FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.12.7-11

కేచిద్వేణూన్వాదయన్తో ధ్మాన్త: శ‍ృఙ్గాణి కేచన । కేచిద్భృఙ్గై: ప్రగాయన్త: కూజన్త: కోకిలై: పరే ॥ ౭ ॥ విచ్ఛాయాభి: ప్రధావన్తో గచ్ఛన్త: సాధు హంసకై: । బకైరుపవిశన్తశ్చ నృత్యన్తశ్చ కలాపిభి: ॥ ౮ ॥ వికర్షన్త: కీశబాలానారోహన్తశ్చ తైర్ద్రుమాన్ । వికుర్వన్తశ్చ తై: సాకం ప్లవన్తశ్చ పలాశిషు ॥ ౯ ॥ సాకం భేకైర్విలఙ్ఘన్త: సరిత: స్రవసమ్ప్లుతా: । విహసన్త: ప్రతిచ్ఛాయా: శపన్తశ్చ ప్రతిస్వనాన్ ॥ ౧౦ ॥ ఇత్థం సతాం బ్రహ్మసుఖానుభూత్యా దాస్యం గతానాం పరదైవతేన । మాయాశ్రితానాం నరదారకేణ సాకం విజహ్రు: కృతపుణ్యపుఞ్జా: ॥ ౧౧ ॥
kecid veṇūn vādayanto
[kechid venoon vaadayanto]
dhmāntaḥ śṛṅgāṇi kecana
[dhmaantah shringaani kechana]
kecid bhṛṅgaiḥ pragāyantaḥ
[kechid bhringaih pragaayantah]
kūjantaḥ kokilaiḥ pare
[koojantah kokilaih pare]
vicchāyābhiḥ pradhāvanto
[vichchaayaabhih pradhaavanto]
gacchantaḥ sādhu-haṁsakaiḥ
[gachchantah saadhu-hamsakaih]
bakair upaviśantaś ca
[bakair upavishantash cha]
nṛtyantaś ca kalāpibhiḥ
[nrityantash cha kalaapibhih]
vikarṣantaḥ kīśa-bālān
[vikarshantah keesha-baalaan]
ārohantaś ca tair drumān
[aarohantash cha tair drumaan]
vikurvantaś ca taiḥ sākaṁ
[vikurvantash cha taih saakam]
plavantaś ca palāśiṣu
[plavantash cha palaashishu]
sākaṁ bhekair vilaṅghantaḥ
[saakam bhekair vilanghantah]
saritaḥ srava-samplutāḥ
[saritah srava-samplutaah]
vihasantaḥ praticchāyāḥ
[vihasantah pratichchaayaah]
śapantaś ca pratisvanān
[shapantash cha pratisvanaan]
itthaṁ satāṁ brahma-sukhānubhūtyā
[ittham sataam brahma-sukhaanubhootyaa]
dāsyaṁ gatānāṁ para-daivatena
[daasyam gataanaam para-daivatena]
māyāśritānāṁ nara-dārakeṇa
[maayaashritaanaam nara-daarakena]
sākaṁ vijahruḥ kṛta-puṇya-puñjāḥ
[saakam vijahruh krita-punya-punjaah]
kecit — some of them veṇūn — flutes vādayantaḥ — blowing dhmāntaḥ — bugling śṛṅgāṇi — the horn bugles kecana — someone else kecit — someone bhṛṅgaiḥ — with the bumblebees pragāyantaḥ — singing along with kūjantaḥ — imitating the sound of kokilaiḥ — with the cuckoos pare — others vicchāyābhiḥ — with running shadows pradhāvantaḥ — someone running on the ground after the birds gacchantaḥ — going along sādhu — beautiful haṁsakaiḥ — with the swans bakaiḥ — with the ducks sitting in one place upaviśantaḥ ca — sitting silently like them nṛtyantaḥ ca — and dancing with kalāpibhiḥ — with the peacocks vikarṣantaḥ — attracting kīśa - bālān — the young monkeys ārohantaḥ ca — gliding over taiḥ — with the monkeys drumān — the trees vikurvantaḥ ca — exactly imitating them taiḥ — with the monkeys sākam — along with plavantaḥ ca — gliding over palāśiṣu — on the trees sākam — along with bhekaiḥ — with the frogs vilaṅghantaḥ — jumping like them saritaḥ — the water srava - samplutāḥ — became wet in the water of the river vihasantaḥ — laughing praticchāyāḥ — at the shadows śapantaḥ ca — condemned pratisvanān — the sound of their echoes ittham — in this way