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Śrīmad-Bhāgavatam 10.43.31

జనేష్వేవం బ్రువాణేషు తూర్యేషు నినదత్సు చ । కృష్ణరామౌ సమాభాష్య చాణూరో వాక్యమబ్రవీత్ ॥ ౩౧ ॥
janeṣv evaṁ bruvāṇeṣu
[janeshv evam bruvaaneshu]
tūryeṣu ninadatsu ca
[tooryeshu ninadatsu cha]
kṛṣṇa-rāmau samābhāṣya
[krishna-raamau samaabhaashya]
cāṇūro vākyam abravīt
[chaanooro vaakyam abraveet]
janeṣu — as the people evam — thus bruvāṇeṣu — were speaking tūryeṣu — as the musical instruments ninadatsu — were resounding ca — and kṛṣṇa - rāmau — Kṛṣṇa and Balarāma samābhāṣya — addressing cānūraḥ — the demonic wrestler Cāṇūra vākyam — words abravīt — said .
Blended reading (Sanskrit + English inline)
janeṣv evaṁ bruvāṇeṣu
janeṣu
as the people
evam
thus
bruvāṇeṣu
were speaking
tūryeṣu ninadatsu ca
tūryeṣu
as the musical instruments
ninadatsu
were resounding
ca
and
kṛṣṇa-rāmau samābhāṣya
kṛṣṇa - rāmau
Kṛṣṇa and Balarāma
samābhāṣya
addressing
cāṇūro vākyam abravīt
cānūraḥ
the demonic wrestler Cāṇūra
vākyam
words
abravīt
said .
  • tūryeṣu — as the musical instruments
    Tūrya — the wrestling-arena drums and conches. The Bhāgavatam places sound in the air around every major līlā-event; here the drums become the bridge between citizen kīrtana and wrestler challenge.
  • kṛṣṇa-rāmau — Kṛṣṇa and Balarāma
    Dual compound — the same paired naming as 43.16's baladeva-janārdanau. Mathurā cannot speak of one without the other in this chapter; the two-as-one Bhagavān-tattva is honoured even by Their enemies addressing Them. A contiguous-token join of synonyms 'kṛṣṇa' and 'rāmau'.
  • cānūraḥ — the demonic wrestler Cāṇūra
    Kaṁsa's chief wrestler — to be killed by Kṛṣṇa in the next chapter (44.22). The Bhāgavatam introduces him by name and voice, because he speaks for the entire asura-pakṣa before Bhagavān finishes him.
  • samābhāṣya — addressing
    Sam-ā-bhāṣya — speaking fully, formally. Even the demon's challenge is structured as proper royal etiquette. The Bhāgavatam grants the asura his sentence; Bhagavān's reply will dismantle it in His own time.
While the people talked in this way and the musical instruments resounded, the wrestler Cāṇūra addressed Kṛṣṇa and Balarāma with the following words.

Cāṇūra could not tolerate that the audience was praising Kṛṣṇa so highly. Therefore he had to say something to the two brothers.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
While the people talked in this way and the musical instruments resounded, the wrestler Cāṇūra addressed Kṛṣṇa and Balarāma with the following words.
Jīva Gosvāmī Gauḍīya
Commentary

While they were speaking in this way out of joy, their incomplete statements were interrupted by the sounds of instruments. These talks showed that it was impossible to stop them from speaking since they were the majority and indicated that their words were true. The sound of the instruments indicated the envy the wrestlers had for Kṛṣṇa and Balarāma. The music sounded continuously (ninadatsu), showing the wrestlers’ enthusiasm for fighting. Addressing the boys the wrestlers spoke. Cāṇūra spoke words. The sentence indicates that he would speak something important--he would speak cruel words. Or vākyam can mean avākyam (cānuraḥ avakyam abravīt). Cāṇūra spoke unsuitable words.

Related values
Anahankarah (Freedom from False Ego)
Related verses
Concepts
Jiva

Even as the Mathurā citizens are praising Kṛṣṇa and Balarāma, Cāṇūra steps forward to challenge Them. The two streams of the chapter meet here: bhakti rising from the galleries, asura-bala rising from the arena floor. Bhagavān will speak to both in turn.

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