Śrīmad-Bhāgavatam 3.2.34
శరచ్ఛశికరైర్మృష్టం మానయన్ రజనీముఖమ్ ।
గాయన్ కలపదం రేమే స్త్రీణాం మణ్డలమణ్డన: ॥ ౩౪ ॥
śarac-chaśi-karair mṛṣṭaṁ
[sharach-chashi-karair mrishtam]
mānayan rajanī-mukham
[maanayan rajanee-mukham]
gāyan kala-padaṁ reme
[gaayan kala-padam reme]
strīṇāṁ maṇḍala-maṇḍanaḥ
[streenaam mandala-mandanah]
Word-for-word
śarat
—
autumn
śaśi
—
of the moon
karaiḥ
—
by the shining
mṛṣṭam
—
brightened
mānayan
—
thinking so
rajanī-mukham
—
the face of the night
gāyan
—
singing
kala-padam
—
pleasing songs
reme
—
enjoyed
strīṇām
—
of the women
maṇḍala-maṇḍanaḥ
—
as the central beauty of the assembly of women.
Blended reading (Sanskrit + English inline)
śarac-chaśi-karair mṛṣṭaṁ
śarat
autumn
śaśi
of the moon
karaiḥ
by the shining
mṛṣṭam
brightened
mānayan rajanī-mukham
mānayan
thinking so
rajanī-mukham
the face of the night
gāyan kala-padaṁ reme
gāyan
singing
kala-padam
pleasing songs
reme
enjoyed
strīṇāṁ maṇḍala-maṇḍanaḥ
strīṇām
of the women
maṇḍala-maṇḍanaḥ
as the central beauty of the assembly of women.
In the third season of the year, the Lord enjoyed as the central beauty of the assembly of women by attracting them with His pleasing songs in an autumn night brightened by moonshine.
Purport
Before leaving the land of cows, Vṛndāvana, the Lord pleased His young girlfriends, the transcendental gopīs, in His rāsa-līlā pastimes. Here Uddhava stopped his description of the Lord’s activities.
Thus end the Bhaktivedanta purports of the Third Canto, Second Chapter, of the Śrīmad-Bhāgavatam, entitled “Remembrance of Lord Kṛṣṇa.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Translation
Respecting the evening bright with the rays of the full moon, singing soft melodies, ornamenting the group of women, Kṛṣṇa enjoyed the rāsa-līlā.
Brining joy to the face of Rādhā by rubbing away her perspiration with his hand, making her think that she alone was his lover, Kṛṣṇa, beautiful as the full moon, singing softly, ornamenting the whole group of gopīs, enjoyed rāsa-līlā with them.
Rajanī-mukham means evening. Thus one meaning is “considering the suitability of the evening lit by the rays of the autumn moon.” However it has another meaning: he make joyful (mānayan) the face of his independent lover (rajanī-mukham) known svādhina-bhartṛkā, which was made bright by removing her perspiration, using hands of the male lover, like the full moon (śarac-chasi-karaiḥ). She became joyful, thinking “I alone am with Kṛṣṇa.” Ornamenting the whole group of women (with his presence) during enjoyment of the rāsa-līlā (maṇdala-maṇḍanaḥ) he enjoyed that pastime.
Thus ends the commentary on Second Chapter of the Third Canto of the Bhāgavatam for the pleasure of the devotees, in accordance with the previous ācāryas.
Chapter Three
Uddhava Remembers Kṛṣṇa in Mathurā and Dvārakā
My note
Source: vedabase.io