FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.6.5-6

తాం కేశబన్ధవ్యతిషక్తమల్లికాం బృహన్నితమ్బస్తనకృచ్ఛ్రమధ్యమామ్ । సువాససం కల్పితకర్ణభూషణ- త్విషోల్లసత్కున్తలమణ్డితాననామ్ ॥ ౫ ॥ వల్గుస్మితాపాఙ్గవిసర్గవీక్షితై- ర్మనో హరన్తీం వనితాం వ్రజౌకసామ్ । అమంసతామ్భోజకరేణ రూపిణీం గోప్య: శ్రియం ద్రష్టుమివాగతాం పతిమ్ ॥ ౬ ॥
tāṁ keśa-bandha-vyatiṣakta-mallikāṁ
[taam kesha-bandha-vyatishakta-mallikaam]
bṛhan-nitamba-stana-kṛcchra-madhyamām
[brihan-nitamba-stana-krichchra-madhyamaam]
suvāsasaṁ kalpita-karṇa-bhūṣaṇa-
[suvaasasam kalpita-karna-bhooshana-]
tviṣollasat-kuntala-maṇḍitānanām
[tvishollasat-kuntala-manditaananaam]
valgu-smitāpāṅga-visarga-vīkṣitair
[valgu-smitaapaanga-visarga-veekshitair]
mano harantīṁ vanitāṁ vrajaukasām
[mano haranteem vanitaam vrajaukasaam]
amaṁsatāmbhoja-kareṇa rūpiṇīṁ
[amamsataambhoja-karena roopineem]
gopyaḥ śriyaṁ draṣṭum ivāgatāṁ patim
[gopyah shriyam drashtum ivaagataam patim]
tām — her keśa - bandha - vyatiṣakta - mallikām — whose arrangement of hair was decorated with a garland of mallikā flowers bṛhat — very, very big nitamba - stana — by her hips and firm breasts kṛcchra - madhyamām — whose slim waist was overburdened su - vāsasam — nicely painted or very attractively dressed kalpita - karṇa - bhūṣaṇa — of the earrings arranged on her ears tviṣā — by the brilliance ullasat — very attractive kuntala - maṇḍita - ānanām — whose beautiful face was surrounded by black hair valgu - smita - apāṅga - visarga - vīkṣitaiḥ — by her casting her smiling glance on everyone very attractively manaḥ harantīm — everyone’s attention was attracted (by her) vanitām — an especially attractive woman vraja - okasām — of the inhabitants of Gokula amaṁsata — thought ambhoja — holding a lotus flower kareṇa — with her hand rūpiṇīm — very beautiful gopyaḥ — the gopī inhabitants of Gokula śriyam — the goddess of fortune draṣṭum — to see iva — as if āgatām — had come patim — her husband .
Blended reading (Sanskrit + English inline)
tāṁ keśa-bandha-vyatiṣakta-mallikāṁ
tām
her
keśa - bandha - vyatiṣakta - mallikām
whose arrangement of hair was decorated with a garland of mallikā flowers
bṛhan-nitamba-stana-kṛcchra-madhyamām
bṛhat
very, very big
nitamba - stana
by her hips and firm breasts
kṛcchra - madhyamām
whose slim waist was overburdened
suvāsasaṁ kalpita-karṇa-bhūṣaṇa-
su - vāsasam
nicely painted or very attractively dressed
kalpita - karṇa - bhūṣaṇa
of the earrings arranged on her ears
tviṣollasat-kuntala-maṇḍitānanām
tviṣā
by the brilliance
ullasat
very attractive
kuntala - maṇḍita - ānanām
whose beautiful face was surrounded by black hair
valgu-smitāpāṅga-visarga-vīkṣitair
valgu - smita - apāṅga - visarga - vīkṣitaiḥ
by her casting her smiling glance on everyone very attractively
mano harantīṁ vanitāṁ vrajaukasām
manaḥ harantīm
everyone’s attention was attracted (by her)
vanitām
an especially attractive woman
vraja - okasām
of the inhabitants of Gokula
amaṁsata
thought
amaṁsatāmbhoja-kareṇa rūpiṇīṁ
ambhoja
holding a lotus flower
kareṇa
with her hand
rūpiṇīm
very beautiful
gopyaḥ śriyaṁ draṣṭum ivāgatāṁ patim
gopyaḥ
the gopī inhabitants of Gokula
śriyam
the goddess of fortune
draṣṭum
to see
iva
as if
āgatām
had come
patim
her husband .
  • valgu - smita - apāṅga - visarga - vīkṣitaiḥ — by her casting her smiling sidelong glances
    Long compound: valgu (charming) + smita (smile) + apāṅga (sidelong) + visarga (release) + vīkṣita (glance). The grammar piles up the seductive details to show how the senses are taken by stages. Gauḍīya note: the gopīs' real apāṅga-vīkṣita is for Kṛṣṇa alone; the counterfeit copies the form but not the object.
  • śriyam — the goddess of fortune
    Accusative of Śrī (Lakṣmī). The gopīs' kindly misreading: they see Pūtanā and assume Lakṣmī has come to see her Lord. In Gauḍīya rasa-vicāra, only Kṛṣṇa's hlādinī-śakti (Rādhā and the gopīs themselves) holds the topmost place in Vraja; the Vaikuṇṭha-Lakṣmī cannot enter Vraja's mādhurya — yet māyā can mimic Her form.
  • patim — her husband
    Accusative — Kṛṣṇa as Lakṣmī's Lord, the husband of Śrī (Nārāyaṇa). The gopīs' assumption is theologically literate, which is precisely what makes them slow to suspect: a wife coming to see her divine husband is the most innocent possible reading.
  • ambhoja — (holding) a lotus flower
    The traditional iconographic mark of Lakṣmī. Pūtanā has not actually shown a lotus; the gopīs project it because the rest of the costume fits. Māyā works by completion — give the eye enough cues and it will draw the missing one in.
  • vraja - okasām — of the inhabitants of Gokula
    Compound — vraja (pasture-land) + okas (dweller). The Vrajavāsīs, the highest devotees in Gauḍīya rasa-tattva, are still capable of being momentarily charmed by a counterfeit Lakṣmī. The verse is not a critique of them; it is a warning to us: if even the Vrajavāsīs needed Kṛṣṇa's intervention, we certainly do.
Her hips were full, her breasts were large and firm, seeming to overburden her slim waist, and she was dressed very nicely. Her hair, adorned with a garland of mallikā flowers, was scattered about her beautiful face. Her earrings were brilliant, and as she smiled very attractively, glancing upon everyone, her beauty drew the attention of all the inhabitants of Vraja, especially the men. When the gopīs saw her, they thought that the beautiful goddess of fortune, holding a lotus flower in her hand, had come to see her husband, Kṛṣṇa.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Her hips were full, her breasts were large and firm, seeming to overburden her slim waist, and she was dressed very nicely. Her hair, adorned with a garland of mallikā flowers, was scattered about her beautiful face. Her earrings were brilliant, and as she smiled very attractively, glancing upon everyone, her beauty drew the attention of all the inhabitants of Vraja, especially the men. When the gopīs saw her, they thought that the beautiful goddess of fortune, holding a lotus flower in her hand, had come to see her husband, Kṛṣṇa.
Commentary