satām — of the transcendentalists brahma - sukha - anubhūtyā — with Kṛṣṇa, the source of brahma-sukha (Kṛṣṇa is Parabrahman, and from Him originates His personal effulgence) dāsyam — servitorship gatānām — of the devotees who have accepted para - daivatena — with the Supreme Personality of Godhead māyā - āśritānām — for those in the clutches of material energy nara - dārakeṇa — with Him who is like an ordinary child sākam — along with vijahruḥ — enjoyed kṛta - puṇya - puñjāḥ — all these boys, who had accumulated the results of life after life of pious activities .
Blended reading (Sanskrit + English inline)
kecid veṇūn vādayanto
kecit
some of them
veṇūn
flutes
vādayantaḥ
blowing
dhmāntaḥ śṛṅgāṇi kecana
dhmāntaḥ
bugling
śṛṅgāṇi
the horn bugles
kecana
someone else
kecid bhṛṅgaiḥ pragāyantaḥ
kecit
someone
bhṛṅgaiḥ
with the bumblebees
pragāyantaḥ
singing along with
kūjantaḥ kokilaiḥ pare
kūjantaḥ
imitating the sound of
kokilaiḥ
with the cuckoos
pare
others
vicchāyābhiḥ pradhāvanto
vicchāyābhiḥ
with running shadows
pradhāvantaḥ
someone running on the ground after the birds
gacchantaḥ sādhu-haṁsakaiḥ
gacchantaḥ
going along
sādhu
beautiful
haṁsakaiḥ
with the swans
bakair upaviśantaś ca
bakaiḥ
with the ducks sitting in one place
upaviśantaḥ ca
sitting silently like them
nṛtyantaś ca kalāpibhiḥ
nṛtyantaḥ ca
and dancing with
kalāpibhiḥ
with the peacocks
vikarṣantaḥ kīśa-bālān
vikarṣantaḥ
attracting
kīśa - bālān
the young monkeys
ārohantaś ca tair drumān
ārohantaḥ ca
gliding over
taiḥ
with the monkeys
drumān
the trees
vikurvantaś ca taiḥ sākaṁ
vikurvantaḥ ca
exactly imitating them
taiḥ
with the monkeys
sākam
along with
plavantaś ca palāśiṣu
plavantaḥ ca
gliding over
palāśiṣu
on the trees
sākaṁ bhekair vilaṅghantaḥ
sākam
along with
bhekaiḥ
with the frogs
vilaṅghantaḥ
jumping like them
saritaḥ srava-samplutāḥ
saritaḥ
the water
srava - samplutāḥ
became wet in the water of the river
vihasantaḥ praticchāyāḥ
vihasantaḥ
laughing
praticchāyāḥ
at the shadows
śapantaś ca pratisvanān
śapantaḥ ca
condemned
pratisvanān
the sound of their echoes
itthaṁ satāṁ brahma-sukhānubhūtyā
ittham
in this way
satām
of the transcendentalists
brahma - sukha - anubhūtyā
with Kṛṣṇa, the source of brahma-sukha (Kṛṣṇa is Parabrahman, and from Him originates His personal effulgence)
dāsyaṁ gatānāṁ para-daivatena
dāsyam
servitorship
gatānām
of the devotees who have accepted
para - daivatena
with the Supreme Personality of Godhead
māyāśritānāṁ nara-dārakeṇa
māyā - āśritānām
for those in the clutches of material energy
nara - dārakeṇa
with Him who is like an ordinary child
sākaṁ vijahruḥ kṛta-puṇya-puñjāḥ
sākam
along with
vijahruḥ
enjoyed
kṛta - puṇya - puñjāḥ
all these boys, who had accumulated the results of life after life of pious activities .
  • brahma-sukha-anubhūtyā — by Him who is the source of brahma-sukha
