May the eternal form of Kṛṣṇa, killer of Aghāsura, served strongly by His natural beauty, which is attractive even without ornaments, and which is non-different from His very self, remain with all attractive features eternally in the district of Mathurā. Second Meaning: May Sanātana Gosvāmī, who conquers all sins and is served with devotion by his younger brother Rūpa, who has taken shelter of him alone, remain eternally in Mathurā district.
Purport
NoD 20: Transcendental Mellow
In this second division of Bhakti-rasāmṛta-sindhu the author offers his respectful obeisances unto “Sanātana.” This Sanātana can be interpreted as either Śrī Kṛṣṇa Himself or as Sanātana Gosvāmī, the elder brother and spiritual master of Rūpa Gosvāmī. In the case where “Sanātana” is accepted to mean Śrī Kṛṣṇa, the obeisances are offered to Kṛṣṇa because He is naturally so beautiful and because He is the killer of the demon Agha. If it is interpreted to mean Sanātana Gosvāmī, then it is because he is so greatly favored by Rūpa Gosvāmī, being always served by him, and because he is the annihilator of all kinds of sinful activities.
The second part of the sweet ocean of rasa is called the Southern Section. It describes the general rasas within devotion to the Lord.
Purport
In this division of Bhakti-rasāmṛta-sindhu the author wants to describe the general symptoms of the transcendental mellow (loving mood) of discharging devotional service.
In this division of Bhakti-rasāmṛta-sindhu there are five general topics: (1) vibhāva—special symptoms or causes of ecstasy, (2) anubhāva—subsequent ecstasy, (3) sāttvika-bhāva—constitutional or existential ecstasy, (4) vyabhicārī-bhāva—aggressive ecstasy and (5) sthāyi-bhāva—fervent or continuous ecstasy.
The word rasa, used in the Bhakti-rasāmṛta-sindhu, is understood by different persons differently because the exact English equivalent is very difficult to find. But as we have seen our spiritual master translate this word rasa into “mellow,” we shall follow in his footsteps and also translate the word in that way.
The particular loving mood or attitude relished in the exchange of love with the Supreme Personality of Godhead is called rasa, or mellow. The different types of rasa, when combined together, help one to taste the mellow of devotional service in the highest degree of transcendental ecstasy. Such a position, although entirely transcendental to our experience, will be explained in this section as far as possible, following in the footsteps of Śrīla Rūpa Gosvāmī.
Without relishing some sort of mellow, or loving mood, in one’s activities, no one can continue to perform such activities. Similarly, in the transcendental life of Kṛṣṇa consciousness and devotional service there must be some mellow, or specific taste, from the service. Generally this mellow is experienced by chanting, hearing, worshiping in the temple and being engaged in the service of the Lord. So when a person feels transcendental bliss; that is called “relishing the mellow.” To be more clear, we may understand that the various feelings of happiness derived from discharging devotional service may be termed the “mellows” of devotional service.
[dviteeyaa tv anubhaavaakhyaa triteeyaa saattvikaabhidhaa |]
vyabhicāry-abhidhā turyā sthāyi-saṁjñā ca pañcamī ||3||
[vyabhichaary-abhidhaa turyaa sthaayi-samjnaa cha panchamee ||3||]
Blended reading (Sanskrit + English inline)
asya pañca-laharyaḥ syur vibhāvākhyāgrimā matā |
dvitīyā tv anubhāvākhyā tṛtīyā sāttvikābhidhā |
vyabhicāry-abhidhā turyā sthāyi-saṁjñā ca pañcamī ||3||
There are five waves or chapters in this Southern Section of the ocean. The first deals with vibhāva; the second with anubhāva; the third with sāttvika-bhāva; the fourth with vyabhicāri-bhāva; and the fifth with sthāyi-bhāva.
Purport
In this division of Bhakti-rasāmṛta-sindhu the author wants to describe the general symptoms of the transcendental mellow (loving mood) of discharging devotional service.
In this division of Bhakti-rasāmṛta-sindhu there are five general topics: (1) vibhāva—special symptoms or causes of ecstasy, (2) anubhāva—subsequent ecstasy, (3) sāttvika-bhāva—constitutional or existential ecstasy, (4) vyabhicārī-bhāva—aggressive ecstasy and (5) sthāyi-bhāva—fervent or continuous ecstasy.
