Śrīmad-Bhāgavatam 10.54.4
Blended reading (Sanskrit + English inline)
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patyuḥ
—
of her Lord
Genitive of pati. Already, before the wedding rites, Rukmiṇī addresses Kṛṣṇa with the bridal possessive — Gauḍīya commentators read this as proof that the relation is eternal, not constituted by the kanyādāna to come.
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su-madhyamā
—
slender-waisted
Su (beautiful) + madhyama (middle). A standard epithet for Rukmiṇī; in Gauḍīya rasa-śāstra it names not waistline alone but the perfect proportion of a nāyikā — the body itself is a sign of fitness for mādhurya-rasa.
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sa-vrīḍam
—
shyly, with modesty
Sa (with) + vrīḍā (bashfulness). Vrīḍā is one of the named sañcāri-bhāvas of mādhurya-rasa in Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu — the shyness that intensifies, rather than diminishes, intimacy.
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bhaya-vihvala-locanā
—
whose eyes are disturbed by fear
Compound: bhaya (fear) + vihvala (overwhelmed) + locanā (whose eyes). Fear before Kṛṣṇa is not contradiction of love; the gopīs feared Pūtanā, feared Aghāsura, feared Indra's rain — fear directed toward the Lord IS śaraṇa.
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vīkṣya
—
seeing
Gerund of vi-√īkṣ. Rukmiṇī first sees the danger; the next gerund (aikṣat) is her looking at Kṛṣṇa's face. Gauḍīyas note the sequence — the devotee glimpses danger only to be turned more sharply toward the Lord's countenance.
Rukmini glanced (aiksat for aiksata) at Krsna’s face.
Her waist (su-madhyamā) was bent due to meekness caused by shyness. Seeing directly (vīkṣya) the army of her husband covered with arrows, she developed dears of fear in her unsteady or agitated eyes. This was because she was the best of women (sumadhyamā). They are always timid. Seeing the armies covered with arrows shyly she looked at Kṛṣṇa’s face since she was the best of women or had an innocent gaze.
Like a newly-married bride glancing at her husband during a thunderstorm — fear softened by sidelong trust — Rukmiṇī's frightened eyes already form the prototype for every devotee's plea: I am afraid; You see me; that is enough.
When Duḥśāsana dragged Draupadī into the Kuru assembly and began to disrobe her, she first tried to hold her sari herself. Only when her hands fell away did she throw both arms up and cry to Govinda. The instant she stopped trying and only looked, the cloth became infinite.
Rukmiṇī's sa-vrīḍa glance is the same posture in miniature: the devotee's eyes turn fearfully to Kṛṣṇa's face, and the protection is already there before the prayer is finished.
My note
Source: vedabase.io