    Compound: brahman + sukha (bliss) + anubhūti (experience). The very Brahman that liberated yogīs taste as impersonal bliss is here playing tag with cowherd boys. Gauḍīyas cite this line as a death-blow to Advaita: brahma-sukha is a property of Kṛṣṇa, not vice versa.
  • dāsyam gatānām — of those who have attained the position of servants
    Compound: dāsya (servitude) + gata (gone, attained). Even the impersonalists who become liberated — they reach only the dāsya-pada relative to what these boys have. Sakhya is structurally higher than impersonal mukti.
  • para-daivatena — with the Supreme Lord
    Compound: para (highest) + daivata (deity). Śuka inserts the technical title in the middle of describing tag-play — the boy chasing peacock-shadows is the Supreme Deity. Acintya-bhedābheda in narrative form.
  • nara-dārakeṇa — with one who appeared as a human child
    Compound: nara (human) + dāraka (child). 'Appeared as' — manuṣya-rūpeṇa, not actually a human limited being. Kṛṣṇa's humanity in Vraja is His own choice; the boys touch the Absolute in the form of their classmate.
  • kṛta-puṇya-puñjāḥ — those who have accumulated heaps of pious credit
    Compound: kṛta (done) + puṇya (merit) + puñja (heap). Even sakhya in Vraja is the fruit of vast puṇya-bhakti from past lives. Gauḍīyas (esp. Sanātana Gosvāmī, Bṛhad-bhāgavatāmṛta) describe the gopas as eternally perfect souls; the 'puṇya' here is the bhakti that brought them to recognize their eternal status.
All the boys would be differently engaged. Some boys blew their flutes, and others blew bugles made of horn. Some imitated the buzzing of the bumblebees, and others imitated the voice of the cuckoo. Some boys imitated flying birds by running after the birds’ shadows on the ground, some imitated the beautiful movements and attractive postures of the swans, some sat down with the ducks, sitting silently, and others imitated the dancing of the peacocks. Some boys attracted young monkeys in the trees, some jumped into the trees, imitating the monkeys, some made faces as the monkeys were accustomed to do, and others jumped from one branch to another. Some boys went to the waterfalls and crossed over the river, jumping with the frogs, and when they saw their own reflections on the water they would laugh. They would also condemn the sounds of their own echoes. In this way, all the cowherd boys used to play with Kṛṣṇa, who is the source of the Brahman effulgence for jñānīs desiring to merge into that effulgence, who is the Supreme Personality of Godhead for devotees who have accepted eternal servitorship, and who for ordinary persons is but another ordinary child. The cowherd boys, having accumulated the results of pious activities for many lives, were able to associate in this way with the Supreme Personality of Godhead. How can one explain their great fortune?

