"But the calves are material and they are tasting material pleasure. The atma rama munis fixed in knowledge and renouncing all feelings, cannot be not disturbed by Krsna." " But this is not true. Krsna also attracts them with his sweetness. Oh (bata), it is surprising, mother (amba --out of affection friends address each other in this way). All these birds must be munis. See how they sit in the forest with closed eyes in silence. Perched on the branches of the trees, they are listening to the flute. The branches hearing the flute song and by the touch of the munis feet begin to sprout new leaves (ruchira prabalan) out of ecstasy. This song agitates the whole universe (kala venugitam). It arises only from Krsna (krsna iksita), not from Indra, Brahma, Siva or Visnu, as it is unique, being very old, traveling all over without obstruction, continuing for a long time, and being fully conversant with musical theory. Is it possible anyone else can sing like this? No, this song arises from Krsna alone ( tad udita). Neither Brahma, Visnu nor Siva can make this song. They cannot even understand the musical science created by Krsna. Thus the birds or munis, with eyes closed, are absorbed in relishing this never before heard song. They have given up all other talk, even the talk of munis about brahmananda, being absorbed in bliss of Krsna."

What to speak of the good fortune of the cows, protected by Kṛṣṇa, how can we describe the fortune of the birds in the forest? The majority of the birds are like this, but some like the peacocks are equal to the greatest devotees with their dancing in prema (not sitting in the tress). Bata expresses astonishment. O mother! It is the nature of those immersed in prema to make such statements. Since no mother is present, they address their friends in this manner. The birds climb on the branches of trees in order that they can see Kṛṣṇa or so that Kṛṣṇa can see them. The branches have attractive buds which create an obstacle to seeing him, and are the object of enjoyment. Seeing him, they listen to the song of his flute with half-closed eyes. This indicates lassitude because of intense prema. No words except the words of the flute are sensed by their minds, ears or voice. Thus they are fortunate. An interpretation according to prema may also be given. The word rucira also indicates that the buds have offered all activities to their Lord. The word prāyaḥ indicates conjecture (perhaps it is so?). The word munayaḥ refers to ātmārāmas like the Kumāras who have become birds in this forest, in order to see Kṛṣṇa. They hear the sound of the flute which they imagine in many ways, since they have never experienced the sound before, whose qualities are continually increased (uditam) by Kṛṣṇa. This shows that the sound of the flute attracts them away from brahma-samādhi. That song of the flute attracts the universe (kala). These sages have surpassed the branches of the Vedas filled with various subdivisions. They have given up study of the Vedas. Their consciousness of their bodies has disappeared (mīlita-dṛśaḥ—closed vision). They are silent on all topics except Kṛṣṇa. What else can they deliberate on?