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Śrīmad-Bhāgavatam 10.52.9

పలాయమానౌ తౌ ద‍ృష్ట్వా మాగధ: ప్రహసన్బలీ । అన్వధావద్ రథానీకైరీశయోరప్రమాణవిత్ ॥ ౯ ॥
palāyamānau tau dṛṣṭvā
[palaayamaanau tau drishtvaa]
māgadhaḥ prahasan balī
[maagadhah prahasan balee]
anvadhāvad rathānīkair
[anvadhaavad rathaaneekair]
īśayor apramāṇa-vit
[eeshayor apramaana-vit]
palāyamānau — who were fleeing tau — Those two dṛṣṭvā — seeing māgadhaḥ — Jarāsandha prahasan — laughing loudly balī — powerful anvadhāvat — he ran after ratha — with charioteers anīkaiḥ — and soldiers īśayoḥ — of the Lords apramāṇa - vit — unaware of the scope .
Blended reading (Sanskrit + English inline)
palāyamānau tau dṛṣṭvā
palāyamānau
who were fleeing
tau
Those two
dṛṣṭvā
seeing
māgadhaḥ prahasan balī
māgadhaḥ
Jarāsandha
prahasan
laughing loudly
balī
powerful
anvadhāvad rathānīkair
anvadhāvat
he ran after
ratha
with charioteers
anīkaiḥ
and soldiers
īśayor apramāṇa-vit
īśayoḥ
of the Lords
apramāṇa - vit
unaware of the scope .
  • māgadhaḥ — Jarāsandha (the king of Magadha)
    Patronymic-by-territory. The Bhāgavatam often calls Jarāsandha simply 'māgadha' to flag him as the geopolitical face of asurika kingship — the eastern empire that will keep absorbing kings until Bhīma finally tears him apart.
  • prahasan — laughing loudly
    Present participle of pra-√has. In Bhāgavata grammar, asurika laughter (Hiraṇyakaśipu, Rāvaṇa, Kaṁsa, here Jarāsandha) is almost always the prelude to comeuppance — it marks the gap between the laugher's estimate and reality.
  • īśayoḥ — of the two Lords
    Genitive dual of īśa. Sūta deliberately names them 'the two Lords' in the same breath as their pursuer's laughter — the verse's irony is loaded into this single dual-form noun.
  • apramāṇa-vit — unaware of the scope
    Compound: a (not) + pramāṇa (measure) + vit (knower). The asurika defect named precisely — Jarāsandha cannot scale Bhagavān. The Gītā (9.11) names the same failure: avajānanti māṁ mūḍhāḥ.
When he saw Them fleeing, powerful Jarāsandha laughed loudly and then pursued Them with charioteers and foot soldiers. He could not understand the exalted position of the two Lords.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
When he saw Them fleeing, powerful Jarāsandha laughed loudly and then pursued Them with charioteers and foot soldiers. He could not understand the exalted position of the two Lords.
Commentary

Unaware of their greatness ( a pramana vit), he pursued them.

Jīva Gosvāmī Gauḍīya
Commentary

He could not understand the power of the Lords (apramāṇa-vit), that they could not be defeated by human strength. He ran after them but could not take the wealth. It is understood that Kṛṣṇa brought the wealth to Dvārakā. Hari-vaṁśa says: nivedayām āsa tato narādhipe tad ugrasene prati-pūrṇa-mānasaḥ / janārdano dvāravatīṁ ca tāṁ purīm aśobhayat tena dhanena bhūriṇā // He brought the wealth and offered it to Ugrasena. He made Dvārakā beautiful with the abundant treasures.

Śrīdhara Svāmī Gauḍīya
Commentary

Jarāsandha was strong (bale) because he had twenty-three akṣauhiṇīs of troops, or because he had personal strength. He laughed loudly, or mocked them while saying, “What astonishing bravery of these warriors!” He pursued them with his chariot and armies or with armies who rode chariots, since they could not capture the two brothers by other means. He ran after them, but could not catch them. Thus they took the wealth to Dvārakā. Hari-vaṁśa says: nivedayām āsa tato narādhipe tad ugrasene prati-pūrṇa-mānasaḥ / janārdano dvāravatīṁ ca tāṁ purīm aśobhayat tena dhanena bhūriṇā // He brought the wealth and offered it to Ugrasena. He made Dvārakā beautiful with the abundant treasures.

Related values
Dhriti (Resilience / Steadfastness / Fortitude)Prema (Divine Love)Shaucha (Cleanliness / Purity)Kshama (Forgiveness / Patience)Nyaya (Justice / Righteous Judgment)Mardava (Gentleness)Shraddha (Faith / Reverence)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)
Related verses
Concepts
Jiva

Jarāsandha laughs the way a man laughs at the king's son in a borrowed cloak — apramāṇa-vit, unable to measure what stands before him. His laughter is the asura's signature: it is loudest just before the māyā lifts and the scale of Bhagavān becomes unmistakable.

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