FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.57.8

తైలద్రోణ్యాం మృతం ప్రాస్య జగామ గజసాహ్వయమ్ । కృష్ణాయ విదితార్థాయ తప్తాచఖ్యౌ పితుర్వధమ్ ॥ ౮ ॥
taila-droṇyāṁ mṛtaṁ prāsya
[taila-dronyaam mritam praasya]
jagāma gajasāhvayam
[jagaama gajasaahvayam]
kṛṣṇāya viditārthāya
[krishnaaya viditaarthaaya]
taptācakhyau pitur vadham
[taptaachakhyau pitur vadham]
taila — of oil droṇyām — in a large vessel mṛtam — the corpse prāsya — putting jagāma — she went gaja - sāhvayam — to Hastināpura, the Kuru capital kṛṣṇāya — to Kṛṣṇa vidita - arthāya — who already was aware of the situation taptā — sorrowful ācakhyau — she related pituḥ — of her father vadham — the killing .
Blended reading (Sanskrit + English inline)
taila-droṇyāṁ mṛtaṁ prāsya
taila
of oil
droṇyām
in a large vessel
mṛtam
the corpse
prāsya
putting
jagāma gajasāhvayam
jagāma
she went
gaja - sāhvayam
to Hastināpura, the Kuru capital
kṛṣṇāya viditārthāya
kṛṣṇāya
to Kṛṣṇa
vidita - arthāya
who already was aware of the situation
taptācakhyau pitur vadham
taptā
sorrowful
ācakhyau
she related
pituḥ
of her father
vadham
the killing .
  • taila - droṇyām — in a vat of oil
    Compound: taila (oil) + droṇī (large tub). The detail is unforgettable — Satyabhāmā preserves the body so Kṛṣṇa can later perform the rites Himself (verse 28). Gauḍīyas note: devotees do not let go of the dead until the Lord has been informed.
  • gaja - sāhvayam — to Hastināpura (named after the elephant)
    Compound: gaja (elephant) + āhvaya (name). Hastina-pura, 'elephant city,' the Kuru capital where Kṛṣṇa was performing kinship rites. Satyabhāmā crosses kingdoms with her father's corpse riding behind her — bhakti's geography in motion.
  • vidita - arthāya — to (Kṛṣṇa) who was already aware
    Compound: vidita (known) + artha (matter). The verse repeats verse 1's frame: Kṛṣṇa already knows. Yet she tells Him, because telling Bhagavān what He already knows is itself one of the limbs of bhakti — āvedana, surrendering one's affairs by speaking them.
  • taptā — scorched (with grief)
    Past participle of √tap (to heat, burn). The same root as tapas — austerity. Gauḍīyas hear a deep tone: she is undergoing an involuntary tapas of grief that Kṛṣṇa will redirect. Bhakti often begins in heat the devotee did not choose.
Queen Satyabhāmā put her father’s corpse in a large vat of oil and went to Hastināpura, where she sorrowfully told Lord Kṛṣṇa, who was already aware of the situation, about her father’s murder.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Queen Satyabhāmā put her father's corpse in a large vat of oil and went to Hastināpura, where she sorrowfully told Lord Kṛṣṇa, who was already aware of the situation, about her father's murder.
Commentary

People said that since her husband was the supreme Lord, she could have him bring her father back to life. For that reason she went to Hastinapura, and not out of affection for her father, because her father had animosity towards Krsna. Thus her grieving (tapta) was in order to encourage Krsna to appear to show grief as well.

Jīva Gosvāmī Gauḍīya
Commentary

Because the necessary rites like śrāddhas, after burning the body, could not be done, she put his body in oil. Or she did this because she wanted the Lord bring him to life, or she wanted to show the body to the Lord in order that he grieve and become angry. But the Lord already knew the inevitable future results because the jewel had been possessed by the wrong people such as Prasena.

Related values
Shraddha (Faith / Reverence)Bhakti (Devotion)Saurya (Heroism / Bravery)Kshama (Forgiveness / Patience)Samata (Equanimity / Even-mindedness)Nyaya (Justice / Righteous Judgment)Dhriti (Resilience / Steadfastness / Fortitude)Apaishunam (Non-slander)Vairagya (Detachment / Dispassion)Karuna (Kindness / Compassion)Svadhyaya (Self-study & Scripture Study)Satya (Truthfulness)
Related verses

Satyabhāmā preserves her father in oil so the funeral can wait for Kṛṣṇa — even her grief organizes itself around His timing. A devotee in shock still arranges the world so that Bhagavān can act on it.

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