FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.39.46-48

తస్యోత్సఙ్గే ఘనశ్యామం పీతకౌశేయవాససమ్ । పురుషం చతుర్భుజం శాన్తం పద్మపత్రారుణేక్షణమ్ ॥ ౪౬ ॥ చారుప్రసన్నవదనం చారుహాసనిరీక్షణమ్ । సుభ్రూన్నసం చారుకర్ణం సుకపోలారుణాధరమ్ ॥ ౪౭ ॥ ప్రలమ్బపీవరభుజం తుఙ్గాంసోర:స్థలశ్రియమ్ । కమ్బుకణ్ఠం నిమ్ననాభిం వలిమత్పల్లవోదరమ్ ॥ ౪౮ ॥
tasyotsaṅge ghana-śyāmaṁ
[tasyotsange ghana-shyaamam]
pīta-kauśeya-vāsasam
[peeta-kausheya-vaasasam]
puruṣaṁ catur-bhujaṁ śāntam
[purusham chatur-bhujam shaantam]
padma-patrāruṇekṣaṇam
[padma-patraarunekshanam]
cāru-prasanna-vadanaṁ
[chaaru-prasanna-vadanam]
cāru-hāsa-nirīkṣaṇam
[chaaru-haasa-nireekshanam]
su-bhrūnnasaṁ caru-karṇaṁ
[su-bhroonnasam charu-karnam]
su-kapolāruṇādharam
[su-kapolaarunaadharam]
pralamba-pīvara-bhujaṁ
[pralamba-peevara-bhujam]
tuṅgāṁsoraḥ-sthala-śriyam
[tungaamsorah-sthala-shriyam]
kambu-kaṇṭhaṁ nimna-nābhiṁ
[kambu-kantham nimna-naabhim]
valimat-pallavodaram
[valimat-pallavodaram]
tasya — of Him (Ananta Śeṣa) utsaṅge — on the lap ghana — like a rain cloud śyāmam — dark blue pīta — yellow kauśeya — silk vāsasam — whose garment puruṣam — the Supreme Lord catuḥ - bhujam — with four arms śāntam — peaceful padma — of a lotus patra — like the leaves aruṇa — reddish īkṣaṇam — whose eyes cāru — attractive prasanna — cheerful vadanam — whose face cāru — attractive hāsa — smiling nirīkṣaṇam — whose glance su — beautiful bhrū — whose eyebrows ut — raised nasam — whose nose cāru — attractive karṇam — whose ears su — beautiful kapola — whose cheeks aruṇa — reddish adharam — whose lips pralamba — extended pīvara — stout bhujam — whose arms tuṅga — raised aṁsa — by His shoulders uraḥ - sthala — and chest śriyam — beautified kambu — like a conchshell kaṇṭham — whose throat nimna — low nābhim — whose navel vali — lines mat — having pallava — like a leaf udaram — whose abdomen .
Blended reading (Sanskrit + English inline)
tasyotsaṅge ghana-śyāmaṁ
tasya
of Him (Ananta Śeṣa)
utsaṅge
on the lap
ghana
like a rain cloud
śyāmam
dark blue
pīta-kauśeya-vāsasam
pīta
yellow
kauśeya
silk
vāsasam
whose garment
puruṣaṁ catur-bhujaṁ śāntam
puruṣam
the Supreme Lord
catuḥ - bhujam
with four arms
śāntam
peaceful
padma-patrāruṇekṣaṇam
padma
of a lotus
patra
like the leaves
aruṇa
reddish
cāru-prasanna-vadanaṁ
cāru-hāsa-nirīkṣaṇam
īkṣaṇam
whose eyes
su-bhrūnnasaṁ caru-karṇaṁ
cāru
attractive
su-kapolāruṇādharam
pralamba-pīvara-bhujaṁ
prasanna
cheerful
vadanam
whose face
cāru
attractive
tuṅgāṁsoraḥ-sthala-śriyam
hāsa
smiling
kambu-kaṇṭhaṁ nimna-nābhiṁ
nirīkṣaṇam
whose glance
su
beautiful
bhrū
whose eyebrows
ut
raised
nasam
whose nose
cāru
attractive
karṇam
whose ears
su
beautiful
kapola
whose cheeks
valimat-pallavodaram
aruṇa
reddish
adharam
whose lips
pralamba
extended
pīvara
stout
bhujam
whose arms
tuṅga
raised
aṁsa
by His shoulders
uraḥ - sthala
and chest
śriyam
beautified
kambu
like a conchshell
kaṇṭham
whose throat
nimna
low
nābhim
whose navel
vali
lines
mat
having
pallava
like a leaf
udaram
whose abdomen .
  • utsaṅge — on the lap
    Utsaṅga — the lap, the inner hollow between knees and chest. Mahā-Viṣṇu reclines on Śeṣa's lap-coils. Gauḍīyas note: the Lord rests in His own servant — the supreme rests on the supreme servant; bhakti is the substrate of even cosmic repose.
  • ghana - śyāmam — dark like a (rain) cloud
    Ghana-śyāma — cloud-dark. The defining color of Kṛṣṇa-Viṣṇu, identical to Vraja-Kṛṣṇa's complexion. Akrūra notes: this Mahā-Viṣṇu has the same syāmala body as the boy in the chariot above.
  • pīta - kauśeya - vāsasam — wearing yellow silk garment
    Pītāmbara — the yellow silk that is Viṣṇu's permanent signature. Vraja-Kṛṣṇa wears pīta-vastra; Mahā-Viṣṇu wears the same pīta-kauśeya. The identity of the two forms is iconographically being asserted.
  • padma - patra - aruṇa - īkṣaṇam — lotus-petal-reddish eyes
    Padma-patrākṣa — eyes shaped like and reddened like lotus-petals. The most-meditated feature of Viṣṇu's form across Vaiṣṇava liturgy; here seen first-hand by Akrūra.
  • catuḥ - bhujam — four-armed
    Catur-bhuja — Vaikuṇṭha-icon. Kṛṣṇa in Vraja is two-armed; Mahā-Viṣṇu is four-armed bearing conch-disc-club-lotus. Akrūra is now seeing the aiśvarya-mood Vraja systematically conceals.
Akrūra then saw the Supreme Personality of Godhead lying peacefully on the lap of Lord Ananta Śeṣa. The complexion of that Supreme Person was like a dark-blue cloud. He wore yellow garments and had four arms and reddish lotus-petal eyes. His face looked attractive and cheerful with its smiling, endearing glance and lovely eyebrows, its raised nose and finely formed ears, and its beautiful cheeks and reddish lips. The Lord’s broad shoulders and expansive chest were beautiful, and His arms long and stout. His neck resembled a conchshell, His navel was deep, and His abdomen bore lines like those on a banyan leaf.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Akrūra then saw the Supreme Personality of Godhead lying peacefully on the lap of Lord Ananta Śeṣa. The complexion of that Supreme Person was like a dark-blue cloud. He wore yellow garments and had four arms and reddish lotus-petal eyes. His face looked attractive and cheerful with its smiling, endearing glance and lovely eyebrows, its raised nose and finely formed ears, and its beautiful cheeks and reddish lips. The Lord's broad shoulders and expansive chest were beautiful, and His arms long and stout. His neck resembled a conchshell, His navel was deep, and His abdomen bore lines like those on a banyan leaf
Commentary

