FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.35.22-23

వత్సలో వ్రజగవాం యదగధ్రో వన్ద్యమానచరణ: పథి వృద్ధై: । కృత్‍స్‍నగోధనముపోహ్య దినాన్తే గీతవేణురనుగేడితకీర్తి: ॥ ౨౨ ॥ ఉత్సవం శ్రమరుచాపి ద‍ృశీనా- మున్నయన్ ఖురరజశ్ఛురితస్రక్ । దిత్సయైతి సుహృదాసిష ఏష దేవకీజఠరభూరుడురాజ: ॥ ౨౩ ॥
vatsalo vraja-gavāṁ yad aga-dhro
[vatsalo vraja-gavaam yad aga-dhro]
vandyamāna-caraṇaḥ pathi vṛddhaiḥ
[vandyamaana-charanah pathi vriddhaih]
kṛtsna-go-dhanam upohya dinānte
[kritsna-go-dhanam upohya dinaante]
gīta-veṇur anugeḍita-kīrtiḥ
[geeta-venur anugedita-keertih]
utsavaṁ śrama-rucāpi dṛśīnām
[utsavam shrama-ruchaapi drisheenaam]
unnayan khura-rajaś-churita-srak
[unnayan khura-rajash-churita-srak]
ditsayaiti suhṛd-āsiṣa eṣa
[ditsayaiti suhrid-aasisha esha]
devakī-jaṭhara-bhūr uḍu-rājaḥ
[devakee-jathara-bhoor udu-raajah]
vatsalaḥ — affectionate vraja - gavām — to the cows of Vraja yat — because aga — of the mountain dhraḥ — the lifter vandyamāna — being worshiped caraṇaḥ — His feet pathi — along the path vṛddhaiḥ — by the exalted demigods kṛtsna — entire go - dhanam — the herd of cows upohya — collecting dina — of the day ante — at the end gītā - veṇuḥ — playing His flute anuga — by His companions īḍita — praised kīrtiḥ — His glories utsavam — a festival śrama — of fatigue rucā — by His coloring api — even dṛśīnām — for the eyes unnayan — raising khura — from the hooves (of the cows) rajaḥ — with the dust churita — powdered srak — His garland ditsayā — with the desire eti — He is coming suhṛt — to His friends āśiṣaḥ — their desires eṣaḥ — this devakī — of mother Yaśodā jaṭhara — from the womb bhūḥ — born uḍu - rājaḥ — moon .
Blended reading (Sanskrit + English inline)
vatsalo vraja-gavāṁ yad aga-dhro
vatsalaḥ
affectionate
vraja - gavām
to the cows of Vraja
yat
because
aga
of the mountain
dhraḥ
the lifter
vandyamāna-caraṇaḥ pathi vṛddhaiḥ
vandyamāna
being worshiped
caraṇaḥ
His feet
pathi
along the path
vṛddhaiḥ
by the exalted demigods
kṛtsna-go-dhanam upohya dinānte
kṛtsna
entire
go - dhanam
the herd of cows
upohya
collecting
dina
of the day
ante
at the end
gīta-veṇur anugeḍita-kīrtiḥ
gītā - veṇuḥ
playing His flute
anuga
by His companions
utsavaṁ śrama-rucāpi dṛśīnām
īḍita
praised
unnayan khura-rajaś-churita-srak
ditsayaiti suhṛd-āsiṣa eṣa
devakī-jaṭhara-bhūr uḍu-rājaḥ
kīrtiḥ
His glories
utsavam
a festival
śrama
of fatigue
rucā
by His coloring
api
even
dṛśīnām
for the eyes
unnayan
raising
khura
from the hooves (of the cows)
rajaḥ
with the dust
churita
powdered
srak
His garland
ditsayā
with the desire
eti
He is coming
suhṛt
