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10.31 · The Gopīs' Songs of Separation

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Canto 10 (Part 1)

Y – Youthood (29-40) As Krishna entered the youthful age, His beauty captivated the young gopis . Their romantic relationship and amorous dancing is described in five chapters ( 29 - 33 ) known as rasa-pancadhyaya. This drama of love, untainted by any mundane passion, is considered the pinnacle of devotional intensity. After this wonderful exchange, Krishna killed the demons Sankhacuda, Kesi and Aristasura, after which Akrura took the transcendental brothers to Mathura. The gopis , who became disturbed even when briefly separated from Krishna during the daytime, were plunged into unbearable anxiety now their beloved had left Vrindavana.

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Y – Youthood (29-40)

Canto 10 (Part 1)

Y – Youthood (29-40) As Krishna entered the youthful age, His beauty captivated the young gopis . Their romantic relationship and amorous dancing is described in five chapters ( 29 - 33 ) known as rasa-pancadhyaya. This drama of love, untainted by any mundane passion, is considered the pinnacle of devotional intensity. After this wonderful exchange, Krishna killed the demons Sankhacuda, Kesi and Aristasura, after which Akrura took the transcendental brothers to Mathura. The gopis , who became disturbed even when briefly separated from Krishna during the daytime, were plunged into unbearable anxiety now their beloved had left Vrindavana.

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A God that Dances

Canto 10 (Part 1)

Y – Youthood (29-40) A God that Dances “As we begin the famous narration of Lord Krishna’s rasa dance, a dance of love with beautiful young girls, questions will inevitably arise in the minds of ordinary people regarding the propriety of God’s romantic dancing with many young girls in the middle of a full-moon autumn night. In his description of the Lord’s rasa dance in ‘Krishna, the Supreme Personality of Godhead,’ Srila Prabhupada painstakingly explains the spiritual purity of these transcendental activities. Those advanced in the science of Krishna - the great teachers, or acaryas - leave no doubt that Lord Krishna is full and satisfied in Himself, free of all material desire, which is, after all, a sense of incompleteness or lack.” (SB 10.29.1) Five chapters in Canto Ten of Srimad-Bhagavatam famously depict Krishna’s intimate exchanges with the gopis of Vrindavana. These chapters, called the rasa-pancadhyaya, are known for their emotional intensity and aesthetic beauty. They have, however, also attracted criticism from mundane moralists and those unfamiliar with the spiritual truths which underpin such pastimes. According to Srimad-Bhagavatam, the gopis that Krishna danced with also had husbands and children, and in order to meet Krishna, they abandoned responsibility, religiosity and seemingly their very chastity. The British court judge, Arnold Joseph, for example, once criticised: “It is Krishna, the darling of 16,000 gopis, Krishna the love hero, who tinges the whole system with the stain of carnal sensualism or strange transcendental lewdness.” The Srimad-Bhagavatam thus clarifies why Krishna, the protector of dharma , seemingly violated dharma by having such intimate relations with the wives of others. Maharaja Pariksit placed this understandable confusion before Sukadeva Goswami, who offered a variety of explanations to resolve any doubts. Some of the main points that Srila Prabhupada emphasises are as follows: Physical – by material calculation, Krishna was only 8-years-old, an age at which uncontrolled lust is not exhibited. Furthermore, Krishna is referred to as apta-kama , one who is self-satisfied, not in need of any external element to fulfil a void. Familial – one may doubt whether Krishna was seduced, but Krishna is referred to yadu-pati , the most exalted of the Yadu dynasty. His glorious family lineage adds weight to his spotless character. Transcendental – as the Supreme Lord, Krishna often transgresses moral boundaries and simultaneously remains untouched, thus demonstrating His transcendental nature. For example, when the sun absorbs urine, it not only remains unpolluted, but also disinfects the contaminated place. Relational – Krishna acted in this way to fulfil the desires of the gopis , who had intensely prayed and performed unimaginable austerities for the opportunity to have such relationships with Him. Special – the Lord performed these pastimes to specially benedict conditioned souls who are attached to sense gratification, of which sex desire is the most entangling. By meditating on these pure and intimate pastimes, one’s heart is cleansed and they are freed from their lusty tendencies.

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God vs Krishna

Canto 10 (Part 1)

Y – Youthood (29-40) A God that Dances God vs Krishna The residents of Vrindavana introduce us to a spiritual world which most have neither heard nor dreamt of. Most people worship and realise God in His usual role of being creator and controller of the cosmos. In Vrindavana, however, the residents are so overcome by God’s sweetness that they forget His ontological identity as the Supreme Lord. The love exchanged between Krishna and His devotees is such that He seeks His devotees as much as they seek Him. In Vrindavana, Krishna needs His devotees as much as they need Him, and He loves them as much as they love Him. Here, God is more human than Superhuman, more natural than Supernatural. In Vrindavana, God sheds His Godhood to relish an intimate relationship which is unlimitedly more charming. The Srimad-Bhagavatam thus paints the most intimate picture of God. Generally, God is the one we fully depend on. Worshippers may see Him as the cosmic order-supplier, a convenient port of call in times of need and want. In the Bhagavatam’s conception, we witness how God becomes fully dependent on His devotees. He subordinates Himself to His parents, such that they feel the anxiety of protecting Him. We find stories of Krishna, for example, appearing as a helpless deity and requesting His devotees to ‘save’ Him. Generally, God is of spotless character. He is the all-good, non-controversial, completely straightforward personality above all kinds of suspicion. In the Bhagavatam’s conception, God steals things, kills demons, dances with married girls and is known to tell untruths. The transgressions of religious principles by the Supreme Lord not only establish His Supreme position which is beyond limit and boundary, but also demonstrate how, for the purpose of sweet relationships, He may sideline such concerns. Generally, God is the personality to whom everyone is indebted. We offer prayers of gratitude and thank Him for everything we have received. In the Bhagavatam’s conception, God becomes indebted to His devotees. Seeing their incredible sacrifice, He offers heartfelt gratitude to the gopis , and tells them: “I am not able to repay My debt for your spotless service, even within a lifetime of Brahma.” ( SB 10.32.22 ) Generally, God is that person who has all the answers. He provides the wisdom, guidance and enlightenment that we seek. We read in the Bhagavatam, however, of how God often takes advice from His own devotees. While in Dwaraka, news arrived of Jarasandha’s atrocities, and Krishna simultaneously heard of the Pandavas’ desire to perform the Rajasuya sacrifice. Desiring to intervene in both situations, Krishna turned to Uddhava for advice, who subsequently offered a perfect resolution. When Krishna appeared as Sri Chaitanya, He eagerly asked Ramananda Raya many profound questions, and deeply relished hearing his answers and realisations. Generally, God is the one we all fear. People have a multitude of superstitions that they follow just to ensure they’re not on the receiving end of God’s wrath. In the Bhagavatam’s conception, God fears His own devotees. When Krishna broke pots of yoghurt that His mother was churning, she immediately ran after Him in anger: “[Seeing the whipping stick in His mother’s hand,] He is crying and rubbing His eyes again and again with His two lotus hands. His eyes are filled with fear, and the necklace of pearls around His neck, which is marked with three lines like a conchshell, is shaking because of His quick breathing due to crying. To this Supreme Lord, Sri Damodara, whose belly is bound not with ropes but with His mother’s pure love, I offer my humble obeisances.” (Satyavrata Muni, Damodarastakam, Verse 2) Generally, God is the one who mercifully provides everything we need. In today’s world we find a plethora of prosperity churches that teach that faith, prayer, and contributions to the ministry will always improve one’s material situation. In the Bhagavatam’s conception, however, God often bestows His special mercy by stripping his dearmost devotee of everything: “If I especially favour someone, I gradually deprive him of his wealth. Then the relatives and friends of such a poverty-stricken man abandon him. In this way he suffers one distress after another.” (SB 10.88.8) Generally, God is the one who is conservative, strict and somewhat distant from our day-to-day lives. He is depicted as an old father, the witness, who only really comes into play in the role of a judge. In the Bhagavatam’s conception, God is full of colour, character and happiness. He plays a flute, dons beautiful clothes, eats to His heart’s content, dances with His devotees, and is full of humour and charm. Frederick Nietzsche once quipped: “I would only believe in a God who knows how to dance.” Srila Prabhupada beautifully sums up Krishna’s unique personality: “Sometimes the Lord, as the child of Mother Yasoda, requests His devotee for some food, as if He were very hungry. Sometimes He tells His devotee in a dream that His temple and His garden are now very old and that He cannot enjoy them very nicely. Thus He requests the devotee to repair them. Sometimes He is buried in the earth, and as if unable to come out Himself, He requests His devotee to rescue Him. Sometimes He requests His devotee to preach His glories all over the world, although He alone is quite competent to perform this task. Even though the Supreme Personality of Godhead is endowed with all possessions and is self- sufficient, He depends on His devotees. Therefore the relationship of the Lord with His devotees is extremely confidential. Only the devotee can perceive how the Lord, although full in Himself, depends on His devotee for some particular work.” (SB 6.19.5)

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Akrura’s Mission

Canto 10 (Part 1)

Y – Youthood (29-40) Akrura’s Mission Chapter 38, 39, 40 Akrura’s Arrival: Akrura, enlisted with Kamsa’s orders, was overjoyed to visit Vrindavana, and eagerly anticipated his meeting with Krishna. When he arrived in Gokula at sunset, he stepped off the chariot and immediately rolled in the dust of Krishna’s footprints. He continued to Vrindavana, where he finally saw Krishna and Balarama, throwing him into eruptions of ecstasy. The brothers greeted him and washed his feet, while Nanda Maharaja served him a feast. Akrura’s Proposal: Akrura reported on Kamsa’s atrocities and his latest plan to kill Krishna and Balarama by summoning Them to Mathura. The two brothers chuckled at Kamsa’s antics and happily agreed to go. The gopis , however, couldn’t bear the thought of separation, fearing Krishna may never return. They severely berated Akrura for taking Krishna away, and tried to stop the chariot, crying out “O Govinda! O Damodara! O Madhava!” Krishna consoled them with a simple message: “I will return.” The gopis were stunned as the chariot pulled away into the distance - their lives rested on that rope of hope that Krishna may well return one day. Krishna, accompanied by a convoy led by Nanda Maharaja, thus travelled towards the city of Mathura. Akrura’s Vision: When Akrura halted the chariot at the Yamuna, Krishna touched the water for purification and returned. Akrura then went to take his bath and saw Krishna and Balarama in the river! When he returned to the chariot he saw Them sitting there! When Akrura went back to the river again he saw the four- armed form of the Lord being worshipped by eminent personalities! The whole incident completely baffled him. Akrura’s Prayers: Having witnessed this inconceivable sequence of events, Akrura offered a series of prayers to the Lord. He glorified the various incarnations of Krishna, who periodically appear to drive away the unhappiness of those who joyfully engage in the process of devotional service.

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More Demons Killed

Canto 10 (Part 1)

Y – Youthood (29-40) More Demons Killed Chapter 34, 36, 37 Vidyadhara Serpent: After worshipping Siva, the Vrindavana residents spent the night in Ambikavana forest. While sleeping, a serpent attempted to swallow Nanda Maharaja, and when Krishna touched the serpent with His foot, it revealed its true form as Sudarshan, the Vidyadhara who was cursed for his pride. Sankhacuda: One night, when Krishna and Balarama had a rendezvous with the gopis in the forest, Sankhacuda attempted to abduct the young maidens. Krishna chased him, punched him, and thus removed the demon’s head and jewel. Krishna then gifted that jewel to Balarama. Aristasura: When the bull demon attacked the mighty brothers, Krishna threw him back, uprooted one of his horns and then powerfully clubbed him with it. Aristasura thus met his end. It was after this incident that the celebrated ponds of Radha-Kund and Shyama-Kund were formed, which are considered liquid representations of Radha and Krishna’s love for each other. Thereafter, Narada finally informed Kamsa that Krishna was indeed the eighth son of Vasudeva. Enraged, the evil King conjured up fresh schemes to kill Krishna, enlisting the help of the Kesi demon to do the needful. Anticipating that this plan would fail, he went on to instruct Akrura to bring the boys to Mathura. There, he positioned Chanura, Mustika and Kuvalayapida to ready themselves for a showdown. Kamsa’s insane intention was clear: kill Krishna and Balarama first, then annihilate Vasudeva and his entire clan, and finally massacre his father and uncle, Ugrasena and Devaka. in this way, he thought, he would reign supreme. Kesi: Having assumed the form of a horse, Kesi violently charged at Krishna, attempting to strike the Lord with his legs. After throwing him afar, Krishna approached him and launched His left fist into Kesi’s mouth, after which it expanded in size and instantaneously killed him. After witnessing this, Narada approached Krishna, glorified Him and then predicted many more miracles that Krishna would perform in Mathura and Dwaraka. Vyomasura: Later, when the cowherd boys were playing hide and seek, Vyomasura disguised himself as a ‘thief,’ abducted some gopas and imprisoned them in a cave by blocking it with a boulder. Understanding his plan, Krishna pursued the demon, who transformed into his original form. Krishna seized him, threw him to the ground until he was lifeless and effortlessly smashed the boulder to free his dearmost friends.

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Rasa Pancadhyaya

Canto 10 (Part 1)

Y – Youthood (29-40) Rasa Pancadhyaya Chapter 29, 30, 31, 32, 33 The Call: Krishna’s flute-playing captured the minds of the gopis , who instantly disregarded their various engagements and responsibilities to be with Him. When they arrived, Krishna teased them by questioning their bold decision to come. He advised them to avoid compromising their chastity and strongly suggested they return home. The gopis were devastated. They vehemently refused, and fervently pleaded with Krishna to accept them. Seeing their intensity of love, Krishna performed play pastimes of love in the shining moonlight, but when He sensed their transcendental pride, He immediately disappeared. The Search: Feeling unbearable separation, the gopis initiated a search for Krishna, questioning the animals, trees, creepers, and Mother Earth herself about their beloved’s whereabouts. Unsuccessful, they resorted to re-enacting His pastimes to pacify their parched hearts. When they saw Krishna’s footprints along with one other set, they concluded that Srimati Radharani had been especially favoured. Radharani later developed a sense of transcendental pride, and Krishna abandoned Her as well. Thus, all the gopis again united in a frantic search for their flute-playing friend. The Song: Remembering the pastimes of Krishna, the gopis sang their song ( gopi-gita ) which somewhat soothed the agony of separation from their beloved. They glorified the beauty of His form, His pastimes and His sweet exchanges: “The nectar of Your words and the descriptions of Your activities are the life and soul of those suffering in this material world. These narrations, transmitted by learned sages, eradicate one’s sinful reactions and bestow good fortune upon whoever hears them. These narrations are broadcast all over the world and are filled with spiritual power. Certainly those who spread the message of Godhead are most munificent.” ( SB 10.31.9 ) The Reunion: Krishna suddenly returned and vanquished the heartache of the gopis . Surrounding Him, they drank His beauty through their eyes and hearts. Still wondering why Krishna abandoned them, the Lord explained that His every act is meant to intensify the loving exchange with His devotees. Indeed, Krishna was truly conquered by their love – “I am not able to repay My debt for your spotless service, even within a lifetime of Brahma. Your connection with Me is beyond reproach. You have worshipped Me, cutting off all domestic ties, which are difficult to break. Therefore please let your own glorious deeds be your compensation.” ( SB 10.32.22 ) The Dance: On the picturesque riverbanks of the Yamuna, Krishna expanded into multiple forms and danced with every gopi , each of whom truly believed that Krishna was only with them. Sukadeva Goswami concluded his description of the rasa dance with a caution: one should never consider these enchanting narrations to be a mundane love affair that can be imitated by ordinary living beings. Note: In Chapter 35 , Sukadeva Goswami described the intense feelings of separation that the gopis experienced when Krishna performed his cowherding pastimes during the day.

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— S.B. Keshava Swami, Book Bhagavata

Śrīmad-Bhāgavatam 10.31.1

↗
गोप्य ऊचु: जयति तेऽधिकं जन्मना व्रज: श्रयत इन्दिरा शश्वदत्र हि । दयित द‍ृश्यतां दिक्षु तावका- स्त्वयि धृतासवस्त्वां विचिन्वते ॥ १ ॥
gopya ūcuḥ
[gopya oochuh]
jayati te ’dhikaṁ janmanā vrajaḥ
[jayati te ’dhikam janmanaa vrajah]
śrayata indirā śaśvad atra hi
[shrayata indiraa shashvad atra hi]
dayita dṛśyatāṁ dikṣu tāvakās
[dayita drishyataam dikshu taavakaas]
tvayi dhṛtāsavas tvāṁ vicinvate
[tvayi dhritaasavas tvaam vichinvate]
gopyaḥ ūcuḥ — the gopīs said jayati — is glorious te — Your adhikam — exceedingly janmanā — by the birth vrajaḥ — the land of Vraja śrayate — is residing indirā — Lakṣmī, the goddess of fortune śaśvat — perpetually atra — here hi — indeed dayita — O beloved dṛśyatām — may (You) be seen dikṣu — in all directions tāvakāḥ — Your (devotees) tvayi — for Your sake dhṛta — sustained asavaḥ — their life airs tvām — for You vicinvate — they are searching .
Blended reading (Sanskrit + English inline)
gopya ūcuḥ
gopyaḥ ūcuḥ
the gopīs said
jayati te ’dhikaṁ janmanā vrajaḥ
jayati
is glorious
te
Your
śrayata indirā śaśvad atra hi
adhikam
exceedingly
janmanā
by the birth
vrajaḥ
the land of Vraja
śrayate
is residing
dayita dṛśyatāṁ dikṣu tāvakās
tvayi dhṛtāsavas tvāṁ vicinvate
indirā
Lakṣmī, the goddess of fortune
śaśvat
perpetually
atra
here
hi
indeed
dayita
O beloved
dṛśyatām
may (You) be seen
dikṣu
in all directions
tāvakāḥ
Your (devotees)
tvayi
for Your sake
dhṛta
sustained
asavaḥ
their life airs
tvām
for You
vicinvate
they are searching .
  • vrajaḥ — the land of Vraja
    Not a geographical term in Gauḍīya reading but the eternal dhāma — the topmost spiritual locale where mādhurya-līlā is uninterrupted. The gopīs say Vraja itself, not just its people, is made glorious by Kṛṣṇa's janma.
  • indirā — Lakṣmī, the goddess of fortune
    Naming Lakṣmī here is doctrinally pointed: the gopīs invoke the consort of Vaikuṇṭha to underline that even she cannot enter their rāsa, though she lives perpetually in Vraja's outer precincts. Aiśvarya bows before mādhurya.
  • dayita — O beloved
    Vocative of dayita, 'one who is loved'. The very first address to Kṛṣṇa in the Gopī-gīta is not 'Lord' or 'Bhagavān' but 'beloved' — the entire 19-verse arc is framed in the kānta-bhāva from the opening word.
  • dhṛta-asavaḥ — their life airs sustained
    Compound: dhṛta (held, sustained) + asavaḥ (prāṇas). The gopīs are saying their breath itself is on loan from Kṛṣṇa — they are not living for themselves; their prāṇas continue only because Kṛṣṇa has not yet released them. Pure āśraya-bhāva.
  • vicinvate — they are searching
    Present indicative of vi-√ci. Carries the sense of careful, repeated picking-through — not a single look but a sustained, distracted hunt through every direction. The verb does the work of conveying separation's restlessness.
The gopīs said: O beloved, Your birth in the land of Vraja has made it exceedingly glorious, and thus Indirā, the goddess of fortune, always resides here. It is only for Your sake that we, Your devoted servants, maintain our lives. We have been searching everywhere for You, so please show Yourself to us.

Those who are familiar with the art of chanting Sanskrit verses will be able to appreciate the especially exquisite Sanskrit poetry of this chapter. Specifically, the poetic meter of the verses is extraordinarily beautiful, and also, for the most part, in each line the first and seventh syllables begin with the same consonant, as do the second syllables of all four lines.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The gopīs said: O beloved, Your birth in the land of Vraja has made it exceedingly glorious, and thus Indirā, the goddess of fortune, always resides here. It is only for Your sake that we, Your devoted servants, maintain our lives. We have been searching everywhere for You, so please show Yourself to us.
Commentary

In this chapter are presented the verses of gopis gita ,which are like a group of lotuses, with prema as their honey and graceful tones and rhythms as their frangraces. These lotuses attract the bee called Krsna. Paying respects to Sanatana Goswami, Sridhara Svami and the gurus of my line, whose remnants are the sustenance of my life, I will begin to explain the gopi gita. "O beloved, because of your birth, Vraja has become glorious." Not mentioning more glorious than what, the implication is that it is more glorious than all planets or places. "But Vaikuntha is just as glorious." "But Vraja is more glorious (adhika). ThoughVaikuntha is most wonderful, of the most wonderful, Vraja is topmost, beyond which there is nothing." Other characteristics are then described. That maha laksmi (Indira) who is served by all in Vaikuntha, is serving Vraja constantly. Therefore Vraja is more prosperous than Vaikuntha. In this Vraja, filled with such topmost happiness because of Laksmi, only your dear gopis, are experiencing the most intolerable agony unheard of or unseen by anyone. We do not offer prayers to you to remove that suffering, but please, for certain, glance one time (drsyatam) towards this Vrndavana (atra) filled with happiness." "What will I see?" "In this happy Vrndavana, those dedicated to you are dying, searching for you. What a remarkable scene! Why are you putting you people suffering so much into danger? You should not think, ‘How have I put you in difficulty?’ for we have offered to you all of our life airs (tvayi dhrta asavah). We would be happy if our life airs, maddened by you, staying within our bodies, had burned in the fire of separation, and we had died. But instead, these life airs are happy to reside in you their happy master. But if the life airs are happily situated, how could you leave our bodies in danger? Therefore, it seems that you simply derive happiness in seeing our great suffering." In this verse the second syllable of each line is the same (ya), and the first and seventh syllable of each line also. The following verses are similar for the most part. This has been described in the Mukta Phalita Tika of Vopadeva.

Jīva Gosvāmī Gauḍīya
Commentary

May the gopīs be pleased with my eagerness as I desire to explain the meaning of their words dedicated to Kṛṣṇa. I to some extent accept the remnants of the nectar of the gopis’ song drunk by Śrīdhara Svāmī. Vraja is completely (adhikam) glorious because of your birth--since (hi) Lakṣmī resides here continually. She is not seen elsewhere. Or, Lakṣmī or all wealth (non-different from her) resides here at every moment (adhikam saśvat) since wherever she resides all wealth also resides. And by that influence everyone there has all auspiciousness. Only we are miserable, by fate, and to the extreme. Though you are omniscient, most merciful and most dear to us, you do not know this. They pray “Forget other things at this moment. Let this alone be known to you.” Let it be known to you (dṛṣyatām). In showing our suffering, you, who suffer from others suffering, will directly appear. That is the deep meaning. What is that suffering? Those who have been accepted by you, or who think they belong to you (tāvakāḥ) search for you in all directions, wandering here and there with great fatigue. They experience the greatest suffering in searching. They suffer for you. Otherwise they would not suffer. The word dayita (beloved) indicates compassion. They utter this out of misery. According to Kṣīrasvāmī dayita means “placing the heart.” This meaning gives a slight sense of criticism but is still acceptable. “Prema without cheating does not exist in the human world. If it does, there would be separation, and, with separation, who could live?” In separation from the beloved the woman cannot survive. That is true. But ordinary women do not die because of you. We maintain our lives with the hope of attaining you. Or, our senses are meant for you. We see by directing our senses to you alone. All the verses in the chapter have similar syllables and lines, with the same second syllable in each line (ya in the first verse) or sometimes the first syllable and the seventh syllable is the same in line. This is described in the Muktāphala commentary. The meaning of dṛśyatām is according to Śrīdhara Svāmī’s first explanation. This should be considered since seeing also refers to revelation and making known, just as cooking refers to softening food.

Śrīdhara Svāmī Gauḍīya
Commentary

May the gopīs be pleased with my eagerness as I desire to explain the meaning of their words dedicated to Kṛṣṇa. To some extent I accept the remnants of the nectar of the gopis’ song drunk by Śrīdhara Svāmī. Vraja is more glorious than everything else or even Vaikuṇṭha (adhika). Vraja includes all their qualities because (hi) in Vraja (atra), at all times, Lakṣmī, increasing more and more, full of wealth, serves personally, at all times (adhikam), everything there without distinction. Or the queen of Vaikuṇṭha lives there in a surrendered mood, or coming and going, since she cannot stay there permanently, because there is more wealth there than in Vaikuṇṭha or because Lakṣmī is directly seen going from house to house in a humble mood. Hi can also mean certainly. Therefore it is said: tata ārabhya nandasya vrajaḥ sarva-samṛddhimān harer nivāsātma-guṇai ramākrīḍam abhūn nṛpa O Mahārāja Parīkṣit, the home of Nanda Mahārāja is eternally the abode of the Supreme Lord and his qualities, and is therefore always naturally endowed with all wealth. Yet beginning from Kṛṣṇa’s appearance there, it became the place for the pastimes of the goddess of fortune. SB 10.5.18 Or though Kṛṣṇa was born in Mathurā, Vraja excelled its wealth. Or because they believed he was born in Vraja, they talk about his birth there. By that influence everyone there had all auspiciousness. Only we, stuck with misfortune, suffer at all times, exceedingly. That is not known by you, our dear life, most merciful and full of knowledge. For now let all else be. But that should be known. They pray. This should be known (dṛśyatām) or directly done. Seeing our suffering directly, being pained by our suffering, he will come. Being accepted by you (tāvakāṇ), or being your servants, we searched everywhere (dikṣu), in great pain. Because of being yours, we have suffered. They do not directly say “we” or “the gopīs.” They could not say this because of extreme humility caused by defeat on being rejected. Or thye spoke generally with a desire to announce their sorrow as his servants, in great pain. Or the statement becomes deeper by making a general statement. For the same reasons they later say apaśyatām (verse 15). “You are unintelligent. You should dedicate yourself to someone else.” Only you are pleasing. No relationship with anyone else is pleasing. It is said, “Prema without deception does not exist among men of this world. If it exists, there is separation, and in separation who can live?” In separation from the lover, the lovers cannot live. Because of you, we do not die. We maintain our lives because of you. We maintain our lives with the hope of attaining you. Or placing ourselves in you, our prāṇas are not destroyed (tvayi dhṛtāsavaḥ). All the verses in the chapter have similar syllables and lines, with the same second syllable in each line (ya in the first verse) or sometimes the first syllable and the seventh syllable is the same in line. This is described in the Muktāphala commentary.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Aparigraha (Non-possessiveness)
Related verses
The gopīs declare that Vraja shines because Kṛṣṇa was born there, and that they live only for Him. Devotion redefines what makes a place or a life valuable — it is the Lord's presence that turns ordinary ground into sacred soil.
Reflection Questions
  • What in your life would shine differently if you treated it as a place where Kṛṣṇa is present?
  • For whose sake are you actually maintaining your life — and is that worth living for?

