Śrīmad-Bhāgavatam 10.39.49-50
Blended reading (Sanskrit + English inline)
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pāda - paṅkajam
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lotus feet
Pāda-paṅkaja — the Vaiṣṇava image of images. The feet that the Gosvāmīs say are the only goal of bhakti; the feet Akrūra had been longing to touch since he left Mathurā (cf. SB 10.38). Now he sees them in cosmic form.
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ūru - dvaya
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the two thighs
The thighs described karabha — like the trunk of a young elephant — a classical sign of royal beauty in Sanskrit poetics. Bhāgavata uses court-conventions to describe Viṣṇu, anchoring rasa in cultural specifics.
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aruṇa - nakha - vrāta
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the multitude of reddish nails
Aruṇa = the dawn-red. The toenails are pink-glowing like dawn — radiating dīdhitibhiḥ (effulgences). Bhakti texts dwell on these toenails as moon-shaped reflectors of divine light.
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tuṅga - gulpha
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raised / prominent ankles
Tuṅga = high, raised. Specific iconographic feature: well-formed, raised ankles, considered a mark of nobility and balance in classical śilpa-śāstra (sculpture canons).
His buttocks were like banks because of their width. His hips were wide. Karabha means the outer portion of the hand from the wrist to the little finger. This means his thighs were thick and gradually tapered downwards. Words like anvitam and saṁyutam (endowed with) indicate the great beauty of these limbs. He had tender toes, pink like a lotus petal. The literal express “the petals of his fresh toes” indicates their extreme tenderness. Since the description is not always in order, it is understood that his eyes wandered because he was agitated with greed.
His buttocks were like banks because of their width. His hips were wide. Karabha means the outer portion of the hand from the wrist to the little finger. This means his thighs were thick and gradually tapered downwards. Words like anvitam and saṁyutam (endowed with) indicate the great beauty of these limbs. It was not just some collection or combination of items. O king! Śukadeva expresses joy in describing the lotus feet of the Lord, which give life to the devotees. Or he expresses fixing this description in his mind. The word nava indicates the beauty of his toes or the underside of his toes, pink like a new petal. Or nava modifies dala (fresh petals). The description starts with his face and ends with his feet. Though other limbs are not mentioned, they are understood to be beautiful also. Since his face was beautiful, his forehead and chin were beautiful. Since his smile was beautiful, his teeth were more beautiful than kunda flowers. Since his arms were long and well shaped, his hands were also well shaped. After describing his lips, his arms, his chest and then his neck are described. The order is according to where Akrūra’s glance fell, noting the particular beauty.
Like one studying a flawless deity-mūrti foot by foot — Akrūra's eyes travel down the Lord's body: broad hips, thighs like elephant-trunks, shapely knees and calves, raised ankles, glowing toenails like flower-petals casting brilliance on the lotus-feet. Every limb a sacred geography.
My note
Source: vedabase.io