Śrīmad-Bhāgavatam 10.59.8
Blended reading (Sanskrit + English inline)
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śūlam
—
his trident
Same weapon as verse 7, now in motion. Sanskrit narrative often lets the same noun travel across consecutive verses to mark continuity of action — the trident has not yet landed.
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vyanadat
—
he roared
From vi + √nad (to sound out). The asura's roar is the inverted echo of Pāñcajanya — both fill the universe-shell, but only one is auspicious. Gauḍīyas use this contrast to teach: the same medium (sound) carries either māyā or mokṣa.
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aṇda - kaṭāham
—
the shell of the cosmic egg
Aṇḍa-kaṭāha — the brahmāṇḍa's outer wall. The verse's scale is cosmological; even a demon's roar in this chapter reaches the edge of the universe.
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ambaram
—
outer space, the sky
Same word that names cloth (ambara) — the sky is the universe's garment. Mura's roar reaches even that garment-edge, but does not pierce it.
Bhauma waved his trident and made ferocious sounds (vyanada). That great sound (maha) filled the universe.
He hurled his trident with all his strength. The roaring filled the whole universe, including the heavens and earth (rodasī). Instead of ambaram sometimes antaram is seen. This means Pātāla. Since sound arises in ether, the sound went to the five upper planets including Svarga since the space was large and went upwards. Not able to leave the universe, the sound returned down to earth and then expanded in all directions. Then after filling everything above, it entered a hole into the lower planets. Thus the sound gradually filled (pūrayan) the universe completely (ā).
A drum struck so hard that the room itself becomes the drum — Mura's roar fills the universe-shell because the asura projects himself as ultimate. Bhagavān, who is actually the shell, lets him roar; the puffery makes the eventual silence sweeter.
My note
Source: vedabase.io