• upamantriṇaḥ — jesters, advisors-in-jest
  The court vidūṣaka — comic counselor — is a Vedic institution. Even in Bhagavān's assembly, laughter has its place. Bhakti is not solemn refusal of joy but joy redirected to Him.
• hāsya-rasaiḥ — with comic moods, hāsya-rasas
  Hāsya is one of the nine rasas; even in the rasa-śāstra of bhakti, hāsya-rasa has its place (Bharata-muni, Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu). Kṛṣṇa enjoys hāsya as ardently as vīra or mādhurya.
• naṭa-ācāryāḥ — expert performers, dance-masters
  Naṭa-ācārya literally 'master-actor.' In Caitanya tradition the term is reclaimed: Mahāprabhu Himself is the supreme naṭa, dancing kṛṣṇa-līlā back into the world.
• vibhum — the all-pervading Lord
  He is Vibhu — vast, all-pervading — and yet sits and receives the dance of one female performer. The vibhu is simultaneously aṇu in attention. Bhakti rests on this double infinity.

Jesters and dancers in Bhagavān's court are like crows feeding from the same lake as swans — even play and laughter, in His presence, become bhakti. There is no domain of human life He has not made into His own service.