When the moon rises behind a single house, the whole street is silvered; when Kṛṣṇa took birth in Nanda's courtyard, Vraja itself became the residence of Lakṣmī. The gopīs are saying: we are not chasing You for our own sake — Your appearance has already changed the address of all auspiciousness, and we have only stayed alive by leaning on that fact.

Lakṣmī's penance for the dust of Vraja

Bhāgavatam and the Gosvāmīs' commentaries return again and again to the note that even Lakṣmī, who rests on Nārāyaṇa's chest in Vaikuṇṭha, performs austerity to enter the rāsa circle and is not admitted. Vraja-prema is a higher current than aiśvarya-bhakti can reach.

So when the gopīs sing 'indirā śaśvad atra hi' — Lakṣmī perpetually resides here — they are not flattering Kṛṣṇa. They are stating a fact the cosmos has already conceded: the wealth that even Vaikuṇṭha's queen wants is not in Vaikuṇṭha but in this dust.

📝 My note

Śrīmad-Bhāgavatam 10.31.2

↗
शरदुदाशये साधुजातसत्- सरसिजोदरश्रीमुषा द‍ृशा । सुरतनाथ तेऽशुल्कदासिका वरद निघ्नतो नेह किं वध: ॥ २ ॥
śarad-udāśaye sādhu-jāta-sat-
[sharad-udaashaye saadhu-jaata-sat-]
sarasijodara-śrī-muṣā dṛśā
[sarasijodara-shree-mushaa drishaa]
surata-nātha te ’śulka-dāsikā
[surata-naatha te ’shulka-daasikaa]
vara-da nighnato neha kiṁ vadhaḥ
[vara-da nighnato neha kim vadhah]
śarat — of the autumn season uda - āśaye — in the reservoir of water sādhu — excellently jāta — grown sat — fine sarasi - ja — of the lotus flowers udara — in the middle śrī — the beauty muṣā — which excels dṛśā — with Your glance surata - nātha — O Lord of love te — Your aśulka — acquired without payment dāsikāḥ — maidservants vara - da — O giver of benedictions nighnataḥ — for You who are killing na — not iha — in this world kim — why vadhaḥ — murder .
Blended reading (Sanskrit + English inline)
śarad-udāśaye sādhu-jāta-sat-
śarat
of the autumn season
uda - āśaye
in the reservoir of water
sādhu
excellently
jāta
grown
sat
fine
sarasijodara-śrī-muṣā dṛśā
sarasi - ja
of the lotus flowers
udara
in the middle
śrī
the beauty
muṣā
which excels
dṛśā
with Your glance
surata-nātha te ’śulka-dāsikā
surata - nātha
O Lord of love
te
Your
aśulka
acquired without payment
vara-da nighnato neha kiṁ vadhaḥ
dāsikāḥ
maidservants
vara - da
O giver of benedictions
nighnataḥ
for You who are killing
na
not
iha
in this world
kim
why
vadhaḥ
murder .
  • surata-nātha — O Lord of love
    Vocative compound: surata (loving union) + nātha (lord, husband). The gopīs address Kṛṣṇa not as cosmic master but as the proprietor of the conjugal exchange itself — the kānta who owns the very category of love-making, and is therefore accountable to its laws.
  • aśulka-dāsikāḥ — maidservants acquired without payment
    Compound: a- (without) + śulka (bride-price) + dāsikāḥ (maidservants). A Gauḍīya touchstone phrase — the gopīs gave themselves to Kṛṣṇa with no contract, no dowry, no negotiation. This is the model of unmotivated, unconditional surrender (ahaitukī bhakti) at its most concentrated.
  • vara-da — O giver of benedictions
    Vocative compound: vara (boon) + da (giver). Spoken with controlled irony — the One famous for granting boons is, just now, withholding the only boon they want. The gopīs' complaint is laced with the intimacy that lets them tease.
  • nighnataḥ — for You who are killing
    Present participle of ni-√han, 'to strike down, kill'. The line 'na iha kim vadhaḥ' — 'isn't this murder?' — is one of the most quoted phrases of the Gopī-gīta. Viraha is not metaphor for them; it is execution by absence.
  • dṛśā — with Your glance
    Instrumental of dṛś. The glance is the instrument: Kṛṣṇa kills not with a weapon but with an eye. Rūpa Gosvāmī's analysis of cātur-vidha-sahaja-prema repeatedly returns to the kaṭākṣa as the precipitating cause of pūrva-rāga.
O Lord of love, in beauty Your glance excels the whorl of the finest, most perfectly formed lotus within the autumn pond. O bestower of benedictions, You are killing the maidservants who have given themselves to You freely, without any price. Isn’t this murder?

In the autumn season, the whorl of the lotus has a special beauty, but that unique loveliness is surpassed by the beauty of Kṛṣṇa’s glance.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O Lord of love, in beauty Your glance excels the whorl of the finest, most perfectly formed lotus within the autumn pond. O bestower of benedictions, You are killing the maidservants who have given themselves to You freely, without any price. Isn't this murder?
Commentary

Krsna said, "How can you conclude that I desire to see your suffering?" "Not only do you want to see us suffer, but you are killing us." That is the intention of this verse. "By the glance of your eyes you are calling us for love making (surata natha), and giving us happiness (varada). By your glances which are emanating the blazing fire of prema, you are killing servants who were purchased for free (asulla dasika). Is this not murder? Certainly, for murder does not need a weapon. Therefore Varada, who have destroyed (da from di to destroy) our of happiness in this world and the next (vara), if you actually owned us there would be no fault in either protecting us or burning us. But do you own us? You purchased us without payment, without bestowal of the marriage thread. We are just free maidservants, we became your slaves of our own will, foolishly." In describing the glance, the gopis indicate the cause of Krsna’s power to bewilder, to madden, and to expertly steal. "Your eye steals the beauty within the best blooming lotus (sat sarsi ja) growing in the clear lakes of the autumn in the saintly place , Vraja (sadhu jatam)." In this way the gopis describe the extraordinary beauty , fragrance, coolness, and softness of Krnsa’s eyes, which are able to enter into the secluded inner chambers inaccessible to the common man, and steal the treasure. "Those thieving eyes, sprinkling a powder of mohana and unmada, made us crazy, and thus freely made us give our treasure of conjugal pleasure and our life airs, which they then offered to you. (thus in the previous verse they gopis said our life airs are held by you (tvayi dhrta asavah). Having our treasures stolen, we are dying. And by doing this thievery, you are willingly accepting the sin of killing thousands of women. If you fear such sin, you should reveal yourself to us."

Jīva Gosvāmī Gauḍīya
Commentary

Your eye steals the beauty of the center of the lotus, the height of beauty, which appears when it is born in the autumn lake. Wherever the beauty of your eye is seen, there is no longer beauty seen in the lotus. The beauty of the lotus is defeated by the ever-fresh beauty of your eye. Only one eye is mentioned because by one eye you indicate your love. And if one eye has such beauty what can be said of the beauty of both eyes. This phrase can be connected with surata-nātha: O requester of love, by your eye which defeats the beauty of the lotus. You have made us desirous of you. You have given the blessing of making that desire stronger (varada). Thus we are not at fault. Rather we have good qualities since are your servants without taking a fee. The fault is with you. Now, however it has become a great fault. You are killing us. In order to show his fault, they indicate that he is absorbed in theft in three ways. He does not consider the great fault from taking the wealth of the righteous, he has knowledge of others’ secret treasures, and trespasses the greatest obstacles. The first aspect of thievery is expressed in the lotus growing in the autumn lake. The producer of the lotus, the lake, is pure. It is birth is pure (sādhu-jata). The qualities and form of the lotus are proper (sat-sarasija). The second aspect is expressed by the center of the lotus hidden within its petals within the huge water body. The third aspect is expressed by the center of the lotus being surrounded by a thousand petals, difficult to see, and being situated an unfathomable depth of water in a lake filled by the monsoon rains. You have stolen the beauty of the lotus even though it hides in fear of you. What to speak of stealing us innocent gopīs who wander fearlessly in Vraja and Vṛndāvana. Let us forget about being stolen by you. The beauty of the lotus is kept within your eyes, by her craftiness. But we, on the other hand, being innocent, stolen by force, serving causelessly without hatred, without any fee, are being killed by you. This is most unjust. Will you not kill us? People will not know about your theft. Should you not kill us? You say you are requesting love and that you offer all benedictions. We know all about that. That is all lies since you are killing us. Or te aśūlka-dāsikāḥ can also mean te śukla-dāsikāh: we are your servants accepting a wage, the beauty of your eye. Still you kill us by rejecting us. O oppressor (nātha) of those who are have great love (su- rata)! O stopper of benedictions (vara da)! You should come here to rid yourself of your faults.

Śrīdhara Svāmī Gauḍīya
Commentary

Śrī-muṣā suggests that his eyes are the greatest thieves. There is a theft of great treasure equal to Lakṣmī, placed amidst the excellent objects of the devotees, at the best time, in the inaccessible water. For such theft, death is proper punishment. Actually this expresses the great beauty of his eyes. One eye only is mentioned out of agitation from intense bhāva. Or even one eye defeats the lotus. We are unpaid, low class maidservants (aśukla-dāsikāḥ). Surata-nātha and varada indicate that he should not make them die. Then his reputation as the fulfiller of the devotees’ desires in love (surata) and his previously state as the giver of benedictions (varada) would be destroyed. Since you are the lord of enjoyment in love, you made us desire you. By giving benedictions you confirmed this. Thus there is no fault in our bold request. Or “O wise one! By our death you will be blamed.” O lord of love by the eyes (dṛśā surata-natha)! By your eyes alone you give the happiness of enjoyment in love. Because of this killing (nighnataḥ), by not bestowing benedictions, it is a sin, murder (vadhaḥ). Or by the price in the form of your eyes (stealing from us), we have paid the price. Or without price, the maidservants have been killed. Or by the pain of separation or by your rejection, their death happens by itself. They address him as lord of love and giver of blessings out of anger in love or intense pain of separation. You cause pain (nātha) to those who are most attracted to you (su-rata). You destroy your benedictions (varada) or are the supreme destroyer. Do means to destroy. Thus you should come to prevent faults in yourself.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The gopīs say Kṛṣṇa's glance surpasses the loveliest autumn lotus, yet His seeming neglect feels like killing those who gave themselves to Him freely. Even pure love feels the sharp pain of perceived distance from the beloved.
Reflection Questions
  • When have you mistaken the Lord's silence for indifference rather than as an invitation to deeper longing?
  • What have you given freely to Kṛṣṇa without bargaining for return?

Kṛṣṇa's glance is the autumn lotus that has stolen the pond's beauty into itself; one look from those eyes leaves the gopīs as the lotus leaves the water it was born in — given freely, with no fee asked. To accept such a gift and then withdraw is not absence, the gopīs say, it is murder.

📝 My note

Śrīmad-Bhāgavatam 10.31.3

↗
विषजलाप्ययाद् व्यालराक्षसाद् वर्षमारुताद् वैद्युतानलात् । वृषमयात्मजाद् विश्वतो भया- दृषभ ते वयं रक्षिता मुहु: ॥ ३ ॥
viṣa-jalāpyayād vyāla-rākṣasād
[visha-jalaapyayaad vyaala-raakshasaad]
varṣa-mārutād vaidyutānalāt
[varsha-maarutaad vaidyutaanalaat]
vṛṣa-mayātmajād viśvato bhayād
[vrisha-mayaatmajaad vishvato bhayaad]
ṛṣabha te vayaṁ rakṣitā muhuḥ
[rishabha te vayam rakshitaa muhuh]
viṣa — poisonous jala — by the water (of the Yamunā, contaminated by Kāliya) apyayāt — from destruction vyāla — fearsome rākṣasāt — from the demon (Agha) varṣa — from rain (sent by Indra) mārutāt — and the wind-storm (created by Tṛṇāvarta) vaidyuta - analāt — from the thunderbolt (of Indra) vṛṣa — from the bull, Ariṣṭāsura maya - ātmajāt — from the son of Maya (Vyomāsura) viśvataḥ — from all bhayāt — fear ṛṣabha — O greatest of personalities te — by You vayam — we rakṣitāḥ — have been protected muhuḥ — repeatedly .
Blended reading (Sanskrit + English inline)
viṣa-jalāpyayād vyāla-rākṣasād
viṣa
poisonous
jala
by the water (of the Yamunā, contaminated by Kāliya)
apyayāt
from destruction
vyāla
fearsome
rākṣasāt
from the demon (Agha)
varṣa-mārutād vaidyutānalāt
varṣa
from rain (sent by Indra)
mārutāt
and the wind-storm (created by Tṛṇāvarta)
vaidyuta - analāt
from the thunderbolt (of Indra)
vṛṣa-mayātmajād viśvato bhayād
vṛṣa
from the bull, Ariṣṭāsura
maya - ātmajāt
from the son of Maya (Vyomāsura)
viśvataḥ
from all
bhayāt
fear
ṛṣabha te vayaṁ rakṣitā muhuḥ
ṛṣabha
O greatest of personalities
te
by You
vayam
we
rakṣitāḥ
have been protected
muhuḥ
repeatedly .
  • ṛṣabha — O greatest of personalities
    Literally 'bull' — the strongest, foremost. Applied to Kṛṣṇa: the foremost protector. Pointed against the immediately preceding 'vṛṣa' (Ariṣṭāsura the bull-demon): one ṛṣabha defeats the other vṛṣa. Sanskrit poetic compression at full strength.
  • rakṣitāḥ — have been protected
    Past participle of √rakṣ. The Bhāgavatam's central verb for Kṛṣṇa's relation to His devotees — paritrāṇāya sādhūnāṁ (BG 4.8) lives inside this same root. The gopīs are claiming the status of rakṣya — the protected — by long, repeated record.
  • muhuḥ — repeatedly
    Adverbial — 'again and again'. Recurs throughout the Gopī-gīta (verses 3, 12, 17). Carries the felt texture of viraha — nothing happens once; it happens, and happens, and happens, until time itself starts to repeat.
  • viṣa-jala-apyayāt — from destruction by the poisoned water
    Compound recalling the Kāliya-damana (10.16) — the venom-blackened Yamunā from which Kṛṣṇa lifted His friends. The gopīs naming it here is implicit reproof: 'You did not abandon us when our throats were closing; why now?'
  • maya-ātmajāt — from the son of Maya
    Vyomāsura, son of the demon-architect Maya — the cave-demon who herded the cowherd boys into a cliff (10.37). Gauḍīyas read the rescue allegorically: Kṛṣṇa rescues His own from every kind of māyā, including the architectural illusion of being safely shut away from Him.
O greatest of personalities, You have repeatedly saved us from all kinds of danger — from poisoned water, from the terrible man-eater Agha, from the great rains, from the wind demon, from the fiery thunderbolt of Indra, from the bull demon and from the son of Maya Dānava.

Here the gopīs imply, “O Kṛṣṇa, You saved us from so many terrible dangers, so now that we are dying of separation from You, won’t You save us again?” Śrīla Viśvanātha Cakravartī Ṭhākura explains that the gopīs mention Ariṣṭa and Vyoma because, although Kṛṣṇa had not yet killed these demons, the fact that He would kill them in the future was well known, having been predicted by the sages Garga and Bhāguri at the time of the Lord’s birth.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O greatest of personalities, You have repeatedly saved us from all kinds of danger—from poisoned water, from the terrible man-eater Agha, from the great rains, from the wind demon, from the fiery thunderbolt of Indra, from the bull demon and from the son of Maya Dānava.
Commentary

If you want to kill us, then why did you repeatedly save us from danger? It is not proper to save us and then kill us. You saved us from the water of the lake filled with Kaliya’s poison. You saves us from the vicious man eater, Aghasura the snake (vyala raksasa). You saved us from the rain poured down by Indra (varsadi). You saved us from Trnavarata (marut), from Indra’s thunderbolt, from the bull demon Aristasura (vrsa), from Vyomasura (mayatmaja), from some many types of fear (visvato). O best of men (rsabha) by killing the demons, by your personal protection, we, who have only you as our life, were saved. Though you protected all of vraja from the rain and other calamities, you also protected us. Putting our faith in you as our protector, we come to you for relieving us of the pain of being pierced by the five arrows of cupid, otherwise we will die in the flames of separation from you which are thousands of times more intense. Do you not fear the sin of killing our faith?" Though the killing of Aristasura and Vyomasura were future events, these were written in Krsna’s horoscope, and the gopis had heard of these future events from Garga, Baguri and other munis.

Jīva Gosvāmī Gauḍīya
Commentary

We have been protected by you as part of your general protection of Vraja and by protection of individuals. But you do not remember that it is improper to cut down a poisonous tree when it is growing? You protected the cows and cowherds from death when they drank its poison water of Kāliya-hrada. You protected us from Aghāsura, the snake Rākṣasa, for it was said: itthaṁ mitho ’tathyam ataj-jña-bhāṣitaṁ śrutvā vicintyety amṛṣā mṛṣāyate rakṣo viditvākhila-bhūta-hṛt-sthitaḥ svānāṁ niroddhuṁ bhagavān mano dadhe Kṛṣṇa, full of all powers, who is situated as antaryāmi in the core of everyone’s heart, heard the boys talking falsely among themselves like ignorant people, considering that truly a snake was beautifying Vraja, and knowing moreover that it was a Rākṣasa, wanted to prevent them from entering the demon’s mouth. SB 10.12.25 You protected us from Agha who swallowed the calves and boys. We were protected by your protecting all the living entities of Vraja. Protection of individuals that affect everyone is indicated in these examples. You protected us from wind mixed with rain, including hail, and from lightning by lifting Govardhana. This is protection of everyone. You protected us from Vatsāsura who appeared to be a calf but on being killed took the form of a huge bull. You protected us from Vyomāsura (which will be described later thought it took place when Kṛṣṇa was younger.) These pastimes indicate protection of individuals as protection of all. This is like the story of Varāha killing Hiraṇyakṣa. It is narrated out of sequence in the Third Canto, though it took place during Cākṣuṣa Manvantara. Vṛṣa-mayātmajāt may also be taken as vṛṣātmajāt (from the offspring of the bull, the calf demon) and mayātmajāt (from Vyomāsura, offspring of Maya). All are taken together by saying “You saved us from all fear.” His qualification for doing this is mentioned: O best of all men (ṛṣabha)!

Śrīdhara Svāmī Gauḍīya
Commentary

By protecting the cows and cowherds from the poisonous water and by protecting all Vraja from the rain of Indra, you protected relatives and ourselves. Or all this protection took place by the auspiciousness of Kṛṣṇa’s presence. This is stated out of intense prema. You protected us from Vyomāsura. Though this took place later, they state this out of prema, in pain of separation, manifesting spontaneous omniscience. Though it took place in the future it is expressed in the past, to show the certainty of the event. We were saved from many types of sufferings. We cannot even count them. We were protected from Pūtanā, Śaktāsura, Tṛnāvarta, the Yamalārjuna trees, Baka, Vatsāsura, the forest fire, Keśī. Again and again we were protected by you or things related to you. That is natural for you since you are the best in mercy (ṛṣabha) or since you are the lord of Vraja. Here they mention themselves directly (vayam) in order to indicate to him to help them even now. Thus they say you protected us constantly (muhuḥ). You were most merciful, without indifference. Or they directly experienced these events as in a dream or hallucination, under the influence of prema. Thus the chronological order is missing out of confusion in separation. Or the events are arranged in order of less fear for Kṛṣṇa, with clear enumeration of the events. We were saved from the poisonous water, what to speak of from Aghāsura. Or we were saved from the demon Kāliya and others demons, from Pūtana, Baka and Agha, and from Śaṅkhacūḍa, a Yakṣa, non-different from the Rākṣasas mentioned (vyāla-rākṣasād). This is made clear in the story of Dhruva. The singular rākṣasāt is used to denote a species. You protected us from the storm of intoxicated Indra and from the wind of Tṛnavarta (mārutāt) and from the lightening at the time of the monsoon. You protected us from two forest fires and from other things like the cart (viśvataḥ). We and the cowherds (te) were protected by you (understood by context). By defeating Kāliya, you protected the cowherds from the poisonous water and you protected us when we wanted to enter the water and die in grief by your sweet glance. You protected Nanda from being swallowed by the snake. You protected all of Vraja from fear of Pūtanā falling on them. You protected the young boys from śakata and the yamalārjuna trees. You protected us from Śaṅkhacūḍa. You protected all of Vraja from the rain. These are stated as examples. We were protected by all these in general. Now however you should protect us by coming. Or the word kim is continued from the last verse. Were we protected from all these calamities? It would be better if they would kill us. The demons are listed with increasing tendency to kill them.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The gopīs list past rescues — from poison, demons, storms, fire — to remind Kṛṣṇa He has always protected them. Remembering past mercies builds faith that the same Lord who saved you before will save you again.
Reflection Questions
  • Which past rescues in your own life can you recall to steady your present anxiety?
  • How does memory of grace shape your willingness to ask again?

A child whose father has carried him through seven fires does not, in the eighth fire, look for the doorway — he looks for the father's hands. The gopīs catalog seven rescues — poisoned water, Agha, the rain, the wind, the thunderbolt, the bull, Vyoma — to say: we have no other refuge-instinct left in us; absence itself is the one danger You haven't yet pulled us out of.

Kāliya's hoods, Indra's rains, Agha's mouth

Each rescue named in this verse has its own chapter in Canto 10: the poisoned Yamunā (10.15-16), Aghāsura's serpent-mouth swallowing the boys (10.12), Indra's seven-day deluge answered by Govardhana lifted on one finger (10.24-27), Tṛṇāvarta the whirlwind (10.7), Indra's vajra in the same Govardhana arc, Ariṣṭāsura the bull (10.36), Vyomāsura the cave-demon son of Maya (10.37).

The gopīs are not reciting trivia. They are reading their own present pain back through the grammar of past rescues: 'You have done this six and seven times — and yet right now You are not here. So our case is unique, or You are no longer the One we knew.' The verse is half thanksgiving and half summons.

📝 My note

Śrīmad-Bhāgavatam 10.31.4

↗
न खलु गोपीकानन्दनो भवान् अखिलदेहिनामन्तरात्मद‍ृक् । विखनसार्थितो विश्वगुप्तये सख उदेयिवान् सात्वतां कुले ॥ ४ ॥
na khalu gopīkā-nandano bhavān
[na khalu gopeekaa-nandano bhavaan]
akhila-dehinām antarātma-dṛk
[akhila-dehinaam antaraatma-drik]
vikhanasārthito viśva-guptaye
[vikhanasaarthito vishva-guptaye]
sakha udeyivān sātvatāṁ kule
[sakha udeyivaan saatvataam kule]
na — not khalu — indeed gopikā — of the gopī, Yaśodā nandanaḥ — the son bhavān — Your good self akhila — of all dehinām — embodied living entities antaḥ - ātma — of the inner consciousness dṛk — the seer vikhanasā — by Lord Brahmā arthitaḥ — prayed for viśva — of the universe guptaye — for the protection sakhe — O friend udeyivān — You arose sātvatām — of the Sātvatas kule — in the dynasty .
Blended reading (Sanskrit + English inline)
na khalu gopīkā-nandano bhavān
na
not
khalu
indeed
gopikā
of the gopī, Yaśodā
nandanaḥ
the son
bhavān
Your good self
akhila-dehinām antarātma-dṛk
akhila
of all
dehinām
embodied living entities
antaḥ - ātma
of the inner consciousness
dṛk
the seer
vikhanasārthito viśva-guptaye
vikhanasā
by Lord Brahmā
arthitaḥ
prayed for
viśva
of the universe
guptaye
for the protection
sakha udeyivān sātvatāṁ kule
sakhe
O friend
udeyivān
You arose
sātvatām
of the Sātvatas
kule
in the dynasty .
  • gopikā-nandanaḥ — the son of the gopī (Yaśodā)
    Compound: gopikā (gopī, here Yaśodā) + nandanaḥ (delight, son). The gopīs simultaneously affirm and 'qualify' Kṛṣṇa's vātsalya-relation. Gauḍīya commentary (Viśvanātha) reads the 'na khalu' as rhetorical: He is Yaśodā's son, and more — but to the gopīs even that 'more' must answer their love.
  • antaḥ-ātma-dṛk — the seer of the inner consciousness
    Compound: antar (inner) + ātma (self) + dṛk (seer). The Upaniṣadic name of the Paramātmā who witnesses every heart. The gopīs concede the śāstric truth about Kṛṣṇa, then immediately bring Him back to Vraja in the next breath.
  • vikhanasā — by Lord Brahmā
    Instrumental of Vikhanas, an epithet of Brahmā ('one whose excavating is unique', or 'the originator'). The verse explicitly threads Kṛṣṇa's avatāra back through the Milk-Ocean prayer of SB 10.1 — the gopīs know the cosmic story; they simply have a more intimate claim on Him.
  • sakhe — O friend
    Vocative of sakhi/sakhā. Notable in this verse: in the middle of citing Brahmā and cosmic protection, the gopīs call Him sakhe — friend. The mādhurya-sakhī bhāva collapses the cosmic register back to intimacy.
  • sātvatām — of the Sātvatas
    Genitive plural — the Yadu/Sātvata line. The verse touches Kṛṣṇa's Dvārakā-side identity, the dynasty He will later rule. The gopīs' love is unthreatened by it: they include all of Him, but their hands hold only Vraja.
You are not actually the son of the gopī Yaśodā, O friend, but rather the indwelling witness in the hearts of all embodied souls. Because Lord Brahmā prayed for You to come and protect the universe, You have now appeared in the Sātvata dynasty.