In these verses Krsna’s amsa Narayana is described. From the beginning of the forty sixth verse until the verb (vilokya) in the fifty sixth verse, there is one sentence. He had high shoulders and shining chest, crease lines on his skin (balimat), and stomach shaped like an asvattha leaf. He had large buttocks, thighs and forearms (karabha), and slightly raised ankles. His lotus feet had tender toes.

Jīva Gosvāmī Gauḍīya
Commentary

Twelve verses describe the Lord lying on Ananta comfortably. Hari-vaṁśa says: tasyotsaṇge ghanaśyāmam śrīvatsācchāditodaram pītāmbaradharaṁ viṣṇuṁ sūpaviṣṭaṁ dadarśa ha He saw on the lap of Ananta. He had a dark complexion, and was seated comfortably, wearing yellow cloth, bearing the Śrīvatsa mark on his chest. He was seated on Ananta’s coils. This is a form of the puruṣa who acts as antaryāmī of the universe (Garbodhakaśāyī). This is made clear later: nato ’smy ahaṁ tvākhila-hetu-hetuṁ nārāyaṇaṁ pūruṣam ādyam avyayam yan-nābhi-jātād aravinda-koṣād brahmāvirāsīd yata eṣa lokaḥ I bow down to you, the cause of all causes, the original and inexhaustible Supreme Person, Nārāyaṇa. From the whorl of the lotus born from your navel, Brahmā appeared, and by his agency this universe has come into being. SB 10.40.1 The form gave bliss to the eyes and mind (śāntam) since it was devoid of ferocity and other negative qualities. His eyes were pink at the edges like lotus petals. The words cāru and su are repeated to indicate that whatever he saw he realized in the most intense fashion. Śriyam means the golden line of Lakṣmī. This will be explained later as a form of his beloved. His throat was marked with three lines.

Śrīdhara Svāmī Gauḍīya
Commentary

He saw the Lord sitting happily on the lap of Ananta. tasyotsaṇge ghanaśyāmam śrīvatsācchāditodaram pītāmbaradharaṁ viṣṇuṁ sūpaviṣṭaṁ dadarśa ha He saw the Lord on the lap of Ananta. He had a dark complexion, and was seated comfortably, wearing yellow cloth, bearing the Śrīvatsa mark on his chest. Hari-vaṁśa pradhāna-puruṣāv ādyau jagad-dhetū jagat-patī avatīrṇau jagaty-arthe svāṁśena bala-keśavau They were the primeval Lords, the masters and original causes of the universes, Keśava and Balarāma who had for the welfare of the earth now descended with their expansions. SB 10.38.32 Previously the brothers were considered equal, but now they are distinguished. Kṛṣṇa is distinguised by his mercy and other qualities. Or the display shows Kṛṣṇa’s great powers as Nārāyaṇa, the cause of the universe. He had a human form (puruṣam), which was attractive to the mind (śānṭam). His eyes were like lotus petals, pink at the edges. His face was beautiful and pleased (cāru). That he was showing his beautiful smile. Or he had a pleasing smile and glance. The words cāru and su are repeated to indicate the indescribable nature of his beauty. His arms were well shaped. He had Lakṣmī or beauty on his chest. His throat had three lines like a conch.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

Like one who climbs from the canopy of the world-serpent to its very lap and there beholds the Supreme Person Himself — dark as a rain-cloud, dressed in yellow silk, four-armed, lotus-eyed, smiling, with broad chest and deep navel and slender waist marked with three folds. Akrūra is now beholding Bhagavān in His own Vaikuṇṭha form, seated on the lap of His own infinite-serpent self.

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