As recommended by Śrīla Rūpa Gosvāmī, tasmāt kenāpy upāyena manaḥ kṛṣṇe niveśayet ( Bhakti-rasāmṛta-sindhu 1.2.4). Somehow or other, whether one thinks of Kṛṣṇa as an ordinary human child, as the source of the Brahman effulgence, as the origin of Paramātmā, or as the Supreme Personality of Godhead, one should concentrate one’s full attention upon the lotus feet of Kṛṣṇa. That is also the instruction of Bhagavad-gītā (18.66) : sarva-dharmān parityajya mām ekaṁ śaraṇaṁ vraja. Śrīmad-Bhāgavatam is the easiest way of directly approaching Kṛṣṇa. Īśvaraḥ sadyo hṛdy avarudhyate ’tra kṛtibhiḥ śuśrūṣubhis tat-kṣaṇāt ( Bhāg. 1.1.2 ). Diverting even a little of one’s attention toward Kṛṣṇa and activities in Kṛṣṇa consciousness immediately enables one to achieve the highest perfection of life. This is the purpose of the Kṛṣṇa consciousness movement. Lokasyājānato vidvāṁś cakre sātvata-saṁhitām ( Bhāg. 1.7.6 ). The secret of success is unknown to people in general, and therefore Śrīla Vyāsadeva, being compassionate toward the poor souls in this material world, especially in this Age of Kali, has given us the Śrīmad-Bhāgavatam. Śrīmad-bhāgavataṁ purāṇam amalaṁ yad vaiṣṇavānāṁ priyam ( Bhāg. 12.13.18 ). For Vaiṣṇavas who are somewhat advanced, or who are fully aware of the glories and potencies of the Lord, Śrīmad-Bhāgavatam is a beloved Vedic literature. After all, we have to change this body ( tathā dehāntara-prāptiḥ ). If we do not care about Bhagavad-gītā and Śrīmad-Bhāgavatam, we do not know what the next body will be. But if one adheres to these two books — Bhagavad-gītā and Śrīmad-Bhāgavatam — one is sure to obtain the association of Kṛṣṇa in the next life ( tyaktvā dehaṁ punar janma naiti mām eti so ’rjuna ). Therefore, distribution of Śrīmad-Bhāgavatam all over the world is a great welfare activity for theologians, philosophers, transcendentalists and yogīs ( yoginām api sarveṣām ), as well as for people in general. Janma-lābhaḥ paraḥ puṁsām ante nārāyaṇa-smṛtiḥ ( Bhāg. 2.1.6 ): if we can somehow or other remember Kṛṣṇa, Nārāyaṇa, at the end of life, our life will be successful.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
All the boys would be differently engaged. Some boys blew their flutes, and others blew bugles made of horn. Some imitated the buzzing of the bumblebees, and others imitated the voice of the cuckoo. Some boys imitated flying birds by running after the birds' shadows on the ground, some imitated the beautiful movements and attractive postures of the swans, some sat down with the ducks, sitting silently, and others imitated the dancing of the peacocks. Some boys attracted young monkeys in the trees, some jumped into the trees, imitating the monkeys, some made faces as the monkeys were accustomed to do, and others jumped from one branch to another. Some boys went to the waterfalls and crossed over the river, jumping with the frogs, and when they saw their own reflections on the water they would laugh. They would also condemn the sounds of their own echoes. In this way, all the cowherd boys used to play with Kṛṣṇa, who is the source of the Brahman effulgence for jṣānīs desiring to merge into that effulgence, who is the Supreme Personality of Godhead for devotees who have accepted eternal servitorship, and who for ordinary persons is but another ordinary child. The cowherd boys, having accumulated the results of pious activities for many lives, were able to associate in this way with the Supreme Personality of Godhead. How can one explain their great fortune?
Commentary