The gopīs here imply, “Since You have descended to protect the entire universe, how can You neglect Your own devotees?”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
You are not actually the son of the gopī Yaśodā, O friend, but rather the indwelling witness in the hearts of all embodied souls. Because Lord Brahmā prayed for You to come and protect the universe, You have now appeared in the Sātvata dynasty.
Commentary

"O gopis, you speak without thoroughly investigating. I, son of Nanda, am the source of all bliss. You accuse me of the sin of killing women and destroying faith. Therefore, I will leave this place and hide myself so that for many births you will not see me." Fearing such response from Krsna, the repentant gopis began to praise him in order to please him. "You are not the son of a cowherd woman, but rather the soul within each jiva, the form of Vasudeva who inspires the heart, who witnesses everything (drk). We have heard this from Baguri and Paurnamasi. Thus we speak under inspiration from you. Therefore do not be angry with us, but be pleased with us. We have also heard about the cause for your appearance. Please hear that. Because Brahma (vikhanas) prayed for you to protect the universe (visva guptaye), you appeared in the womb of Yasoda." "If you know that, then by did you speak such harsh words to me?" Fearing such comment by Krsna the gopis said, " O friend, (sakhe), you have smothered us in the ocean of sakhya rasa. As you protect the whole universe as a friend, you should also protect us who reside within the universe." Another meaning : "One cannot find the such suffering of the gopis among all men, devatas, animals or birds, yet seeing our suffering you are blissful. Therefore we conclude, you did not appear in the womb of Yasoda, who is sensitive to a particle of suffering in others. We do not see any of her good qualities in you." "Then who am I?" "We think you are the soul pervading all entities (antaryami). The antaryami, though seeing all the sufferings of the jivas, resides there in the heart very comfortably. We do not know the reason for your appearing in this world, as you are so indifferent. Brahma, desiring the increase in the creation, prayed "Stay hidden (visva guptaye), because if you revealed yourself, all the jivas will get liberated by devotion to you, and will leave the universe. Though you appear, remain hidden, so that no one understands that you are the supreme Lord. What to speak of ordinary men, who disregard you as the Lord in your human like pastimes, even those surrendered to you will take on the role of demons (lika Jarasandha). Thus I will be able to carry out the creation." To fulfill this desire of Brahma, you accept actions contrary to dharma such as stealing wives and objects from others, showing envy, pride and violence, to hide your true nature. Giving up your true nature which is difficult to give up, your neutrality, you have appeared in Gokula. And in order to accept others wives, you became our friend (he sakhe)."

Jīva Gosvāmī Gauḍīya
Commentary

From his powers they infer the following. They speak in order to praise him. Expressing their helpless condition with misery, they address him as the Lord, though he is also part of their family. There is no fault in this. You know that our hearts are suffering since you are the antaryāmī of all beings. What more can we say? They infer the cause of his appearance. By the prayers of your devotees, by appearing in our family, you protect the devotees in all conditions. You should not wait for certain conditions in relation to us, your beloveds. Now is the best condition. “But you are not my devotees.” Still we should be protected. Brahmā prayed that you should protect everyone (viśva-guptaye). But actually we are endowed with special love among all the devotees and therefore deserve special protection. Thus they exclaim “O friend!” Or, the words showing Kṛṣṇa’s lordship are expression of glorification they have heard from of sages. The aim of the gopīs is to have their desires fulfilled by appealing to those powers, even though they actually experience the sweetness of Kṛṣṇa as the son of cowherd with their conjugal love. This should be understood in later statements also. Or, khalu indicates negation as in the expression khalu kṛtvā: stop doing that. Witnessing everything, you are not the son of a cowherd woman but that is not true (khalu). Why? Brahmā prayed that you appear and you have appeared in a cowherd family. Therefore you should protect us. Or they speak with malice. You are not the son of Yaśodā, who is most merciful and gives us protection. You are Paramātmā, since you are indifferent to everyone. Controlled by Brahmā’s bhakti, you have appeared to protect the universe, using the pretext of being born as Nanda’s son. But you made friends with us as part of your childhood play. Thus you should protect us. Or the negative can be applied to all statements in the verse. You are not a friend (sakhe)! Perhaps (khalu) you are not the son of Yaśodā. Otherwise you would not be indifferent to us. You are not the antaryāmī of all beings. Otherwise you would know about our suffering. Brahmā did not pray for you to protect the universe. Otherwise you would have protected us. You did not take birth in a family of devotees. Otherwise you would display unconditional mercy.

Śrīdhara Svāmī Gauḍīya
Commentary

You not only exist externally as the performer of various pastimes, but internally as well. Since you are the witness in all beings, you know our suffering. How much can we describe? “Yes I know, but everything should be done at the proper time.” By appearing in the world among the devotees by the prayers of Brahmā, you must protect the devotees at any time. It is not proper to choose a favorable moment for us, your devotees. In this avatāra you depend on the devotees, and go beyond your own work. This is made clear when he rescues the son of his guru. “You are not my devotees.” Still you should protect us, since Brahmā prayed that you should protect everyone during this avatāra. He prayed for the protection of the universe. Since you must fulfill the promise to your great devotee Brahmā, you should not ignore us. Moreover we should be especially protected because of special bhāva. You are our friend (sakhe). Or though you are the inner witness, are you not the giver of bliss to the gopīs (gopikā-nandandaḥ)? Yes you are. You came when Brahmā prayed. Therefore you should give us bliss. Or you are not Kṛṣṇa, who manifests his qualities as Bhagavān, with qualities like mercy, beautiful form and pastimes. You are Paramātmā. Taking the role of Vedāntists, they speak in great pain. You are certainly (khalu) not Kṛṣṇa. That is understood now. That is understood in the rest of the statements in the verse. Or in spite of the prayer of Brahmā you do not protect the universe, but destroy it (aviśva-guptaye). You were born in the family of Yadus, not the cowherds. Or O friend! This is uttered with sarcasm. The na in the beginning of the verse is supplied for all the statements. Are you really a friend? You are not the son of Yaśodā. If you were, you would not ignore us, after showing you are controlled by your devotee in the Dāmodara pastime. Or if you were the person who gives joy to all the women of Vraja (gopikā-nandandaḥ) you could not treat us in this manner. You are not the inner witness of all beings. If you were, you would know about our suffering. Brahma did not pray that you protect the world. If he did, then we would be qualified for your protection. You did not appear in the Yadu family. If you did, you would have unlimited mercy to persons related to them. Or you were requested to appear in the family of devotees (sātvatām) by Brahmā to protect the world since you are the witness in all beings. You (sa) appeared as ākāsa (khe), being neutral. Thus you are not the one who gives joy to the gopis (gopikā-nandanaḥ). Or u means O gopikā-nandanda! Vikhana means Kṛṣṇa’s grandfather. By your grandfather you were requested to protect the all people of Vraja (viśva-guptaye). You appeared in the family of cowherd devotees (sātvatām kule). What to speak of protecting us, you do not even know the suffering in our hearts. You are not the knower of what is in our hearts. You should destroy the great pain in our burning hearts. It is well known that his grandfather worshipped Viṣṇu for having the best son.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)
Related verses
Concepts
DharmaAvatara
The gopīs see through the cowherd-boy form to the indwelling witness within all hearts, descended at Brahmā's prayer to protect the world. The Lord who shelters all cannot reasonably neglect those who have given Him everything.
Reflection Questions
  • Do you relate to Kṛṣṇa only as a distant cosmic protector, or also as the witness within your own heart?
  • If He came to protect the universe, what stops you from trusting Him with your one small life?

A king's son raised in a cowherd's hut is still the king's son — but the cowherd parents call him son and he calls them mother and father, and the household's bond is not the less real for being chosen. The gopīs say: we know You are the antarātmā of every embodied being; we also know You arrived as Yaśodā's son. Both are true, and the second is the door we entered by.

Brahmā's prayer for descent

When the burden of adharma grew, Brahmā along with the demigods prayed at the shore of the Milk Ocean for the Lord to descend — narrated at SB 10.1. Kṛṣṇa's birth in the Sātvata (Yadu/Vṛṣṇi) dynasty is the answer.

The gopīs invoke this here with a strange tenderness — 'You are not really Yaśodā's son' — meaning, of course, He is also her son; but Vraja's privilege is precisely that Bhagavān, who came for cosmic protection, chose to spend His childhood letting Yaśodā tie Him with rope. The verse is not deflating His Vraja identity; it is celebrating the fact that the One whom Brahmā prayed for is the One Yaśodā now calls home for dinner.

📝 My note

Śrīmad-Bhāgavatam 10.31.5

↗
विरचिताभयं वृष्णिधूर्य ते चरणमीयुषां संसृतेर्भयात् । करसरोरुहं कान्त कामदं शिरसि धेहि न: श्रीकरग्रहम् ॥ ५ ॥
viracitābhayaṁ vṛṣṇi-dhūrya te
[virachitaabhayam vrishni-dhoorya te]
caraṇam īyuṣāṁ saṁsṛter bhayāt
[charanam eeyushaam samsriter bhayaat]
kara-saroruhaṁ kānta kāma-daṁ
[kara-saroruham kaanta kaama-dam]
śirasi dhehi naḥ śrī-kara-graham
[shirasi dhehi nah shree-kara-graham]
viracita — created abhayam — fearlessness vṛṣṇi — of the Vṛṣṇi dynasty dhūrya — O best te — Your caraṇam — feet īyuṣām — of those who approach saṁsṛteḥ — of material existence bhayāt — out of fear kara — Your hand saraḥ - ruham — like a lotus flower kānta — O lover kāma — desires dam — fulfilling śirasi — on the heads dhehi — please place naḥ — of us śrī — of the goddess of fortune, Lakṣmīdevī kara — the hand graham — taking .
Blended reading (Sanskrit + English inline)
viracitābhayaṁ vṛṣṇi-dhūrya te
viracita
created
abhayam
fearlessness
vṛṣṇi
of the Vṛṣṇi dynasty
dhūrya
O best
te
Your
caraṇam īyuṣāṁ saṁsṛter bhayāt
caraṇam
feet
īyuṣām
of those who approach
saṁsṛteḥ
of material existence
bhayāt
out of fear
kara-saroruhaṁ kānta kāma-daṁ
kara
Your hand
saraḥ - ruham
like a lotus flower
kānta
O lover
kāma
desires
dam
fulfilling
śirasi dhehi naḥ śrī-kara-graham
śirasi
on the heads
dhehi
please place
naḥ
of us
śrī
of the goddess of fortune, Lakṣmīdevī
kara
the hand
graham
taking .
  • vṛṣṇi-dhūrya — O best of the Vṛṣṇis
    Compound: vṛṣṇi (the dynasty) + dhūrya (best, foremost, lit. 'one who carries the yoke'). Even mid-Gopī-gīta the gopīs slip in Kṛṣṇa's dynastic title — but only to crown it: 'best of them' — because for them every category dissolves into superlative addressed to Him alone.
  • abhayam — fearlessness
    Neuter of a-bhaya — 'no fear'. Echoes Bhagavad-gītā 18.66 ('mā śucaḥ') — surrender produces abhaya. Kṛṣṇa's hand is named the abhaya-pradāyaka — the bestower of fearlessness. Gauḍīyas read His lifted hand of varada-mudrā into this very phrase.
  • kara-saraḥ-ruham — Your hand like a lotus flower
    Compound: kara (hand) + saraḥ-ruha (pond-born, lotus). The same hand that holds Lakṣmī, the gopīs ask, place on our heads. The image fuses tenderness and authority — a lotus is the softest and the most royal of objects at once.
  • kāma-dam — fulfilling desires
    Compound: kāma (desire) + dam (giver). Pointed in this verse: the gopīs' kāma is not material; it is to have Kṛṣṇa's hand on their heads. They are asking the kāma-da Lord to fulfill the only desire that is itself a form of bhakti.
  • śrī-kara-graham — taking the hand of the goddess of fortune
    Compound: śrī (Lakṣmī) + kara (hand) + graham (taking, accepting). The same hand that Lakṣmī takes — Gauḍīya commentary makes the contrast explicit: Lakṣmī receives Nārāyaṇa's hand as His consort; the gopīs ask for it on their heads as His maidservants. The lower-seeming request is the higher rasa.
O best of the Vṛṣṇis, Your lotuslike hand, which holds the hand of the goddess of fortune, grants fearlessness to those who approach Your feet out of fear of material existence. O lover, please place that wish-fulfilling lotus hand on our heads.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O best of the Vṛṣṇis, Your lotuslike hand, which holds the hand of the goddess of fortune, grants fearlessness to those who approach Your feet out of fear of material existence. O lover, please place that wish-fulfilling lotus hand on our heads.
Commentary

"O wonderful speakers, I disappeared in order to hear the nectar of words in anger and love. Now that that desire has been fulfilled, take any boon you wish from me." Thinking of such merciful words from Krsna, the gopis, being relieved, began to voice their individual desires in four verses. "O best of the Vrsnis, like the sun for the lotuses! Place your lotus hands on our heads." "Why?" " By this you destroy kama deva (kama dam), in fear of whose arrows we have surrendered to you, though that hand again ironically makes us lusty (another meaning of kama da). You cannot say that you cannot do this, because you give fearlessness to men who have surrendered to you when they fear samsara. For one who can give protection from fear of samsara, what effort would it take to protect a person from the danger of lust?" "If that is so, may I then place my lotus hand on your breasts? My mind desires to put my hands there instead." "No, your hands are held by the hands of Laksmi ( sri kara graham) in order to prevent you from placing your hands on her breasts, so we must also prevent that."

Jīva Gosvāmī Gauḍīya
Commentary

As in the previous verse they imagine his powers as the Lord. Your hand grants liberation (viracitābhayam). Your hand gives what people desire such as dharma, artha and kāma and also bhakti (kāma-dam). Your hand accepts to be controlled by the devotees because of their prema. It grants rasa because of prema. The sequence is in order of ascending excellence. That hand is like a lotus because by its nature it gives coolness and sweetness. Liberation here means freedom from various sufferings with the increase of a wealth of unobstructed prema. Artha, dharma and kāma are only accepted in their aspects which are suitable for attaining prema. Otherwise the devotees reject them. The whole description arises from enthusiasm of prema. “But you are not qualified for prema.” That is true. Because of your greatness, please place that hand on our heads. You have appeared in the Yadu dynasty particularly to reveal your unlimited sweetness (vṛṣṇi-dhūrya). You should give your hand because of your love for us (kānta). Or his hand giving relief from fear indicates his courage in removing fear of saṁsāra. Kānta indicates that he bestows all desires. You bestow all desires and bestow happiness (śrīkara-graham) since you hold the hand of Lakṣmī, controller of all wealth, because you control her in Gokula. Since you can bestow all wealth, you can fulfill our desire in the form of destroying our fear of separation. Attaining you, all other things are also attained. You are the outstanding member in Vraja, a part of the Vṛṣṇi dynasty. You should thus protect us and not ignore us. Thus place your hand on our heads for these two reasons. Accept us as yours.

Śrīdhara Svāmī Gauḍīya
Commentary

As in the previous verse they imagine his powers as the Lord. Your hand grants liberation (viracitābhayam). Your hand gives what people desire such as dharma, artha and kāma and also bhakti (kāma-dam). Your hand accepts to be controlled by the devotees because of their prema. It grants rasa because of prema (śrīkara-graham). The sequence is in order of ascending excellence. That hand is like a lotus because by its nature it gives coolness and sweetness. Liberation here means freedom from various sufferings with the increase of a wealth of unobstructed prema. Artha, dharma and kāma are only accepted in their aspects which are suitable for attaining prema. Otherwise the devotees reject them. The whole description arises from enthusiasm of prema. “But you are not qualified for prema.” That is true. Because of your greatness, please place that hand on our heads. You can control Indra (vṛṣṇi-dhurya). Thus you should favor your devotees. O Kṛṣṇa who appeared in the Yadu dynasty to display unlimited mercy! The cowherds are also Yadus. You should do this because of your special bhāva. O beloved (priya)! Or there is a comparison with a lotus. The lotus, by destroying suffering, by its coolness, bestows all desires –there is destruction of suffering and bestowal of bliss (kāmadam). The highest result is also spontaneously produced. The hand gives freedom from fear of saṁsāra for those who are surrendered. Therefore destroy our fear of again being separated from you. O lover! Your hand bestows all desires (kāma-dam). It is all things and bestows all things. Kānta (lover), the best expression of Kṛṣṇa with the best quality, is placed before kāma-dam, though it should be placed last in the list of qualities. The reason it is placed before kāma-dam is to emphasize the conclusion, as explained in Bhāgavatāmṛta, or it expresses the present desire of the gopīs: attaining him as the lover will be the fulfilment of their desires. This is possible for you to hold the hand of Lakṣmī. Thus it is possible you will do this for us. Or put the hand held by Lakṣmī on our heads because you are bestow mercy to the Yadus (vṛṣni-dhūrya). This desire is later expressed by Akrura: apy aṅghri-mūle patitasya me vibhuḥ śirasy adhāsyan nija-hasta-paṅkajam dattābhayaṁ kāla-bhujāṅga-raṁhasā prodvejitānāṁ śaraṇaiṣiṇāṁ ṇṛnām And when I have fallen at his feet, my master will place his lotus hand upon my head-- a hand which destroys fear in all people who are greatly disturbed by the powerful serpent of time and who desire shelter. SB 10.38.16 And you are our lover (kānta). You can do this since you fulfill all desires (kāmadam). Or place on our heads your hand which has the marks of śaṅkha and cakra (śrīkara-graham), which destroys fear by destroying enemies, for persons surrendered (īyuṣām) to your feet because of fleeing from fear of enemies (saṁsṛter bhayāt). This interpretation avoids the majestic aspect (of Lakṣmī). You have appeared in the Yadu dynasty particularly to reveal your unlimited sweetness (vṛṣṇi-dhūrya). You should give your hand because of your love for us (kānta). Or his hand giving relief from fear indicates his courage in removing fear of saṁsāra. Kānta indicates that he bestows all desires. You bestow all desires and bestow happiness (śrīkara-graham) since you hold the hand of Lakṣmī, controller of all wealth, because you control her in Gokula. Since you can bestow all wealth, you can fulfill our desire in the form of destroying our fear of separation. Attaining you, all other things are also attained. You are the outstanding member in Vraja, a part of the Vṛṣṇi dynasty. You should thus protect us and not ignore us. Thus place your hand on our heads for these two reasons. Accept us as yours.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)
Related verses
Concepts
SamsaraDharma
The gopīs beg Kṛṣṇa to place His wish-fulfilling lotus hand — the same hand that holds Lakṣmī's — upon their heads. They want not opulence or rescue from death, but the touch of personal blessing from the Lord.
Reflection Questions
  • What blessing do you most want from Kṛṣṇa — material relief, or the touch of His personal attention?
  • Where in your day could you bow your head and ask Him to place His hand there?

When the gardener's hand reaches into the lotus pond, every blossom turns toward it; that hand is Kṛṣṇa's, and it has already taken Lakṣmī's. The gopīs ask: that very hand — fearless-making for those who flee saṁsāra, wish-granting where it touches — please rest it not in some prayer-niche but on our own heads.

📝 My note

Śrīmad-Bhāgavatam 10.31.6

↗
व्रजजनार्तिहन् वीर योषितां निजजनस्मयध्वंसनस्मित । भज सखे भवत्किङ्करी: स्म नो जलरुहाननं चारु दर्शय ॥ ६ ॥
vraja-janārti-han vīra yoṣitāṁ
[vraja-janaarti-han veera yoshitaam]
nija-jana-smaya-dhvaṁsana-smita
[nija-jana-smaya-dhvamsana-smita]
bhaja sakhe bhavat-kiṅkarīḥ sma no
[bhaja sakhe bhavat-kinkareeh sma no]
jalaruhānanaṁ cāru darśaya
[jalaruhaananam chaaru darshaya]
vraja - jana — of the people of Vraja ārti — of the suffering han — O destroyer vīra — O hero yoṣitām — of women nija — Your own jana — of the people smaya — the pride dhvaṁsana — destroying smita — whose smile bhaja — please accept sakhe — O friend bhavat — Your kiṅkarīḥ — maidservants sma — indeed naḥ — us jala - ruha — lotus ānanam — Your face cāru — beautiful darśaya — please show .
Blended reading (Sanskrit + English inline)
vraja-janārti-han vīra yoṣitāṁ
vraja - jana
of the people of Vraja
ārti
of the suffering
han
O destroyer
vīra
O hero
yoṣitām
of women
nija-jana-smaya-dhvaṁsana-smita
nija
Your own
jana
of the people
smaya
the pride
dhvaṁsana
destroying
smita
whose smile
bhaja sakhe bhavat-kiṅkarīḥ sma no
bhaja
please accept
sakhe
O friend
bhavat
Your
kiṅkarīḥ
maidservants
sma
indeed
jalaruhānanaṁ cāru darśaya
naḥ
us
jala - ruha
lotus
ānanam
Your face
cāru
beautiful
darśaya
please show .
  • vraja-jana-ārti-han — O destroyer of the suffering of the people of Vraja
    Compound stacking: vraja (Vraja) + jana (people) + ārti (distress) + han (destroyer). One of Kṛṣṇa's most beloved Gauḍīya epithets — He is not just generic ārti-han but specifically the destroyer of Vraja's pain. His mission has an address.
  • smaya-dhvaṁsana-smita — whose smile destroys (their) pride
    Compound: smaya (pride) + dhvaṁsana (destruction) + smita (smile). A Gauḍīya jewel-phrase: Kṛṣṇa's smile dismantles not the devotees' enemies but the devotees' own subtle pride. The gopīs are asking for the smile that breaks down whatever in them is still resisting full surrender.
  • kiṅkarīḥ — maidservants
    Plural of kiṅkarī, 'one who asks kiṁ karomi — what shall I do?' The technical term for a sevikā in mañjarī-bhāva. The gopīs are not asking for romance; they are asking for service — to be the ones whose only question is 'what shall I do for You?'
  • jala-ruha-ānanam — Your face like a lotus
    Compound: jala-ruha (water-born, lotus) + ānanam (face). Lotus imagery in the Gopī-gīta is not decorative — Bhāgavata Vraja-rasa returns again and again to lotuses (feet, hands, face, eyes) because the lotus is Lakṣmī's seat, and the gopīs' love places them around every limb of the One on whom Lakṣmī herself sits.
  • darśaya — please show
    Imperative causative of √dṛś — 'cause us to see'. The whole Gopī-gīta is a sustained request for darśana. Gauḍīya bhakti has darśana as its first food: to see Him is the precondition of every further service.
O You who destroy the suffering of Vraja’s people, O hero of all women, Your smile shatters the false pride of Your devotees. Please, dear friend, accept us as Your maidservants and show us Your beautiful lotus face.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O You who destroy the suffering of Vraja's people, O hero of all women, Your smile shatters the false pride of Your devotees. Please, dear friend, accept us as Your maidservants and show us Your beautiful lotus face.
Commentary

Other gopis said, "Take away the pain arising from the arrows of cupid in the women of Vraja by your smile, but not the pain of other women in svarga and elsewhere." This is mentioned in bhagavatam : vyoma yana vinitah kasmalam..."The women of svarga riding on their planes in the sky fainted from the pain of lust and their belts loosened." "O one who is victorious in the struggle with cupid (vira), you do not tolerate the pride stemming from our good fortune and the anger stemming from that. Your smile destroys of pride of your devotee." "Quickly take your boon" "Please honor us your servants." "If you are my servants, why are you giving me the order to serve you?" "Serve us by showing us your attractive lotus face."

Jīva Gosvāmī Gauḍīya
Commentary

Because of great agitation the gopīs pray for their desires in three verses, first by praying only for acceptance by him. They pray first for general association with him. Accept your servants by standing nearby to remove our sorrow. Let that desire be! Show your attractive face similar to a lotus flower. You will do this because you remove the pain of the people of Vraja (vraja-janārti-han). If you do not sow your face, we will die, and your name will not be true. You are strong (vīra). Thus, though you do not accept us, you are fully capable of doing so. You destroy the pride of your devotees simply by your smile. Therefore you disappeared. This phrase indicates his great attractiveness. We must see that face. O friend! In accepting us, you can act as a friend. Or, in not accepting us, we will suffer and then you will suffer. As friends we will both suffer. However this indicates the fault of destroying their faith. Though they are friends they fear that they have been too bold, because of their humility in separation. Thus they say “We are your servants.” We are just women (yoṣitām). Since we have no ability, you must be merciful to us. Or, among women you destroy the pride of those who are married to you (nija-jana). Therefore accept us as your wives by showing your face and other means indicated till the end of verse 8. Or, out of great pain, they speak in affectionate anger. Though you destroy the pain of the people of Vraja, you are strong and capable (vīra) of killing women! Therefore we are almost dead. Your false smile takes way the happiness of your devotees. Accept those who are not your servants. (abhavat). Show your beautiful lotus face to us since we will certainly die. But the purification takes place just by offering respects.

