FolioCorpusBhagavad-gītā

Śrīmad-Bhāgavatam 10.54.4

పత్యుర్బలం శరాసారైశ్ఛన్నం వీక్ష్య సుమధ్యమా । సవ్రీడ్‍మైక్షత్తద్వక్త్రం భయవిహ్వలలోచనా ॥ ౪ ॥
patyur balaṁ śarāsāraiś
[patyur balam sharaasaaraish]
channaṁ vīkṣya su-madhyamā
[channam veekshya su-madhyamaa]
sa-vrīḍm aikṣat tad-vaktraṁ
[sa-vreedm aikshat tad-vaktram]
bhaya-vihvala-locanā
[bhaya-vihvala-lochanaa]
patyuḥ — of her Lord balam — the army śara — of arrows āsāraiḥ — by heavy rains channam — covered vīkṣya — seeing su - madhyamā — slender-waisted (Rukmiṇī) sa - vrīḍam — shyly aikṣat — looked tat — His vaktram — at the face bhaya — with fear vihvala — disturbed locanā — whose eyes .
Blended reading (Sanskrit + English inline)
patyur balaṁ śarāsāraiś
patyuḥ
of her Lord
balam
the army
śara
of arrows
āsāraiḥ
by heavy rains
channaṁ vīkṣya su-madhyamā
channam
covered
vīkṣya
seeing
su - madhyamā
slender-waisted (Rukmiṇī)
sa-vrīḍm aikṣat tad-vaktraṁ
sa - vrīḍam
shyly
aikṣat
looked
tat
His
vaktram
at the face
bhaya-vihvala-locanā
bhaya
with fear
vihvala
disturbed
locanā
whose eyes .
  • patyuḥ — of her Lord
    Genitive of pati. Already, before the wedding rites, Rukmiṇī addresses Kṛṣṇa with the bridal possessive — Gauḍīya commentators read this as proof that the relation is eternal, not constituted by the kanyādāna to come.
  • su-madhyamā — slender-waisted
    Su (beautiful) + madhyama (middle). A standard epithet for Rukmiṇī; in Gauḍīya rasa-śāstra it names not waistline alone but the perfect proportion of a nāyikā — the body itself is a sign of fitness for mādhurya-rasa.
  • sa-vrīḍam — shyly, with modesty
    Sa (with) + vrīḍā (bashfulness). Vrīḍā is one of the named sañcāri-bhāvas of mādhurya-rasa in Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu — the shyness that intensifies, rather than diminishes, intimacy.
  • bhaya-vihvala-locanā — whose eyes are disturbed by fear
    Compound: bhaya (fear) + vihvala (overwhelmed) + locanā (whose eyes). Fear before Kṛṣṇa is not contradiction of love; the gopīs feared Pūtanā, feared Aghāsura, feared Indra's rain — fear directed toward the Lord IS śaraṇa.
  • vīkṣya — seeing
    Gerund of vi-√īkṣ. Rukmiṇī first sees the danger; the next gerund (aikṣat) is her looking at Kṛṣṇa's face. Gauḍīyas note the sequence — the devotee glimpses danger only to be turned more sharply toward the Lord's countenance.
Slender-waisted Rukmiṇī, seeing her Lord’s army covered by torrents of arrows, shyly looked at His face with fear-stricken eyes.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Slender-waisted Rukmiṇī, seeing her Lord's army covered by torrents of arrows, shyly looked at His face with fear-stricken eyes.
Commentary

Rukmini glanced (aiksat for aiksata) at Krsna’s face.

Śrīdhara Svāmī Gauḍīya
Commentary

Her waist (su-madhyamā) was bent due to meekness caused by shyness. Seeing directly (vīkṣya) the army of her husband covered with arrows, she developed dears of fear in her unsteady or agitated eyes. This was because she was the best of women (sumadhyamā). They are always timid. Seeing the armies covered with arrows shyly she looked at Kṛṣṇa’s face since she was the best of women or had an innocent gaze.

Related values
Bhakti (Devotion)Tejas (Inner Radiance / Vigour)
Related verses
Concepts
Jiva

Like a newly-married bride glancing at her husband during a thunderstorm — fear softened by sidelong trust — Rukmiṇī's frightened eyes already form the prototype for every devotee's plea: I am afraid; You see me; that is enough.

Draupadī's glance in the assembly

When Duḥśāsana dragged Draupadī into the Kuru assembly and began to disrobe her, she first tried to hold her sari herself. Only when her hands fell away did she throw both arms up and cry to Govinda. The instant she stopped trying and only looked, the cloth became infinite.

Rukmiṇī's sa-vrīḍa glance is the same posture in miniature: the devotee's eyes turn fearfully to Kṛṣṇa's face, and the protection is already there before the prayer is finished.

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