They blew their horns (dhmantah), they chased the shadows of the birds (vichayabhih vi = vina without the birds), they pulled the tails of baby monkeys (kisa balan kisa=kidrsa what kind of) hanging from the branches, and by that climbed up into the trees. They made funny faces (vikurvantah), and with baby monkeys jumped from branch to branch. They jumped into pools of water filled up from flowing rivers with the frogs. They laughed at their own shadows, raising their arms in the air (vihasantah), and cursed their echoes. "Are (ahah), who are you speaking?" Hearing a single syllable echo back, they became angry. "What is this? Answering back to me with "re- re -re". Today you will die!" In this way they would curse again and again with no final solution. Having previously described the playing of the cowherd boys, this verse praises the good fortune of all Vrajavasis’ above everyone elses fortune. In this world there are three types of people: jnanis, bhaktas and karmis. The word satam indicates the jnanis with some trace of devotion. The inhabitants of Vraja played with Krsna who is the knowledge and happiness of Brahman for the jnanis. By this it should be understood that Krsna’s body, with which the Vrajavasis played, contains the Brahman. The word sat cannot not apply to those jnanis who think of the body and form of Krsna as material. Dasya ganana refers to all the genuine devotees other than the inhabitants of Vraja, who see Krsna as their worshipable Lord. The Vrajavasis played with Krsna who is seen by these other devotees as their reverent Lord. The Vrajavasis played with Krsna, who is perceived by those involved in material happiness (mayasritanam) as an ordinary human (naradarakena). The jnanis have realization of Krsna , but they cannot play with him. The dasya bhaktas worship Krsna in reverence, but they are not qualified to play with Krsna. The karmis have no realization of Krsna, nor worship, since they have no respect for him, so what to speak of playing with him. And the Vrajavasis played with him. Though he is complete in bliss, they gave him more intense bliss in the pastimes of prema. And they also attained remarkable bliss in all ways. Therefore, more than all others, they were fortunate ( krta punya). This is of course a material viewpoint. For the nitya siddha inhabitants of Vraja, who surpass the jnanis and dasya bhaktas by far, the cause of the playing with Krsna cannot be material piety. Here punya can only mean activities pleasing to the Lord, by which the Lord comes under the devotee’s control.