Śrīdhara Svāmī Gauḍīya
Commentary

You should not only place your hand on your heads but fulfill our desire. What was previously stated they expresses with great longing. By this, they show he is qualified for worship. If you do not accept us, by dying we will stop the pain. O hero (vira)! You are capable of giving even what should not be given. You destroy pride just by your smile. Why do you have to disappear to destroy our pride? Or his great attractiveness is indicated. Therefore we must see him. O friend! This indicates a special type of response. Or you should grieve after seeing our unfortunate state when you do not respond to us, since friends experience each other’s suffering. Or if you do not respond, you will be at fault for destroying trust as a friend. “I do not care for all this.” They then speak in misery. We are your servants. It is most unsuitable to ignore those who have surrendered to you. Or “Follow Balarāma.” We are your servants, not anyone else’s. Show with love (caru) or with a close view your lotus face, with its glance, a movement of the brow and smile. Just by seeing your face which is like a lotus, it removes the pain causes by separation. You must show mercy because we are women (yoṣitām) with no ability. Or if you do not show your face those who take you as their life will die. Or women by the happiness of seeing you become fully devoted to you. Therefore you should show your face to them. Or among women, you should accept those who are your own as your wives. Your smile destroys our pride. Therefore accept them as your servants. The method is explained. Show your lotus face. This method continues till the end of verse 8. Or O hero of women (vira yoṣitām)! You are capable of killing women. We are about to die. Respond to those who are not your servants (abhavat-kiṅkarīḥ). Show us your beautiful lotus face since our death is certain. This is uttered in great pain, and anger.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Kṛṣṇa is the destroyer of Vraja's suffering and the hero whose smile shatters devotees' false pride. The gopīs ask to be accepted as His maidservants — pride breaks open in the presence of one we truly love.
Reflection Questions
  • What pride of yours has Kṛṣṇa's beauty or kindness already begun to dismantle?
  • Are you willing to be a maidservant in some area where you currently insist on being in charge?

When the village's grief comes to one threshing-floor, the village brings it to the man who can carry it; the gopīs say Vraja itself has set its sorrow down at Your door. And so they ask: do not be a hero to women in general — be hero to these women, the ones who have already laid down their pride and stand here calling You sakhe.

📝 My note

Śrīmad-Bhāgavatam 10.31.7

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प्रणतदेहिनां पापकर्षणं तृणचरानुगं श्रीनिकेतनम् । फणिफणार्पितं ते पदाम्बुजं कृणु कुचेषु न: कृन्धि हृच्छयम् ॥ ७ ॥
praṇata-dehināṁ pāpa-karṣaṇaṁ
[pranata-dehinaam paapa-karshanam]
tṛṇa-carānugaṁ śrī-niketanam
[trina-charaanugam shree-niketanam]
phaṇi-phaṇārpitaṁ te padāmbujaṁ
[phani-phanaarpitam te padaambujam]
kṛṇu kuceṣu naḥ kṛndhi hṛc-chayam
[krinu kucheshu nah krindhi hrich-chayam]
praṇata — who are surrendered to You dehinām — of the embodied living beings pāpa — the sins karṣaṇam — which remove tṛṇa — grass cara — who graze (the cows) anugam — following śrī — of the goddess of fortune niketanam — the abode phaṇi — of the serpent (Kāliya) phaṇā — on the hoods arpitam — placed te — Your pada - ambujam — lotus feet kṛṇu — please put kuceṣu — on the breasts naḥ — our kṛndhi — cut away hṛt - śayam — the lust in our hearts .
Blended reading (Sanskrit + English inline)
praṇata-dehināṁ pāpa-karṣaṇaṁ
praṇata
who are surrendered to You
dehinām
of the embodied living beings
pāpa
the sins
karṣaṇam
which remove
tṛṇa-carānugaṁ śrī-niketanam
tṛṇa
grass
cara
who graze (the cows)
anugam
following
śrī
of the goddess of fortune
niketanam
the abode
phaṇi-phaṇārpitaṁ te padāmbujaṁ
phaṇi
of the serpent (Kāliya)
phaṇā
on the hoods
arpitam
placed
te
Your
pada - ambujam
lotus feet
kṛṇu kuceṣu naḥ kṛndhi hṛc-chayam
kṛṇu
please put
kuceṣu
on the breasts
naḥ
our
kṛndhi
cut away
hṛt - śayam
the lust in our hearts .
  • praṇata-dehinām — of the embodied beings who are surrendered
    Compound: praṇata (bowed down, surrendered) + dehinām (of the embodied). A Gauḍīya phrase joining śaraṇāgati to the very category of embodiment — the body is the precondition that makes praṇāma possible; it is not despised but offered.
  • tṛṇa-cara-anugam — following those who graze on grass (the cows)
    Compound: tṛṇa (grass) + cara (grazer, i.e. cows) + anugam (follower). Bhāgavata-defining image: the same feet worshiped by Lakṣmī walk behind the cows. Vraja's go-pāla bhāva — God as cowherd, never as commander — is encoded in this single compound.
  • phaṇi-phaṇā-arpitam — placed upon the hoods of the serpent
    Compound: phaṇi (hooded serpent, Kāliya) + phaṇā (the hood) + arpitam (placed). Direct reference to Kāliya-damana. The gopīs are saying: those feet have done this work before; do it for us.
  • kṛndhi — cut away
    Imperative of √kṛnt, 'to cut, tear'. A surgical verb — they do not ask Kṛṣṇa to soothe their hṛt-śaya but to excise it. Gauḍīya reading: the kāma in the heart is removed only by the direct contact of Kṛṣṇa's feet, not by mental management.
  • hṛt-śayam — the lust in the heart
    Compound: hṛt (heart) + śayam (that which lies / sleeps). The technical term for kāma-as-tenant — Bhagavad-gītā 3.40 names indriyāṇi mano buddhi as kāma's seat. The gopīs ask for it cut out at the root by the touch of Kṛṣṇa's feet — bhakti's only solvent for kāma.
Your lotus feet destroy the past sins of all embodied souls who surrender to them. Those feet follow after the cows in the pastures and are the eternal abode of the goddess of fortune. Since You once put those feet on the hoods of the great serpent Kāliya, please place them upon our breasts and tear away the lust in our hearts.

In their appeal, the gopīs point out that Lord Kṛṣṇa’s lotus feet destroy the sins of all surrendered conditioned souls. The Lord is so merciful that He even goes out to herd the cows in the pasturing ground, and thus His lotus feet follow them about in the grass. He has offered His lotus feet to the goddess of fortune and has placed them upon the hoods of the serpent Kāliya. Therefore, considering all this, the Lord should place His lotus feet on the gopīs’ breasts and satisfy their desire. That is the logic the gopīs employ here.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Your lotus feet destroy the past sins of all embodied souls who surrender to them. Those feet follow after the cows in the pastures and are the eternal abode of the goddess of fortune. Since You once put those feet on the hoods of the great serpent Kāliya, please place them upon our breasts and tear away the lust in our hearts.
Commentary

Other gopis said, "Place your lotus feet upon our breasts." "Why?" "In order to diminish the pain of our desire." Because they have the greatest knowledge of love, the gopis endowed with the greatest prema, without desire to remove their pain or attain happiness, who serve with body, words and mind only for Krsna’s happiness, who display the pain of love, youth and beautiful form for increasing Krsna’s conjugal joy, never weaken prema with their clever words, but rather weaken only lust. When one person sees his glutton friend wants to eat, wanting to feed him from affection, endeavors to obtain four types of sweets, they friend may ask, "Where are you going?" the other will answer, "I am going for my own purpose, not for you." Affection for a friend becomes more attractive through the clever use of words. If he says, "This is for your satisfaction, not mine, since I have no desires,." then the prema is diminished. In the prema samput it is said, "As long as the light of prema does not show itself explicitly, it keeps the hearts of the two lovers lit constantly. But when it goes out through the door of the mouth, quickly it gets extinguished or becomes feeble." That the gopis have no interest in their own pleasure is indicated by the Lords’ words "na paraye’ham"( I cannot repay the debt to you.), which also show the Lord’s being under their control. That Krsna is controlled by prema, not lust, is seen in all scriptures. "If I place my feet on your breasts, I fear that I will commit sin." Fearing such a comment from Krsna, the gopis therefore say, "If you destroy the sins of those surrendered to you, what is the question of your fearing sin?" "If I place my tender feet on your hard breasts, I will get pain." "You feet follow the cows, who go to very rough places to eat grass. If your feet tolerate that, then you cannot say that our breasts are too hard." "It is inappropriate to place my feet on your breasts which are decorated with many ornaments." "Your lotus feet, the abode of opulence (sri niketana), will be the best ornament for our breats." "I am afraid of your husbands." "If you were not afraid when you placed your feet on the hoods of Kaliya, then why should you be afraid of our weak husbands?"

Jīva Gosvāmī Gauḍīya
Commentary

Praying for his external association outside the heart, like some external ointment, in order to get relief from their pain of separation in their heart, out of humility, they pray only for association with his feet. Place your extraordinary lotus feet on the breasts of us, your surrendered servants. “You are fearless, but I fear obtaining sin.” Why should you fear sin? Your feet destroy the sins of persons like Nalakuvera and Maṇigrivā, who just approach those feet and offer respects. “But it is improper for me to act like this for you. This is full of sin, such as drinking liquor.” Those feet follow the cows going from forest to forest and do not suffer greatly. Or, “It is not proper to associate with ignorant persons like you.” You follow the cows which simply eat grass even if sugar is placed before them. They are also ignorant. You should have mercy on us like you have for the cows. “How can I place my feet on your splendid breasts?” Since your feet are endowed with the greatest beauty (śrī-niketanam) they will decorate our breasts attractively. “I am afraid of your husbands, since I am timid by nature.” You placed your feet on Kāliya’s heads, so what fear do you have? And those feet are suitable for destroying the desire in our hearts since they can destroy the poison of all anarthas. In this the ability of his feet to destroy sin is modified by four phrases. “So this is what you desire, destruction of sin?” No, destroy the desire in our hearts. That is our goal. Verse 19 says, “O dearly beloved! Your lotus feet are so soft that we place them gently on our breasts, fearing that your feet will be hurt.” Thus the destruction of the desire in the heart will be established with possession of affection. Previously they said that he should place his hand on their head in the singular. By putting your hand on one head, we will all accept that. This is said out of humility. Now however, they say “Put your feet on our breasts (plural).” Attaining somewhat of an individual relationship, out of individual greed, humility is no longer satisfying. They thus speak out of individual greed.

Śrīdhara Svāmī Gauḍīya
Commentary

Place your extraordinary lotus feet (te) on the breasts of us, your surrendered servants (te). Those feet destroy the misery of saṁsāra (pāpam) or the strongest desires. They follow after the cows in the pasture. This shows mercy in caring for the animals of Vraja. The four descriptive terms show the destruction of sin. “Do you desire my foot on your breast for this purpose?” No. Our goal is destruction of the desires in our hearts. Our desires are unlimited and your foot is suitable, wandering everywhere. This is for us and for you. The comparison with the lotus indicates that the foot produces all results and is the highest goal. Or “O fearless women! I am afraid of sin.” Your foot destroys the sins of all beings, of those who have offered respects even once, who have somehow surrendered to you. Why should you be afraid of sin? Or “I cannot act like this with you who are filled with sin.” You should destroy our sins, since we have surrendered to you. Sakṛd eva prapanno yas tavāsmīti ca yācayet Abhayaṁ sarvadā tasmai dadamy etad vrataṁ mama To the person who surrenders even once to me saying “I am yours” I deliver him from fear. That is my vow. Rāmāyaṇa “I should not apply that tender foot to cruel persons, since the foot will suffer.” Your feet do not suffer in wandering from forest to forest herding the cows. We, like the ignorant cows, should receive your mercy. “Is it suitable to place my feet on your beautiful breasts?” Your feet are the abode of Lakṣmī. Since your feet are full of all wealth, our breasts will be the best ornaments. “Since I am fearful by nature, I am afraid of your husbands.” You placed your feet on the hoods of Kāliya. Or you destroyed the poison by putting your feet on his head. In the same way destroy the poison of the desire in our hearts by placing your feet there. Previously they requested that he place his hand on their heads (singular used to show unity of all of them). This would not give rise to rivalry. Now they request he put his feet on their breasts (plural), individually. Thus he should also place his hands on each of their heads. Because this gives rise to rivalry, for special rasa, he should to this simultaneously to all individually, so that no distinctions are indicated. It will be the remedy for the malady which is unseen, being in the heart.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Atma Nigraha (Self-control)
Related verses
The Lord's lotus feet — which destroy past sins, walk after the cows, and once tamed Kāliya — should now press on the gopīs' hearts and tear away lust. Where the feet of Kṛṣṇa rest, lower desire cannot keep its throne.
Reflection Questions
  • What kind of inner lust or restless desire are you ready to have torn away?
  • How might you offer the space in your chest where worry lives as a resting place for His feet?

The same feet that danced unhurried on Kāliya's hundred hoods are the feet the gopīs ask onto their breasts — not as conquest, as cure. Wherever those feet land, what was lethal becomes harmless: venom in a river, lust in a heart. The asking is medical, not theatrical.

Kāliya-damana

SB 10.16: the boy Kṛṣṇa leaps into the Yamunā, lets the thousand-headed Kāliya wrap Him, then breaks the hold and dances on the serpent's hoods until the venom drains and the wives of Kāliya pray for their husband's life.

The gopīs invoke this episode here with precise theological force: the feet that defanged Kāliya's poison are the feet that can defang the hṛt-śaya — the lust hidden in the heart. They are asking for the same therapeutic violence, this time on the inside.

📝 My note

Śrīmad-Bhāgavatam 10.31.8

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मधुरया गिरा वल्गुवाक्यया बुधमनोज्ञया पुष्करेक्षण । विधिकरीरिमा वीर मुह्यतीर् अधरसीधुनाप्याययस्व न: ॥ ८ ॥
madhurayā girā valgu-vākyayā
[madhurayaa giraa valgu-vaakyayaa]
budha-manojñayā puṣkarekṣaṇa
[budha-manojnayaa pushkarekshana]
vidhi-karīr imā vīra muhyatīr
[vidhi-kareer imaa veera muhyateer]
adhara-sīdhunāpyāyayasva naḥ
[adhara-seedhunaapyaayayasva nah]
madhurayā — sweet girā — by Your voice valgu — charming vākyayā — by Your words budha — to the intelligent mano - jñayā — attractive puṣkara — lotus īkṣaṇa — You whose eyes vidhi - karīḥ — maidservants imāḥ — these vīra — O hero muhyatīḥ — becoming bewildered adhara — of Your lips sīdhunā — with the nectar āpyāyayasva — please restore to life naḥ — us .
Blended reading (Sanskrit + English inline)
madhurayā girā valgu-vākyayā
madhurayā
sweet
girā
by Your voice
valgu
charming
vākyayā
by Your words
budha-manojñayā puṣkarekṣaṇa
budha
to the intelligent
mano - jñayā
attractive
puṣkara
lotus
vidhi-karīr imā vīra muhyatīr
īkṣaṇa
You whose eyes
vidhi - karīḥ
maidservants
imāḥ
these
vīra
O hero
muhyatīḥ
becoming bewildered
adhara-sīdhunāpyāyayasva naḥ
adhara
of Your lips
sīdhunā
with the nectar
āpyāyayasva
please restore to life
naḥ
us .
  • madhurayā — sweet
    Instrumental feminine of madhura — 'honeyed'. The lexical root of mādhurya-rasa, the rasa of the Gopī-gīta itself. Kṛṣṇa's voice is not merely pleasant; it is the medium by which mādhurya is delivered.
  • puṣkara-īkṣaṇa — O lotus-eyed one
    Compound: puṣkara (lotus) + īkṣaṇa (eyes). Standard epithet, but doctrinally loaded in mādhurya-rasa — the gopīs catalog Kṛṣṇa's lotus-limbs (eyes, hands, feet, face) one by one across the Gītā, building a litany of darśana.
  • vidhi-karīḥ — maidservants
    Compound: vidhi (instruction, order) + karīḥ (doers, feminine plural). 'Female order-followers' — they describe themselves as those whose role is to enact whatever He commands. The vocabulary of sevā, not romance.
  • adhara-sīdhunā — with the nectar of (Your) lips
    Compound: adhara (lower lip) + sīdhu (nectar, sweet liquor). One of the Gopī-gīta's signature images — the lips that play the flute and speak the sweet words also carry the elixir that restores. Gauḍīya rasa-śāstra reads adhara-amṛta as the literal substance of mādhurya.
  • āpyāyayasva — please restore to life
    Imperative causative of ā-√pyāy, 'to make full, swell with life'. The same verb used Vedically for the milk-tide swelling in cows. The gopīs are asking to be milk-full again — to be brought back to the swollen-with-life state in which He last left them.
O lotus-eyed one, Your sweet voice and charming words, which attract the minds of the intelligent, are bewildering us more and more. Our dear hero, please revive Your maidservants with the nectar of Your lips.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O lotus-eyed one, Your sweet voice and charming words, which attract the minds of the intelligent, are bewildering us more and more. Our dear hero, please revive Your maidservants with the nectar of Your lips.
Commentary

" O women more dear to me than my life, dear gems, you are my very life. I am not indifferent to you. Why do you not have faith in this servant bound by golden chains and golden prema? Have faith in me. You know me like the bangles on your auspicious hands." Hearing such words from Krsna, other gopis said, "We have become overcome with bliss on tasting the sweetness of your words, which are composed of sweet syllables (madhuraya), with various meanings in each beautiful phrase, which reveal the mind of an intelligent person. Please rejuvenate us bewitched women by letting us again (punah) drink the nectar of your lips." Another meaning is, " Please let us bewildered women drink the nectar of your lips, and again (punah) put us into bewilderment."

Jīva Gosvāmī Gauḍīya
Commentary

Worried that there is no remedy for the pain caused by bewilderment induced by the desire to drink his words which are similar to the fragrance of his face, they pray for the nectar of his lips, medicine to drink along with the external medicine of his physical association. Revive us with the nectar of your lips, otherwise we will soon die. Why? By remembering your words we faint and almost die. They remember words like the following: svāgataṁ vo mahā-bhāgā āsyatāṁ karavāma kim yan no didṛkṣayā prāptā upapannam idaṁ hi vaḥ Welcome, O most fortunate ladies. Please sit down and make yourselves comfortable. What can I do for you? That you have come here to see me is most appropriate. SB 10.23.25 kaṭhorā bhava mṛdvī vā prāṇās tvam asi rādhike | asti nānyā cakorasya candralekhāṁ vinā gatiḥ ||82|| O Rādhā! Whether you are harsh or gentle to me, you are my very life, just as the cakora bird takes shelter of the crescent moon. Vidagdha-mādhava Those words are charming to all beings because they are tender with prema, sweet with proper placement of syllables and correct intonation and attractive (valgu), filled with longing, qualification, attachment and beauty. The words are attractive to the intelligent, giving joy by depth of meaning, ornaments, emotions, rasa and essence expressed though direct and indirect meaning of words. In a fainting state, they address themselves as imā (those persons), to indicate that they are present at that time for certain, visible to the eyes. “How can I give something that cannot be given?” O vīra you are most merciful (dayavīra) or generous (dānavīra). In speaking he also had a beautiful, playful glance (puṣkarekṣaṇa), which increased the attraction of the words. paryācitāmṛta-rasāni padārtha-bhaṅgī- valgūni valgita-viśāla-vilocanāni | bālyādhikāni mada-ballava-bhāvinībhir bhāve luṭhanti sukṛtāṁ tava jalpitāni || Your conversations with the impassioned wives of the cowherds, which are attractive with skilful verses and word play, which cause rasas completely filled with nectar, which cause the wide eyes of the gopīs to quiver, and which increase constantly because of the playfulness of youth, tremble within the love-laden hearts of the pious women. Kṛṣṇa-karṇāmṛta Or, since we are bewildered by your words, we have become your servants (vidhikarīḥ). All our discrimination has disappeared because of bewilderment. Or, because of your words we have become your servants. But because of the pain of separation, we have fainted.

Śrīdhara Svāmī Gauḍīya
Commentary

Revive us with the nectar of your lips, otherwise we will die. We faint because of your words which we now remember. “There is no one dearer than you women.” Fainting accompanies death. We faint without the nectar of your lips. The remedy is the nectar. By attaining that we are cured. Nothing else will cure us. That is quite suitable. We follow your order (vidhi-karīḥ). The cause of fainting from the words is described. The word are sweet like nectar. Or they give intoxication (madhum rāti). Why? The words are attractive by meaning and sound. They attract the minds of women (vadhu-manojñayā). The words are attractive to mind and ears. In a fainting state, they address themselves as imā (those persons), to indicate that they are present at that time for certain, visible to the eyes. “How can you faint just by words?” You are endowed with great abilities (vīra). Your words are similar. “How can I give something that cannot be given?” O vīra you are most merciful (dayavīra) or generous (dānavīra). In speaking he also had a beautiful, playful glance (puṣkarekṣaṇa), which increased the attraction of the words. paryācitāmṛta-rasāni padārtha-bhaṅgī- valgūni valgita-viśāla-vilocanāni | bālyādhikāni mada-ballava-bhāvinībhir bhāve luṭhanti sukṛtāṁ tava jalpitāni || Your conversations with the impassioned wives of the cowherds, which are attractive with skilful verses and word play, which cause rasas completely filled with nectar, which cause the wide eyes of the gopīs to quiver, and which increase constantly because of the playfulness of youth, tremble within the love-laden hearts of the pious women. Kṛṣṇa-karṇāmṛta Or, since we are bewildered by your words, we have become your servants (vidhikarīḥ). All our discrimination has disappeared because of bewilderment. Or, because of your words we have become your servants. But because of the pain of separation, we have fainted. The unskillful women are attracted by your words (avadhu) what to speak of the skillful women. Or if women who are knowledgeable are attracted to your words, what can be said of devotees? Or if learned women are attracted, what to speak of ignorant women like us? Or by words which are just pleasing to hearing, but which are actually beautiful words, attractive only to unskillful women, these gopīs (imāḥ) whose judgement has been lost becomes of love, become your servants and faint for you, for the nectar of your lips. Do not make us recover, but let us die. That is proper for us, who have no sense of judgment. This statement is made out of intense pain in prema.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Kṛṣṇa's sweet voice and charming words enchant even the intelligent, leaving the gopīs increasingly bewildered. They beg the nectar of His lips to revive them — the heart that has tasted Him cannot survive on lesser fare.
Reflection Questions
  • What sounds or words of Kṛṣṇa most reliably revive you when you feel dry?
  • What lesser nectar are you trying to live on when the real one is available?

A flower withered by the morning sun does not need water from far away; it needs the dew that is already on the next petal. The gopīs say Kṛṣṇa's words have left them faint — and the only revival from that fainting is the nectar that is already on His own lips. The malady and its medicine are the same Person.

📝 My note

Śrīmad-Bhāgavatam 10.31.9

↗
तव कथामृतं तप्तजीवनं कविभिरीडितं कल्मषापहम् । श्रवणमङ्गलं श्रीमदाततं भुवि गृणन्ति ये भूरिदा जना: ॥ ९ ॥
tava kathāmṛtaṁ tapta-jīvanaṁ
[tava kathaamritam tapta-jeevanam]
kavibhir īḍitaṁ kalmaṣāpaham
[kavibhir eeditam kalmashaapaham]
śravaṇa-maṅgalaṁ śrīmad ātataṁ
[shravana-mangalam shreemad aatatam]
bhuvi gṛṇanti ye bhūri-dā janāḥ
[bhuvi grinanti ye bhoori-daa janaah]
tava — Your kathā - amṛtam — the nectar of words tapta - jīvanam — life for those aggrieved in the material world kavibhiḥ — by great thinkers īḍitam — described kalmaṣa - apaham — that which drives away sinful reactions śravaṇa - maṅgalam — giving spiritual benefit when heard śṛīmat — filled with spiritual power ātatam — broadcast all over the world bhuvi — in the material world gṛṇanti — chant and spread ye — those who bhūri - dāḥ — most beneficent janāḥ — persons .
Blended reading (Sanskrit + English inline)
tava kathāmṛtaṁ tapta-jīvanaṁ
tava
Your
kathā - amṛtam
the nectar of words
tapta - jīvanam
life for those aggrieved in the material world
kavibhir īḍitaṁ kalmaṣāpaham
kavibhiḥ
by great thinkers
īḍitam
described
kalmaṣa - apaham
that which drives away sinful reactions
śravaṇa-maṅgalaṁ śrīmad ātataṁ
śravaṇa - maṅgalam
giving spiritual benefit when heard
śṛīmat
filled with spiritual power
ātatam
broadcast all over the world
bhuvi gṛṇanti ye bhūri-dā janāḥ
bhuvi
in the material world
gṛṇanti
chant and spread
ye
those who
bhūri - dāḥ
most beneficent
janāḥ
persons .
  • kathā-amṛtam — the nectar of words
    Compound: kathā (talk, narration) + amṛtam (nectar, the deathless). Gauḍīya touchstone: Kṛṣṇa's kathā is literally amṛta — the elixir of immortality that the demigods churned the ocean for is freely available wherever His pastimes are recited.
  • tapta-jīvanam — life for those aggrieved (in the material world)
    Compound: tapta (burned, scorched) + jīvanam (life-giver, water). The phrase fuses two images — the burning of material existence and the water that revives — and identifies Kṛṣṇa's kathā as both ends of that relation. Saṁsāra is the burn; kathā is the water.
  • śravaṇa-maṅgalam — auspicious when heard
    Compound: śravaṇa (hearing) + maṅgalam (auspicious). Names the first of the nine limbs of bhakti (SB 7.5.23). The gopīs are pronouncing the orthodox Bhāgavata definition of devotion mid-lament: śravaṇa alone, in this case, would be enough to redeem a life.
  • bhūri-dāḥ — most munificent
    Compound: bhūri (much, abundant) + dāḥ (giver). The Gauḍīya preacher's identity-tag. To give material wealth is one degree of munificence; to give kṛṣṇa-kathā is bhūri-dāna — abundant, exhaustless giving — because what is given does not diminish in the giver.
  • kalmaṣa-apaham — that which removes sinful reactions
    Compound: kalmaṣa (sin, taint) + apaham (remover). Bhāgavatam's repeated claim about saṁkīrtana — the very act of hearing or telling Kṛṣṇa's līlās burns prārabdha and aprārabdha alike. Not catharsis: incineration.
The nectar of Your words and the descriptions of Your activities are the life and soul of those suffering in this material world. These narrations, transmitted by learned sages, eradicate one’s sinful reactions and bestow good fortune upon whoever hears them. These narrations are broadcast all over the world and are filled with spiritual power. Certainly those who spread the message of Godhead are most munificent.

