FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 4.6.38

కృత్వోరౌ దక్షిణే సవ్యం పాదపద్మం చ జానుని । బాహుం ప్రకోష్ఠేఽక్షమాలామ్ ఆసీనం తర్కముద్రయా ॥ ౩౮ ॥
kṛtvorau dakṣiṇe savyaṁ
[kritvorau dakshine savyam]
pāda-padmaṁ ca jānuni
[paada-padmam cha jaanuni]
bāhuṁ prakoṣṭhe ’kṣa-mālām
[baahum prakoshthe ’ksha-maalaam]
āsīnaṁ tarka-mudrayā
[aaseenam tarka-mudrayaa]
kṛtvā — having placed ūrau — thigh dakṣiṇe — at the right savyam — the left pāda-padmam — lotus feet ca — and jānuni — on his knee bāhum — hand prakoṣṭhe — in the end of the right hand akṣa-mālām — rudrākṣa beads āsīnam — sitting tarka-mudrayā — with the mudrā of argument.
Blended reading (Sanskrit + English inline)
kṛtvorau dakṣiṇe savyaṁ
kṛtvā
having placed
ūrau
thigh
dakṣiṇe
at the right
savyam
the left
pāda-padmaṁ ca jānuni
pāda-padmam
lotus feet
ca
and
jānuni
on his knee
bāhuṁ prakoṣṭhe ’kṣa-mālām
bāhum
hand
prakoṣṭhe
in the end of the right hand
akṣa-mālām
rudrākṣa beads
āsīnaṁ tarka-mudrayā
āsīnam
sitting
tarka-mudrayā
with the mudrā of argument.
His left leg was placed on his right thigh, and his left hand was placed on his left thigh. [This sitting posture is called vīrāsana.] In his right hand he held rudrākṣa beads, and his finger was in the mode of argument.

The sitting posture described herein is called vīrāsana according to the system of aṣṭāṅga-yoga performances. In the performance of yoga there are eight divisions, such as yama and niyama — controlling, following the rules and regulations, then practicing the sitting postures, etc. Besides vīrāsana there are other sitting postures, such as padmāsana and siddhāsana. Practice of these āsanas without elevating oneself to the position of realizing the Supersoul, Viṣṇu, is not the perfectional stage of yoga. Lord Śiva is called yogīśvara, the master of all yogīs, and Kṛṣṇa is called yogeśvara. Yogīśvara indicates that no one can surpass the yoga practice of Lord Śiva, and yogeśvara indicates that no one can surpass the yogic perfection of Kṛṣṇa. Another significant word is tarka-mudrā. This indicates that the fingers are opened and the second finger is raised, along with the arm, to impress the audience with some subject matter. This is actually a symbolic representation.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
His left foot was on his right thigh and his left hand was placed on his left knee. He had beads on his right forearm, and his right hand showed the tarka-mudrā. He was seen sitting in this typical posture. Yoga scriptures describe the posture: eka-pādam athaikasmin vinyased ūru-saṁsthitam itarasmiṁs tathā bāhuṁ vīrāsanam idaṁ smṛtam Vīrāsana is defined as placing each foot on the opposite thigh, and placing the hands on the thighs. The tarka-mudrā is described as follows: tarjany-aṅguṣṭhayor agre mithaḥ saṁyojya cāṅgulīḥ prasārya bandhanaṁ prāhus tarkamudreti māntrikā Reciters of mantra define the tarka-mudrā as placing the tips of the forefinger and thumb together while spreading the other fingers.
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