FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.65.32

వసిత్వా వాససీ నీలే మాలామాముచ్య కాఞ్చనీమ్ । రేయే స్వలఙ్కృతో లిప్తో మాహేన్ద్ర ఇవ వారణ: ॥ ౩౨ ॥
vasitvā vāsasī nīle
[vasitvaa vaasasee neele]
mālāṁ āmucya kāñcanīm
[maalaam aamuchya kaanchaneem]
reye sv-alaṅkṛto lipto
[reye sv-alankrito lipto]
māhendra iva vāraṇaḥ
[maahendra iva vaaranah]
Word-for-word
vasitvā — dressing Himself vāsasī — in the two garments nīle — blue mālām — the necklace āmucya — putting on kāñcanīm — golden reje — He appeared resplendent su — excellently alaṅkṛtaḥ — ornamented liptaḥ — anointed māhā - indraḥ — of Mahendra, the King of heaven iva — like vāraṇaḥ — the elephant .
Blended reading (Sanskrit + English inline)
vasitvā vāsasī nīle
vasitvā
dressing Himself
vāsasī
in the two garments
nīle
blue
mālāṁ āmucya kāñcanīm
mālām
the necklace
āmucya
putting on
kāñcanīm
golden
reye sv-alaṅkṛto lipto
reje
He appeared resplendent
su
excellently
alaṅkṛtaḥ
ornamented
liptaḥ
anointed
māhendra iva vāraṇaḥ
māhā - indraḥ
of Mahendra, the King of heaven
iva
like
vāraṇaḥ
the elephant .
Important Words
  • vasitvā — dressing Himself
    Absolutive of √vas (to wear). Bhagavān dresses Himself — the act of dressing is His own. Gauḍīyas note that even mundane self-care, when Bhagavān performs it, becomes līlā-detail worthy of meditation.
  • nīle — blue
    Synonym of asita (v. 31). The Bhāgavatam repeats the color to fix the image. Iconographers use both words for Balarāma's vasana.
  • mālām — the necklace
    Garland. Putting on the mālā — a sevā gesture done to deities in temple ārati. Here Bhagavān is the deity being dressed; the cosmic ārati is happening.
  • kāñcanīm — golden
    Made of kāñcana (gold). Modifies mālā. The gold-blue combination on Balarāma is the inverse of Kṛṣṇa's blue-gold; the brothers' iconography mirrors and reverses.
  • liptaḥ — anointed
    Past participle of √lip (to smear). Sandalwood paste, fragrances. Anulepana is a sevā category in temple service — Gauḍīyas catalog it among the sixty-four limbs of bhakti.
  • vāraṇaḥ — the elephant
    Elephant. Specifically Airāvata, Indra's mount. Third occurrence in this chapter of the elephant simile (vv. 21, 30, 32) — the Bhāgavatam fixes Balarāma's iconic shape: slow, massive, magnificent.
Lord Balarāma dressed Himself in the blue garments and put on the gold necklace. Anointed with fragrances and beautifully adorned, He appeared as resplendent as Indra’s royal elephant.
Purport

Anointed with sandalwood paste and other pure, fragrant substances, Balarāma resembled Airāvata, the great elephant of Lord Indra.

— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Lord Balarāma dressed Himself in the blue garments and put on the gold necklace. Anointed with fragrances and beautifully adorned, He appeared as resplendent as Indra's royal elephant.
Commentary

Putting on the clothing and the necklace, and anointed with sandalwood, he looked resplendent like Airavata (varunah).

Jīva Gosvāmī Gauḍīya
Commentary

The meaning is clear.

Śrīdhara Svāmī Gauḍīya
Commentary

Balarāma was nicely ornamented (sv-alaṅkṛtaḥ), with earrings etc. Anointed with musk and other unguents he was beautiful (reje).

Related values & verses
Concepts
Jiva
Related lectures
Personal Guidance
Analogy

A king dressed and anointed at the end of a victorious afternoon resembles his cosmic counterpart — Indra's elephant Airāvata bathed and decorated. Bhagavān's exit-image is iconography: the verse paints Balarāma in colors that will hang in every Vraja temple.

📝 My note

Source: vedabase.io

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