King Pratāparudra recited this verse to Śrī Caitanya Mahāprabhu during Lord Jagannātha’s Ratha-yātrā festival. While the Lord was resting in a garden, King Pratāparudra humbly entered and began massaging His legs and lotus feet. Then the King recited the Thirty-first Chapter of the Tenth Canto of the Śrīmad-Bhāgavatam, the songs of the gopīs. The Caitanya-caritāmṛta relates that when Lord Caitanya heard this verse, beginning tava kathāmṛtam, He immediately arose in ecstatic love and embraced King Pratāparudra. The incident is described in detail in the Caitanya-caritāmṛta ( Madhya 14.4-18), and in his edition Śrīla Prabhupāda has given extensive commentary on it.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The nectar of Your words and the descriptions of Your activities are the life and soul of those suffering in this material world. These narrations, transmitted by learned sages, eradicate one's sinful reactions and bestow good fortune upon whoever hears them. These narrations are broadcast all over the world and are filled with spiritual power. Certainly those who spread the message of Godhead are most munificent.
Commentary

"Who can describe the sweetness of the words coming from your mouth? It is indescribable. Even words about your name and form coming from the mouths of other people are also more relishable than the amrta of svarga or liberation." This is the import of this verse. "Your speech is nectar." "What kind of nectar?" "It gives life to people who burned by samsara and the greatest diseases (tapta jivanam). Your name and form are glorified by devotees like Dhruva and Prahlada (kavibhir iditam), in such verses as sb. 4.9.10 ya nirvtti tanubhrtam (The bliss attained through hearing topics about you cannot be attained even through the bliss of Brahman), where the two other types of happiness or amrta are stated to be unattractive. : sa brahami sva mahimanyapi natha,,,,, My Lord, the transcendental bliss derived from meditating upon Your lotus feet or hearing about Your glories from pure devotees is so unlimited that it is far beyond the stage of brahmananda, wherein one thinks himself merged in the impersonal Brahman as one with the Supreme. Since brahmananda is also defeated by the transcendental bliss derived from devotional service, then what to speak of the temporary blissfulness of elevating oneself to the heavenly planets, which is ended by the separating sword of time? Although one may be elevated to the heavenly planets, he falls down in due course of time. "The nectar of your topis destroys the effects of all sin (kalmasa apaharanam) , up to prarabdha karmas (aprarabdha, kuta, bija prarabhda). The nectar of svarga does not destroy sin, but rather it increases desire, which is a cause for sin. The nectar of liberation does not destroy the prarabdha papa though it destroys the apraradha, kuta and bija papa. The nectar of your topics are most auspicious to hear (sravana mangalam) because just by hearing the ultimate goal becomes attractive and achieved. This is not so with the nectar of svarga and moksa. The nectar of your topics being preached by the speaker, bestows all wealth up to prema ( srimad atatam). The other two nectars do not do this. Those who accept this nectar, or glorify you in kirtana, are bestowing the greatest treasure. Though one may give that person everything, that cannot repay the debt due to him." Another meaning of the verse is as follows. "If you show yourself, then your words become sweet. Otherwise your words have no meaning. Your words (discussion of your name and form and pastimes ) become a cause of death (katha mrtam)." "How?" "By those descriptions, life becomes full of pain in separation (tapta jivanam)." Another meaning of jivana is water. "By those descriptions we become like water sprinkled in hot oil (tapta)." "If that is so, then why are these descriptions praised in the scriptures?" "Poets alone praise you and no one else (kavibhir iditam). They describe you by habit and nothing else. By hearing about you, one develop pain in separation. By experiencing this pain, one burns up previous sins (kalmasa apaham). Though by hearing about you , the vedic rites become indestructible, when intelligent persons see that hearing about you brings suffering, they will no longer hear. Blind men, mad after wealth (sri mat), hoping that everyone will die through hearing, spend money and establish speakers of the Puranas in various places to spread topics about you (atatam). Therefore that person on earth who sings your glories destroys (da) many people (bhuri). Thus, by spreading the poison of these topis through recitation, while sitting peacefully, they are actually greater killers than murderers. Thus intelligent persons avoid these reciters" This is explained in the verse yad anucarita lila (sb 10.47.18) There are many in this world whose lives have been ruined simply by once tasting the drops of nectar, sifted through their ears, of the pastimes enacted by Krsna. Relishing them even one time, these wretched souls are immediately deprived of all conception of duality. Thus at once they give up their equally wretched family life and, just like birds, take to the profession of wandering beggars. Actually however, on the pretext of criticizing, there is praise of the speaker and the topics of Krsna .

Jīva Gosvāmī Gauḍīya
Commentary

“Then why are you still living?” They describe the cause by describing the glory of topics of Kṛṣṇa produced through prema according to one’s feelings. Your topics are like nectar, being the result and means to attain any result. The form of those topics is delineated. They give life those suffering the pains of separation from you, what to speak of those suffering the pains of saṁsāra. They protect one even from death. Those topics were the life of previous personalities. vatsalo vraja-gavāṁ yad aga-dhro vandyamāna-caraṇaḥ pathi vṛddhaiḥ kṛtsna-go-dhanam upohya dinānte gīta-veṇur anugeḍita-kīrtiḥ Out of great affection for the cows of Vraja, Kṛṣṇa became the lifter of Govardhana Hill. At the end of the day, having rounded up all his own cows, he plays a song on his flute, while exalted demigods standing along the path worship his lotus feet and the cowherd boys accompanying him chant his glories. SB 10.35.22 savanaśas tad upadhārya sureśāḥ śakra-śarva-parameṣṭhi-purogāḥ kavaya ānata-kandhara-cittāḥ kaśmalaṁ yayur aniścita-tattvāḥ When he takes his flute to his bimba-red lips and sends forth the tones of the harmonic scale in variegated melodies, Brahmā, Śiva, Indra and other chief devatās become confused upon hearing the sound. Although they are the most learned authorities, they cannot ascertain the essence of that music, and thus they bow down their heads and hearts. SB 10.35.15 These topics are praised by Brahmā, Śiva, the Kumāras and ātmārāmas, what to speak of others. The past participle also indicates the present time. Even now the topics are praised. What we describe they can only repeat. On their own, they cannot describe these topics since they are confidential. The topics destroy all misfortunes and even self- induced obstacles, what to speak of sin and piety present in saṁsāra, because of their great power of attractiveness and other qualities. Though this is so, just by hearing the topics they produce all possible benefits, what to speak of what happens if one hears and considers the meaning. The topics are most excellent (śrīmat) and spread everywhere. This uniqueness is caused by their famous sweetness. Those who speak these topics on earth are the givers of all benefits to everyone. Then those topics should give life to us gopīs suffering the pains of separation from you in Gokula. Thus, Brahmā and others outside of Vraja, and the people of Vraja are our special friends. “Until I agree, you can pass your time speaking topics about me.” Your topics are our death (kathā mṛtam). Those topics will destroy us. Why? They give pain to our lives, like adding water to boiling oil. Your followers praise your topics saying they can destroy sin. We have heard that those topics are auspicious, though we have not experienced that. Those topics are spread by persons who proud because of their beauty (śrīmat), who are disrespectful to the devotees. Those who speak these topics are great destroyers of life (bhūri dā). The verb do means “to destroy.” These topics give intense pain. What use are those topics to us who desire to live for a moment with hopes that you will bless us?

Śrīdhara Svāmī Gauḍīya
Commentary

The nectar of your topics give life to persons suffering pain from separation. There is no effort required for hearing them. Those topics are described with praise by ancient and contemporary poets. Hearing the meaning while lusty or angry or having sin still gives effect: those topics destroy all sin. The meaning manifests by its own power (not through qualification). There is no dependence even on understanding the meaning. Hearing itself is auspicious. Or not only do the topics destroy all misery immediately for the suffering jīvas, but are praised by the poets for bestowing all things. How is that? It destroys saṁsāra (kalmasāpaham) or it destroys all suffering, since saṁsāra is the root of all difficulties. Moreover it brings all auspiciousness (śravaṇa-maṅgalam). Thus it accomplishes everything. By its nature it bestows the highest result. It spreads wealth everywhere (śrīmad-ātatam). Or the order of effects is with increasing excellence. The topics, like the nectar, destroy hunger, thirst and sickness, produce strength and nourishment and as the goal, produce sweet taste (śrīmad-ātatam). That is widespread or all pervading. However nectar does not spread everywhere, since it is for the enjoyment of the devatās. Or since persons from whom to hear are unavailable and we cannot hear because of no control due to the pain of separation, we have died. Or “O women in pain! Until you recover, pass your time in speaking about me amongst yourselves.” They speak in terror. Your topics are the cause of death (kathā mṛtam). Cause and effect are considered non-different. Thus being dead (mṛtam) and the cause of dying are the same. Why? From hearing those topics we live in pain (tapta-jīvanam). Thus those who hear those topics destroy themselves (bhūridāḥ). Do means destruction. The topics are a great destroyer of prāṇa. This is a statement uttered out of great pain in prema. “Why are these topics related in the Purāṇas?” The topics have been described by poets. Since the poets by nature describe everything they have described these topics. They destroy sin and produce happiness, though not the ultimate happiness. Or the topics are described by the poets because they destroy sin and create happiness. The poets praise the topics for destroying sin and giving pleasure to the ears. Thus the topics are spread by the poets to kings who are intoxicated with wealth. Or the topics are spread by persons intoxicated with wealth by songs and dance. Those who live for a moment with a hope of attaining you are hopeless.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Concepts
Samsara
Narrations of Kṛṣṇa's pastimes are life itself for those suffering in this world; they cleanse sin, bring fortune, and carry spiritual power. Those who spread these stories are the most generous of all benefactors.
Reflection Questions
  • Where in your day could kṛṣṇa-kathā become as essential as food or breath?
  • Whom in your life could you share these narrations with as your most generous gift?

When a city is on fire and one neighbor carries a single bucket of water from house to house, those who pour are the city's true wealthy ones. The gopīs say the wealth in question is kṛṣṇa-kathā — narrations are the bucket and the water at once; and whoever spreads them is bhūri-dā, the most munificent, no matter how poor their house.

Bhūri-dā — the most munificent

This single verse is one of the most-quoted in all of Gauḍīya literature. Caitanya Mahāprabhu repeatedly cited 'tava kathāmṛtaṁ tapta-jīvanam' to define His own preaching mission — those who distribute kṛṣṇa-kathā are the highest givers, because they relieve the deepest thirst.

Haridāsa Ṭhākura chanting three lakh names a day, the Six Gosvāmīs writing in Vraja's caves, Bhaktivinoda Ṭhākura's pamphlets, Bhaktisiddhānta's printing press, Prabhupāda's books in 108 languages — the lineage's whole shape is the literal performance of this verse. Bhūri-dā is the title the gopīs gave first; the ācāryas have been claiming it ever since.

📝 My note

Śrīmad-Bhāgavatam 10.31.10

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प्रहसितं प्रिय प्रेमवीक्षणं विहरणं च ते ध्यानमङ्गलम् । रहसि संविदो या हृदिस्पृश: कुहक नो मन: क्षोभयन्ति हि ॥ १० ॥
prahasitaṁ priya-prema-vīkṣaṇaṁ
[prahasitam priya-prema-veekshanam]
viharaṇaṁ ca te dhyāna-maṅgalam
[viharanam cha te dhyaana-mangalam]
rahasi saṁvido yā hṛdi spṛśaḥ
[rahasi samvido yaa hridi sprishah]
kuhaka no manaḥ kṣobhayanti hi
[kuhaka no manah kshobhayanti hi]
prahasitam — the smiling priya — affectionate prema — with love vīkṣaṇam — glances viharaṇam — intimate pastimes ca — and te — Your dhyāna — by meditation maṅgalam — auspicious rahasi — in solitary places saṁvidaḥ — conversations yāḥ — which hṛdi — the heart spṛśaḥ — touching kuhaka — O cheater naḥ — our manaḥ — minds kṣobhayanti — agitate hi — indeed .
Blended reading (Sanskrit + English inline)
prahasitaṁ priya-prema-vīkṣaṇaṁ
prahasitam
the smiling
priya
affectionate
prema
with love
vīkṣaṇam
glances
viharaṇaṁ ca te dhyāna-maṅgalam
viharaṇam
intimate pastimes
ca
and
te
Your
dhyāna
by meditation
maṅgalam
auspicious
rahasi saṁvido yā hṛdi spṛśaḥ
rahasi
in solitary places
saṁvidaḥ
conversations
yāḥ
which
hṛdi
the heart
spṛśaḥ
touching
kuhaka no manaḥ kṣobhayanti hi
kuhaka
O cheater
naḥ
our
manaḥ
minds
kṣobhayanti
agitate
hi
indeed .
  • prahasitam — the smiling
    Past participle of pra-√has, 'to smile fully'. The Gopī-gīta returns to Kṛṣṇa's smile four times (vv. 6, 10, 12, 17). Gauḍīya rasa-śāstra treats the smile (mandasmita) as an anubhāva of mādhurya that ignites bhāva in the bhakta — the visible signal of His being moved by them, which moves them in return.
  • prema-vīkṣaṇam — loving glances
    Compound: prema (love) + vīkṣaṇam (glance). Distinct from generic dṛśā — these are the loaded glances of premī to premī. The eye-contact that the gopīs are now starved of is the eye-contact of one who knows He is loved by them and is, in the glance itself, returning that knowledge.
  • rahasi — in solitary places
    Locative of rahas, 'secret place'. The Gauḍīya code-word for nikuñja-līlā — the secluded grove-pastimes that are mādhurya's home. The gopīs are remembering specifically the private register of His love, not its public displays.
  • kuhaka — O cheater
    Vocative — 'magician, deceiver, trickster'. Pointed term: a kuhaka conjures something that is not what it appeared to be. The gopīs accuse Him of arousing a love whose fulfillment He then withdraws — and yet the address is itself a confession that they have been caught, not abandoned.
  • kṣobhayanti — they agitate
    Present indicative third plural of √kṣubh, 'to shake, churn'. Same root from which the Bhāgavatam describes Yamunā churned by Kṛṣṇa's leap into Kāliya's pool. The very memories meant for meditation churn the mind that meditates — viraha is felt as physical agitation, not as quiet sorrow.
Your smiles, Your sweet, loving glances, the intimate pastimes and confidential talks we enjoyed with You — all these are auspicious to meditate upon, and they touch our hearts. But at the same time, O deceiver, they very much agitate our minds.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Your smiles, Your sweet, loving glances, the intimate pastimes and confidential talks we enjoyed with You—all these are auspicious to meditate upon, and they touch our hearts. But at the same time, O deceiver, they very much agitate our minds.
Commentary

"When we do not see you, all objects related to you also become a cause of suffering for us." "Though we try to forget your sweet smile filled with love (prahistam), your intimate exchanges with us (viharam), and all your conversations (samvidah), since they give sorrow, we cannot do so, as they have affected our hearts. (hrdi sprsah). Meditation gives the highest bliss, but thinking of these things (your smile, your glance, your exchanges and your conversations), disturbs our minds. When these things enter the mind, they first give bliss (dhyana mangalam) , but then after a few seconds, they give the most intense sorrow. Therefore, you are the greatest cheater (kuhaka). When the rogue feeds you cakes, at first they seem tasty, but after some time, they give intense pain, and then kill you."

Jīva Gosvāmī Gauḍīya
Commentary

The first meaning of the verse is as follows. “O gopīs with intelligence! Why are you so attracted to me, hard to attain? If you have that attraction, then be content with hearing about me.” Being unsettled by that statement, in three verses overcome with pūrva-rāga, they find fault with his actions. The second meaning is as follows. “We cannot live for a long time on hope alone.” They then recite the verse. The various words express verbal activity (laughing, glancing, playing). Vīkṣaṇam is sometimes seen instead of vīkṣitam. On seeing the gopīs he smiles decisively out of eager emotion. From his natural smile he smiles excellently. And with the smile he glances with love. Then he plays with his friends. That is auspicious for meditation. By thinking of that, desire for meeting becomes strong, since his actions reveal his emotions. Then he goes far off alone and jokes, playing his flute. Then those words touch the heart. Everything has become completely internalized. The word yā indicates astonishment. The phrase yā hṛdi spṛśaḥ applies to all the previous items, though the gender would change. The excellence of the items is from lesser to more. O cheater! They say this out of their suffering. He is the greatest among all deceivers. All of this brings pain to our minds for certain (hi). The plural naḥ (our) is used to show the proof. The reason for the pain is stated: you are enticing us (priya). Our minds are filled with sorrow by being attracted to you. You on the other hand cheat us. With that in mind they say “O cheater!”

Śrīdhara Svāmī Gauḍīya
Commentary

“Unintelligent women! By force, hear my topics, as a medicine.” Or we cannot maintain our lives by a hope alone. This verse describes this. Your (te) pure smiles (prahasitam), your glances with prema, your play, which produce happiness simply by thinking of them, disturb our minds. Or these elements easily produce meditation in prema. dhyānāyanaṁ prahasitaṁ bahulādharoṣṭha- bhāsāruṇāyita-tanu-dvija-kunda-paṅkti One should meditate upon the Lord’s laughter, an easy object of meditation, which shows his teeth like a row of jasmine buds with his shining, full, red lips. SB 3.28.33 These elements please the heart. Or the conversations, just entering the ears touch the heart with disturbance. All these elements agitate us with desire (kṣobhayanti). Sāṁvidaḥ by proximity can modify hṛdi spṛśaḥ. Hrdi spṛśaḥ being at the end, can be connected to the whole list of elements. The smile and glance are mental attractions, arising from his pure bhāva, his mental state in prema. The play is a bodily attraction. The conversations are verbal attractions. The later ones are effective in creating disturbance. Hi indicates certainty. The cause of the disturbance is given. O beloved (priya)! If we did not love you, the disturbance would not take place. Because we love you alone, we are always filled with sorrow and mental disturbance. You cheat us. O cheater (kuhaka)! Or just on seeing the beloved we become joyful (prahasitam). We look at him with smiles of prema. Thinking of him produces auspiciousness. These are cause of our hope. There were conversations. “I will fulfill all promises. Certainly your desires will be fulfilled.” By now ignoring us, doing the opposite of your words, we must conclude that you are a cheater. O cheater (kuhaka)! Or “Women and especially chaste women should have composure.” They speak in misery. Your smile, glance, play and conversations throw us into confusion. They break our composure. That we still live, with this remembrance, is because of our supreme composure and determination.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Atma Nigraha (Self-control)
Related verses
The gopīs remember Kṛṣṇa's smiles, glances, intimate words and confidential pastimes — auspicious to dwell on, yet agitating. Deep love is bittersweet: meditation on the beloved is both medicine and burning ache.
Reflection Questions
  • What memories of Kṛṣṇa do you both treasure and fear because they intensify longing?
  • Are you willing to let love agitate you rather than choosing comfortable distance?

A fire and the wind that fans it cannot decide whether they are kin or enemies — they make each other larger. Kṛṣṇa's smiles and glances are like that wind: meditated upon, they are maṅgala; encountered again in memory, they agitate the mind they just consoled. The gopīs name Him kuhaka — cheater — because He is both fire and fan in their single heart.

📝 My note

Śrīmad-Bhāgavatam 10.31.11

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चलसि यद् व्रजाच्चारयन् पशून् नलिनसुन्दरं नाथ ते पदम् । शिलतृणाङ्कुरै: सीदतीति न: कलिलतां मन: कान्त गच्छति ॥ ११ ॥
calasi yad vrajāc cārayan paśūn
[chalasi yad vrajaach chaarayan pashoon]
nalina-sundaraṁ nātha te padam
[nalina-sundaram naatha te padam]
śila-tṛṇāṅkuraiḥ sīdatīti naḥ
[shila-trinaankuraih seedateeti nah]
kalilatāṁ manaḥ kānta gacchati
[kalilataam manah kaanta gachchati]
calasi — You go yat — when vrajāt — from the cowherd village cārayan — herding paśūn — the animals nalina — than a lotus flower sundaram — more beautiful nātha — O master te — Your padam — feet śila — by sharp edges of grain tṛṇa — grass aṅkuraiḥ — and sprouting plants sīdati — are experiencing pain iti — thus thinking naḥ — us kalilatām — discomfort manaḥ — our minds kānta — O lover gacchati — feel .
Blended reading (Sanskrit + English inline)
calasi yad vrajāc cārayan paśūn
calasi
You go
yat
when
vrajāt
from the cowherd village
cārayan
herding
paśūn
the animals
nalina-sundaraṁ nātha te padam
nalina
than a lotus flower
sundaram
more beautiful
nātha
O master
te
Your
padam
feet
śila-tṛṇāṅkuraiḥ sīdatīti naḥ
śila
by sharp edges of grain
tṛṇa
grass
aṅkuraiḥ
and sprouting plants
sīdati
are experiencing pain
iti
thus thinking
naḥ
us
kalilatāṁ manaḥ kānta gacchati
kalilatām
discomfort
manaḥ
our minds
kānta
O lover
gacchati
feel .
  • vrajāt — from the cowherd village
    Ablative of vrajaḥ. The same Vraja named in verse 1 as glorified by His birth is now the place He leaves each morning. The gopīs' love measures absence in geography: He goes from vraja to kānana, and their minds go with His feet.
  • nalina-sundaram — more beautiful than a lotus
    Compound: nalina (lotus) + sundaram (more beautiful). Comparative-construction without explicit suffix — the very lotus that is Kṛṣṇa's standard of comparison everywhere else is here defeated by His own feet. Gauḍīya rhetoric: the standard yields to the thing it measures.
  • śila-tṛṇa-aṅkuraiḥ — by sharp grain-edges, grass, and sprouting plants
    Compound: śila (sharp edges of grain) + tṛṇa (grass) + aṅkura (sprout). The catalog is forensic — they have walked the path themselves; they know exactly what is on it. Vātsalya-tinged mādhurya: their love mothers Him even mid-romance.
  • sīdati — are pained
    Present indicative of √sad, 'to sink, suffer'. The verb of suffering applied not to themselves but to His feet — they relocate their own pain into His soles. The gopī signature: their grief is always grief for Him, not grief for themselves.
  • kalilatām — discomfort, agitation
    Abstract noun from kalila — 'confused, agitated, entangled'. Their minds are not merely sad; they are tangled — the verb's image is of brambles inside the mind that mirror the brambles under His foot. Inner and outer landscape echo each other.
Dear master, dear lover, when You leave the cowherd village to herd the cows, our minds are disturbed with the thought that Your feet, more beautiful than a lotus, will be pricked by the spiked husks of grain and the rough grass and plants.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Dear master, dear lover, when You leave the cowherd village to herd the cows, our minds are disturbed with the thought that Your feet, more beautiful than a lotus, will be pricked by the spiked husks of grain and the rough grass and plants.
Commentary

"Not only do you give us sorrow now, but by making yourself unhappy, you try to make us unhappy." When you feet, more delicate than a lotus (nalina sundaram), are injured by the hard spikes (sila), grass and shoots, our minds become more pained (kalilatam)." Another meaning of kali lata is accepting (lati) quarrel (kali). "Thus our minds quarrel with us as follows:. " O mind, why are you uselessly lamenting. If Krsna gets pain in walking in the forests, then why does he daily go into the forest from Vraja?" "O unintelligent cowherd women! The soles of his feet are more tender than the sthala padma. As the forest is spread with cut crops, thorns and grass sprouts, will he not get pain?" "O foolish mind! He is walking on the very soft sandy pathways." "O undiscerning cowherd women! The cows are wandering on those paths eating the grass." "O mind, blind with prema! Why should one with eyes step on the sharp grass and sprouts?" "O gopis cheated of even a touch of prema! What will happen if by mistake or because of haste, he steps on those sharp things?" "O mind, our brother, you have said correctly. We live, just to experience such pain. We have been created for that purpose." "O distressed gopis! You should remain alive. But I will now leave, departing from your body with your life airs."

Jīva Gosvāmī Gauḍīya
Commentary

You give us pain both in meeting and separation. It is not a temporary phenomenon. This is explained in two verses. Our minds are disturbed from the time you being to depart from Vraja till the time you return. To herd the unlimited number of cows, you leave the path and feel pain because of sharp plants when you wander here and there. The cows, beings with no intelligence, wander on paths difficult for your lotus feet. Śila refers to the sharp stubs of wild grasses. Hari-vaṁśa says ajhilli-kaṇṭaka-vanam: the thick forest was filled with thorns. Because there were not thorns everywhere, they are not mentioned in Bhāgavatam. O lord of Vraja! This is not befitting you. O beloved! Those feet should be touched by our soft hands! They call out to Kṛṣṇa in prema. This is the cause of the pain in their hearts. Or, as the master (natha) all the people of Vraja, the people of Vraja all feel pain, and as our lover (kanta), we feel pain. Or, natha can mean “giver of pain to your beloveds.” “You are intelligent. You should not worry concerning my situation.” Even if one is intelligent, one cannot give up worry for one’s lover (kanta). Or, the cause of being troubled in mind is explained: you are the lord of the prāṇas (natha). (Therefore if you suffer, everyone suffers.) “Viṣṇu Purāṇa says: yāvataḥ kurute jantuḥ sambandhān manasaḥ priyān. tāvanto'sya nikhanyante hṛdaye śoka-śaṅkavaḥ Aas long as living begins think of another person as a beloved they will be afflicted by lamentation. Having a love will produce problems. One should thus reject affection. Our minds have become fixed in determination (kalilatām) and have no discriminating power. “Consider that this is only your minds acting like this.” There is no fault in the mind. O Kṛṣṇa, attractive to the mind (kanta)! Give up wandering the forest and quickly come here.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Atma Nigraha (Self-control)
Related verses
The gopīs worry that Kṛṣṇa's tender feet will be pricked by sharp grass and husks as He herds cows. Love attends to the smallest details — true devotion notices what others overlook in the beloved's daily life.
Reflection Questions
  • Where could you bring more tender attention to Kṛṣṇa's daily presence in your worship?
  • What kind of love notices the small hurts of those it serves?