The word rasa, used in the Bhakti-rasāmṛta-sindhu, is understood by different persons differently because the exact English equivalent is very difficult to find. But as we have seen our spiritual master translate this word rasa into “mellow,” we shall follow in his footsteps and also translate the word in that way.
The particular loving mood or attitude relished in the exchange of love with the Supreme Personality of Godhead is called rasa, or mellow. The different types of rasa, when combined together, help one to taste the mellow of devotional service in the highest degree of transcendental ecstasy. Such a position, although entirely transcendental to our experience, will be explained in this section as far as possible, following in the footsteps of Śrīla Rūpa Gosvāmī.
Without relishing some sort of mellow, or loving mood, in one’s activities, no one can continue to perform such activities. Similarly, in the transcendental life of Kṛṣṇa consciousness and devotional service there must be some mellow, or specific taste, from the service. Generally this mellow is experienced by chanting, hearing, worshiping in the temple and being engaged in the service of the Lord. So when a person feels transcendental bliss; that is called “relishing the mellow.” To be more clear, we may understand that the various feelings of happiness derived from discharging devotional service may be termed the “mellows” of devotional service.
The Southern Section describes how rati (bhāva) for the Lord (sthāyi-bhāva), which has been described previously, takes on the form of the highest rasa through nourishment by the ingredients of vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva.
Purport
In this division of Bhakti-rasāmṛta-sindhu the author wants to describe the general symptoms of the transcendental mellow (loving mood) of discharging devotional service.
In this division of Bhakti-rasāmṛta-sindhu there are five general topics: (1) vibhāva—special symptoms or causes of ecstasy, (2) anubhāva—subsequent ecstasy, (3) sāttvika-bhāva—constitutional or existential ecstasy, (4) vyabhicārī-bhāva—aggressive ecstasy and (5) sthāyi-bhāva—fervent or continuous ecstasy.
The word rasa, used in the Bhakti-rasāmṛta-sindhu, is understood by different persons differently because the exact English equivalent is very difficult to find. But as we have seen our spiritual master translate this word rasa into “mellow,” we shall follow in his footsteps and also translate the word in that way.
The particular loving mood or attitude relished in the exchange of love with the Supreme Personality of Godhead is called rasa, or mellow. The different types of rasa, when combined together, help one to taste the mellow of devotional service in the highest degree of transcendental ecstasy. Such a position, although entirely transcendental to our experience, will be explained in this section as far as possible, following in the footsteps of Śrīla Rūpa Gosvāmī.
Without relishing some sort of mellow, or loving mood, in one’s activities, no one can continue to perform such activities. Similarly, in the transcendental life of Kṛṣṇa consciousness and devotional service there must be some mellow, or specific taste, from the service. Generally this mellow is experienced by chanting, hearing, worshiping in the temple and being engaged in the service of the Lord. So when a person feels transcendental bliss; that is called “relishing the mellow.” To be more clear, we may understand that the various feelings of happiness derived from discharging devotional service may be termed the “mellows” of devotional service.
This rati for Kṛṣṇa, called the sthāyi-bhāva, takes on a pleasurable nature in the hearts of the devotees by the vibhāvas, anubhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas, through activities such as hearing, and then becomes bhakti-rasa.
Purport
In this division of Bhakti-rasāmṛta-sindhu the author wants to describe the general symptoms of the transcendental mellow (loving mood) of discharging devotional service.
In this division of Bhakti-rasāmṛta-sindhu there are five general topics: (1) vibhāva—special symptoms or causes of ecstasy, (2) anubhāva—subsequent ecstasy, (3) sāttvika-bhāva—constitutional or existential ecstasy, (4) vyabhicārī-bhāva—aggressive ecstasy and (5) sthāyi-bhāva—fervent or continuous ecstasy.
The word rasa, used in the Bhakti-rasāmṛta-sindhu, is understood by different persons differently because the exact English equivalent is very difficult to find. But as we have seen our spiritual master translate this word rasa into “mellow,” we shall follow in his footsteps and also translate the word in that way.
