FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.83.19

యథా స్వయంవరే రాజ్ఞి మత్స్య: పార్థేప్సయా కృత: । అయం తు బహిరాచ్ఛన్నో ద‍ృశ్యతే స జలే పరమ్ ॥ ౧౯ ॥
yathā svayaṁ-vare rājñi
[yathaa svayam-vare raajni]
matsyaḥ pārthepsayā kṛtaḥ
[matsyah paarthepsayaa kritah]
ayaṁ tu bahir ācchanno
[ayam tu bahir aachchanno]
dṛśyate sa jale param
[drishyate sa jale param]
yathā — just as svayam - vare — in (your) svayaṁvara ceremony rājñi — O Queen matsyaḥ — a fish pārtha — Arjuna īpsayā — with the desire of obtaining kṛtaḥ — made (into a target) ayam — this (fish) tu — however bahiḥ — outwardly ācchannaḥ — covered dṛśyate — was seen saḥ — it jale — in water param — only .
Blended reading (Sanskrit + English inline)
yathā svayaṁ-vare rājñi
yathā
just as
svayam - vare
in (your) svayaṁvara ceremony
rājñi
O Queen
matsyaḥ pārthepsayā kṛtaḥ
matsyaḥ
a fish
pārtha
Arjuna
īpsayā
with the desire of obtaining
kṛtaḥ
made (into a target)
ayaṁ tu bahir ācchanno
ayam
this (fish)
tu
however
bahiḥ
outwardly
ācchannaḥ
covered
dṛśyate sa jale param
dṛśyate
was seen
saḥ
it
jale
in water
param
only .
  • matsyaḥ — fish
    Matsya — the species used as svayaṁvara target. Also the name of the first Avatāra. The doubled resonance is intentional: piercing matsya for marriage is small-scale prefiguration of recognizing Matsya-Avatāra at the cosmic level.
  • pārtha - īpsayā — with the desire of obtaining Arjuna
    Pārtha (son of Pṛthā, i.e., Arjuna) + īpsā (desire). The chapter explicitly references Draupadī's own marriage in the body of Lakṣmaṇā's narration — the queens are talking with their friend, not lecturing.
  • ācchannaḥ — covered
    Past participle of ā + √chad — to cover. The fish was concealed. Gauḍīya commentators read the concealment as deliberate testing of inner vision: the Lord too is ācchanna to ordinary sight, visible only by reflection in pure hearts.
  • dṛśyate — was seen
    Passive present of √dṛś — to see. The verb whose subject is only the reflection, not the fish itself. Gauḍīya parallel: in saṁsāra what is dṛśyate is only the ābhāsa; the satya is hidden. Only Bhagavān, who is both the satya and the one who hides it, can pierce.
  • rājñi — O Queen
    Vocative of rājñī. Lakṣmaṇā addresses Draupadī by her formal title throughout — a sister-queen's protocol. The intimacy of bhakti does not collapse the courtesy of rāja-bhāṣā.
Just as a fish was used as a target in your svayaṁvara ceremony, O Queen, to assure that you would obtain Arjuna as your husband, so a fish was also used in my ceremony. In my case, however, it was concealed on all sides, and only its reflection could be seen in a pot of water below.

Arjuna is famous as the most expert bowman. Why, then, could he not hit the fish target at Śrīmatī Lakṣmaṇā’s svayaṁvara ceremony just as he had done once before to win Draupadī? Śrīla Śrīdhara Svāmī explains: The target at Draupadī’s svayaṁvara had been covered only partially, so that a marksman could see it if he looked straight up the pillar on which it was placed. To shoot Lakṣmaṇā’s target, however, it was necessary to aim by looking up and down at the same time, an impossible feat for any mortal. Therefore only Kṛṣṇa could strike the target.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Just as a fish was used as a target in your svayaṁ-vara ceremony, O Queen, to assure that you would obtain Arjuna as your husband, so a fish was also used in my ceremony. In my case, however, it was concealed on all sides, and only its reflection could be seen in a pot of water below.
Commentary

They, with hopes of attaining me (mad dhiyah), took up the bow with the arrow in that assembly (parsadi).

Jīva Gosvāmī Gauḍīya
Commentary

She describes the method. As (yathā) your father arranged for the test, so my father arranged in a similar way. As the fish was pierced Arjuna’s arrow (pārtheṣuṇā instead of pārthepṣayā), so the fish was pierced by Kṛṣṇa’s arrow. Though the fish could be seen by glancing upwards from the base of the pillar, though it could be seen, from far away one had to pierce a covering in order to pierce the fish. It was made more difficult to locate the fish because it rotated. But it was made more difficult to pierce by my father. The target could not be directly seen but only by a reflection in the water. The pillar was in the middle of water and one had to approach the column by going through water. One could not determine the whereabouts of the target before looking into the water.

Śrīdhara Svāmī Gauḍīya
Commentary

She describes the method. As (yathā) your father arranged for the test, so my father arranged in a similar way. But there was a great difference. The fish (ayam) was placed along with the bow and arrow so that it was very difficult to pierce. Or what was arranged by your father (ayam) was difficult to detect, visible on top of a pillar above the water. This was arranged by my father. The fish could be seen in the water and not outside.

Related values
Adambhitva (Non-hypocrisy / Authenticity)Vairagya (Detachment / Dispassion)Tejas (Inner Radiance / Vigour)Discriminative Wisdom
Related verses
Concepts
Jiva

Bṛhatsena did not place the fish openly above, as Drupada had at Draupadī's svayaṁvara; he hid the fish from sight and put only its reflection in a pot of water below. Now the suitor must read the inverted image and shoot the unseen target. It is a sūtra for bhakti itself: the Lord is not visible directly; aim at the reflection in the still water of a pure heart.

Draupadī's own svayaṁvara

At her father Drupada's svayaṁvara, Draupadī's hand was won by piercing a revolving fish-target while looking only at its reflection in oil below. Karṇa, Bhīṣma's grand-students, and all the assembled kings had tried; only Arjuna, disguised as a brāhmaṇa, succeeded.

Lakṣmaṇā here addresses Draupadī by referencing that very ceremony — pārtha-īpsayā, 'with the desire of obtaining Arjuna.' Her own contest was patterned on Draupadī's. The chapter's storytelling thus folds in on itself: one queen's marriage-story uses another queen's marriage as its frame of reference.

📝 My note

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