Śrīmad-Bhāgavatam 10.60.9
Blended reading (Sanskrit + English inline)
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rūpiṇīm
—
appearing in person
Feminine of rūpin — possessed of form. Lakṣmī, often spoken of impersonally, is here in person — a Gauḍīya touchstone: the highest realization of the Goddess of Fortune is personal, not impersonal.
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śrīyam
—
the goddess of fortune
Śrī — both the goddess and the principle of beauty/fortune. Rukmiṇī is named not by her own name but by her tattva: she is Śrī, and so the teasing to come will be a teasing of Fortune herself.
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ananya-gatim
—
having no other goal
Compound: ananya (no other) + gati (goal, refuge). The cardinal Gauḍīya disposition (cf. BG 9.22). Rukmiṇī is established as ananya-bhaktā before the test begins — the chapter's verdict is given before its trial.
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smayan
—
smiling
Present participle of √smi. The smile that precedes the teasing — Bhagavān's mādhurya is announced first by the smile, not by the words. Gauḍīyas read every smile of Kṛṣṇa as a window into His hlādinī-svarūpa.
Śrīla Śrīdhara Svāmī has quoted an interesting verse, spoken by Śrī Parāśara in the Viṣṇu Purāṇa: devatve deva-deheyaṁ manuṣyatve ca mānuṣī viṣṇor dehānurūpāṁ vai karoty eṣātmanas tanum “When the Lord appears as a demigod, she [the goddess of fortune] takes the form of a demigoddess, and when He appears as a human being, she takes a humanlike form. Thus the body she assumes matches the one Lord Viṣṇu takes.” Śrīla Viśvanātha Cakravartī adds that as Lord Kṛṣṇa is even more beautiful than the Lord of Vaikuṇṭha, Lord Kṛṣṇa’s consort Rukmiṇī-devī is even more attractive than the goddess of fortune in the Vaikuṇṭha world.
Seeing her, with beauty greater than that of Laksmi in Vaikuntha, Krsna spoke. The reason is given: she had assumed a form corresponding to the form of the Lord for pastimes. Parasara has said, "When the Lord assumes the form of a deva, Laksmi assumes a devi form, and when he assumes a human form, she also assumes a human form. She will assume a form suitable to the form that the Lord assumes." As Krsna is more beautiful than the lord of Vaikuntha, so Rukmini is more beautiful than Laksmi. Krsna smiled slightly, thinking, "It is proper that Rukmini has assumed a form appropriate to my form. I will now joke with her, and hear what she will say." She had a sweet smile on her face which illuminated the directions, being decorated with curling locks of hair, earrings and throat ornaments.
Rukmiṇī (rūpinīm) had beauty and qualities superior to Lakṣmī and others in Vaikuṇṭha. The ending on the word (rūp--inīm) indicates praise. The reason for her beauty is explained. She had a form suitable for his form that he uses in his pastimes. It is said of Kṛṣṇa: yan martya-līlaupayikaṁ sva-yoga- māyā-balaṁ darśayatā gṛhītam vismāpanaṁ svasya ca saubhagarddheḥ paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam Kṛṣṇa possesses that form suitable for human pastimes to show the full capacity of his yoga-māyā. That form astonishes even the lord of Vaikuṇṭha. It is the pinnacle of auspicious qualities and enhances the beauty of his ornaments. SB 3.2.12 Similarly she appeared with the most exceptional beauty among all the Lord’s consorts. He was pleased with her with intense emotions (prītaḥ). He smiled because of her joking words and since she was dedicated only to him (ananya-gatim), spoke to her with special play on words (ā-babhāṣe), because he steals the composure of his dear devotees by his jokes (hariḥ). Or, he spoke so that every word she lamented (ā—babhāṣe). He should not have spoken in that way since such words were unsuitable for her.
An artist looks across the room at the painting he himself has made and smiles — pleased not by another's work but by what came out of his own brush. Kṛṣṇa contemplates Rukmiṇī, who is Lakṣmī Herself, and recognizes the perfect form His own hlādinī-aspect has taken to delight Him.
My note
Source: vedabase.io