The particular loving mood or attitude relished in the exchange of love with the Supreme Personality of Godhead is called rasa, or mellow. The different types of rasa, when combined together, help one to taste the mellow of devotional service in the highest degree of transcendental ecstasy. Such a position, although entirely transcendental to our experience, will be explained in this section as far as possible, following in the footsteps of Śrīla Rūpa Gosvāmī.
Without relishing some sort of mellow, or loving mood, in one’s activities, no one can continue to perform such activities. Similarly, in the transcendental life of Kṛṣṇa consciousness and devotional service there must be some mellow, or specific taste, from the service. Generally this mellow is experienced by chanting, hearing, worshiping in the temple and being engaged in the service of the Lord. So when a person feels transcendental bliss; that is called “relishing the mellow.” To be more clear, we may understand that the various feelings of happiness derived from discharging devotional service may be termed the “mellows” of devotional service.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Rati for Kṛṣṇa, the sthāyi-bhāva, becomes bhakti-rasa. How does this happen? The sthāyi-bhāva, taking on a relishable nature on being nourished in an amazing manner through hearing and other actions, becomes bhakti-rasa by means of the anubhāvas, vibhāvas, sāttvika-bhāvas and vyabhicāri-bhāvas. Rati is an inclusive term, indicating as well prema, praṇaya and other stages up to mahā-bhāva. That is because of rati’s extraordinary form.
The taste for bhakti-rasa arises in the heart of a person who has had experiences of pure bhakti in previous and present life.
Purport
This relishing of transcendental mellow in discharging devotional service cannot be experienced by all classes of men, because this sweet loving mood is developed only from one’s previous life’s activities or by the association of unalloyed devotees. As explained above, association with pure devotees is the beginning of faith in devotional service. Only by developing such faith in the association of a pure devotee, or by having in one’s previous life executed devotional activities, can one actually relish the mellow of devotional service. In other words, this transcendental bliss is not to be enjoyed by any common man unless he is so extraordinarily fortunate as to be in association with devotees or to be continuing his previous birth’s devotional activities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
Though there are recent impressions for giving rise to rati, past life impressions also are needed to give a taste of rati. Though in this life itself rati appears in persons who have surrendered to guru, performed bhakti, and destroyed all offenses, the taste for rati arises from experiences and actions in previous lives.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Even though there are impressions in this life for giving rise to rasa from the presence of rati in this life, it is necessary to seek out impressions from previous life as well to explain the occurrence of rasa. This distinction between past life experiences of rati and present life experiences of rati applies to those persons subject to disappearance (and not the nitya-siddhas). This is the rule for most cases discussed in the book. The import is that rati has to be intense for bhakti-rasa to appear.
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Purport
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Purport
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Purport
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
Rati, which is the very form of ānanda, appears in the hearts of devotees who have been purified of all faults by bhakti, whose hearts have become joyful (hlādinī) and bright (saṁvit), who have developed great relish for the Bhāgavatam and for the association of others who have taste for Kṛṣṇa, whose life and soul becomes the profound happiness of devotion at the feet of Govinda, and who have become absorbed in actions such as kīrtana, imbued with the Lord’s mercy. This rati, strengthened by past and present life impressions of bhakti, then attains a state of relish by realizing vibhāva, anubhāva, sāttvika-bhāva and vyabhicāri-bhāva in relation to Kṛṣṇa, and finally attains the highest, astonishing peak of profound bliss.
Purport
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām).
After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
vibhāvanādy-avasthāṁ tu sadya āsvādyatāṁ vrajet ||11||
However, prema, even becoming slightly pleasurable by a slight mixture of vibhāva and the other ingredients, quickly becomes fully tasteful.
