Śrīmad-Bhāgavatam 10.16.8
Blended reading (Sanskrit + English inline)
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viharataḥ
—
of (Him who was) playing
From vi+hṛ — to disport, to play. Vihāra is the technical Gauḍīya term for Bhagavān's pastimes. Even at the brink of mortal combat, Kṛṣṇa is at play, not at war.
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bhuja - daṇḍa
—
by His staff-like arms
Compound: bhuja (arm) + daṇḍa (staff, rod). The wrestler-vocabulary returns. Kṛṣṇa's arms are described in dhyāna-mantras as ājānubāhu — reaching to the knees — emblematic of His protective strength.
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vara - vāraṇa
—
the best of elephants
Compound: vara (best) + vāraṇa (elephant). The simile: Kṛṣṇa splashes like a lordly elephant. Recalls Gajendra (SB 8.2–3), the elephant whom the Lord rescued from a different aquatic enemy.
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amṛṣyamāṇaḥ
—
being intolerant
From a + √mṛṣ — unable to bear. The asura's signature trait — intolerance of Bhagavān's presence in 'his' domain. The contrast with the devotee's tolerance (titikṣā) is exact.
According to the ācāryas, Lord Kṛṣṇa was producing wonderful musical sounds within the water simply by splashing His hands and arms.
Krsna began playing in the water, by making musical sounds with the water and swimming. As he churned the water with his two arms, a thunderous roar arose. Hearing that sound, the snakes concluded that there must be some rebellion (abhibhavam) above their snake hole houses. Not being able to bear that ( tad amrsyamanah), they arrived there (samsarat).
Kṛṣṇa sported in the water by swimming about, making noise by splashing the water. He was powerful like an elephant of the directions (vara-vāraṇa). O king (aṅga)! Śukadeva calls him affectionately to remove his sorrow.
Kṛṣṇa sported in the water by swimming about, making noise by splashing the water. O king (aṅga)! Śukadeva calls him affectionately to remove his sorrow. Or “O relative acting as Kṛṣṇa’s limb (aṅga)!” He was powerful like an elephant of the directions (vara-vāraṇa). Or he had playful movements (vikrama) like a mad elephant in the water. Or he had special powers (vikrama) even in his little toe (aṅga) even greater than a mad elephant. He made loud sounds with his arms. That was not astonishing since he had such strength. Kāliya saw him, hearing being his eyes. This means that, hearing the sound, he looked, but he did not at all see Kṛṣṇa’s beauty. Otherwise it would be impossible for him to bite Kṛṣṇa. Or cakṣuḥ-śravāḥ means “he whose fame was in his eyes.” He perfected his hearing by seeing. He confirmed everything by seeing.
Like a lordly bull-elephant splashing in the river it owns, Kṛṣṇa makes the water resound with His arms. He is the householder of Vraja's waters, not a trespasser. Kāliya thinks he hears an intruder; the boy in the lake is the actual proprietor.
My note
Source: vedabase.io