Jīva Gosvāmī Gauḍīya
Commentary

Four verses describe what they did when he went off in the distance. Some played flutes. While they played, others blew horns in order to perfect their association with him and in order to find him quickly. Or, after touching him, they performed these individual activities in bliss to give him happiness. The word sādhu (expertly) is an adverb modifying all the verbs. They made faces like the monkeys or caught the tails of the baby monkeys on the branches and pull their tails. The creeks were filled with water from waterfalls. The creeks were narrow. They laugh on seeing their shadows since the shadows were very long. They laughed in special ways (vi), such as throwing their arms in the air. Or they imitated their reflections by making faces. Satām refers to those who have manifested the state (sat) of their highest svarūpa or those who have the quality of sat because of closeness to Brahman. In either case it refers to jṣānīs. Anubhūti means the self-manifesting substance whose correlative is dull matter. This conscious entity is happiness. It gives happiness since, in its highest form of ātmā (Kṛṣṇa), it is the basis of the highest unconditional prema. It is called Brahman, the greatest, since is the highest svarūpa for all the jṣānīs by appearing only in that form for them. For devotees with dāsya-bhakti, he appears the most worshipable deity, full of all powers. In order to show the greatness of Kṛṣṇa, these two realizations are shown to be very rare by showing the opposite. Those who are covered by māyā think of Kṛṣṇa as a human child since they have no jṣāna or bhakti. The boys did not play with Kṛṣṇa in that form. The boys played with Kṛṣṇa who gave them his association because he was controlled by their prema. “They had accrued heaps of piety.” This is a mundane statement. Actually they had piles of pure splendor (puṇya) caused by the highest mercy of the Lord who performs pastimes (kṛta). Amara-koṣa says puṇya means splendor (cāru). Śukadeva’s intention is to show that Kṛṣṇa is an extraordinary form of aiśvarya and madhurya: he is the form of the highest bliss; he has unlimited natural control with unequalled powers; he is attractive to all by his unequalled sweetness; he has natural excellence in his form, qualities and pastimes. The means of the different realizations are jṣāna, bhakti mixed with reverence and pure bhakti without reverence. Without these three methods, people of the material world will only a shadow realization of the Lord since they cannot contact him at all. Gītā says nāhaṁ prakāśaḥ sarvasysa yogamāyāsamāvṛtaḥ: I am not revealed to everyone, since I am covered by my yoga-māyā. (BG 9.25) taṁ brahma paramaṁ sākṣād bhagavantam adhokṣajam manuṣya-dṛṣṭyā duṣprajṣā martyātmāno na menire They failed to recognize that he is the Supreme Absolute Truth, the directly manifest lord, whom the material senses cannot ordinarily perceive. Thus bewildered by their false identification with the mortal body, they did not show him proper respect. SB 10.23.11 The status of realization is as stated in the verse. The realization of the Lord with power is more complete than realization of Brahman. yasyāsti bhaktir bhagavaty akiṣcanā sarvair guṇais tatra samāsate surāḥ The devatās constantly dwell with all good qualities in that person who has pure bhakti for the Lord. SB 15.18.12 It is complete because it contains within it all aspects of knowledge of the Lord. Bhaktyā mām abhijānāti yāvān yaś cāsmi tattvataḥ: only by devotion does a person know me as I am. (BG 18.55) However pure bhakti without reverence is more praiseworthy than bhakti with reverence: aho bhāgyam aho bhāgyaṁ nanda-gopa-vrajaukasām yan-mitraṁ paramānandaṁ pūrṇaṁ brahma sanātanam How greatly fortunate are Nanda Mahārāja, the cowherd men and all the other inhabitants of Vraja! There is no limit to their good fortune, because the Absolute Truth, the source of transcendental bliss, the eternal Supreme Brahman, has become their friend. SB 10.14.32 Thus one realizes one’s svarūpa by impersonal jṣāna. One realizes the Lord with power by bhakti mixed with reverence. One realizes the Lord with sweetness by knowledge filled with prīti. The manifestation of the highest sweetness of the Lord cannot be known by the impersonal jṣānīs. It is not sufficiently achieved by persons with dāsya-bhāva because the bhakti cannot comprehend the Lord fully with a heart restricted by reverence. But in considering the absolute entity (in all its forms), that intimate realization is most relishable: ātmārāmāś ca munayo nirgranthā apy urukrame | kurvanty ahaitukīṁ bhaktim ittham-bhūta-guṇo hariḥ || Some sages who are ātmārāmas, beyond the scriptures, false ego and rules, also practice unmotivated, pure bhakti to the master of pure bhakti, Kṛṣṇa, since he possesses qualities attractive to even them. SB 1.7.10 pariniṣṭhito ’pi nairguṇya uttama-śloka-līlayā gṛhīta-cetā rājarṣe ākhyānaṁ yad adhītavān Though I was fixed in Brahman and beyond the guṇas, my mind became attracted to the pastimes of the Lord. I thus learned about his pastimes. I will tell them to you. SB 2.1.9 Kṛṣṇa is the ocean of all powers. brahmā bhavo ’ham api yasya kalāḥ kalāyāḥ śrīś codvahema ciram: great demigods like Brahmā and Śiva, and even the goddess of fortune and I, are simply parts of his spiritual identity, and we also carefully carry that dust on our heads (SB 10.68.37) Balarāma took him as a friend: bhrātṛ-sneha-pariplutaḥ. (SB 10.53.20) With his friends in Vraja he acted as follows: vṛṣāyamāṇau nardantau yuyudhāte parasparam anukṛtya rutair jantūṁś ceratuḥ prākṛtau yathā Sometimes like bulls they roared loudly with the other boys disguised as cows and bulls and would fight with one another, roaring loudly, and sometimes they would imitate the voices of the animals. In this way they wandered about, exactly like two ordinary human children. SB 10.11.40 Their prīti as friends, with no restriction of reverence, expands at every moment because of its lack of restriction and its special nature with fullness. Kṛṣṇa’s heart responds to that and, accordingly, his friends realize the exceptional sweetness of his form, qualities and astonishing pastimes. What more can be said? Like churning the ocean to get nectar, such intimate love produces the highest sweetness and control of Kṛṣṇa because of their sweet love. This is not seen in the jṣānī or the devotee with reverence but in all the people of Vraja. That he has given such pastimes to all of Vraja (kṛta-puṇya-puṇjāḥ) is most astonishing to us. Or, the first line can be explained as before. Now, in this avatāra, even the materialists realize Kṛṣṇa as a sweet child by his mercy. Or, those who take shelter of his mercy (another meaning of māyā) realize Kṛṣṇa as the highest form of sweetness, a small child. They also played with him.