A child watching her father go barefoot into thorned scrub does not consider whether the father is invincible; she winces at every step her eyes can see. The gopīs say: we know You are God — we just cannot bear that grass-blade against that sole.

📝 My note

Śrīmad-Bhāgavatam 10.31.12

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दिनपरिक्षये नीलकुन्तलै- र्वनरुहाननं बिभ्रदावृतम् । घनरजस्वलं दर्शयन् मुहु- र्मनसि न: स्मरं वीर यच्छसि ॥ १२ ॥
dina-parikṣaye nīla-kuntalair
[dina-parikshaye neela-kuntalair]
vanaruhānanaṁ bibhrad āvṛtam
[vanaruhaananam bibhrad aavritam]
ghana-rajasvalaṁ darśayan muhur
[ghana-rajasvalam darshayan muhur]
manasi naḥ smaraṁ vīra yacchasi
[manasi nah smaram veera yachchasi]
dina — of the day parikṣaye — at the finish nīla — dark blue kuntalaiḥ — with locks of hair vana - ruha — lotus ānanam — face bibhrat — exhibiting āvṛtam — covered ghana — thick rajaḥ - valam — smeared with dust darśayan — showing muhuḥ — repeatedly manasi — in the minds naḥ — our smaram — Cupid vīra — O hero yacchasi — You are placing .
Blended reading (Sanskrit + English inline)
dina-parikṣaye nīla-kuntalair
dina
of the day
parikṣaye
at the finish
nīla
dark blue
kuntalaiḥ
with locks of hair
vanaruhānanaṁ bibhrad āvṛtam
vana - ruha
lotus
ānanam
face
bibhrat
exhibiting
āvṛtam
covered
ghana-rajasvalaṁ darśayan muhur
ghana
thick
rajaḥ - valam
smeared with dust
darśayan
showing
muhuḥ
repeatedly
manasi naḥ smaraṁ vīra yacchasi
manasi
in the minds
naḥ
our
smaram
Cupid
vīra
O hero
yacchasi
You are placing .
  • dina-parikṣaye — at the end of the day
    Compound: dina (day) + parikṣaye (at the close, locative of parikṣaya). The specific Gauḍīya hour — go-dhūli, the cow-dust hour at dusk — when Kṛṣṇa returns from the pastures. One of the eight aṣṭa-kāla-līlā divisions Rūpa Gosvāmī's lineage meditates upon.
  • nīla-kuntalaiḥ — with dark blue locks of hair
    Compound: nīla (dark blue, sapphire) + kuntalaiḥ (locks). Kṛṣṇa's hair is consistently described as nīla — not black, but the dark blue of monsoon clouds. The color binds Him to the rain-cloud, to the Yamunā, to Lord's complexion — the whole Vraja palette in one word.
  • ghana-rajaḥ-valam — thickly covered with dust
    Compound: ghana (thick) + rajaḥ (dust) + valam (covered). The go-dhūli dust — sanctified, the very dust the gopīs have prayed to be made into. To see His face covered with it is to see the proof of His having been with the cows and the boys all day.
  • smaram — Cupid
    Accusative of smara — 'remembrance, the god of love'. In Vraja-rasa Kṛṣṇa is named smara-rāja, the king of Cupid himself — but here the verse says He places smara in the gopīs' minds. Smara that arises from kṛṣṇa-darśana is not māyic kāma; it is the bhāva that mistakes itself for desire.
  • vana-ruha-ānanam — lotus face
    Compound: vana-ruha (forest-grown, lotus) + ānanam (face). Distinct from the more usual jala-ruha — here His face is the forest-lotus, the one He brought back from the forest. The compound itself does the work of locating Him: He has come home, but with the forest on Him.
At the end of the day You repeatedly show us Your lotus face, covered with dark blue locks of hair and thickly powdered with dust. Thus, O hero, You arouse lusty desires in our minds.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
At the end of the day You repeatedly show us Your lotus face, covered with dark blue locks of hair and thickly powdered with dust. Thus, O hero, You arouse lusty desires in our minds.
Commentary

"Even during meeting us, you do not make us happy." "In the evening (dina pariksaye), showing us your lotus like face, decorated with pollen from swaying garlands, with bluish locks swaying in the gentle breeze, covered with dust raised by the cows (dhana (cow) rajasvalam), you give us unhappiness. Knowing that seeing you generates the highest bliss, you become visible to us as you herd the cows or look here and there for the cowherd boys. You consider, "I will drown them in an ocean of sorrow" and then enflame our desires (smaram yaccasi), but you do not give association. Making us think of convention as a flaming poison, making us mad, leading us into the forest, you make us cry. O hero (vira), you shoot us with arrows of cupid in order to destroy the religious principles of us women of Vraja."

Jīva Gosvāmī Gauḍīya
Commentary

At the very end of the day, which has given us pain by long waiting, your lotus face is covered by black locks of hair, hanging over your forehead, producing great beauty. This suggests the greatest natural beauty. That face is covered with dust from the cows (dhana-rajasvalam). Dhana means wealth or many cows according to Viśva-prakāśa. Rajas also suggests the brightness of his face. Paṅkāṅga-rāga-rucirau: dressed with muddy earth mixed with cow dung and cow urine, the babies looked very beautiful. (SB 10.8.23) They describe him in this way to show that his cowherd dress acts as an uddīpana for the cowherd women. This is cause of their desire increasing generally. But in particular the end of the day gives rise to desire, and seeing his face covered by locks indicates arousal of intense desire. The meaning here is “If you do not see him and enter the house, your desire will not be aroused.” However they see him continuously (muhuḥ). As he comforts the cows the gopīs look at him again and again. This shows the increase of their desire. And though being discrete they desire to control that desire, it becomes stronger. Desire spreads throughout their minds, for which there is no remedy. Smaram also suggests that Cupid agitates them by mere remembrance of him. “You directly arouse that love.” This indicates Kṛṣṇa’s power. His capability is shown: O hero (vīra)! You have this power to attract us and others do not. This is a statement made in anger, joking and affection. This talking is another uddīpana for their love. They talk continually about thoughts of their love. Thinking in separation of your evening dress meant for enjoyment with us, our desire increases. Therefore do not delay. In the two verses the following is suggested. You always go away, without fulfilling our desires. Our minds hold affection for you and are not indifferent, not without love. That desire in our minds is inspired by you and does not arise on its own. That desire is affectionate, not rough, since our affection is innate. You arouse desire in us and we thus think of meeting you with a desire for association. But this is not a relation based mutual exchange of affection. We are filled with affection and you are filled with deceit.

Śrīdhara Svāmī Gauḍīya
Commentary

We spend the whole day suffering. Even when you return to Vraja in the evening, being unfortunate, we do not attain happiness. At the very end of the day, which has given us pain by long waiting, your lotus face is covered by black locks of hair, hanging over your forehead, producing great beauty. This suggests the greatest natural beauty. That face is covered with dust from the cows (dhana-rajasvalam). That is explained later by Akrura. drakṣyāmi nūnaṁ su-kapola-nāsikaṁ smitāvalokāruṇa-kañja-locanam mukhaṁ mukundasya guḍālakāvṛtaṁ pradakṣiṇaṁ me pracaranti vai mṛgāḥ Surely I shall see the face of Kṛṣṇa whose smile is like jasmine buds, since the deer are now walking past me on my right. That face, framed by his curly hair, is beautified by his attractive cheeks and nose, his smiling glances and his reddish lotus eyes. SB 10.38.9 This indicates the great beauty of his face. It is a cause of developing love constantly. The evening is also the time of increasing desire and seeing his face covered by locks indicates the height of beauty. You show us your face in this condition. If you do not show it and enter your house, our desires would not be aroused. On the pretext of gathering the cows, we see your face constantly. This simply increases the desire more. Bibhrad can also mean “holding the flute.” The word flute is missing because they cannot utter the word directly, out of confusion in prema. Or he held the flute (dhana) as well as the dust (rajasvalam). By seeing you dressed in this way in Vraja, we developed love. Now, in the forest at night, with the dress of a lover for engaging in pastimes of love, that love increases with particular remembrance in separation. Do not delay in coming. Desire spreads throughout their minds, for which there is no remedy. Smaram also suggests that Cupid agitates them by mere remembrance of him. “You directly arouse that love.” This indicates Kṛṣṇa’s power. His capability is shown: O hero (vīra)! You have this power to attract us and others do not. This is a statement made in anger, joking and affection. This talking is another uddīpana for their love. They talk continually about thoughts of their love. Thinking in separation of your evening dress meant for enjoyment with us, our desire increases. Therefore do not delay. In the two verses the following is suggested. You always go away, without fulfilling our desires. Our minds hold affection for you and are not indifferent, not without love. That desire in our minds is inspired by you and does not arise on its own. That desire is affectionate, not rough, since our affection is innate. You arouse desire in us and we thus think of meeting you with a desire for association. But this is not a relation based mutual exchange of affection. We are filled with affection and you are filled with deceit.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Atma Nigraha (Self-control)Bhakti (Devotion)
Related verses
At evening Kṛṣṇa returns with His dust-covered, blue-locked lotus face and stirs the gopīs' lusty desire. Even the everyday image of the Lord coming home from work is enough to set the devotee's whole heart aflame.
Reflection Questions
  • What ordinary moment of remembering Kṛṣṇa today could you let stir you more deeply?
  • Are you allowing devotional emotion to be felt, or quickly tidying it away?

Evening light on a dusty face is not less beautiful than morning light on a washed one; for the gopīs it is more so, because that dust is the road He walked all day for the cows' sake. When He comes home each twilight with that lotus face under blue locks and powder, He shows them not merely beauty but the proof of His labor — and that proof is what arouses smara, not the beauty alone.

📝 My note

Śrīmad-Bhāgavatam 10.31.13

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प्रणतकामदं पद्मजार्चितं धरणिमण्डनं ध्येयमापदि । चरणपङ्कजं शन्तमं च ते रमण न: स्तनेष्वर्पयाधिहन् ॥ १३ ॥
praṇata-kāma-daṁ padmajārcitaṁ
[pranata-kaama-dam padmajaarchitam]
dharaṇi-maṇḍanaṁ dhyeyam āpadi
[dharani-mandanam dhyeyam aapadi]
caraṇa-paṅkajaṁ śantamaṁ ca te
[charana-pankajam shantamam cha te]
ramaṇa naḥ staneṣv arpayādhi-han
[ramana nah staneshv arpayaadhi-han]
praṇata — of those who bow down kāma — the desires dam — fulfilling padma - ja — by Lord Brahmā arcitam — worshiped dharaṇi — of the earth maṇḍanam — the ornament dhyeyam — the proper object of meditation āpadi — in time of distress caraṇa - paṅkajam — the lotus feet śam - tamam — giving the highest satisfaction ca — and te — Your ramaṇa — O lover naḥ — our staneṣu — on the breasts arpaya — please place adhi - han — O destroyer of mental distress .
Blended reading (Sanskrit + English inline)
praṇata-kāma-daṁ padmajārcitaṁ
praṇata
of those who bow down
kāma
the desires
dam
fulfilling
padma - ja
by Lord Brahmā
arcitam
worshiped
dharaṇi-maṇḍanaṁ dhyeyam āpadi
dharaṇi
of the earth
maṇḍanam
the ornament
dhyeyam
the proper object of meditation
āpadi
in time of distress
caraṇa-paṅkajaṁ śantamaṁ ca te
caraṇa - paṅkajam
the lotus feet
śam - tamam
giving the highest satisfaction
ca
and
te
Your
ramaṇa naḥ staneṣv arpayādhi-han
ramaṇa
O lover
naḥ
our
staneṣu
on the breasts
arpaya
please place
adhi - han
O destroyer of mental distress .
  • padma-ja-arcitam — worshiped by the lotus-born (Brahmā)
    Compound: padma-ja (lotus-born — Brahmā, born from the lotus of Viṣṇu's navel) + arcitam (worshiped). The verse stacks Brahmā's worship against the gopīs' request — the highest ritual reverence and the highest intimacy share the same object.
  • dharaṇi-maṇḍanam — the ornament of the earth
    Compound: dharaṇi (earth) + maṇḍanam (ornament). The earth is glorified, the verse says, not by its mountains or rivers but by Kṛṣṇa's feet walking on it. Vraja's geography is sacralized by contact; this is the Gauḍīya theology of dhāma in a phrase.
  • āpadi — in time of distress
    Locative of āpat. Echoes Gajendra-mokṣa, Draupadī's vastra-haraṇa, Prahlāda's pillar — the Bhāgavatam's repeated witness that Kṛṣṇa's feet are remembered most sharply at the edge. The gopīs' āpat is viraha, and they apply the same general rule to their specific case.
  • śam-tamam — giving the highest satisfaction
    Superlative — 'most peace-giving'. The Vedic word for the deepest, most settled welfare. Applied to Kṛṣṇa's feet: śānti is not absence of disturbance but the active substance produced by their touch.
  • adhi-han — O destroyer of mental distress
    Vocative compound: adhi (mental anguish) + han (destroyer). Distinct from generic ārti — adhi is specifically the suffering of the mind. The gopīs are precise about their pathology: it is mental, and only Kṛṣṇa is adhi-han, the slayer of mind-pain itself.
Your lotus feet, which are worshiped by Lord Brahmā, fulfill the desires of all who bow down to them. They are the ornament of the earth, they give the highest satisfaction, and in times of danger they are the appropriate object of meditation. O lover, O destroyer of anxiety, please put those lotus feet upon our breasts.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Your lotus feet, which are worshiped by Lord Brahmā, fulfill the desires of all who bow down to them. They are the ornament of the earth, they give the highest satisfaction, and in times of danger they are the appropriate object of meditation. O lover, O destroyer of anxiety, please put those lotus feet upon our breasts.
Commentary

"If you are always thinking that I give your sorrow, then what use am I to you?" Fearing such a response from Krsna, the gopis then became repentant. "Blinded by the suffering inflicted by our karma, we are finding fault with our beloved." In order to please him, they then begin to praise him as the person who gives all happiness. After affirming that he is necessary for them, they then pray that he relieve them of their suffering in two verses. "Though Kaliya was an offender you gave him and his wives, when he surrendered (pranata) you gave the most desired thing (your feet) (kama dam). Brahma to get relief from his offense, worshiped your lotus feet and attained forgiveness (padmaja arcitam). Therefore we pray that you also forgive our offense. As your feet decorate the earth (dharini mandanam), so your feet should decorate our breasts. Garga has said, ‘This boy will easily protect you from all dangers.’ Accordingly we pray that you deliver us from this misfortune (dhyeya apadi: to be meditated on in danger). For all these reasons, you are most auspicious, the very form of happiness (santamam). O one who destroys the sorrow of the mind (adhi han), by putting your feet on our breasts, you will not become tired, but rather get joy (ramana). By placing your feet on our breasts, your lusty desires will be fulfilled."

Jīva Gosvāmī Gauḍīya
Commentary

Śukadeva has revealed Kṛṣṇa’s pūrva-rāga for the gopīs through the gopīs’ words in verse 10. This was previously not described. Great rasa is created by describing their realization of Kṛṣṇa’s anurāga for them. With great longing for his association, ascribing fault to him, they summarize everything in two verses, praying through song with hearts agitated by desire. Your feet fulfill the desires of those who bow such as Nalakuvara and Kāliya and his wives. Those feet bestow all desires. Those feet are worshipped by Brahmā. When Brahmā realized Kṛṣṇa’s powers after stealing the boys and calves he would constantly come and offer his respects: vatsalo vraja-gavāṁ yad aga-dhro vandyamāna-caraṇaḥ pathi vṛddhaiḥ kṛtsna-go-dhanam upohya dinānte gīta-veṇur anugeḍita-kīrtiḥ Out of great affection for the cows of Vraja, Kṛṣṇa became the lifter of Govardhana Hill. At the end of the day, having rounded up all his own cows, he plays a song on his flute, while exalted demigods standing along the path worship his lotus feet and the cowherd boys accompanying him chant his glories. SB 10.35.22 Brahmā’s respects are also indicated in verse 4 where it is stated that Brahmā prayed for Kṛṣṇa to appear. Brahmā offering respects to his feet indicate great lordship of Kṛṣṇa’s feet. His feet decorate the earth with his extraordinary marks like the flag. This indicates the beauty and mercy of the feet. The feet are the object of meditation when in danger. When Indra showered rain they realized that he removes all dangers. Having shown how his feet fulfill all desires, they state that his feet bestow the highest goal: happiness in service (śantamam). The feet destroy all sorrows and bestow all happiness. This is expressed through their exclamations: destroy our suffering (ādhi-han) and bestow happiness through pastimes (ramaṇa).

Śrīdhara Svāmī Gauḍīya
Commentary

Because of the agitation of love produced by the singing, they again pray with intensity in two verses, with more specific descriptions, though they had prayed previously. Those feet bestow what the surrendered desire. They give everything. Therefore they are worshipped by Brahmā. This indicates their supreme power. They decorate the earth with marks of flag etc. which stimulate prema. This indicates their beauty and compassion. They destroy all dangers, all obstacles to bhakti (dheyam āpadi). This strengthens the quality of stimulating bhakti. The lotus feet suggest that they bestow everything as was previously explained. They give the highest result in destroying suffering and bestowing love (śantamam). And according to this they address Kṛṣṇa. O destroyer of our pain of separation (arti-han)! O bestower of happiness by your pastimes (ramaṇa)! Please give those feet. Or those feet fulfill the desires of devotees like Brahmā. They are worshipped by Lakṣmī (padmajā). They are a treasure of auspiciousness. Those feet decorate the earth, a second form of Lakṣmī, placing your feet there for pastimes. Or the feet are decorated with the kuṁkuma from the breast of the earth. This indicates that the beloved controls him and that he gives pleasure to the beloved. The earth is dearer than Lakṣmī to Kṛṣṇa. That is mentioned in Varāha Purāṇa. The feet are the subject of meditation in danger. Thus they deliver us from the pain of separation. They give the highest happiness; they are happiness itself (śantamam). In either interpretation the sequence of descriptions is in order of increasing excellence. Place those feet on the breasts of us (naḥ) who are yours (te) since you are inclined to rati (ramaṇa). If you do not, your fame as the destroyer of suffering (arti-han) will be at fault. This is described later in the fulfilment of Akrura’s desire. Those who are surrendered worship those feet. Brahmā is an example. The sages meditate on those feet. The feet decorate the earth for the Sātvatas and cowherds. They produce prema (śantamam) for the gopīs. The bestowal of desires is superior to the destruction of sin mentioned previously. That is the prayer in both interpretations, but with more misery than the previous prayer for his feet (verse 7). Now however the feet become the sole object for getting relief, with expectation of happiness, from mind absorbed in those feet. Previously the goal was directly mentioned to be destroying the desire in the heart. Now however that is indirectly hinted with adhi-han (O destroyer of pain). The excellence of the indirect method is explained: vedā brahmātma-viṣayās tri-kāṇḍa-viṣayā ime parokṣa-vādā ṛṣayaḥ parokṣaṁ mama ca priyam The Vedas, divided into three divisions, ultimately reveal worship of the Lord. The Vedic sages and mantras, however, state this indirectly, since they know that I prefer this indirect method. SB 11.21.35 That pain was also expressed as an affliction but now because of the unlimited pain they seek its destruction.

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Kṛṣṇa's lotus feet, worshiped by Brahmā, fulfill every desire of those who bow, ornament the earth, and steady the mind in danger. The gopīs ask Him to place those feet on their breasts and end all their anxiety.
Reflection Questions
  • In moments of danger, where does your mind actually run — to Kṛṣṇa's feet or to your own plans?
  • What anxiety would dissolve if you trusted His feet as your real shelter?

The same feet at which Brahmā sets his four heads down to pray are the feet the gopīs want on their breasts — not to demote them, but because for them adoration is not posture but proximity. Brahmā worships from his side of the cosmos; the gopīs ask only that those feet rest where their own heart is beating.

📝 My note

Śrīmad-Bhāgavatam 10.31.14

↗
सुरतवर्धनं शोकनाशनं स्वरितवेणुना सुष्ठु चुम्बितम् । इतररागविस्मारणं नृणां वितर वीर नस्तेऽधरामृतम् ॥ १४ ॥
surata-vardhanaṁ śoka-nāśanaṁ
[surata-vardhanam shoka-naashanam]
svarita-veṇunā suṣṭhu cumbitam
[svarita-venunaa sushthu chumbitam]
itara-rāga-vismāraṇaṁ nṛṇāṁ
[itara-raaga-vismaaranam nrinaam]
vitara vīra nas te ’dharāmṛtam
[vitara veera nas te ’dharaamritam]
surata — conjugal happiness vardhanam — which increases śoka — grief nāśanam — which destroys svarita — vibrated veṇunā — by Your flute suṣṭhu — abundantly cumbitam — kissed itara — other rāga — attachments vismāraṇam — causing to forget nṛṇām — men vitara — please spread vīra — O hero naḥ — upon us te — Your adhara — of the lips amṛtam — the nectar .
Blended reading (Sanskrit + English inline)
surata-vardhanaṁ śoka-nāśanaṁ
surata
conjugal happiness
vardhanam
which increases
śoka
grief
nāśanam
which destroys
svarita-veṇunā suṣṭhu cumbitam
svarita
vibrated
veṇunā
by Your flute
suṣṭhu
abundantly
cumbitam
kissed
itara-rāga-vismāraṇaṁ nṛṇāṁ
itara
other
rāga
attachments
vismāraṇam
causing to forget
nṛṇām
men
vitara vīra nas te ’dharāmṛtam
vitara
please spread
vīra
O hero
naḥ
upon us
te
Your
adhara
of the lips
amṛtam
the nectar .
  • surata-vardhanam — which increases conjugal happiness
    Compound: surata (loving union) + vardhanam (increaser). In the Gauḍīya frame surata is not material sex but the highest concentration of mādhurya-rasa — the union of jīva and Bhagavān at its sweetest pitch, of which all worldly love is the broken mirror.
  • veṇunā — by Your flute
    Instrumental of veṇu. The flute is the Gopī-gīta's foil — the wooden mouth-piece that has already won what the gopīs ask for. Gauḍīya rasa-śāstra reads veṇu as a śuddha-bhakta (some Gosvāmīs identify it as a personification of the gopī Rādhā's mood transmitted into bamboo).
  • itara-rāga-vismāraṇam — causing one to forget other attachments
    Compound: itara (other) + rāga (attachment) + vismāraṇam (causer of forgetting). Direct echo of Bhagavad-gītā 2.59 — paraṁ dṛṣṭvā nivartate — what is replaced by superior taste is forgotten. The adhara-amṛta is the Gauḍīya prototype of paraṁ dṛṣṭvā.
  • adhara-amṛtam — the nectar of (Your) lips
    Compound: adhara (lip) + amṛtam (nectar). The technical substance of mādhurya at its most concentrated. The Gopī-gīta returns to this image three times (vv. 8, 14, 17) — the lip-nectar is the chemical signature of Kṛṣṇa's intimacy.
  • vitara — please spread, distribute
    Imperative of vi-√tṝ, 'to extend across, distribute widely'. The gopīs do not ask for a private gift; they ask for distribution — let the nectar be spread over all of us. The verb is the same one used for the dissemination of Kṛṣṇa's mercy itself.
O hero, kindly distribute to us the nectar of Your lips, which enhances conjugal pleasure and vanquishes grief. That nectar is thoroughly relished by Your vibrating flute and makes people forget any other attachment.

Śrīla Viśvanātha Cakravartī’ s charming commentary on this verse is in the form of a dialogue between the gopīs and Kṛṣṇa: “The gopīs say, ‘O Kṛṣṇa, You exactly resemble Dhanvantari, the best of physicians. So please give us some medicine, for we are suffering from the disease of romantic desire for You. Don’t hesitate to give us the medicinal nectar of Your lips freely, without our paying a substantial price. Since You are a great hero in giving charity, You should give it without any payment, even to the most wretched persons. Consider that we are losing our life and that now You can restore us to life by giving us that nectar. After all, You have already given it to Your flute, which is simply a hollow bamboo stick.’ “Kṛṣṇa says, ‘But the diet of people in this world is the bad one of attachment to wealth, followers, family and so forth. The particular medicine you’ve requested should not be given to those who have such a bad diet.’ “‘But this medicine makes one forget all other attachments. So wonderful is this herbal drug that it counteracts bad dietary habits. Please give that nectar to us, O hero, since You are most charitable.’”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O hero, kindly distribute to us the nectar of Your lips, which enhances conjugal pleasure and vanquishes grief. That nectar is thoroughly relished by Your vibrating flute and makes people forget any other attachment.
Commentary

"O best of doctors, equal to Dhanvantari, please give a medicine to us, for we are fainting due to the sickness of love." "The medicine of your nectar lips nourish erotic enjoyment (surata vardhanam), and remove the pain of separation (soka nasanam). You should not say, ‘How can I give such valuable medicine for free.’ You can give without price for you are the hero of charity (vira). Without charging, you bring back to life the lowest entities. Those lips are kissed and tasted (susthu cumbitam) by the flute, just a piece of bamboo, which then breathes melody (svarita venuna)." "But attachment to family and wealth is a very unhealthy diet. I will not give to those people." "This medicine, the nectar of your lips, makes one forget all attachments to other things (itara raga vismaranam). This is a remarkable medicine, which revives any person from a bad condition. We have experience of this. Therefore you should give that nectar to us women (nrnam), O vira, heroic in charity or mercy."

