Śrīmad-Bhāgavatam 10.50.21
Blended reading (Sanskrit + English inline)
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suparṇa
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Garuḍa, the bird who carries Lord Viṣṇu
Garuḍa is Kṛṣṇa's eternal carrier and Vaiṣṇava emblem. The banner identifies the chariot as Viṣṇu-tattva even in human disguise. To see the banner is to see Kṛṣṇa's identity flagged in plain sight.
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tāla-dhvaja
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the palm-tree banner
Balarāma's emblem. The tāla-vana was the demon Dhenuka's forest cleared by the brothers in 10.15 — Balarāma's banner thus encodes a specific victory of his. Banners in Vedic warfare carry one's defining feat.
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sammumuhuḥ
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they fainted
Sam + √muh — completely bewildered, lost consciousness. Sāttvika-vikāra term in Gauḍīya rasa-śāstra. The women's fainting is a foreshadow of the women of Mathurā at Kṛṣṇa's later departure to Dvārakā (next chapter cycle).
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arditāḥ
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tormented
Past participle of √ard — afflicted, pierced. The women are arditāḥ śucā, pierced by grief. Even before Kṛṣṇa is endangered, the bare possibility of harm to Him produces full-scale śoka. Vipralambha-bhāva: the rasa of separation begins not at separation itself but at its mere possibility.
The women are especially mentioned here because of their extraordinary attachment to Lord Kṛṣṇa and Lord Balarāma.
The women, being more attracted to Krsna than the men, were filled with intense grief (sucarpitah).
The women could still see the flags on the chariots. Kṛṣṇa attracted their minds (hari) and Balarāma gave pleasure to their minds (rāmayoḥ). This shows that the women were very attached to them. They climbed to rooms on top of the fort, to rooms high in the palace and on to the gates but Kṛṣṇa and Balarāma could not be seen by them in the battlefield. They thought they saw something of them however. They became overwhelmed with lamentation. Instead of arditāḥ (in pain) sometimes arpitāḥ is seen. Being in great pain, they fainted since they were women. It was their nature to have hearts soft with affection.
The women of Mathurā watch from the rooftops; when they can no longer see the Garuḍa-banner and the palm-banner, they faint. Their swoon is not weakness but the deepest viraha-vedanā: separation from the sight of Kṛṣṇa, even briefly, is intolerable.
All through Canto 10 the women in Kṛṣṇa's vicinity faint at the prospect of His absence — at His departure to Madhuvana (10.39), at Akrūra's chariot leaving Vraja (10.39–40), here in Mathurā when His banner disappears. The pattern is one rasa: separation-shock proportional to attachment.
Gauḍīya rasa-śāstra treats such fainting (mūrcchā) as a sāttvika-vikāra — a bodily symptom of intense bhāva. The Mathurā women here taste a foretaste of the great viraha that will define Vraja after Kṛṣṇa's own departure to Dvārakā.
My note
Source: vedabase.io