to His friends
āśiṣaḥ
their desires
eṣaḥ
this
devakī
of mother Yaśodā
jaṭhara
from the womb
bhūḥ
born
uḍu - rājaḥ
moon .
  • vatsalaḥ vraja-gavām — affectionate to the cows of Vraja
    Vatsalaḥ (tender, like a calf-lover) + vraja (Vraja) + gavām (of the cows). Vatsala literally means 'fond of vatsa, the calf.' The word that names the cow's love for her calf is here turned on Kṛṣṇa's love for the cow. Gauḍīyas savor the reversal.
  • aga-dhraḥ — the lifter of the mountain
    Compound: aga (lit. 'unmoving,' i.e., mountain) + dhraḥ (holder, lifter). The Govardhana-līlā in one word. The gopīs casually pin this title on Him as if it were ordinary — for them, of course Yaśodā's boy lifts mountains.
  • śrama-rucā — by the beauty of His fatigue
    Compound: śrama (fatigue) + rucā (with the coloring, beauty). Even His tiredness is beautiful. Gauḍīya āñjana-vidyā specifically catalogues śrama as a beauty-enhancer in Kṛṣṇa — sweat, dust, weariness, all turned into ornament by the rasa-eye.
  • khura-rajaḥ-churita-srak — whose garland is powdered with hoof-dust
    Compound: khura (hoof) + rajaḥ (dust) + churita (sprinkled) + srak (garland). Specific cow-dust on specific garland. The Bhāgavatam never uses generic 'dust' — it specifies which hooves. Vraja-rajaḥ is itself a charged Gauḍīya term: the dust of the holy land.
  • uḍu-rājaḥ — the moon (king of the stars)
    Compound: uḍu (star) + rājaḥ (king). The moon, lord of the constellations. Kṛṣṇa is the moon rising from Yaśodā's womb at evening — replacing the setting sun. Note the translation reads 'mother Yaśodā' though the Sanskrit says devakī; Gauḍīyas resolve this as a poetic identification: in Vraja, Yaśodā is the de facto mother.
  • suhṛt — with the desire to bestow His friends' wishes
    Compound: suhṛt (friend) + āśiṣaḥ (wishes) + ditsayā (with desire to give). Kṛṣṇa is coming home because His friends want Him to. Bhagavān's motion is governed by His devotees' desire — the Gauḍīya inversion of who serves whom.
Out of great affection for the cows of Vraja, Kṛṣṇa became the lifter of Govardhana Hill. At the end of the day, having rounded up all His own cows, He plays a song on His flute, while exalted demigods standing along the path worship His lotus feet and the cowherd boys accompanying Him chant His glories. His garland is powdered by the dust raised by the cows’ hooves, and His beauty, enhanced by His fatigue, creates an ecstatic festival for everyone’s eyes. Eager to fulfill His friends’ desires, Kṛṣṇa is the moon arisen from the womb of mother Yaśodā.

