Śrīmad-Bhāgavatam 10.35.20-21
Blended reading (Sanskrit + English inline)
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kunda-dāma
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with a garland of jasmine flowers
Compound: kunda (jasmine) + dāma (garland, rope). Kunda is the white jasmine specifically associated with Vraja's autumn. Each flower-garland in the Bhāgavatam is keyed to season and mood; kunda signals the post-rāsa autumn intimacy.
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anaghe
—
O sinless lady
Vocative: a (not) + agha (sin). The gopīs address Yaśodā as 'sinless one' — befitting the mother of Bhagavān. Gauḍīyas read this as the standard humility of the female devotee who lacks vātsalya-adhikāra speaking to the one who has it most.
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narma-daḥ praṇayiṇām
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the giver of joy to His dear companions
Compound: narma (jest, playful joy) + daḥ (giver); praṇayiṇām (of loving companions). The same epithet recurs from verse 4-5. Kṛṣṇa's primary occupation in Vraja is dispensing narma — the playful, teasing joy that defines sakhya and mādhurya.
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malaya-ja-sparśena
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by the touch of (the fragrance of) sandalwood
Compound: malaya (Malaya mountain) + ja (born) + sparśena (by touch). Sandalwood from the Malaya range. The wind that touches Kṛṣṇa is fragrant; the touch is honor (mānayan). Even breeze is a courtier in Vraja.
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upadeva-gaṇāḥ
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members of the various categories of minor demigods
Compound: upa (sub-) + deva (demigod) + gaṇāḥ (groups). Gandharvas, Cāraṇas, Vidyādharas — the celestial bards. They appear around Kṛṣṇa as professional singers around a king. Gauḍīyas read: Kṛṣṇa's līlā includes its own admiring audience built in.
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balibhiḥ parivavruḥ
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they have encircled with gifts of tribute
Bali (tribute, offering) + parivavruḥ (they encircled). The Upadevas form a ring around Kṛṣṇa, offering bali. Bali is the gift the inferior brings the superior — even the demigods recognize their place when Kṛṣṇa plays.
Śrīla Jīva Gosvāmī explains that the gopīs are again in the courtyard of mother Yaśodā, the queen of Vraja. They are trying to encourage her by describing Kṛṣṇa’s return to Vṛndāvana after He has spent the day herding cows and playing. Śrīla Viśvanātha Cakravartī comments that the Upadevas, the minor demigods mentioned here, include the Gandharvas, who are famous for their celestial music and dancing.
When the gopis who had assembled at Yasoda’s house saw that she was disturbed because Krsna was late in coming, they pacified her by giving reasons for his lateness. To relieve himself of fatigue, Krsna has bathed in the Yamuna and then sat on the bank. In order to please his friends, who were so enthusiastic, he dressed himself comically with kunda flower garlands. As he walked on the bank of the river, the wind began to blow gently and pleasantly. Krsna gave joy to his friends by giving and receiving jokes and defeating their jests. O sinless one, you have not committed any sins previously or in this life, by which danger could come to your son. So why do you uselessly worry about danger from demons if his is a little late? He is the son of Nanda, who is famous as the jewel of piety, and is the son (vatsa object of affection ) of you, endowed with the most spotless fame (yasoda). We see that children fall into danger only when the parents have bad karma. Therefore there is no danger for your son. Listen as we tell you the reason for his being late as we have heard it from his friends. The wind, so fragrant and cool from touching the sandalwood trees of Malaya Mountain that it only blows very slowly, began to blow pleasantly on your son. The upadevatas, gandharvas, began to worshipping him in all ways including playing musical instruments as they praised his qualities. To accept this worship he has become late. Those of quality delight is seeing the person of quality. Therefore there is no need to worry for your son, for if they are worshipping him, it is your good fortune.