Seeing that beautiful woman with marks of lotus on her hands, the gopis concluded that she was the embodiment of all wealth and jewels. She must have come to see her husband, Narayana, the istadeva of Nanda Maharaja. Putana had broad waist and breasts contrasted to her thin waist. She was attractive (vanita). She was so attractive that the Vrajavasis let her enter the inner chambers of their houses without obstruction.

Jīva Gosvāmī Gauḍīya
Commentary

Jasmines bound together were tied in her hair, making her very beautiful. He face was decorated with locks of hair shining with the effulgence of her swinging earrings. She was acting attractively (manoharantīm). The gopīs thought she was the wealth of the universe (śriyam), since she held lotuses in her hands. Why would she come? She seemed to be looking for her husband, or to bless someone pious person who had taken shelter of her. That person was Kṛṣṇa alone. Thus she could not be stopped from approaching him. Pati means a husband but Śrīdhara Svāmī does not accept that meaning since later she is described as having motherly affection. Her waist was thin as if being squeezed between her wide hips and her huge breasts. The word kṛcchra (pain) is used instead of kṛśa(thin) since the cause (pain) and effect (thinness) are equated. Because she was so attractive, the gopīs became most attracted. There is no redundancy in the description (saying manoharaṇīm vanitām and sriyam) since the first phrase applies to Pūtanā and the second applies to the gopīs’ perception of her beauty.

Śrīdhara Svāmī Gauḍīya
Commentary

Jasmines bound together were tied in her hair, making her very beautiful. He face was decorated with locks of hair shining with the effulgence of her swinging earrings. She was acting attractively (manoharantīm). The gopīs thought she was the wealth of the universe (śriyam), since she held lotuses in her hands. She held play lotuses in her hands to produce great beauty. Why would she come? She seemed to be looking for her husband. The word iva (as if) indicates it was not actually so. Or like Lakṣmī she had come to see the protector (patim) of the gopīs, since Kṛṣṇa was the son of Nanda. Or the gopīs thought that the woman was like Lakṣmī coming from her planet to see Nārāyaṇa. This appearance was possible because of her astonishing beauty and skillful dress.

Related values
Shraddha (Faith / Reverence)Abhaya (Fearlessness)Ishvara Pranidhana (Surrender to God)Kshama (Forgiveness / Patience)Tapas (Austerity / Discipline)Bhakti (Devotion)Adambhitva (Non-hypocrisy / Authenticity)
Related verses
Pūtanā arrives dressed as Lakṣmī — māyā's most dangerous form is the one that mimics auspiciousness; only Kṛṣṇa-conscious discrimination sees through it.
Practical Applications
  • Notice today one 'attractive' offering — a person, a feed, a deal — and ask whether it carries Kṛṣṇa within it or only borrows the look of śrī.
  • Refuse to judge people or proposals by surface beauty alone; pause and check the intent behind the smile before you let it into your home or heart.
  • Before opening your phone or door, chant Kṛṣṇa's name once and ask Him to give you the gopīs' eyes — quick to see Him, slow to be charmed by what merely resembles Him.

Pūtanā walking into Vraja in mallikā garland and earrings is like counterfeit currency printed so well that even the priests stop to admire the seal. The gopīs mistake her for Lakṣmī coming to see her husband — the lie is so close to the truth that only Kṛṣṇa's own glance can finally tell them apart.

Śūrpaṇakhā in the āśrama

When Śūrpaṇakhā approached Lord Rāma in the Daṇḍaka forest (Rāmāyaṇa, Araṇya-kāṇḍa), she had assumed a form of disarming loveliness. Only when her actual intent rose — possessive lust, then murderous fury at being refused — did her true nature break through the disguise.

The Vraja gopīs in 10.6.5–6 stand at exactly that earlier moment: the surface is still intact, the smile is still working, and only the Lord's own protective potency will let the disguise come apart in time.

📝 My note

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