Śrīmad-Bhāgavatam 10.53.42-43
Blended reading (Sanskrit + English inline)
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dvija - patnyaḥ
—
wives of brāhmaṇas
Compound: dvija (twice-born) + patnī (wife). Brāhmaṇī-saṅga is treated by Gauḍīyas as sādhu-saṅga in adjacent form. Their songs and prayers along the route literally form a kīrtana procession around Rukmiṇī.
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gāyantyaḥ
—
singing and offering prayers
Two present participles. Gāna (singing) and stuti (prayer) are two of the nine limbs of bhakti — kīrtana proper. The wedding procession has, without anyone designing it, become a saṅkīrtana-yātrā.
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sūta - māgadha - vandinaḥ
—
bards, chroniclers, heralds
Triple compound. These are the lineage-singers of royal courts. Gauḍīyas note: the same office Sūta Gosvāmī fills in the SB itself. Even the structure of the procession mirrors the structure of the Bhāgavata's narration.
Śrīla Viśvanātha Cakravartī explains that from her own quarters up to the temple of Bhavānī, Rukmiṇī went by palanquin and thus was easily protected. Only for the last twelve to fifteen feet, from the palace to the temple area, did she go on foot, with royal bodyguards stationed outside the temple on all sides.
The best citizens came with various gifts and articles of worship (balibhiḥ). The singers sang and the sūtas and others praised (stuvantaḥ). The musicians played instruments (understood but not written in the text).
A river of music, garlands and women flows behind her — and at the head of the river, one girl walking silent. The procession's noise is the world's; her silence is bhakti's. Gauḍīyas savor the contrast: the louder the sa-puruṣa world around the devotee, the quieter the inner kṛṣṇa-smaraṇa.
My note
Source: vedabase.io