Śrīmad-Bhāgavatam 10.15.2
Blended reading (Sanskrit + English inline)
-
mādhavaḥ
—
Lord Śrī Mādhava
mā (Lakṣmī, sweetness, honey) + dhava (husband, holder). Gauḍīya reading: in Vraja, mādhava is the honey-Lord, the spring-Lord whose every gesture distills rasa. Not Vaikuṇṭha's Mādhava (Lakṣmī's consort) but Vraja's — sweeter, more intimate.
-
veṇum
—
His flute
Accusative of veṇu. The flute is the central instrument of mādhurya — it has no voice of its own; it borrows breath from Kṛṣṇa's mouth and returns it as nāda. Gauḍīyas: the flute hears what we cannot — the inner breath of Bhagavān — and broadcasts only what He chooses to release.
-
gopaiḥ
—
by the cowherd boys
Instrumental plural of gopa. The sakhās. Their function in this verse — gṛṇadbhiḥ sva-yaśaḥ, chanting His glories — is the eternal function of the devotee; the sakhā does not stop being a kīrtana-singer just because he is also a wrestling partner.
-
bala-anvitaḥ
—
accompanied by Lord Balarāma
bala (Balarāma; also strength) + anvita (accompanied). Verse-by-verse Gauḍīya insight: Kṛṣṇa never goes to līlā alone; the original Lord moves with His first expansion. Mādhurya needs vātsalya/sakhya support; sweetness needs strength.
-
vihartu-kāmaḥ
—
desiring to enjoy pastimes
vihartum (to play) + kāma (desire). Gauḍīya distinction: this is divyā-kāma — transcendental desire — not material lust. Kṛṣṇa's kāma is the cause of all līlā; the gopīs' kāma is the highest devotion. Vraja-kāma is the topmost prema in Gauḍīya theology.
Śrīla Sanātana Gosvāmī has explained the various meanings of the word mādhava as follows: Mādhava normally indicates Kṛṣṇa to be “the Lord, who is the consort of the goddess of fortune, Lakṣmī.” This name also implies that Lord Kṛṣṇa descended in the dynasty of Madhu. Since the spring season is also known as Mādhava, it is understood that as soon as Lord Kṛṣṇa entered the Vṛndāvana forest, it automatically exhibited all the opulences of spring, becoming filled with flowers, breezes and a celestial atmosphere. Another reason Lord Kṛṣṇa is known as Mādhava is that He enjoys His pastimes in madhu, the taste of conjugal love. Lord Kṛṣṇa would loudly sound His flute as He entered the forest of Śrī Vṛndāvana, thus giving inconceivable bliss to all the residents of His hometown, Vraja-dhāma. These simple pastimes of playfully entering the forest, playing on the flute and so forth were performed daily in the spiritual land of Vṛndāvana.
Krsna entered Vrndavana (tat vanam) which was nourishing for the cows (pasavyam). "A" combined with "visat" means that he completely entered the forest of Vrndavana, that is, with great absorption. By using the word "Madhava," which also means the spring month called Madhava, there is an indication that Krsna, like spring, caused the forest to rejoice with blossoms.
Having stated in a general way that the two boys herded the cows, Śukadeva now describes details of the sweet pastimes, by describing the first day, with Kṛṣṇa being most prominent, so that this need not be described elsewhere. Tat indicates Vṛndāvana or the forest with indescribable glories. Mādhava means the dear most of Lakṣmī. Out of great prema, remembering the particular pastime, Śukadeva uses this word. It indicates that Vṛndāvana was filled with all treasures. Mādhava also means spring time, causing joy to the forest. They played their flutes loudly (ud--īrayan) because of joy on entering the forest themselves, and because of eagerness to announce joyfully to the inhabitants of the forest that they had arrived. Their friends glorified them, out of joy and love, at the beginning of their forest play. They entered within the forest with affection (āviśat). Another meaning is that they made the inhabitants of the forest become submerged with thoughts of Kṛṣṇa (aveśa). The forest was naturally filled with flowers of all seasons (kusumākaram). Since the forest was suitable for the cows (paśavyam), the cows would be happy, and there would be no effort to care for them. Since they were surrounded by other boys, the two boys had strength. Thus they had the elements for playing happily. Thus it is said they desired to play.
Having stated in a general way that the two boys herded the cows, Śukadeva now describes details of the sweet pastimes, by describing the first day, with Kṛṣṇa being most prominent, so that this need not be described elsewhere. Tat indicates Vṛndāvana or the forest with indescribable glories. Or Śukadeva out of great prema indicates the place is the essence of all things. Mādhava means the dear most of Lakṣmī. This indicates that Vṛndāvana displays all wealth. Or it means he appeared in the Madhu dynasty to reveal his unlimited qualities as Bhagavān. It also indicates that when Kṛṣṇa enters this forest, it display all flowers and fruits of spring (mādhava). Or it indicates that Vṛndāvana enjoys madhura-rasa. He loudly played (udīrayan) with his sweet, budlike lips. He pḷayed to give joy to the inhabitants of the forest, by announcing his entrance. Or he became joyful on entering the forest. Since he was surrounded by boys singing his glories, he was joyful with a desire to play and used the flute to announce his play. Paśūn indicates buffaloes as well. He entered with affection (āviveśa). This suggests that when he entered all the birds and animals became absorbed in Kṛṣṇa (āveśa). He entered the forest full of flowers. In autumn there is a wealth of flowers, or Vṛndāvana is always filled with flower by its nature. He herded the cow without effort (paśavyam). He want with the boys and Balarāma. This indicates that they made up the ingredients for joyful playing.
- SDAP SB 10-15-02 - 2010-06-06 Mauritius
- Satya Gopinath Pr SB 10-15-02 Telugu - 2010-06-05 ISKCON Tirupati
- Sesa Pr SB 10-15-02 - 2013-02-15 ISKCON Alachua
- Vishwarup Pr SB 10-15-02 - Vamsidhar Krishna Bhagvan ki Jay - 2013-01-23 ISKCON Chowpatty
- Bhakti Vinod Sw SB 10-15-02 - 2022-02-09 ISKCON Vrindavan
- MNS SB 10-15-02 - The Venu of Madhava
- 02 - RGS SB 10-15-02-04 Hindi - Vrindavan Bihar Leela-02 - 2000 Haridwar
A flute is hollow before it is musical; the boys around Kṛṣṇa are similarly emptied of self, and become His chorus. Mādhava lifts the veṇu, the gopas chant His glories, the cows walk ahead, Balarāma walks alongside — the entire morning is a single śravaṇa-kīrtanam moving as one body toward the forest of flowers.
My note
Source: vedabase.io