FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.60.9

तां रूपिणीं श्रियमनन्यगतिं निरीक्ष्य या लीलया धृततनोरनुरूपरूपा । प्रीत: स्मयन्नलककुण्डलनिष्ककण्ठ- वक्त्रोल्ल‍सत्स्मितसुधां हरिराबभाषे ॥ ९ ॥
tāṁ rūpiṇīṁ śrīyam ananya-gatiṁ nirīkṣya
[taam roopineem shreeyam ananya-gatim nireekshya]
yā līlayā dhṛta-tanor anurūpa-rūpā
[yaa leelayaa dhrita-tanor anuroopa-roopaa]
prītaḥ smayann alaka-kuṇḍala-niṣka-kaṇṭha-
[preetah smayann alaka-kundala-nishka-kantha-]
vaktrollasat-smita-sudhāṁ harir ābabhāṣe
[vaktrollasat-smita-sudhaam harir aababhaashe]
tām — her rūpiṇīm — appearing in person śrīyam — the goddess of fortune ananya — having no other gatim — goal nirīkṣya — seeing yā — she who līlayā — as His pastime dhṛta — of Him who assumes tanoḥ — bodies anurūpa — corresponding rūpā — whose forms prītaḥ — pleased smayan — smiling alaka — with locks of hair kuṇḍala — earrings niṣka — neck ornament kaṇṭha — on her throat vaktra — face ullasat — bright and happy smita — smile sudhām — nectar hariḥ — Lord Kṛṣṇa ābabhāṣe — spoke .
Blended reading (Sanskrit + English inline)
tāṁ rūpiṇīṁ śrīyam ananya-gatiṁ nirīkṣya
tām
her
rūpiṇīm
appearing in person
śrīyam
the goddess of fortune
ananya
having no other
gatim
goal
nirīkṣya
seeing
yā līlayā dhṛta-tanor anurūpa-rūpā
yā
she who
līlayā
as His pastime
dhṛta
of Him who assumes
tanoḥ
bodies
anurūpa
corresponding
rūpā
whose forms
prītaḥ smayann alaka-kuṇḍala-niṣka-kaṇṭha-
prītaḥ
pleased
smayan
smiling
alaka
with locks of hair
kuṇḍala
earrings
niṣka
neck ornament
kaṇṭha
on her throat
vaktrollasat-smita-sudhāṁ harir ābabhāṣe
vaktra
face
ullasat
bright and happy
smita
smile
sudhām
nectar
hariḥ
Lord Kṛṣṇa
ābabhāṣe
spoke .
  • rūpiṇīm — appearing in person
    Feminine of rūpin — possessed of form. Lakṣmī, often spoken of impersonally, is here in person — a Gauḍīya touchstone: the highest realization of the Goddess of Fortune is personal, not impersonal.
  • śrīyam — the goddess of fortune
    Śrī — both the goddess and the principle of beauty/fortune. Rukmiṇī is named not by her own name but by her tattva: she is Śrī, and so the teasing to come will be a teasing of Fortune herself.
  • ananya-gatim — having no other goal
    Compound: ananya (no other) + gati (goal, refuge). The cardinal Gauḍīya disposition (cf. BG 9.22). Rukmiṇī is established as ananya-bhaktā before the test begins — the chapter's verdict is given before its trial.
  • smayan — smiling
    Present participle of √smi. The smile that precedes the teasing — Bhagavān's mādhurya is announced first by the smile, not by the words. Gauḍīyas read every smile of Kṛṣṇa as a window into His hlādinī-svarūpa.
As He contemplated her, the goddess of fortune herself, who desires only Him, Lord Kṛṣṇa smiled. The Lord assumes various forms to enact His pastimes, and He was pleased that the form the goddess of fortune had assumed was just suitable for her to serve as His consort. Her charming face was adorned with curling hair, earrings, a locket on her neck, and the nectar of her bright, happy smile. The Lord then spoke to her as follows.