According to the ācāryas, at this point the gopīs climbed into the watchtowers of Vṛndāvana’s houses so they could see Kṛṣṇa as soon as possible when He returned home. Mother Yaśodā was very anxious for her son to come back, and therefore she had the tallest of the beautiful young gopīs climb up to see when He would arrive. It is implied here that Kṛṣṇa was somewhat delayed on the way home because His lotus feet were being worshiped by great demigods along the path.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Out of great affection for the cows of Vraja, Kṛṣṇa became the lifter of Govardhana Hill. At the end of the day, having rounded up all His own cows, He plays a song on His flute, while exalted demigods standing along the path worship His lotus feet and the cowherd boys accompanying Him chant His glories. His garland is powdered by the dust raised by the cows' hooves, and His beauty, enhanced by His fatigue, creates an ecstatic festival for everyone's eyes. Eager to fulfill His friends' desires, Kṛṣṇa is the moon arisen from the womb of mother Yaśodā.
Commentary

"Seeing that my son has not come back at the end of twilight, I will now kill myself." Fearing this response from Mother Yasoda, the gopis then gave reasons why Krsna would come quickly in order to calm her. Being affectionate to the bulls tied up in Vraja, remembering this suffering in separation from him, he has ignored the worship of the upadevatas, and is coming quickly. One cannot say that for a cowherd boy the skilful singing of the lowly gandharvas is more attractive than giving grass to the cows or seeing, tickly or touching their bodies. Krsna lifted Govardhana Hill to protect the cows. From this we see he has great affection for the cows. Though the gandharvas may have heaps of qualities, Krsna has not a morsel of affection for them. "If that is so, then he would have been here immediately." Thus the gopis give the reason for his lateness. "Brahma, Siva and others are now offering their respects along the path. The devatas, coming from their houses and situating themselves close by in the sky, watch Krsna all day in bliss. When Krsna returns in the evening, they also return to their houses, but not before descending from the sky to earth to offer their respects to his lotus feet to obtain his mercy. What can he do in this circumstance? This request from the devatas is a greater cause of his lateness. But do you not see the good fortune in the devatas’ offering their respects to your son’s feet? Why do you lament?" Yasoda with choked voice said, "O young women, please go quickly to the roof and see how far my son is distant." Going to the roof, the gopis then spoke to her in loud voices. "Stopping all the cows in one place with the sound of his flute, to fulfill the desires of well wishers, Krsna is now coming. He is brilliant in his fatigue, a festival for the eyes, with garland covered by dust raised by the cows’ hooves." Whatever was said for the benefit of Mother Yasoda was also for the benefit of other gopis, to whom they threw indirect glances. Though dust is mentioned in relation to the garland, it did not exist in other places, because the gopis were diligent to clean all the dust using pieces of cloth. There was some dust on the garland because, though the gopis cleaned the garland, they feared breaking the petals to remove the dust completely. Even if it were a garland of jewels, or a new garland protected by cloth offered by servants, Krsna would were no other garland. Krsna was particular to show those dusty garlands on his neck which were made by the gopis with their own hands and sent to him while he was in the forest. Devaki in this verse means Yasoda. Krsna, the moon, was born from the milk ocean womb of Yasoda. According to the Ganodesa dipika, quoting Adi Purana, Nanda’s wife had two names: Devaki and Yasoda.

Jīva Gosvāmī Gauḍīya
Commentary

Eagerly the gopīs climb to the roof tops to see him. That is shown in this verse. To describe his arrival they first indicate with intense joy the cause of his coming—his outstanding mercy. He is affectionate to the cows of Vraja. They give an example. He is affectionate because (yat) he lifted Govardhana to protect the cows though his body is very soft. They use the present tense (dhraḥ) because this pastime is always present in their vision because of their feelings of gratitude. By this they indicate to Yaśodā that he will protect her from sorrow on this day also. They then describe his coming. The devatās worship him on the path, since they will not do so within Vraja. The present tense is used (vandyamānaḥ) to indicate that they never stop worshipping him. They do this though he does not desire it, since he feels reserved and shy. Ah, see his excellent qualities! He plays his flute with rāga and rhythm to gather the cows and to inform the people of Vraja that he is coming. He is praised by the boys who make gestures according to the song telling stories like the killing of Pūtanā. Or he is praised for the activities he performed that day. He creates joy for all eyes by the natural beauty of drops of perspiration on his limbs, or by his limbs radiating fatigue. What to speak of our eyes then! There is such beauty in seeing him. The garland is covered with dust raised by the cows’ hooves, appearing like pollen. By mentioning the dust on his garland it is understood there is no dust on his limbs. His friends use their upper cloths to brush way constantly the dust from his limbs. But still the dust is clinging to his garland. Or he forbids them from wiping away the dust for fear that the petals of the garland which has been offered by a dear friend will break. Or, though they point out details like dust from far away, out of prema because of his coming they have this vision of him (which may not be completely accurate). Previously they hinted at the cause of his coming and now they state it directly. He has a desire to fulfill the wishes of his friends. Otherwise he would not be happy in the previously described activities in the forest. The gopīs mention friends. If he wants to give happiness to all his friends, he must want to give us happiness! They point him out with their fingers. There he is (eṣaḥ)! The word devakī here means Yaśodā (since that is her other name). They use this name out of great respect. Since Nanda is a king he is called deva or devaka. His wife is called Devakī. With the intention of pacifying her they refer to her as his mother as previously with tava sutaḥ satī (verse 14) and nanda-sunuḥ (verse 4 and 21). If would be contradictory for the gopīs say that Kṛṣṇa was born from the womb of Devakī, wife of Vasudeva instead of Yaśodā, in her presence. In the next verse in another gathering the phrase yadu-patiḥ, if it means the lord of the Vṛṣṇis, would also produce indifference instead of devotion. Therefore Devakī is a name of Yaśodā. Similarly another name of Merudevī is Sudevī. It is also said dva nāmnī nanda bhāryāyā yaśodā devakī ca: Nanda’s wife is called Yaśodā and Devakī. Kṛṣṇa is called the moon (lord of the stars) since takes away suffering just as the moon takes away the heat of the day. His friends are like the stars. Kṛṣṇa being born in the womb of Yaśodā, which is most pure, made of viśuddha-sattva, is like the moon being born from the Milk Ocean.

