FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.16.18

తే తత్ర తత్రాబ్జయవాఙ్కుశాశని- ధ్వజోపపన్నాని పదాని విశ్పతే: । మార్గే గవామన్యపదాన్తరాన్తరే నిరీక్షమాణా యయురఙ్గ సత్వరా: ॥ ౧౮ ॥
te tatra tatrābja-yavāṅkuśāśani-
[te tatra tatraabja-yavaankushaashani-]
dhvajopapannāni padāni viś-pateḥ
[dhvajopapannaani padaani vish-pateh]
mārge gavām anya-padāntarāntare
[maarge gavaam anya-padaantaraantare]
nirīkṣamāṇā yayur aṅga satvarāḥ
[nireekshamaanaa yayur anga satvaraah]
te — they tatra tatra — here and there abja — with the lotus flower yava — barleycorn aṅkuśa — elephant goad aśani — thunderbolt dhvaja — and flag upapannāni — adorned padāni — the footprints viṭ - pateḥ — of Lord Kṛṣṇa, the master of the cowherd community mārge — upon the path gavām — of the cows anya - pada — the other footprints antara - antare — dispersed among nirīkṣamāṇāḥ — seeing yuyuḥ — they went aṅga — my dear King sa - tvarāḥ — rapidly .
Blended reading (Sanskrit + English inline)
te tatra tatrābja-yavāṅkuśāśani-
te
they
tatra tatra
here and there
abja
with the lotus flower
yava
barleycorn
aṅkuśa
elephant goad
aśani
thunderbolt
dhvajopapannāni padāni viś-pateḥ
dhvaja
and flag
upapannāni
adorned
padāni
the footprints
viṭ - pateḥ
of Lord Kṛṣṇa, the master of the cowherd community
mārge gavām anya-padāntarāntare
mārge
upon the path
gavām
of the cows
anya - pada
the other footprints
antara - antare
dispersed among
nirīkṣamāṇā yayur aṅga satvarāḥ
nirīkṣamāṇāḥ
seeing
yuyuḥ
they went
aṅga
my dear King
sa - tvarāḥ
rapidly .
  • abja — lotus
    The first of the auspicious sole-marks. Gauḍīya iconography reads it as the seat of Lakṣmī herself; the gopīs adore the imprint left in Vraja's dust.
  • aṅkuśa — elephant goad
    The mark that subdues even the wild. Bhagavān's foot is gentle on dust but, as Kāliya is about to learn, an aṅkuśa on stubborn hoods.
  • dhvaja — flag
    The mark of victory. The same flag that will fly over Kāliya's banished hoods — visible to Garuḍa thereafter (verse 63). The Lord's foot leaves both invitation and warning.
  • viṭ - pateḥ — of the master of the cowherds
    Compound: viṭ (cowherds, peasants) + pati (lord). Kṛṣṇa is master of the gopas — a peasant title carrying full Bhagavān-tattva. Gauḍīya theology: the highest dignity wears the most ordinary name.
The footprints of Lord Kṛṣṇa, the master of the entire cowherd community, were marked with the lotus flower, barleycorn, elephant goad, thunderbolt and flag. My dear King Parīkṣit, seeing His footprints on the path among the cows’ hoofprints, the residents of Vṛndāvana rushed along in great haste.

Śrīla Sanātana Gosvāmī comments as follows: “Since Lord Kṛṣṇa had passed along the path some time previously, why weren’t His footprints, which were surrounded by those of cows, cowherd boys and so on, smudged over and brushed away? Why hadn’t His footprints been obliterated by those of the beasts and birds of Vṛndāvana forest? The answer is indicated by the word viś-pati, master of the cowherd community. Since Lord Kṛṣṇa is actually the wealth of all living beings, all the inhabitants of the forest of Vraja would carefully preserve His footprints as great treasures, the very ornaments of the earth. Thus no creature within Vṛndāvana would ever walk upon Lord Kṛṣṇa’s footprints.”

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The footprints of Lord Kṛṣṇa, the master of the entire cowherd community, were marked with the lotus flower, barleycorn, elephant goad, thunderbolt and flag. My dear King Parīkṣit, seeing His footprints on the path among the cows' hoofprints, the residents of Vṛndāvana rushed along in great haste.
Commentary

This verse describes how they recognized his footprints. Vis pateh means of the leader of the vaisyas and refers to Krsna. Excluding the other foot prints of cows, they followed the footprints of Krsna. There is the hint here of discerning yogis, going through the path of the Vedas (like cows), pursuing the path of the highest truth by rejecting all illusory appearances.

Jīva Gosvāmī Gauḍīya
Commentary

They saw there, where he had stepped, the foot prints of the master of the cowherds (viś-pateḥ). Though he had departed from the village long ago, and was surrounded by cows, his foot prints were not erased because the earth had kept those prints as her ornaments. Those prints were the abode of prema for all. They had such great power that even the non-conscious wind could disturb them. These are the three reasons why the prints remained. This is summarized by the words of the previous verse bhagavat-lakṣaṇaiḥ (having the qualities of the Lord). It is astonishing that the prints could be the shelter of such prema, and that they could not be stepped on by Kāliya.

Śrīdhara Svāmī Gauḍīya
Commentary

They saw his footprints everywhere (tatra tatra) where he had stepped. “Why were footprints not erased, since he, surrounded by friends, had tread there long before? Why had the animals and birds not erased the prints?” He was the master (pati) of all living beings (viś). The earth thus preserved those prints as her ornaments. The inhabitants of Vraja accepted those prints as the greatest treasure. No one would step on those prints.

Related values
Karuna (Kindness / Compassion)Hrih (Modesty / Sense of Shame)Satya (Truthfulness)Samata (Equanimity / Even-mindedness)Dana (Charity / Generosity)Aparigraha (Non-possessiveness)Yajña (Sacrifice / Spirit of Offering)
Related verses

Among the muddle of cow-hoofprints, the boy's feet are unmistakable: lotus, barleycorn, elephant-goad, thunderbolt, flag. The villagers do not pause to interpret; they hurry. So too the sādhaka picks Bhagavān's footprint out of the noise of saṁsāra and runs.

The Six Gosvāmīs recovering Vraja

When Caitanya Mahāprabhu sent Rūpa and Sanātana to Vṛndāvana, the holy places of Kṛṣṇa's pastimes had been forgotten — overgrown forests, unmarked ponds. The Gosvāmīs walked the land, identifying each kuṇḍa, each grove, each tree by the marks of Kṛṣṇa's pastimes recorded in the Bhāgavatam.

Like the Vraja-vāsīs tracking footprints, the Gosvāmīs followed bhagavat-lakṣaṇaiḥ — the marks of the Lord — through brush and dust until the geography of līlā was visible again. This is the Gauḍīya methodology of pilgrimage.

📝 My note

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