Jīva Gosvāmī Gauḍīya
Commentary

The nectar on your lips increases the desire for enjoyment with you in prema. It is like liquor. Though constantly tasting, one is never fully satisfied. It destroys the suffering of not attaining you by destroying our stubbornness. It makes men forget other things (itara-rāga-vismāraṇam), what to speak of women. By desiring that nectar, everything else becomes non-existent. The proof is the flute. It is known as a male, but is attached to relishing your rasa arising from your chewed betel nut. These three--the nectar’s ability increase desire, destroy suffering and cause forgetfulness of things--show the nectar’s supreme position. This has been shown as well in the previous verse concerning his feet. The two verses give the same message. It is not that you cannot give this. Some of the nectar remains there. O Kṛṣṇa, brave in giving (vīra)! The nectar is kissed by the flute making sounds (svarita). This means the nectar of his lips is scented with the nectar of the sound. This refers to the flute’s wavering sound, like a singer, to induce greed since the skilful performer by his singing can produce desire for touching etc. with happiness in the listener. This gives further nectar to the nectar of his lips. Thus the lips become extraordinary just as perfume becomes more intoxicating by mixing the scents. Or the lips are kissed by the flute with its seven notes. This shows the intoxicating nature of the nectar of his lips. The flute kisses the nectar of his lips to produce uniqueness in the continuing song and to intoxicate the whole universe when it hears those notes which have contacted his lips.

Śrīdhara Svāmī Gauḍīya
Commentary

The nectar of your lips increases prema (su + rata or rati) or happiness of enjoyment in love. Though we could constantly attain it, still it would be unsatisfying. Thus the word “increase” is used. This also avoids blaming the gopīs for boldness. It destroys lamentation caused by separation and unfulfilled desires. Without that nectar, lamentation will not cease. The sound of the flute has a special quality to intoxicate. The cause of this effect is its direct contact with his lips. By that sound all suffering is destroyed. There is no other way. Or showing the great fortune of the flute previously mentioned, flute, kissing nectar, indicates the nectar’s great sweetness and ability to give good fortune. Since the nectar is kissed by the flute, it is not the agent of enjoyment, and does not decrease. That nectar makes men forget all other happiness such as liberation. It is most attractive. Since it is superior to liberation, it is superior to the nectar of the devatās. It is superior to hearing and other processes of bhakti. It is superior to seeing the Lord since it is obtained only by dedicated women lovers. The list of descriptive terms is in order of cause, the last being the final cause. “There is not much nectar.” In response they say O person dedicated to giving (vīra)! Or hero in the battle of love (vīra)! It is suitable that you give this nectar. Or vīra is an address to person who has reached kaiśora age and suggests his ability to give rasa. The meaning can be taken according to the context. Svarita can also refer to the flute playing notes (svara). If the nectar makes men forget other attractions, what to speak of women forgetting? Men attain the nectar of his lips by attaining some of his chewed betel nut. Or nṛṇām vīra (O hero among men)! By attaining that nectar, attraction to other things ceases. This suggests that by attaining Kṛṣṇa they no longer have to search. Thus there is urgency in their request. Or the nectar of his lips makes them forget everything else by producing rasa for him (itara-rāga-vismaraṇam). By suggesting that this is the nature of the nectar, the accusation of boldness to attain him can be denied. This request is clearly more specific than previously. Previously sīdhu was mentioned (verse 8). Now it is called amṛta.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The gopīs beg the nectar of Kṛṣṇa's lips — relished by His flute and capable of erasing all other attachment. Real spiritual sweetness rearranges what we want; once tasted, lesser attachments lose their grip.
Reflection Questions
  • What attachment in your life would loosen if you tasted more of Kṛṣṇa's sweetness?
  • Are you asking for the medicine of His name and lila as urgently as a dying patient?

When a flute that is only bamboo is allowed to drink the same lip-nectar that the gopīs are asking for, the universe rearranges itself around the asymmetry. The gopīs say: distribute what You have already poured into a piece of wood; do we deserve less than the veṇu?

The flute that took what the gopīs wanted

The Bhāgavatam's earlier Veṇu-gīta (SB 10.21) has the gopīs marvel — and pang — at the flute that Kṛṣṇa holds to His lips. What austerity, they wonder, did this hollow bamboo perform that it now drinks the nectar meant for them?

This verse picks up that thread inside the Gopī-gīta — the adhara-amṛta is 'thoroughly relished by Your vibrating flute' (svarita-veṇunā suṣṭhu cumbitam). The gopīs are not asking for an unprecedented mercy; they are asking only that what He has already given the flute be shared with them. The grammar of Vraja-rasa is the grammar of holy envy.

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Śrīmad-Bhāgavatam 10.31.15

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अटति यद् भवानह्नि काननं त्रुटि युगायते त्वामपश्यताम् । कुटिलकुन्तलं श्रीमुखं च ते जड उदीक्षतां पक्ष्मकृद् दृशाम् ॥ १५ ॥
aṭati yad bhavān ahni kānanaṁ
[atati yad bhavaan ahni kaananam]
truṭi yugāyate tvām apaśyatām
[truti yugaayate tvaam apashyataam]
kuṭila-kuntalaṁ śrī-mukhaṁ ca te
[kutila-kuntalam shree-mukham cha te]
jaḍa udīkṣatāṁ pakṣma-kṛd dṛśām
[jada udeekshataam pakshma-krid drishaam]
aṭati — travel yat — when bhavān — You ahni — during the daytime kānanam — to the forest truṭi — about 1/1700 of a second yugāyate — becomes like an entire millennium tvām — You apaśyatām — for those who do not see kuṭila — curling kuntalam — with locks of hair śrī — beautiful mukham — face ca — and te — Your jaḍaḥ — foolish udīkṣatām — for those who are eagerly looking pakṣma — of lids kṛt — the creator dṛśām — of the eyes .
Blended reading (Sanskrit + English inline)
aṭati yad bhavān ahni kānanaṁ
aṭati
travel
yat
when
bhavān
You
ahni
during the daytime
kānanam
to the forest
truṭi yugāyate tvām apaśyatām
truṭi
about 1/1700 of a second
yugāyate
becomes like an entire millennium
tvām
You
apaśyatām
for those who do not see
kuṭila-kuntalaṁ śrī-mukhaṁ ca te
kuṭila
curling
kuntalam
with locks of hair
śrī
beautiful
mukham
face
ca
and
te
Your
jaḍa udīkṣatāṁ pakṣma-kṛd dṛśām
jaḍaḥ
foolish
udīkṣatām
for those who are eagerly looking
pakṣma
of lids
kṛt
the creator
dṛśām
of the eyes .
  • truṭi — about 1/1700 of a second
    Sanskrit's smallest standard time-unit. Pairing truṭi with yuga in one breath compresses cosmic time-scales into the felt fabric of viraha. Gauḍīya commentary reads this couplet as the technical definition of mahā-bhāva — when time itself loses its normal proportions inside love.
  • yugāyate — becomes like a millennium
    Denominative verb from yuga — 'acts like a yuga'. Caitanya Mahāprabhu's Śikṣāṣṭaka quotes precisely this construction: 'yugāyitaṁ nimeṣeṇa' — a moment of separation becomes a yuga. This Gopī-gīta verse is the source-text Mahāprabhu Himself sang in His own viraha.
  • kuṭila-kuntalam — with curling locks of hair
    Compound: kuṭila (curling, curving) + kuntalam (locks). Specifically the dancing curls that fall around Kṛṣṇa's lotus face. Standard mādhurya-iconography — the curls are part of the assembly of features the gopīs catalog because they cannot stop looking.
  • pakṣma-kṛt — the maker of eyelids
    Compound: pakṣma (eyelash, eyelid) + kṛt (maker). Brahmā the engineer of the body — and the verse calls him jaḍaḥ, dull-witted, for installing eyelids whose blink interrupts darśana. Vraja's love overrules the cosmic blueprint; only here would the creator be insulted on aesthetic grounds.
  • udīkṣatām — for those who are eagerly looking
    Genitive plural participle of ud-√īkṣ, 'to look up at intently'. The verb adds 'up at' to looking — they are not merely seeing; they are looking up, like devotees at a darśana-door. Even at the height of mādhurya, the upward gaze of bhakti remains.
When You go off to the forest during the day, a tiny fraction of a second becomes like a millennium for us because we cannot see You. And even when we can eagerly look upon Your beautiful face, so lovely with its adornment of curly locks, our pleasure is hindered by our eyelids, which were fashioned by the foolish creator.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
When You go off to the forest during the day, a tiny fraction of a second becomes like a millennium for us because we cannot see You. And even when we can eagerly look upon Your beautiful face, so lovely with its adornment of curly locks, our pleasure is hindered by our eyelids, which were fashioned by the foolish creator.
Commentary

"Our bad destiny alone is the cause of our grief. So what can you do about it?" "When you go to Vrndavana, not seeing your, a truti (1/2700 of a ksana) seems like a yuga for us. The pain of separation from you makes three praharas seem like three months for the other inhabitants of Vraja, but those three praharas become like millions of yugas for us gopis. There is no cause for this except our bad fortune. And even when we get the opportunity to see your face, the creator makes us suffer by giving us eye lids to interrupt our vision of you. Thus even in seeing you we are thrown into an insurmountable ocean of suffering. The fraction of a second that an eyelid blinks is an interruption to our sight of you. Nine hundred trutis, the time it takes to blink the eye (nimesa), becomes nine hundred yugas to us. We are so unfortunate that whether seeing you nor not seeing you, we suffer. According to Maitreya, The time duration needed for the integration of three trasarenus is called a truti, and one hundred trutis makeone vedha. Three vedhas make one lava. The duration of three lavas is equal to one nimesa, and the combination of three nimesas makes one ksana. There is another meaning of the phrase plaksma krt. The first meaning refers to brahma as the maker (krt) of the eyelid (plaksma). Another meaning of plasma krt is "cutting off the eyelid." "Those who are intelligent (ajada) would cut off their eyelids so they could see Krsna continuously. Being unintelligent, we gopis cannot do that."

Jīva Gosvāmī Gauḍīya
Commentary

Since it is impossible to tolerate the time of suffering, a moment feels like a yuga. Not seeing you for a long time is intolerable. Therefore quickly reveal yourself. All the people of Vraja cannot see you when you go to the forest, what to speak of us. And when we do see your beautiful face, with curling locks of hair, we, what to speak of others, do so with eyes having eyelids. Thus even seeing you is faulty. Or, O Kṛṣṇa with inscrutable nature! We derive no pleasure from you at all. Seeing or not seeing you we suffer. Then they speak this verse. First they show that not seeing him produces suffering and then they show that seeing him produces suffering. Brahmā is ignorant since he did not make eyes that do not blink. He should be cursed. Or, he who can cut off (kṛt) eyelashes of people who see is very learned (ajaḍa). Or, he who cuts eyelids off his eyes (sudṛśām) is wise and can see nicely (udīkṣatām). We however, with eyelids covering our eyes, are foolish. What can we see directly?

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
When Kṛṣṇa goes to the forest, a fraction of a second feels like a millennium to the gopīs, and even seeing Him is hindered by the eyelids' blink. Pure love makes ordinary time strange — every separation feels endless.
Reflection Questions
  • Where in your life does even brief separation from Kṛṣṇa feel intolerable rather than fine?
  • What 'eyelids' — habits or distractions — interrupt your gaze on Him?

A truṭi — one seventeen-hundredth of a second — stretches into a yuga when the eyes that measure time have nothing to look at. And when at last the looked-for face is there, the very eyelids the Creator built — meant to protect the eye — become the saboteurs of love. The gopīs say: even the body's reflexes have become collaborators in our distance from You.

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Śrīmad-Bhāgavatam 10.31.16

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पतिसुतान्वयभ्रातृबान्धवा- नतिविलङ्‌घ्य तेऽन्त्यच्युतागता: । गतिविदस्तवोद्गीतमोहिता: कितव योषित: कस्त्यजेन्निशि ॥ १६ ॥
pati-sutānvaya-bhrātṛ-bāndhavān
[pati-sutaanvaya-bhraatri-baandhavaan]
ativilaṅghya te ’nty acyutāgatāḥ
[ativilanghya te ’nty achyutaagataah]
gati-vidas tavodgīta-mohitāḥ
[gati-vidas tavodgeeta-mohitaah]
kitava yoṣitaḥ kas tyajen niśi
[kitava yoshitah kas tyajen nishi]
pati — husbands suta — children anvaya — ancestors bhrātṛ — brothers bāndhavān — and other relatives ativilaṅghya — completely neglecting te — Your anti — into the presence acyuta — O infallible one āgatāḥ — having come gati — of our movements vidaḥ — who understand the purpose tava — Your udgīta — by the loud song (of the flute) mohitāḥ — bewildered kitava — O cheater yoṣitaḥ — women kaḥ — who tyajet — would abandon niśi — in the night .
Blended reading (Sanskrit + English inline)
pati-sutānvaya-bhrātṛ-bāndhavān
pati
husbands
suta
children
anvaya
ancestors
bhrātṛ
brothers
bāndhavān
and other relatives
ativilaṅghya te ’nty acyutāgatāḥ
ativilaṅghya
completely neglecting
te
Your
anti
into the presence
acyuta
O infallible one
āgatāḥ
having come
gati-vidas tavodgīta-mohitāḥ
gati
of our movements
vidaḥ
who understand the purpose
tava
Your
udgīta
by the loud song (of the flute)
mohitāḥ
bewildered
kitava yoṣitaḥ kas tyajen niśi
kitava
O cheater
yoṣitaḥ
women
kaḥ
who
tyajet
would abandon
niśi
in the night .
  • pati-suta-anvaya-bhrātṛ-bāndhavān — husbands, children, ancestors, brothers, and other relatives
    Compound stack listing every category of dharmic bond. The gopīs are not vague — they enumerate. Gauḍīya commentary reads this as the most authoritative scriptural statement of the priority of kṛṣṇa-prema over all other duties; the parityāga of BG 18.66 in five concrete nouns.
  • acyuta — O infallible one
    Vocative — 'one who never falls, never lets down His own'. Pointed irony: the gopīs address Him by the very name that means 'the One who does not fail His devotees' precisely at the moment they think He has done so. The address itself argues the case.
  • udgīta-mohitāḥ — bewildered by the loud song (of the flute)
    Compound: udgīta (lifted-up song) + mohitāḥ (bewildered). Names the flute-song that drew them, and the moha — the spell — that song cast. Gauḍīya rasa-śāstra: the veṇu-rava is a sui generis enchanter whose mohana of devotees is a higher state than rational discernment.
  • kitava — O cheater
    Vocative — literally 'gambler', one who plays for stakes and cheats. The gopīs accuse Him of staking their lives and now running from the table. Notable: the address is intimate, not denunciatory — only one who is on Kṛṣṇa's side can call Him kitava.
  • gati-vidaḥ — who understand the purpose (of our coming)
    Compound: gati (motion, purpose, destination) + vidaḥ (knower). 'You know where we are going and why' — He cannot pretend ignorance. The address pins Him as antaryāmin — the One who already knows — to the consequences of His own omniscience.
Dear Acyuta, You know very well why we have come here. Who but a cheater like You would abandon young women who come to see Him in the middle of the night, enchanted by the loud song of His flute? Just to see You, we have completely rejected our husbands, children, ancestors, brothers and other relatives.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Dear Acyuta, You know very well why we have come here. Who but a cheater like You would abandon young women who come to see Him in the middle of the night, enchanted by the loud song of His flute? Just to see You, we have completely rejected our husbands, children, ancestors, brothers and other relatives.
Commentary

Those who on hearing the flute, were locked in the inner rooms of their houses by their husbands, but overcame the obstacles and came to Krsna, then spoke with impatience. "Knowing the highest, tenth state, we have come to you (gati vidah anti agatah). Though we are in this exalted state, you failed to let us see you, so your name acyuta has the opposite meaning." "Why did you come?" "Hearing your flute, and being without discrimination, (udgita mohitah) we came." "If that is so, foolish women, then tolerate the pain." Fearing such a statement, the gopis said, "O cheater, who, except a merciless person, would reject young frightened women who of their own will come to you at night. No one would do such a thing." Another meaning "O mad man! What young man would reject young women who came here at night? Though you are a cheater, you have been cheated (of enjoyment)." According to Medini, kaitava can mean cheater or mad man.

Jīva Gosvāmī Gauḍīya
Commentary

In spite of all this, what you have done today is most improper. We have ignored the instructions of our mothers and fathers (bāndhavān), brothers, sons and husbands, at the very root (vi), by ignoring all dharma and giving up affection for them (ati). We have come because we were bewildered by the loud song. We were like deer bewildered by a hunter. This was not accident, for you knew the power of the flute. You knew that we would come (gati-vidaḥ). Or, “You are most sober women. How could you gopīs be bewildered just by a flute?” You knew the special method of the song. Even the devatās become bewildered. savanaśas tad upadhārya sureśāḥ śakra-śarva-parameṣṭhi-purogāḥ kavaya ānata-kandhara-cittāḥ kaśmalaṁ yayur aniścita-tattvāḥ Brahmā, Śiva, Indra and other chief devatās become confused upon hearing the sound. Although they are the most learned authorities, they cannot ascertain the essence of that music, and thus they bow down their heads and hearts. SB 10.35.15 Or, “You are clever. You know my nature. Why were you not careful?” Though we know your nature, we became enchanted by that song, since it is actually some bewitching mantra. Let that be. What person would reject women whom he has personally brought, and in the middle of the night? No one would do this. Therefore, O cheater, would even a cheater reject us? Your behavior shows why everyone calls you a cheater. O Acyuta, you do not waver from your nature! You are called this because of your cheating quality.

Śrīdhara Svāmī Gauḍīya
Commentary

In spite of all this, what you have done today is most improper. We have ignored the instructions of our mothers and fathers (bāndhavān), brothers, sons and husbands, at the very root (vi), by ignoring all dharma and giving up affection for them (ati). We came because you never waver from being attracted to your devotees (acyuta). Moreover you know your nature and ours (gati-vidaḥ). Or we know that you know that we are solely dedicated to you, and you know your qualities like fulfilling your promises. Or we know your qualities like compassion. We were bewildered by your song. O cheater, who deviates from his nature! It is improper to give up women frightened in the night. O cheater who would give up such women? It is not possible even for a cheater to give up women in the night. You are not only crooked but also ungrateful. Or you are a cheater because you have given up women first attracted by the song for pleasure, standing alone in the night. Or O mischievous women! Or women belonging to you, the cheater. We are cheaters like you and we know everything about your cheating. Give up trying to cheat us. Your cheating is clear. Now show yourself. Please show yourself.

Related values
Anahankarah (Freedom from False Ego)Apaishunam (Non-slander)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Concepts
Dharma
The gopīs accuse Kṛṣṇa of being a cheater: who else would call young women into the night with His flute, then abandon them? They have rejected husbands, children, and relatives just to see Him — and they want Him to know it.
Reflection Questions
  • What have you set aside to come closer to Kṛṣṇa, and do you let yourself admit the cost?
  • Can you be honest with Him about feeling abandoned, the way the gopīs are?

When a flute calls and a woman walks at midnight past her sleeping husband, past her crib, past her father's roof — she is not a thief; she is a person who has heard the only voice that is louder than every other voice. The gopīs say: we did not come by accident. The math is done — and the One we have come to is now the One refusing to count us.

The flute that calls past every bond

In the opening verses of the rāsa cycle (SB 10.29), the gopīs hear Kṛṣṇa's flute in the autumn moonlight and leave whatever they were doing — cooking, nursing, lying beside husbands — and run to the forest. Some are stopped by their families; some die in separation on the way and reach Him faster.

The Gosvāmīs read this not as transgression but as the ultimate śāstric obedience: when Bhagavān calls, all dharmas yield. The gopīs in this verse invoke that very act — 'who but a cheater would abandon women who have walked past everything to come to Him?' — pressing on Kṛṣṇa His own teaching: sarva-dharmān parityajya.

📝 My note

Śrīmad-Bhāgavatam 10.31.17

↗
रहसि संविदं हृच्छयोदयं प्रहसिताननं प्रेमवीक्षणम् । बृहदुर: श्रियो वीक्ष्य धाम ते मुहुरतिस्पृहा मुह्यते मन: ॥ १७ ॥
rahasi saṁvidaṁ hṛc-chayodayaṁ
[rahasi samvidam hrich-chayodayam]
prahasitānanaṁ prema-vīkṣaṇam
[prahasitaananam prema-veekshanam]
bṛhad-uraḥ śriyo vīkṣya dhāma te
[brihad-urah shriyo veekshya dhaama te]
muhur ati-spṛhā muhyate manaḥ
[muhur ati-sprihaa muhyate manah]
rahasi — in private saṁvidam — confidential discussions hṛt - śaya — of lust in the heart udayam — the rise prahasita — smiling ānanam — face prema — loving vīkṣaṇam — glances bṛhat — broad uraḥ — chest śriyaḥ — of the goddess of fortune vīkṣya — seeing dhāma — the abode te — Your muhuḥ — repeatedly ati — excessive spṛhā — hankering muhyate — bewilders manaḥ — the mind .
Blended reading (Sanskrit + English inline)
rahasi saṁvidaṁ hṛc-chayodayaṁ
rahasi
in private
saṁvidam
confidential discussions
hṛt - śaya
of lust in the heart
udayam
the rise
prahasitānanaṁ prema-vīkṣaṇam
prahasita
smiling
ānanam
face
prema
loving
vīkṣaṇam
glances
bṛhad-uraḥ śriyo vīkṣya dhāma te
bṛhat
broad
uraḥ
chest
śriyaḥ
of the goddess of fortune
vīkṣya
seeing
dhāma
the abode
te
Your
muhur ati-spṛhā muhyate manaḥ
muhuḥ
repeatedly
ati
excessive
spṛhā
hankering
muhyate
bewilders
manaḥ
the mind .
  • saṁvidam — confidential discussions
    Accusative of saṁvit — 'conversation, knowledge held in common'. Gauḍīya note: the same word philosophy uses for the highest cognitive faculty (cit) is here the gopīs' word for pillow-talk with Kṛṣṇa — because in Vraja the highest knowledge is the intimate knowledge they share with Him alone.
  • hṛt-śaya-udayam — the rise of lust in the heart
    Compound: hṛt-śaya (heart-resting, i.e. kāma) + udayam (rising). Same hṛt-śaya the gopīs asked Kṛṣṇa to cut away in verse 7 — here it returns, raised by the memory of Him. Viraha is the paradox in which the cure also intensifies the symptom.
  • uraḥ-śriyaḥ — of the goddess of fortune on (Your) chest
    Compound: uraḥ (chest) + śriyaḥ (of Lakṣmī). The Vaikuṇṭha image — Lakṣmī's seat on Nārāyaṇa's chest — is summoned in the gopīs' memory, but the chest in question is their boy-Kṛṣṇa's, and the privilege has shifted: Lakṣmī rests there theoretically; they rested there in fact.
  • ati-spṛhā — excessive hankering
    Compound: ati (excess) + spṛhā (longing). Even the gopīs call their own hankering ati — surpassing measure. Gauḍīya rasa-śāstra recognizes this excess as the formal mark of mahā-bhāva: longing that overflows its container.
  • muhyate — is bewildered
    Present passive of √muh, 'to be confused, fainted'. Echoes Arjuna's muhyāmi at BG 2.7 — but where Arjuna's bewilderment yielded to the Gītā's instruction, the gopīs' has no resolution short of darśana. Their mohana is itself the highest sādhana.
Our minds are repeatedly bewildered as we think of the intimate conversations we had with You in secret, feel the rise of lust in our hearts and remember Your smiling face, Your loving glances and Your broad chest, the resting place of the goddess of fortune. Thus we experience the most severe hankering for You.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Our minds are repeatedly bewildered as we think of the intimate conversations we had with You in secret, feel the rise of lust in our hearts and remember Your smiling face, Your loving glances and Your broad chest, the resting place of the goddess of fortune. Thus we experience the most severe hankering for You.
Commentary

"What can be done? Your five illusions elements, like the five arrows of cupid, have entered through our eyes and pierced our hearts. These five things are : 1. your requests for enjoyment in private 2. the rise of passion in us caused by your looking at us 3. your smiling face 4. your loving glances, and 5. your broad chest endowed with all splendor. Considering all of this again and again intently, our greed increases, and our minds become completely bewildered. Out of great eagerness, we faint.

Jīva Gosvāmī Gauḍīya
Commentary

Seeing desire aroused in your heart, through private talks, your face with a remarkable smile, your glance showing affection, and then your chest, beautiful in its broadness, which is the abode of all wealth, in the form of a golden line, and which makes us desire to embrace you, we have developed desire to see that always. Or seeing your arousal of desire and your smiling face, great desire arose within us. Or, with great desire, our minds became bewildered. Ati-spṛhām is Citsukha’s version. Our minds became bewildered with great desire for experiencing you or for associating with you intimately. This desire shows their great longing. Or, we saw your heart filled with desire. But now we are about to die. But we have no remedy for this desire which cannot be suppressed. Thus we are bewildered. This indicates their extreme misery.

