana-mālinam
kaustubham
with the Kaustubha gem
vana - mālinam
with a flower garland .
  • śrīvatsa — the Śrīvatsa mark
    Śrīvatsa = the mark of Śrī on Viṣṇu's chest, the curl-like sign where Lakṣmī resides. Iconographic identifier that this is no demigod but Viṣṇu Himself. Vraja-Kṛṣṇa also bears it.
  • kaustubham — the Kaustubha (jewel)
    Kaustubha — the great gem on Viṣṇu's chest, churned from the Ocean of Milk. Gauḍīyas read it as representing the jīva — every soul is the gem worn at Kṛṣṇa's heart. To see Kaustubha is to see oneself in Him.
  • vana - mālinam — garlanded with the vana-mālā (forest-garland)
    Vana-mālā = garland of five kinds of forest flowers reaching the knees — Viṣṇu's signature garland. The very forest-garland Vraja-Kṛṣṇa wears walking through the grazing-grounds. Continuity of form across cosmic scales.
  • śaṅkha - cakra - gadā - dharam — holding conch, disc, club
    The three weapons (plus lotus) of the catur-bhuja-Viṣṇu. The Pāñcarātra liturgical formula. Naming them confirms: this is the Vaikuṇṭha-icon proper, not a generic vision.
  • padma - karam — lotus-handed (holding a lotus)
    Padma in one hand. Together with śaṅkha-cakra-gadā this completes the four-handed iconography. Each of the four hands signifies a different mode of His relation to the cosmos in Pāñcarātra texts.
Adorned with a helmet, bracelets and armlets, which were all bedecked with many priceless jewels, and also with a belt, a sacred thread, necklaces, ankle bells and earrings, the Lord shone with dazzling effulgence. In one hand He held a lotus flower, in the others a conchshell, discus and club. Gracing His chest were the Śrīvatsa mark, the brilliant Kaustubha gem and a flower garland.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Adorned with a helmet, bracelets and armlets, which were all bedecked with many priceless jewels, and also with a belt, a sacred thread, necklaces, ankle bells and earrings, the Lord shone with dazzling effulgence. In one hand He held a lotus flower, in the others a conchshell, discus and club. Gracing His chest were the Śrīvatsa mark, the brilliant Kaustubha gem and a flower garland.
Jīva Gosvāmī Gauḍīya
Commentary

Now the ornaments are described in two verses. The “priceless jewels” were the finest jewels. The thread, necklace, anklets and earrings were also the best. He shone with all these items. Or, he wore these ornaments and shone because of his natural effulgence like a million suns. The lotus is mentioned separately from the other items in his hands since it is not a weapon. This lotus is particularly mentioned in his hand because he wore lotuses on other parts of his body as well.

Śrīdhara Svāmī Gauḍīya
Commentary

Now the ornaments are described in two verses. The “priceless jewels” were the finest jewels. The thread, necklace, anklets and earrings were also the best. He shone with all these items. He wore a sacred thread. The ornaments were all studded with gems. Or, he wore these ornaments and shone because of his natural effulgence like a million suns. He had a lotus in his lower right hand and held a conch as well. These are mentioned because they are his chief weapons. The lotus he held for play however. Thus the word dharam is not mentioned with the lotus. Starting from the lower right and going counterclockwise, the four are listed. Thus the form had four arms. Or giving up the Lord who shone directly before him, Akrūra went for a bath. But in this one form he also saw unlimited wealth, with disregard for everything else.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

Like a coronated emperor in full regalia — Mahā-Viṣṇu blazes with helmet, bracelets, armlets, waist-cord, sacred thread, necklaces, ankle-bells, earrings, all encrusted with priceless gems; in His four hands the lotus, conch, disc, club; on His chest the Śrīvatsa mark, the Kaustubha jewel, the Vana-mālā. Every ornament is a doctrine.

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