FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.33.12

కస్యాశ్‍చిన్నాట్యవిక్షిప్త కుణ్డలత్విషమణ్డితమ్ । గణ్డం గణ్డే సన్దధత్యా: ప్రాదాత్తామ్బూలచర్వితమ్ ॥ ౧౨ ॥
kasyāścin nāṭya-vikṣipta
[kasyaashchin naatya-vikshipta]
kuṇḍala-tviṣa-maṇḍitam
[kundala-tvisha-manditam]
gaṇḍaṁ gaṇḍe sandadhatyāḥ
[gandam gande sandadhatyaah]
prādāt tāmbūla-carvitam
[praadaat taamboola-charvitam]
kasyāścit — to a certain gopī nāṭya — by the dancing vikṣipta — shaken kuṇḍala — whose earrings tviṣa — with the glitter maṇḍitam — adorned gaṇḍam — her cheek gaṇḍe — next to His cheek sandadhatyāḥ — who was placing prādāt — He carefully gave tāmbūla — the betel nut carvitam — chewed .
Blended reading (Sanskrit + English inline)
kasyāścin nāṭya-vikṣipta
kasyāścit
to a certain gopī
nāṭya
by the dancing
vikṣipta
shaken
kuṇḍala-tviṣa-maṇḍitam
kuṇḍala
whose earrings
tviṣa
with the glitter
maṇḍitam
adorned
gaṇḍaṁ gaṇḍe sandadhatyāḥ
gaṇḍam
her cheek
gaṇḍe
next to His cheek
sandadhatyāḥ
who was placing
prādāt tāmbūla-carvitam
prādāt
He carefully gave
tāmbūla
the betel nut
carvitam
chewed .
  • tāmbūla-carvitam — the chewed betel nut
    Tāmbūla (betel) + carvita (chewed). Ucchiṣṭa — leftover from the Lord's own mouth. Gauḍīyas: Bhagavān's ucchiṣṭa is the highest pra­sāda; in mādhurya-rasa it becomes the lover's intimate gift.
  • kuṇḍala-tviṣa — with the glitter of her earrings
    Kuṇḍala (earring) + tviṣ (glitter, light). The detail is Vraja-aesthetic — bodily ornaments contributing to bhāva. Rūpa Gosvāmī catalogs such uddīpana (stimulus) details in Bhakti-rasāmṛta-sindhu.
  • prādāt — He carefully gave
    Pra (forth) + adāt (aorist of √dā, to give). The careful, considered giving. Gauḍīyas: Bhagavān's giving is never careless in mādhurya — every gesture is exact, full of mood.
Next to Kṛṣṇa’s cheek one gopī put her own, beautified by the effulgence of her earrings, which glittered as she danced. Kṛṣṇa then carefully gave her the betel nut He was chewing.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Next to Kṛṣṇa's cheek one gopī put her own, beautified by the effulgence of her earrings, which glittered as she danced. Kṛṣṇa then carefully gave her the betel nut He was chewing.
Commentary

One gopi, whose cheeks shone because of the reflection of swinging earrings, touched her cheek to Krsna’s cheek out of fatigue. Krsna gave her some tambula chewed by himself, offering it to her as he kissed her. (pra = prakrsta in a a special way adhat he gave). This is Saibhya the gopi referred to in the last chapter, fifth verse.

Jīva Gosvāmī Gauḍīya
Commentary

Because of the similar description of the gopī who was given his chewed betel nut (SB 10.32.5), the gopī described in this verse must be Śaibyā. She placed her cheek on Kṛṣṇa’s on the pretext of being tired from dancing. He put in her mouth from his mouth his chewed betel with great love (pra—adāt). The genitive case (sandadhatyāḥ) is used as poetic license or to express deep in the meaning.

Śrīdhara Svāmī Gauḍīya
Commentary

The genitive case (sandadhatyāḥ) is used for the dative (he gave to the gopī who had placed her cheek on his). She did this on the pretext of fatigue. He put in her mouth from his mouth his chewed betel with great love (pra—adāt).

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Aparigraha (Non-possessiveness)Atma Nigraha (Self-control)Tyaga (Renunciation / Letting Go)
Related verses

A king gives the chewed betel from his own mouth only to his most intimate — what would be impure between strangers is the highest favor between lovers. So Kṛṣṇa's tāmbūla, already touched by His lips, becomes the gopī's coronation.

Mahāprabhu sharing prasāda

Caitanya-caritāmṛta records how Mahāprabhu would press His own remnant-food into the hands of His most beloved devotees — Sanātana, Rūpa, Raghunātha. The remnant was treasure; the touch of the Lord's mouth made it the highest sevya.

Gauḍīyas trace ucchiṣṭa-pra­sāda theology back to moments like this betel-exchange: what looks 'used' to the world is the highest mercy in bhakti.

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