Śrīdhara Svāmī Gauḍīya
Commentary

Knowing what you have done, do not delay in revealing yourself. They give more details than previously. Conversations were previously mentioned. By just one conversation in private, what to speak of many, our desire which was as if dormant and inactive, manifested. The smile and other element are described in detail. Or the conversation manifests your desire, various transformations of desire. Your face showed a remarkable smile spread over the cheeks and lips, endowed with special emotions. Or you have a remarkable smile on your face. Your glance was filled with love. Your chest was broad, suitable for embraces. It was most beautiful. It was the abode of Lakṣmī. This shows its special beauty and the competition. Thinking (vīksya) of all, that minds of those present become bewildered. Or we see your smile, have great desire, and our minds become bewildered. Ati-spṛhām is Citsukha’s version. Our minds became bewildered with great desire for experiencing you in these ways or for associating with you intimately. This desire shows the strength of the desire, in bewildering the mind. Or this expressed their complete lack of control. Or in a private conversation, you smiled, or revealed your desire. Having seen those things, now on remembering what was seen, our desire has become intense. Or everything happened in that manner previously, but now, it takes on more intensity, bringing about our death. Mentioning the abode of Lakṣmī can also indicate a fault, since he admits a competitor. Or it indicates his rarity, and thus their own miserable position. Or he is the abode of beauty, with his form, clothing and pastimes, to which nothing can compare. Dhāma can mean a creeper or a house. Not only do we develop extreme desires, but the mind faints because of the great sweetness. The mind cannot prevent this. This indicates the gopīs’ extreme misery. Or “I am grateful. Why are you so pained?” We are in pain because of the various ways in which you bewilder us. You are the only cause. They describe with pain the bewildering nature of his conversations, smile etc. Te (they, others) is the subject. They see your smile etc. develop extreme desire and their minds become bewildered. Thus it is proper that we develop great desire and become bewildered also. Show yourself so that we do not die. This will be a show of your gratitude.

Related values
Prema (Divine Love)Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Seva (Service / Selfless Action)Kritajnata (Gratitude)Atma Nigraha (Self-control)
Related verses
Concepts
Jiva
Memories of secret talks, rising lust, smiles, glances, and Kṛṣṇa's chest where Lakṣmī rests bewilder the gopīs' minds with intense hankering. Devotional remembrance is not abstract — it floods the body and heart with longing.
Reflection Questions
  • Do you let memories of Kṛṣṇa intensify your hankering, or do you keep devotion safely intellectual?
  • What part of your heart most needs to be honest about how much it wants Him?

Memory is supposed to settle a thing; for the gopīs it does the opposite. Every recalled smile lifts the hṛt-śaya again, every remembered chest tightens the throat again, every loving glance replayed is fresh kindling. They are not nostalgically sad — they are being burned in real time by the precision of their own remembrance.

📝 My note

Śrīmad-Bhāgavatam 10.31.18

↗
व्रजवनौकसां व्यक्तिरङ्ग ते वृजिनहन्‍त्र्यलं विश्वमङ्गलम् । त्यज मनाक् च नस्त्वत्स्पृहात्मनां स्वजनहृद्रुजां यन्निषूदनम् ॥ १८ ॥
vraja-vanaukasāṁ vyaktir aṅga te
[vraja-vanaukasaam vyaktir anga te]
vṛjina-hantry alaṁ viśva-maṅgalam
[vrijina-hantry alam vishva-mangalam]
tyaja manāk ca nas tvat-spṛhātmanāṁ
[tyaja manaak cha nas tvat-sprihaatmanaam]
sva-jana-hṛd-rujāṁ yan niṣūdanam
[sva-jana-hrid-rujaam yan nishoodanam]
vraja - vana — in the forests of Vraja okasām — for those who dwell vyaktiḥ — the appearance aṅga — dear one te — Your vṛjina — of distress hantrī — the agent of destruction alam — extremely so viśva - maṅgalam — all-auspicious tyaja — please release manāk — a little ca — and naḥ — to us tvat — for You spṛhā — with hankering ātmanām — whose minds are filled sva — Your own jana — devotees hṛt — in the hearts rujām — of the disease yat — which is niṣūdanam — that which counteracts .
Blended reading (Sanskrit + English inline)
vraja-vanaukasāṁ vyaktir aṅga te
vraja - vana
in the forests of Vraja
okasām
for those who dwell
vyaktiḥ
the appearance
aṅga
dear one
te
Your
vṛjina-hantry alaṁ viśva-maṅgalam
vṛjina
of distress
hantrī
the agent of destruction
alam
extremely so
viśva - maṅgalam
all-auspicious
tyaja manāk ca nas tvat-spṛhātmanāṁ
tyaja
please release
manāk
a little
ca
and
naḥ
to us
tvat
for You
spṛhā
with hankering
ātmanām
whose minds are filled
sva-jana-hṛd-rujāṁ yan niṣūdanam
sva
Your own
jana
devotees
hṛt
in the hearts
rujām
of the disease
yat
which is
niṣūdanam
that which counteracts .
  • vraja-vana-okasām — for those who dwell in the forests of Vraja
    Compound: vraja-vana (Vraja's forests) + okasām (of the dwellers). The verse specifies the patient population — not all suffering souls in general, but the Vraja-vāsīs in particular. Gauḍīya theology: the medicine is the same, but the indication is local — Vraja's residents are Kṛṣṇa's first patients.
  • vyaktiḥ — the appearance, manifestation
    Feminine noun from vi-√añj, 'to manifest, make visible'. The gopīs name Kṛṣṇa's very visibility — His vyakti — as the agent of cure. Gauḍīya: His being seen is itself the medicine. Darśana is therapy, not preparation for therapy.
  • vṛjina-hantrī — the (feminine) destroyer of distress
    Compound: vṛjina (distress, sin) + hantrī (feminine destroyer). The feminine ending agrees with vyaktiḥ — His appearance is the female agent of destruction. Subtle: in Vraja the destructive force against suffering is grammatically and bhāvically feminine, matching the way mercy descends in mādhurya.
  • viśva-maṅgalam — all-auspicious
    Compound: viśva (universal) + maṅgalam (auspicious). The gopīs widen the frame for a moment — His appearance is not only their cure; it is universally auspicious. But the widening serves the narrowing of the next breath: 'so give us a little'.
  • sva-jana-hṛt-rujām — of the disease in the hearts of Your own people
    Compound: sva-jana (own people, devotees) + hṛt (heart) + rujām (of the disease). The pathology is named exactly: it is a disease, and it is specifically located in His own people's hearts. The gopīs claim sva-jana status and demand the physician's house-call.
O beloved, Your all-auspicious appearance vanquishes the distress of those living in Vraja’s forests. Our minds long for Your association. Please give to us just a bit of that medicine, which counteracts the disease in Your devotees’ hearts.

According to the ācāryas, the gopīs repeatedly entreat Lord Kṛṣṇa to place His lotus feet on their breasts. The gopīs are not victims of material lust, but rather they are absorbed in pure love of Godhead and thus want to serve Lord Kṛṣṇa’s lotus feet by offering their beautiful breasts to Him. Materialistic persons, who are victims of mundane sex desire, will not be able to understand how these conjugal dealings take place on a pure, spiritual platform, and that is the materialists’ great misfortune.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O beloved, Your all-auspicious appearance vanquishes the distress of those living in Vraja's forests. Our minds long for Your association. Please give to us just a bit of that medicine, which counteracts the disease in Your devotees' hearts.
Commentary

"Bewildering us innocent, respectable women, you have brought us to the forest in the night. Your intention is not just to burn our life airs with the fire of expectation, but to protect our life by giving your association." The gopis now speak of the reason for this. "Your appearance is auspicious for all of the inhabitants of Vraja who have discrimination, and it removes all sorrow. Therefore, with minds hankering to fulfill that desire which arose in you on seeing us, without being miserly, release a little of that something to us." "What thing is that?" "It is medicine, the lotus of your feet, which pacifies (nisudanam) the disease in the breasts of your devotees (sva jana hrd rujam). If we get that medicine for placing on our breasts, your desire will be fulfilled, and thus we can maintain our five life airs."

Jīva Gosvāmī Gauḍīya
Commentary

By the appearance of desire in your heart we have developed various emotions. With the arousal of your desire, we begin to think of your condition. “How can he get relief from that pain?” We think in this way because we have natural, strong affection for you. With hearts splitting because of strong affection, they make a request with humility in two verses. You have made your appearance as the destroyer of distress (vṛjina-hantrī ) for the inhabitants of Vraja and the forest. Therefore disappearing was not proper. Oh (aṅga)! This is uttered to express prema. Not only have you appeared to destroy everyone’s suffering but to give unlimited auspiciousness (viśva-maṅgalam). Or you have appeared to also bestow all happiness on them. The word alam (exceedingly) modifies both words. Then why do you not destroy our suffering? “Since you are inhabitants of Vraja, dissipation of your sorrow because of various disasters will also take place. What more do you ask?” Our minds desire to attain you (tvat-spṛhātmanām). “The people of Vraja desire me also. What is the difference?” Please give a little medicine to destroy the disease in the hearts of your special friends in Vraja (svajana). They ask for a little because it is most rare or because that is the custom of a beggar. Because rujām (diseases) is in the plural and niśūdanam indicates negation (not destroying completely), it is suggested that the disease of desire will continually appear in various, newer forms.

Śrīdhara Svāmī Gauḍīya
Commentary

Now at least show yourself. This will certainly bring about all good results. Your avatāra or appearance (vyaktiḥ) destroys obstacles for those living in Vraja. But we no longer living there. Therefore disappearing is not proper. Aṅga is an address uttered in prema. Not only do you destroy obstacles for the people of Vraja, you show auspicious forms to the whole universe, to the highest degree (alam). The obstacles do not reappear and the auspiciousness is a wealth of bhakti and prema along with happiness at every moment. Give a little of that which constantly destroys the pain in the hearts of your devotees. You know their pain, and their desire for you since they are your devotees. The disease of the heart means the heart is filled with the pain of prema. “I know that my devotees desire prema for me and Vaikuṇṭha in order to see me.” Our minds desire to attain you (tvad-spṛhātmanām) or our minds want enjoyment with you. Do something for us so that this can be fulfilled. Manag (a little) indicates that it is rare, or the humility of a request. However hrd-rujām (pains in the heart) in the plural and the word nisudanam (complete destruction) indicate that their love for him cannot be extinguished. It continually increases with freshness. It has various types of prema. Or O friend (sva-jana)! Give a little of that which will extinguish the pain in the hearts of us who desire only you.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Concepts
Avatara
Kṛṣṇa's auspicious appearance vanishes the distress of Vraja; the gopīs beg for even a small dose of the medicine that cures the disease of His devotees' hearts. The cure for separation is more of the very Lord we long for.
Reflection Questions
  • What is the 'disease' in your own heart that only more of Kṛṣṇa can cure?
  • Are you willing to ask for a small dose now rather than waiting for a perfect moment?

When the village physician walks through the lanes carrying the only known antidote in a small bottle, the patients do not ask for the whole bottle — they ask for a drop. The gopīs say: Your appearance is the medicine for the disease in Your devotees' hearts; pour just a little of it our way.

📝 My note

Śrīmad-Bhāgavatam 10.31.19

↗
यत्ते सुजातचरणाम्बुरुहं स्तनेषु भीता: शनै: प्रिय दधीमहि कर्कशेषु । तेनाटवीमटसि तद् व्यथते न किंस्वित् कूर्पादिभिर्भ्रमति धीर्भवदायुषां न: ॥ १९ ॥
yat te sujāta-caraṇāmburuhaṁ staneṣu
[yat te sujaata-charanaamburuham staneshu]
bhītāḥ śanaiḥ priya dadhīmahi karkaśeṣu
[bheetaah shanaih priya dadheemahi karkasheshu]
tenāṭavīm aṭasi tad vyathate na kiṁ svit
[tenaataveem atasi tad vyathate na kim svit]
kūrpādibhir bhramati dhīr bhavad-āyuṣāṁ naḥ
[koorpaadibhir bhramati dheer bhavad-aayushaam nah]
yat — which te — Your su - jāta — very fine caraṇa - ambu - ruham — lotus feet staneṣu — on the breasts bhītāḥ — being afraid śanaiḥ — gently priya — O dear one dadhīmahi — we place karkaśeṣu — rough tena — with them aṭavīm — the forest aṭasi — You roam tat — they vyathate — are distressed na — not kim svit — we wonder kūrpa - ādibhiḥ — by small stones and so on bhramati — flutters dhīḥ — the mind bhavat - āyuṣām — of those of whom Your Lordship is the very life naḥ — of us .
Blended reading (Sanskrit + English inline)
yat te sujāta-caraṇāmburuhaṁ staneṣu
yat
which
te
Your
su - jāta
very fine
caraṇa - ambu - ruham
lotus feet
staneṣu
on the breasts
bhītāḥ śanaiḥ priya dadhīmahi karkaśeṣu
bhītāḥ
being afraid
śanaiḥ
gently
priya
O dear one
dadhīmahi
we place
karkaśeṣu
rough
tenāṭavīm aṭasi tad vyathate na kiṁ svit
tena
with them
aṭavīm
the forest
aṭasi
You roam
tat
they
vyathate
are distressed
na
not
kim svit
we wonder
kūrpādibhir bhramati dhīr bhavad-āyuṣāṁ naḥ
kūrpa - ādibhiḥ
by small stones and so on
bhramati
flutters
dhīḥ
the mind
bhavat - āyuṣām
of those of whom Your Lordship is the very life
naḥ
of us .
  • su-jāta-caraṇa-ambu-ruham — (Your) very finely-formed lotus feet
    Compound: su-jāta (very well-born, finely-grown) + caraṇa (foot) + ambu-ruha (water-born, lotus). The hyper-tender adjective stack is the verse's emotional core — su-jāta describes not noble birth here but exquisite delicacy. Mahāprabhu's lingering on this phrase is recorded in CC.
  • priya — O dear one
    Vocative — 'beloved'. The Gopī-gīta opened with dayita (v. 1) and closes with priya — the entire 19-verse arc framed by terms of intimate address, never once stepping out of the kānta-bhāva register.
  • karkaśeṣu — on (the rough ones)
    Locative plural of karkaśa, 'rough, hard'. Self-referential to their own breasts — they fear even their breasts are karkaśa compared to His feet. The hyperbole is the doctrine: in Vraja, the bhakta sees the bhagavat-aṅga as more delicate than her own body.
  • kūrpa-ādibhiḥ — by small stones and so on
    Compound: kūrpa (small sharp stone) + ādibhiḥ (etc.). The catalog mirrors verse 11's śila-tṛṇa-aṅkura — Vraja's forest path is forensically known to the gopīs because they have measured every threat to His soles.
  • bhavat-āyuṣām — of those of whom Your Lordship is the very life
    Compound: bhavat (Your Lordship) + āyuṣām (genitive plural of āyus, 'life'). 'We whose life is You'. The verse's closing self-description — the gopīs do not say 'we who love You' or 'we who serve You'; they say 'we for whom You are life itself'. The highest definition of āśraya-bhāva, and the Gopī-gīta's final word about who the gopīs are.
O dearly beloved! Your lotus feet are so soft that we place them gently on our breasts, fearing that Your feet will be hurt. Our life rests only in You. Our minds, therefore, are filled with anxiety that Your tender feet might be wounded by pebbles as You roam about on the forest path.

The translation of this verse is from Śrīla Prabhupāda’s English rendering of Caitanya-caritāmṛta ( Ādi 4.173) . Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Thirty-first Chapter, of the Śrīmad-Bhāgavatam, entitled “The Gopīs’ Songs of Separation.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O dearly beloved! Your lotus feet are so soft that we place them gently on our breasts, fearing that Your feet will be hurt. Our life rests only in You. Our minds, therefore, are filled with anxiety that Your tender feet might be wounded by pebbles as You roam about on the forest path.
Commentary

"O women experienced in love, those feet for which you have prayed are at present engrossed in wandering happily in the forest. Therefore there is no chance that they can be placed on your breasts." Hearing that, the gopis began to weep. "Those tender feet which we are afraid to place upon our breasts for fear of injuring them, are wandering in the forest." With pitiful words, they express this feeling. "How improper, how unfair, that you boldly do this." "Why are you afraid?" They explain, "Our reason for fear is the hardness of our breasts." "Then why do you hold them?" "We hold them because we see that you gain satisfaction when those feet are held on our breasts (he priya). Seeing that you derive pleasure from pressing your feet on our breasts, we accept that, but we experience grief seeing that your feet will be pained as they are so tender. Therefore, we will hold them very carefully (sanaihr dadhimahi).Though we are friends with you, we are troubled because of fear of hurting you. (This is a symptom of mahabhava.) In other words, even in meeting with you, we have the misfortune of suffering. What is to be done now? Should we pray to the creator to make our breasts soft while doing austerities? That also will not make you happy. And yet, when our breasts are hard, it gives pain to your feet. Either way, we are in difficulty. Both in union and separation we are in difficulty. Though you are independent, how do you tolerate such difficulties? What is the purpose in wandering in the forest? Are your feet equipped for wandering from forest to forest? " In this way they scold him. "I will do whatever is on my mind. What can you say to that?" "Do your feet not hurt? Certainly they must, but just as you are merciless to us, so you are merciless to your own body. Do you endure the pain with the intention to make us suffer, knowing that if you suffer we suffer? Or do you regard your pain as bliss, since you get bliss from seeing us suffer? Or according to the principle that association breeds either good or bad qualities, just as your soft heart, by contact with our hard breasts, has become hard, so by contact with our hard breasts have your feet also become hard, not feeling pain from the rocks? Or have all the rocks and other hard objects become soft by contact with your glorious feet? Or is the earth, being merciful, or greedy to taste your sweetness, holding her tongue out as a resting place wherever your feet fall? Or have you, with an ocean of prema greater ours, attained a state of unmada due to separation from us, and therefore cannot feel the pain? Thinking of so many causes, our intelligence has become confused and we cannot conclude anything." "That suffering which you display is suffering in name only. I don’t consider that suffering real suffering, since you still remain alive." " Our life is in you, you are our life (bhavad ayusam). If you remain comfortable, though it is difficult, we will remain alive. But here is the real meaning: the creator, like you, intending to make us suffer, considered in this way: ‘If I leave their life spans with themselves, their live spans will burn up due to the fire of love given by me, and they will immediately die. Then who could I give suffering to? Therefore I will place their life spans in the care of my like minded friend Krsna, so they will remain alive and experience great suffering, in spite of its intensity’ Because of this arrangement, we do not die." There is another way of understanding the phrase bhavad ayusam. "Our intelligence cannot determine anything and is becoming bewildered, for it is certain that our life airs are now leaving our bodies, while you stand and watch." " But how can you die when your life span is intact?" "Our life has been offered to you (bhavad ayusam). Taking those durations, you can remain enjoying for a long time in Vraja."

Jīva Gosvāmī Gauḍīya
Commentary

“What is that disease in the heart? Why destroy it?” Crying, they speak this verse. Your feet are soft like lotuses, but even softer (sujāta). Thus, gently we would like to place them on our breasts in fear, because our breasts are too hard. We want to do this because you are dear (priya) to us. It is suitable to hold them to our breasts since one keeps what is dear close to the heart. Thus we make this request. You are now wandering at night in the forest. They repeat a reason for holding his feet. They speak in this way out of increased affection, while worrying about disturbing him. Previously they mentioned that the sharp grass stubble spread everywhere would injure his feet while he wandered in various grassy areas herding the cows. Now they worry about the sharp stones on the bank of the Yamunā, which is covered with rough stones. Though there is no need to worry about sharp stones because of the nature of Vṛndāvana and the efforts of Vṛndā-devī, they develop worry since that is their nature. Aniṣṭāśaṅkīnīva bandhu-hrḍayāni bhavanti: a relative or intimate friend is always fearful of some injury to his beloved. (Abhijñāna-śakuntalā-nāṭaka) We are bewildered (bhramati) because we have placed our lives in you. This was previously mentioned in the beginning in the phrase tvayi dhṛtāsavaḥ (verse 1). It was again mentioned in the middle: calasi yad vrajāc cārayan paśūn nalina-sundaraṁ nātha te padam śila-tṛṇāṅkuraiḥ sīdatīti naḥ kalilatāṁ manaḥ kānta gacchati Dear master, dear lover, when you leave the cowherd village to herd the cows, our minds are disturbed with the thought that your feet, more beautiful than a lotus, will be pricked by the spiked husks of grain and the rough grass and plants. SB 10.31.11 Thus his pain is reflected in their lives. Now, we cannot tolerate maintaining our lives at all. This anxiety is the disease in their hearts. The medicine is to dwell happily with caresses on the lap of their beloved. Please come quickly. Instead of aṭasi sometimes nayasi is seen. This means “you go.” It should thus be understood that all of the gopīs’ and Kṛṣṇa’s emotions were filled with pure prema. Thinking “These gopīs have prema solely for me,” he will inevitably give himself to them with the greatest joy. By understanding that it will happen because it is most fitting, one will develop desire for pastimes with similar prema. This will be considered elsewhere also. Those who relish rasa agree with this.

Śrīdhara Svāmī Gauḍīya
Commentary

Till now they have made their request, expressing their desire in many ways. In conclusion, thinking of the Lord wandering in the forest, imagining the pain to his lotus feet, they lose interest in their request, and pray for his happiness while crying, showing intense prema. Your feet are soft like lotuses, but even softer (sujāta). Thus, gently we would like to place them on our breasts in fear, because our breasts are too hard. We want to do this because you are dear (priya) to us. It is suitable to hold them to our breasts since one keeps what is dear close to the heart. Thus we make this request. You are now wandering at night in the forest. Out of intense prema, they repeat their statements without recognizing the repetition. This is not a fault, but a good quality. Previously they mentioned he was wandering in the forest (calasi) but that was during the day. Now it is in the night and he is wandering. During the day while herding the cows he wanders where there is lots of grass. He will not contact sharp stones. In the night, it is possible he will step on sharp stones. Though there is no need to worry about sharp stones because of the nature of Vṛndāvana, they develop worry since that is their nature. Aniṣṭāśaṅkīnīva bandhu-hrḍayāni bhavanti: a relative or intimate friend is always fearful of some injury to his beloved. (Abhijñāna-śakuntalā-nāṭaka) We are bewildered (bhramati) because we have placed our lives in you. Thus his pain is reflected in their lives. Now, we cannot tolerate maintaining our lives at all. There is now more pain, with fainting. Instead of aṭasi sometimes nayasi is seen. This means “you go.” This statement at the end reminds one of Rādhā, who is suggested by the words sva-jana in the previous verse. The pain in the heart of the previous verse can mean the worry about Kṛṣṇa’s pain as he wanders in the forest. We desire to extinguish (nisudanam) that pain. That will be achieved by seeing him. Naḥ in the plural indicates the whole group of her sakhīs, or all the gopis, according to one’s mood. They mention twice his feet being injured because of the softness of his feet. They pray twice to place those feet on their breasts. Sāraṅgāṇāṁ padaṁbhujam: his lotus feet are the refuge of pure devotees who never talk or sing of any subject except his Lordship. (SB 1.11.26) They are unable even to do that because of their misery and devotion. Twice they pray for the nectar of his lips since it is the cause of their life. They constantly describe his face, since it is especially attractive. Other things could also be mentioned by the devotees having taste and sympathy with the pastime. Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Thirty-first Chapter, of the Śrīmad-Bhāgavatam, entitled "The Gopīs' Songs of Separation." 10.32: The Reunion verses: Summary, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11-12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22 Chapter Summary This chapter describes how Śrī Kṛṣṇa manifested Himself in the midst of the gopīs, who had become extremely disturbed by their separation from Him. After He consoled them, they expressed to Him their deep feelings of ecstasy. The gopīs having shown in various ways their great eagerness to see Kṛṣṇa, the attractor of Cupid, He appeared before them wearing silken yellow garments and a beautiful flower garland. Some of the gopīs, overwhelmed with ecstasy at seeing Him, grasped His hands, others placed His arm on their shoulders, and others accepted the remnants of betel nut He had chewed. Thus they served Him. One gopī, impelled by loving anger toward Kṛṣṇa, bit her lip and looked askance at Him. Because the gopīs were so attached to Kṛṣṇa, they were not satiated even by continuously gazing at Him. One of them then placed Kṛṣṇa within her heart, closed her eyes and, embracing Him within herself again and again, became absorbed in transcendental bliss, just like a yogī. In this way the pain the gopīs had felt because of separation from the Lord was dispelled. Next Lord Kṛṣṇa went to the bank of the Yamunā in the company of the cowherd girls, His internal potencies. The gopīs then made a seat for Kṛṣṇa out of their shawls, and after He had sat down they enjoyed with Him by gesturing amorously. The gopīs still felt hurt that Kṛṣṇa had disappeared, so He explained to them why He had done so. He further told them that He had come under the exclusive control of their loving devotion and would ever remain indebted to them.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The gopīs place Kṛṣṇa's feet gently on their breasts, afraid that pebbles on the forest path will wound them. Their entire life rests in Him. Love measured in anxiety for the beloved's smallest comfort is real love.
Reflection Questions
  • Where is your life actually resting — in plans, in people, or in Kṛṣṇa?
  • What would it look like to care for the Lord's pleasure with the gopīs' kind of tenderness?

When something precious is set on a hard surface, the one who loves it slides a cloth underneath. The gopīs slide their own breasts under Kṛṣṇa's feet, fearing the breast itself is too rough — and then He turns and walks back into the forest where the stones are real. Their love is so absolute that even their bodies feel coarse against His softness; their final stanza is not 'spare us' but 'spare those feet'.

The verse Caitanya wept on at Gambhīrā

Caitanya-caritāmṛta narrates Mahāprabhu's last twelve years at Gambhīrā in Purī as nearly continuous immersion in the gopīs' mood. The verses He returned to most often — sometimes for hours — were the closing verses of the Gopī-gīta. This concluding verse, 'yat te su-jāta-caraṇa-amburuham', is recorded as the one He recited in His final hours, the gopīs' last words effectively becoming His.

Gauḍīyas read this as the chapter's climax and the entire bhakti tradition's: the highest love does not say 'come to me'; it says 'be safe — even from me — because You are too soft for what the world contains, and I cannot bear the thought of a stone touching You.' The whole Gopī-gīta resolves into this stanza.

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