Śrīmad-Bhāgavatam 10.54.60
Blended reading (Sanskrit + English inline)
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rukmiṇyā
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with Rukmiṇī
Instrumental of Rukmiṇī. The whole chapter has been her arc — from frightened glance (v. 4) to falling at His feet (v. 32) to enlightened mind (v. 50) to seated beside Him (here). The final form of the name is paired in instrumental — joined-to, no longer separate.
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ramayā
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with the goddess of fortune (Ramā)
Ramā is another name of Lakṣmī (from √ram, 'to delight, to rest in'). Vyāsa places it in apposition to Rukmiṇī — the human queen IS the goddess. Gauḍīyas confirm: there is no distinction between Lakṣmī and Rukmiṇī; this is one Person in two registers.
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śriyaḥ-patim
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the master of all opulence
Śrī (opulence / Lakṣmī) + pati (master). 'Master of Śrī' is both 'master of opulence' and 'master of Lakṣmī.' Vyāsa's punning theology: Kṛṣṇa is what the goddess of fortune is fortune OF — the original viṣaya for whom Lakṣmī is āśraya.
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pura-okasām
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for the inhabitants of the city
Pura (city) + okas (dweller). The same Dvārakā-citizenry whose ananya-bhāva v. 54 honored. The chapter is bookended: their festive joy at the wedding (v. 54) and their darśana-joy at the conjugal seeing (v. 60). The city is the saṅga that witnesses prema.
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mahā-modaḥ
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great joy
Mahā (great) + moda (joy). Moda is, in rasa-śāstra, a more sustained joy than muda. The chapter's emotional curve: muda (v. 55) → mahā-modaḥ (v. 60). Bhakti deepens over the festival, never retreats.
Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Fifty-fourth Chapter, of the Śrīmad-Bhāgavatam, entitled “The Marriage of Kṛṣṇa and Rukmiṇī.”
After the marriage, because of seeing their two happy together, all the people of Dvārakā became filled with bliss. That is described in this verse. Kṛṣṇa was Svayam Bhagavān, the husband of the supreme Lakṣmī (śriyaḥ patiḥ) who was the abode of all wealth. Thus Rukmiṇī was meant for him. At this time, Lakṣmī (ramayā) merged with Rukmiṇī. Also she is called ramā because she gives pleasure to Kṛṣṇa. Ah! The most spectacular bliss arose!
After the marriage, because of seeing their two happy together, all the people of Dvārakā became filled with bliss. That is described in this verse. The residents of Dvārakā, living there all the time, were constantly close to the Lord and often saw him. Thus they were happy. Or they were especially happy because of their special bhakti (mahā-modaḥ). They saw Kṛṣṇa, svayam bhagavān, the husband of Lakṣmī. She necessarily depended on him. She had now merged with Rukmiṇī. Thus the joy was very great (mahā-modaḥ) since Kṛṣṇa had achieved happiness through the most suitable wife. O king! The king shone (rājan) because of joy on hearing this story. Or the great joy was brilliant. Thus end the purports of the humble servants of His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda to the Tenth Canto, Fifty-fourth Chapter, of the Śrīmad-Bhāgavatam, entitled "The Marriage of Kṛṣṇa and Rukmiṇī." 10.55: The History of Pradyumna verses: Summary, 1, 2, 3, 4, 5, 6, 7-8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27-28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40 Chapter Summary This chapter tells how Pradyumna was born as the son of Lord Kṛṣṇa and then kidnapped by the demon Śambara. It also describes how Pradyumna killed Śambara and returned home with a wife. Kāmadeva (Cupid), an expansion of Lord Vāsudeva, had been burned to ashes by Lord Śiva's anger and was reborn as part and parcel of Pradyumna from the womb of Rukmiṇī. A demon named Śambara, thinking Pradyumna his enemy, kidnapped Him from the maternity room even before He was ten days old. Śambara threw Pradyumna into the ocean and returned to his kingdom. A powerful fish swallowed Pradyumna and was caught by fishermen in a net. They presented the huge fish to Śambara, and when his cooks cut it open they found a child within its belly. The cooks gave the infant to the maidservant Māyāvatī, who was astonished to see Him. Just then Nārada Muni appeared and told her who the infant was. Māyāvatī was actually Kāmadeva's wife, Ratidevī. While waiting for her husband to be reborn in a new body, she had taken employment as a cook in the household of Śambara. Now that she understood who the infant was, she began to feel intense affection for Him. After a very short time, Pradyumna grew to youthful maturity, entrancing all the women with His beauty. Once, Ratidevī approached Pradyumna and playfully moved her eyebrows in a conjugal mood. Addressing her as His mother, Pradyumna commented that she was putting aside her proper maternal mood and behaving like a passionate girlfriend. Rati then told Pradyumna who they both were. She advised Him to kill Śambara, and to help Him she instructed Him in the mystic mantras known as Mahā-māyā. Pradyumna went to Śambara and, after angering him with various insults, challenged him to fight, upon which Śambara angrily took up his club and marched outside. The demon tried various magic spells against Pradyumna, but Pradyumna fended off all of them with the Mahā-māyā mantras and then beheaded Śambara with His sword. At that moment Ratidevī appeared in the sky and took Pradyumna away to Dvārakā. When Pradyumna and His wife entered the inner chambers of Lord Kṛṣṇa's palace, the many beautiful ladies there thought He was Kṛṣṇa Himself, so much did His appearance and dress resemble the Lord's. Out of shyness the ladies ran here and there to hide themselves. But after a little while they noticed small differences in Pradyumna's and Kṛṣṇa's appearances, and once they understood that He was not Lord Kṛṣṇa, they gathered around Him. When Rukmiṇī-devī saw Pradyumna, she felt overwhelmed with motherly love, and milk began to flow spontaneously from her breasts. Noting that Pradyumna looked exactly like Kṛṣṇa, she became eager to find out who He was. She remembered how one of her sons had been abducted from the maternity room. "If He were still alive," she thought, "He would be the same age as this Pradyumna standing before me." While Rukmiṇī reflected in this way, Lord Kṛṣṇa arrived in the company of Devakī and Vasudeva. Although the Lord understood the situation perfectly well, He remained silent. Then Nārada Muni arrived and explained everything. Everyone was amazed to hear the account and embraced Pradyumna in great ecstasy. Because Pradyumna's beauty so closely resembled Kṛṣṇa's, the ladies in a maternal relationship with Pradyumna could not help thinking of Him as their conjugal lover. He was, after all, the exact reflection of Śrī Kṛṣṇa, and therefore it was natural for them to see Him in this way.
Dvārakā's citizens see Kṛṣṇa united with Rukmiṇī — the Lord of all opulence with the goddess of fortune — and overflow with joy. The Bhāgavatam closes the chapter on the most condensed image of mādhurya: Bhagavān and His śakti, visible together, witnessed by an entire city of ananya-bhāvas. The whole chapter has been moving toward this last frame.
Lakṣmī Devī's earlier appearance as the daughter of the milk-ocean (SB 8.8) ended with her choosing Viṣṇu as her husband. Throughout the Purāṇas she is depicted as eternally desiring closer conjugal contact with Him. In SB 10.16, the queen of the serpents Kāliya's wives mention Lakṣmī's longing for the dust of Kṛṣṇa's lotus feet — a longing finally satisfied here.
Gauḍīya theology: Rukmiṇī is Lakṣmī Herself, descended into Dvārakā-līlā to taste the closeness Vaikuṇṭha could not afford. The wedding scene of v. 60 is the consummation of millennial yearning.
My note
Source: vedabase.io