They describe another pastime performed while gathering the cows as described previously, in a group including Yaśodā. He gathers the cows together after taking the cows to the water a second time. Realizing the pastime personally, when the time of arrival has passed and Yaśodā begins suffering, they approach her to comfort her with news that Kṛṣṇa is coming. This is expressed in six verses. From mention of the kunda flowers and gentle breeze it is inferred that it is Kārtika month. These flowers do not bloom in the spring, and the wind during winter and the dewy season is harsh. They comfort Yaśodā with this description since it shows that his pastimes give happiness to all and Kṛṣṇa receives comfort from everyone’s service. They explain the reason for his late arrival in this verse. He has gone to the Yamunā where he plays in the water and then plays on the bank. He needs to bathe because of fatigue in wandering all day. After that he dons a garland of kunda flowers, since it would be uncomfortable to wear a moist garland which was worn while in the water. They indicate the cause of his late arrival by describing that his pastimes gives happiness to all others. He is surrounded by friends and cows. This is to be expected since he and Balarāma are sons of Nanda. Nanda means “one who gives bliss to all.” O Yaśodā, because of you, no one has any suffering (anaghe)! He is your son and you experience only bliss (tava vatsaḥ). He is the object of the greatest affection like a calf (vatsa). Therefore it is not wrong to be anxious about him. He is surrounded by the boys and calves because they have all become motionless, satisfied with drinking water. And he gives joy to them by his jokes and pranks because they are affectionate as friends (praṇayinām). He wears a dress consisting of various ornaments like flower crowns, which gives joy or are a festival of pastimes (kautuka-veśaḥ). Thus it is understood that he has changed his dress. A soft wind blows in a pleasing manner (anukūlam). Or the wind blows from behind, favorable for his going. The wind is his assistant in Kṛṣṇa’s independent pastimes. The word manda (gentle) also suggests the wind’s assistance. The slow wind fans him or the wind blows near (upa) him. This means wherever he goes, wind also goes. It honors him with the touch of the south wind (malayaja), arising in the evening. Since it usually arises in the autumn season, the wind is here making favorable arrangements. And as well the wind blows favorably from the back. All the devatās like Gandharvas worship him with music. The words vandinaḥ and gītā indicate that they praise Kṛṣṇa by singing. The offerings (bali) and music accompany their songs. The offerings consist of attractive cloth, ornaments and foods. Because songs are most prominent, the Gandharvas are present according to Śrīdhara Svāmī. Because they surround Kṛṣṇa, he becomes late. But he will come quickly since the wind and the devatās are creating auspiciousness for his arrival.
Yaśodā returns, desiring to hear about the excellence of her son again, after recovering. Or the gopīs approach her to help her recover by giving news of her son’s return since she is suffering in separation. This is described in two verses. He is decorated with for joyful playing (kautuka) with jasmines in his hair. It is understood that he has changed his clothing. He is surrounded by a wealth of cows and cowherds, unlike any other person. On returning home in the afternoon, the cowherds are tired from playing all day. To give them relief and to have the cows drink their last water, he goes to the Yamunā. To give bliss to both parents they say “son of Nanda” and “your son.” Tava vatsaḥ (your son) indicates her great affection (vātsalya). O Yaśodā, with no knowledge of any suffering (anaghe) or who is free of suffering, because of your great affection! This is in comparison to others. In time, he will return, and you and we shall be free of suffering. This is humility natural to great prema. He is playing the water or on the bank of the Yamunā because he jokes with his friends filled with affection. These are causes of his delay in entering Vraja. The words sahacarā (persons with him) indicates some hatred on their part. The wind blows affectionately (anukūlam). The slow (manda) breeze suggests it is heavily endowed with fragrance to give joy to the suffering gopīs. It blows from the south (malayajah), being gentle, fragrant and cool. The Vidyādharas and all other devatās surround him. Singing should be first, though the order mentioned has instrumental music first. This could be a writing error. There is a version with gīta-vādya. He appears (veśaḥ) joyful (kautuka) with jasmine garlands. For playing in the dark water of the Yamunā he changes to cloth white with jasmine garlands. He is a son who gives joy (nanda-sutaḥ). Like a cow shows affection to its new born calf, Yaśodā is affection to Kṛṣṇa (vatsaḥ). The wind blows near (upavāti). It is fragrant with a touch of sandalwood (malayaja), coming from the south. This indicates spring season, which has jasmines. Vṛndāvana is endowed with all seasons. Or the wind blows cool or warm depending on the pastimes in the rāsa dance, just as the full moon always shines during the rāsa dance. By the singing everything is adjusted properly on all days. The vandis of Gokula came first. They and the devatās surround Kṛṣṇa, performing their services. They also offer scents, flowers, cloth and ornaments.
Kṛṣṇa, jasmine-garlanded and surrounded by cowherd boys and cattle, plays beside the Yamunā while a sandalwood-scented breeze fans Him and the Upadevas line the bank like court bards, offering songs and gifts. The whole environment of Vraja organizes itself into a royal court without anyone being told to — Bhagavān is recognized by the wind before He is recognized by the demigods.
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Source: vedabase.io