Śrīdhara Svāmī Gauḍīya
Commentary

He was easily realized (sukhānubhūtyā) as ātma-tattvam (brahman) by the liberated, who exist in a state of mere existence (satām). They consider that this is the highest goal. Or for the devotees (satām) he was Bhagavān, the form of happiness or prema-bhakti, most worthy of worship. For the ignorant he was that which destroys the jīva--liberation. Or for the gopīs who served Kātyāyanī with great faith to attain Kṛṣṇa (though this happened in the future, it was discussed by Śukadeva and Parīkṣit at this time), he appeared as a beautiful human child (nāradārakena). He appeared in this way to them because of their great prema. Or he appeared as happiness (kena for ka, happiness) for the groups of women (nāra-dara). This would be suitable for the list which starts with the inferior (liberated souls) and ends with best (the gopīs). Pūnya refers to bhakti as in dharmo madbhakti-kṛt proktaḥ: dharma is performing bhakti to me. (11.19.27) The boys must have performed lots of hearing etc. as sādhana. Or they did piles of meditation on the Lord in Satya-yuga (kṛta). Or they had accomplished (kṛta) piles of anurāga (puṇya). The gopīs’ rati was not fulfilled during the day because of separation and even at night was not fulfilled with comfort (compared to these boys easily associating with Kṛṣna). akṣaṇvatāṁ phalam idaṁ na paraṁ vidāmaḥ sakhyaḥ paśūn anaviveśayator vayasyaiḥ vaktraṁ vrajeśa-sutayor anu veṇu juṣṭaṁ yair vā nipītam anurakta-kaṭākṣa-mokṣam The cowherd girls said: O friends! We do not know any other success for those with eyes than the face of the younger one who plays the flute--the face experienced as he casts a side glance of love, the face tasted by people with eyes-- as the two sons of Nanda take the cows from forest to forest along with their friends. SB 10.21.7 Śukadeva desires that the gopīs could associate in the same way as the boys did. Thus he uses the word ittham (in this way) in the present verse.

Related values
Karuna (Kindness / Compassion)Maitri (Friendship / Goodwill)Guru Bhakti (Reverence for Teacher)Kritajnata (Gratitude)Kartavya (Duty / Responsibility)Hrih (Modesty / Sense of Shame)Satya (Truthfulness)Samata (Equanimity / Even-mindedness)Dana (Charity / Generosity)
Related verses
Concepts
BhavaMayaAtmaSatya

Picture a forest classroom with no teacher and every child improvising: one is the bee, one is the cuckoo, one is the swan, one is the peacock — and the Person they are all unconsciously imitating, the original of every beauty, is playing among them as one of them. The yogīs in the next verse fail to grasp by austerity what these boys are absent-mindedly hugging.

Caitanya in Vraja, overwhelmed by sakhya-recognition

Caitanya-caritāmṛta records that when Mahāprabhu wandered the forests around Vṛndāvana, He would sometimes throw Himself on the ground, mistaking a bush for Kṛṣṇa or a peacock's cry for the boy He had lost. Twelve generations after the Gosvāmīs had recovered the places, the bhāva of the cowherd boys was still palpable in the dust.

This is the rasa Śuka describes — a forest so saturated with Kṛṣṇa that imitating peacocks and frogs becomes a form of association with Him. Sakhya is not lower than mādhurya; it is its own complete world.

📝 My note

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