Śrīla Śrīdhara Svāmī has quoted an interesting verse, spoken by Śrī Parāśara in the Viṣṇu Purāṇa: devatve deva-deheyaṁ manuṣyatve ca mānuṣī viṣṇor dehānurūpāṁ vai karoty eṣātmanas tanum “When the Lord appears as a demigod, she [the goddess of fortune] takes the form of a demigoddess, and when He appears as a human being, she takes a humanlike form. Thus the body she assumes matches the one Lord Viṣṇu takes.” Śrīla Viśvanātha Cakravartī adds that as Lord Kṛṣṇa is even more beautiful than the Lord of Vaikuṇṭha, Lord Kṛṣṇa’s consort Rukmiṇī-devī is even more attractive than the goddess of fortune in the Vaikuṇṭha world.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
As He contemplated her, the goddess of fortune herself, who desires only Him, Lord Kṛṣṇa smiled. The Lord assumes various forms to enact His pastimes, and He was pleased that the form the goddess of fortune had assumed was just suitable for her to serve as His consort. Her charming face was adorned with curling hair, earrings, a locket on her neck, and the nectar of her bright, happy smile. The Lord then spoke to Her as follows.
Commentary

Seeing her, with beauty greater than that of Laksmi in Vaikuntha, Krsna spoke. The reason is given: she had assumed a form corresponding to the form of the Lord for pastimes. Parasara has said, "When the Lord assumes the form of a deva, Laksmi assumes a devi form, and when he assumes a human form, she also assumes a human form. She will assume a form suitable to the form that the Lord assumes." As Krsna is more beautiful than the lord of Vaikuntha, so Rukmini is more beautiful than Laksmi. Krsna smiled slightly, thinking, "It is proper that Rukmini has assumed a form appropriate to my form. I will now joke with her, and hear what she will say." She had a sweet smile on her face which illuminated the directions, being decorated with curling locks of hair, earrings and throat ornaments.

Jīva Gosvāmī Gauḍīya
Commentary

Rukmiṇī (rūpinīm) had beauty and qualities superior to Lakṣmī and others in Vaikuṇṭha. The ending on the word (rūp--inīm) indicates praise. The reason for her beauty is explained. She had a form suitable for his form that he uses in his pastimes. It is said of Kṛṣṇa: yan martya-līlaupayikaṁ sva-yoga- māyā-balaṁ darśayatā gṛhītam vismāpanaṁ svasya ca saubhagarddheḥ paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam Kṛṣṇa possesses that form suitable for human pastimes to show the full capacity of his yoga-māyā. That form astonishes even the lord of Vaikuṇṭha. It is the pinnacle of auspicious qualities and enhances the beauty of his ornaments. SB 3.2.12 Similarly she appeared with the most exceptional beauty among all the Lord’s consorts. He was pleased with her with intense emotions (prītaḥ). He smiled because of her joking words and since she was dedicated only to him (ananya-gatim), spoke to her with special play on words (ā-babhāṣe), because he steals the composure of his dear devotees by his jokes (hariḥ). Or, he spoke so that every word she lamented (ā—babhāṣe). He should not have spoken in that way since such words were unsuitable for her.

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)
Related verses
Kṛṣṇa contemplates Rukmiṇī — the goddess of fortune herself — and smiles, pleased that her form is just suitable for His pastimes. The Lord enjoys His Lakṣmī's particular form; specificity of consort matters even at cosmic level.
Reflection Questions
  • Where do you forget that Kṛṣṇa contemplates and is pleased with specific devotees in specific forms?
  • Could you trust His pleasure with the form you actually have?

An artist looks across the room at the painting he himself has made and smiles — pleased not by another's work but by what came out of his own brush. Kṛṣṇa contemplates Rukmiṇī, who is Lakṣmī Herself, and recognizes the perfect form His own hlādinī-aspect has taken to delight Him.

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