Śrīdhara Svāmī Gauḍīya
Commentary

The gopīs speak among themselves as previously while Yaśodā becomes absorbed in preparing a meal for Kṛṣṇa. The devatās worship his feet on the path since they do not get this opportunity when he enters Vraja. Present tense is used to indicate that they do not stop the worship. The descriptions given in the verses occur daily with Kṛṣṇa and his friends, or going there on different occasions they see him directly. The wealth of the cows are together since it is the end of the day. The word “wealth” is uttered with hatred because he is attached to herding the cows during the day (ignoring them). He plays the flute to gather the cows and to announce that he is coming to Vraja. His friends glorify him by reciting his pastimes such as killing Pūtanā or the pastimes of that particular day. Or they glorify him to remove the suffering they experience at night because of separation from him, just as the gopīs suffer separation during the day. He creates joy for the eyes of all, or for the gopīs. They do not mention themselves directly to avoid bold behavior on their part. The beauty of his fatigue consists of the perspiration on his face and his dried lips. Though it is possible that the dust from buffalos or other animals could also settle on his garland, here it refers to the dust that came from cows’ hooves, since they are closest to him. That dust is considered auspicious. Since it is obvious, they do not mention the cows directly. The garland alone is mentioned but it is inferred that his locks of hair also were covered with dust. He desires to fulfill the wishes of all his friends (gopīs are not specifically mentioned). As he has come close they point to him with their fingers (eṣaḥ). He appeared in Devakī’s womb, but was the son of Yaśodā since she raised him. Or Devakī can also mean Yaśodā. This was previously explained. He is the moon because he relieves the gopīs of the suffering experienced during the day. Because Kṛṣṇa was born there, the womb is pure sattva, most pure. The milk ocean is suggested. He is most affectionate to all the cows, bullocks and calves. At the end of the day he gathers all the cows with effort since they are a treasure. His actions cannot be limited by praises (vandyamāna-caraṇaḥ). Nanda and the elders have approached on the road. Or his forest pastimes are worshipped by priests and elder cowherds with knowledge. He is beautiful even with his fatigue. He desires to satisfy his friends or all the gopīs. He is the king of the stars: he is the master of the gopīs or is surrounded by his friends. The example is suitable for all. This is Citsukha’s explanation.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses

At day's end Kṛṣṇa drives the cows home, dust from their hooves powdering His garland, exalted demigods bowing to His feet along the path, cowherd boys singing His glories, fatigue itself making Him more beautiful — and the gopīs call Him the moon rising from Yaśodā's womb. The sun set; a softer light walks into the village; the whole watching world receives its evening prasāda.

Govardhana lifted for the cows

Verse 22 opens by naming Kṛṣṇa vatsalaḥ vraja-gavām yat aga-dhraḥ — 'the lifter of the mountain because of His affection for Vraja's cows.' When Indra unleashed the saṁvartaka clouds, Kṛṣṇa raised Govardhana with His left little finger for seven days, sheltering the cows, the cowherd men, and the gopīs beneath it (SB 10.25).

The gopīs invoke that recent līlā as His credential for being the evening's hero: He is not just beautiful — He has already proven that He places the cows of Vraja above the king of the demigods. The Govardhana-līlā is the ground on which the Yugala-gītā's evening half rests.

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