FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.53.42-43

నానోపహారబలిభిర్వారముఖ్యా: సహస్రశ: । స్రగ్గన్ధవస్‍త్రాభరణైర్ద్విజపత్న్‍య: స్వలఙ్కృతా: ॥ ౪౨ ॥ గాయన్త్యశ్చ స్తువన్తశ్చ గాయకా వాద్యవాదకా: । పరివార్య వధూం జగ్ము: సూతమాగధవన్దిన: ॥ ౪౩ ॥
nānopahāra balibhir
[naanopahaara balibhir]
vāramukhyāḥ sahasraśaḥ
[vaaramukhyaah sahasrashah]
srag-gandha-vastrābharaṇair
[srag-gandha-vastraabharanair]
dvija-patnyaḥ sv-alaṅkṛtāḥ
[dvija-patnyah sv-alankritaah]
gāyantyaś ca stuvantaś ca
[gaayantyash cha stuvantash cha]
gāyakā vādya-vādakāḥ
[gaayakaa vaadya-vaadakaah]
parivārya vadhūṁ jagmuḥ
[parivaarya vadhoom jagmuh]
sūta-māgadha-vandinaḥ
[soota-maagadha-vandinah]
nānā — various upahāra — with paraphernalia of worship balibhiḥ — and presents vāra - mukhyāḥ — prominent courtesans sahasraśaḥ — by the thousands srak — with flower garlands gandha — fragrances vastra — clothing ābharaṇaiḥ — and jewelry dvija — of brāhmaṇas patnyaḥ — the wives sv - alaṅkṛtāḥ — well ornamented gāyantyaḥ — singing ca — and stuvantaḥ — offering prayers ca — and gāyakāḥ — singers vādya - vādakāḥ — instrumental musicians parivārya — accompanying vadhūm — the bride jagmuḥ — went sūta — bards māgadha — chroniclers vandinaḥ — and heralds .
Blended reading (Sanskrit + English inline)
nānopahāra balibhir
nānā
various
upahāra
with paraphernalia of worship
balibhiḥ
and presents
vāramukhyāḥ sahasraśaḥ
vāra - mukhyāḥ
prominent courtesans
sahasraśaḥ
by the thousands
srag-gandha-vastrābharaṇair
srak
with flower garlands
gandha
fragrances
vastra
clothing
ābharaṇaiḥ
and jewelry
dvija-patnyaḥ sv-alaṅkṛtāḥ
dvija
of brāhmaṇas
patnyaḥ
the wives
sv - alaṅkṛtāḥ
well ornamented
gāyantyaś ca stuvantaś ca
gāyantyaḥ
singing
ca
and
stuvantaḥ
offering prayers
ca
and
gāyakā vādya-vādakāḥ
gāyakāḥ
singers
vādya - vādakāḥ
instrumental musicians
parivārya vadhūṁ jagmuḥ
parivārya
accompanying
vadhūm
the bride
jagmuḥ
went
sūta-māgadha-vandinaḥ
sūta
bards
māgadha
chroniclers
vandinaḥ
and heralds .
  • dvija - patnyaḥ — wives of brāhmaṇas
    Compound: dvija (twice-born) + patnī (wife). Brāhmaṇī-saṅga is treated by Gauḍīyas as sādhu-saṅga in adjacent form. Their songs and prayers along the route literally form a kīrtana procession around Rukmiṇī.
  • gāyantyaḥ — singing and offering prayers
    Two present participles. Gāna (singing) and stuti (prayer) are two of the nine limbs of bhakti — kīrtana proper. The wedding procession has, without anyone designing it, become a saṅkīrtana-yātrā.
  • sūta - māgadha - vandinaḥ — bards, chroniclers, heralds
    Triple compound. These are the lineage-singers of royal courts. Gauḍīyas note: the same office Sūta Gosvāmī fills in the SB itself. Even the structure of the procession mirrors the structure of the Bhāgavata's narration.
Behind the bride followed thousands of prominent courtesans bearing various offerings and presents, along with well-adorned brāhmaṇas’ wives singing and reciting prayers and bearing gifts of garlands, scents, clothing and jewelry. There were also professional singers, musicians, bards, chroniclers and heralds.

Śrīla Viśvanātha Cakravartī explains that from her own quarters up to the temple of Bhavānī, Rukmiṇī went by palanquin and thus was easily protected. Only for the last twelve to fifteen feet, from the palace to the temple area, did she go on foot, with royal bodyguards stationed outside the temple on all sides.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Behind the bride followed thousands of prominent courtesans bearing various offerings and presents, along with well-adorned brāhmaṇas' wives singing and reciting prayers and bearing gifts of garlands, scents, clothing and jewelry. There were also professional singers, musicians, bards, chroniclers and heralds.
Jīva Gosvāmī Gauḍīya
Commentary

The best citizens came with various gifts and articles of worship (balibhiḥ). The singers sang and the sūtas and others praised (stuvantaḥ). The musicians played instruments (understood but not written in the text).

Related values
Aparigraha (Non-possessiveness)Bhakti (Devotion)Dhriti (Resilience / Steadfastness / Fortitude)Vairagya (Detachment / Dispassion)
Related verses

A river of music, garlands and women flows behind her — and at the head of the river, one girl walking silent. The procession's noise is the world's; her silence is bhakti's. Gauḍīyas savor the contrast: the louder the sa-puruṣa world around the devotee, the quieter the inner kṛṣṇa-smaraṇa.

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