Śrīmad-Bhāgavatam 10.34.24
Blended reading (Sanskrit + English inline)
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gopyaḥ
—
the gopīs (cowherd women)
Plural of gopī. In Gauḍīya rasa-tattva the gopīs are the topmost class of bhaktas — vraja-vanitā-jana-vallabhāya — and Kṛṣṇa is the lover par excellence (CC Ādi 4). Their mūrcchā here is rasa-evidence, not weakness.
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mūrcchitāḥ
—
stunned, in a state of mūrcchā
Past participle from √mūrch. Mūrcchā is one of the eight sāttvika-bhāvas listed in Bhakti-rasāmṛta-sindhu (stambha, sveda, romāñca, svara-bheda, vepathu, vaivarṇya, aśru, pralaya/mūrcchā). The gopīs display it without effort — Bhagavān's voice is its sufficient cause.
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sraṁsat-dukūlam
—
slipping fine garment
Sraṁsat (present participle: slipping) + dukūla (fine silk-like cloth). The body's careful presentations come undone when prema rises — a Gauḍīya emblem of bhāva overriding lokācāra. What the lokācāra calls disorder, rasa-śāstra calls perfect order.
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srasta-keśa-srajam
—
disheveled hair and garlands
Srasta (loosened, fallen) + keśa (hair) + sraj (garland). Three syllables earlier Śuka used srak-vinau of Kṛṣṇa-Balarāma's perfectly tied garlands; here the gopīs' garlands fall. The verse stages, in costume, the contrast between the unmoved Bhagavān and the moved devotees.
Krsna and Balarama sang together, improvising melodies (svara mandala murchana) making what was impossible possible.
The two groups of gopīs separately heard the songs sung by the two and fainted. Because of this they were not aware that their garments had become loose and that their hair and garlands had fallen off.
After hearing Kṛṣṇa’s song, the gopīs fainted. But first they made attempts to remain composed. Or they fainted because of the song, which was most attractive, not depending on anything else. O king! You can understand this. Their fainting was not improper.
The gopīs, hearing Kṛṣṇa's song, lose track of their own bodies — garments slipping, hair unbinding, garlands sliding off — not because they are careless, but because hearing the Name in the Beloved's own voice rewrites the inventory of what one cares about. Mūrcchā in mādhurya-rasa is not unconsciousness; it is consciousness reorganized around its true object.
Caitanya-caritāmṛta records Mahāprabhu losing external awareness during kīrtana — limbs going slack, garment falling, eyes streaming — at the bare mention of Kṛṣṇa's name. The Six Gosvāmīs document such states as the higher rungs of bhāva: sāttvika-vikāra arising spontaneously.
Gauḍīyas read the gopīs' mūrcchā in this verse as the prototype of that experience. Where Mahāprabhu's contemporaries needed sustained sādhana to taste a drop of it, the gopīs receive it directly from Kṛṣṇa's voice in the Vraja night — they are themselves the standard against which all bhāva is measured.
My note
Source: vedabase.io