Śrīmad-Bhāgavatam 10.62.11
Blended reading (Sanskrit + English inline)
-
kva asi kānta
—
where are You, my lover
Phrase: kva (where) + asi (are) + kānta (lover, vocative). The exact syntactic shape of the gopī-cry in SB 10.30. The Bhāgavatam reuses gopī-syntax in unlikely mouths — a quiet way of teaching that all love-language is finally Vraja-language.
-
vihvalā
—
disturbed, overwhelmed
Past participle, from vi + √hval. Same word Rūpa Gosvāmī uses for the eight sāttvika-bhāvas overpowering a devotee. Used here for romantic disturbance — Gauḍīyas read it as the displaced shadow of the real thing.
-
vrīḍitā
—
embarrassed
Past participle from √vrīḍ (to feel shame). Lajjā is one of the thirty-three vyabhicāri-bhāvas in Gauḍīya rasa-śāstra and a defining ornament of the parakīyā-gopīs. The shame is itself a sign of the love's depth, not its impurity.
-
sakhīnām madhye
—
in the midst of her girlfriends
Phrase: sakhī (girlfriend) genitive plural + madhye (in the middle). The Vraja-structure of sakhīs is being mirrored: every Vraja love is mediated by friends. Citralekhā is to Ūṣā what Lalitā and Viśākhā are to Rādhā, structurally; only the rasa differs.
Coming to her senses and remembering that she was surrounded by her girlfriends, Ūṣā was naturally very embarrassed to have cried out in that way. At the same time she was disturbed by attachment to the beloved man who had appeared in her dream.
She was in great pain because of separation (vihvalāḥ), or overcome with fatigue after enjoyment with him. Then she became embarrassed. Hari-vaṁśa describes her condition: sā svapne ramitā tena strī-bhāvaṁ cāpi lambhitā / śoṇitāktā prarudatī sahasaivotthitā niśi // Enjoying with him in a dream, she became overcome with womanly emotions. With red complexion, she wept and suddenly rose out of bed in the night. It is understood that Aniruddha directly came to her. This was arranged by Citralekhā, as will be explained later. This and his later actions occurred from a display of human-like pastimes.
Like a sleeper who reaches across an empty bed at dawn, finding warmth where there is no body, Ūṣā sits up among her friends crying 'Where are You, beloved?' That cry — vipralambha, the love that intensifies in separation — is the same cry the gopīs will raise for Kṛṣṇa.
In SB 10.30, when Kṛṣṇa vanishes from the rāsa-dance, the gopīs roam the forest asking the trees, the deer, the Yamunā: 'Where is our beloved?' Their cry is the canonical Vraja-vipralambha — the rasa Caitanya Mahāprabhu himself entered in His last years at Purī.
Gauḍīyas distinguish vipralambha from ordinary grief: it does not seek replacement, only the return of the one Person. Ūṣā's cry, asura-side and unawakened though it is, rhymes with this — the Bhāgavatam quietly insists that even displaced longing has the gopī-cry as its archetype.
My note
Source: vedabase.io