Purport
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
But prema, attaining a slight condition suitable for tasting (vibhāvanādy-avasthām) by a slight combination with vibhāva and the other elements, quickly attains a fully tasteful state.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse describes the excellent nature of prema. The special quality of prema is that, attaining a slight ability to experience various tastes (aṇīyasīṁ vibhāvanādy-avasthām) by mixing with vibhāvas and other elements, prema then quickly reaches a state of excellent taste (āsvādyatām). This implies attaining the higher states such as praṇaya and sneha. [Note: Rati, increasing in intensity, becomes prema. Becoming more intense, in the case of dāsya-rasa, rati, prema, sneha and rāga manifest. In the sakhya-rasa, rati, praṇaya, prema, sneha and rāga manifest. In vatsala-rasa, rati, prema, sneha and the highest level of rāga manifest. In the case of madhura-rasa, the order is rati, prema, sneha, māna, praṇaya, rāga, anurāga and mahā-bhāva.] These are the superior forms of rati. If one attains prema alone, that prema then combines with vibhāva and the other elements, and this takes place. The order of words should be aṇīyasīm api, meaning “even attaining a slight taste.”
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
[kaarya-bhootaah smitaadyaash cha tathaashtau stabdhataadayah ||12||]
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
[nirvedaadyaah sahaayaash cha te jneyaa rasa-bhaavane |]
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
[vibhaavaa anubhaavaash cha saattvikaa vyabhichaarinah ||13||]
Blended reading (Sanskrit + English inline)
atra vibhāvādi-sāmānya-lakṣaṇam –
ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ |
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
The general characteristics of the ingredients are as follows. In tasting rasa, the causes of rati such as Kṛṣṇa, His devotee, and the sound of the flute are called vibhāvas. The effects of rati, such as smiling are called anubhāvas and the eight symptoms such as being stunned are called sāttvika-bhāvas. The assistants such as self-criticism are called vyabhicāri-bhāvas.
Purport
There are several origins or causes for this compulsive love of Kṛṣṇa, such as Kṛṣṇa Himself, the devotees of Kṛṣṇa, and Kṛṣṇa’s playing on the flute. The effect is sometimes loving and sometimes stunted.
There are eight transcendental symptoms found in the body during ecstasy, and all of them are possible only by a mixture of the above-mentioned five ecstatic divisions. Without some mixture of these five ecstatic principles, one cannot relish transcendental bliss.
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
[kaarya-bhootaah smitaadyaash cha tathaashtau stabdhataadayah ||12||]
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
[nirvedaadyaah sahaayaash cha te jneyaa rasa-bhaavane |]
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
[vibhaavaa anubhaavaash cha saattvikaa vyabhichaarinah ||13||]
Blended reading (Sanskrit + English inline)
atra vibhāvādi-sāmānya-lakṣaṇam –
ye kṛṣṇa-bhakta-muralī-nādādyā hetavo rateḥ |
kārya-bhūtāḥ smitādyāś ca tathāṣṭau stabdhatādayaḥ ||12||
nirvedādyāḥ sahāyāś ca te jñeyā rasa-bhāvane |
vibhāvā anubhāvāś ca sāttvikā vyabhicāriṇaḥ ||13||
The general characteristics of the ingredients are as follows. In tasting rasa, the causes of rati such as Kṛṣṇa, His devotee, and the sound of the flute are called vibhāvas. The effects of rati, such as smiling are called anubhāvas and the eight symptoms such as being stunned are called sāttvika-bhāvas. The assistants such as self-criticism are called vyabhicāri-bhāvas.
Purport
There are several origins or causes for this compulsive love of Kṛṣṇa, such as Kṛṣṇa Himself, the devotees of Kṛṣṇa, and Kṛṣṇa’s playing on the flute. The effect is sometimes loving and sometimes stunted.
There are eight transcendental symptoms found in the body during ecstasy, and all of them are possible only by a mixture of the above-mentioned five ecstatic divisions. Without some mixture of these five ecstatic principles, one cannot relish transcendental bliss.
[tatra jneyaa vibhaavaas tu raty-aasvaadana-hetavah |]
te dvidhālambanā eke tathaivoddīpanāḥ pare ||14||
[te dvidhaalambanaa eke tathaivoddeepanaah pare ||14||]
Blended reading (Sanskrit + English inline)
tatra vibhāva –
tatra jñeyā vibhāvās tu raty-āsvādana-hetavaḥ |
te dvidhālambanā eke tathaivoddīpanāḥ pare ||14||
In rasa, the vibhāvas should be known as the causes of relishing rati. They take the form of support (ālambana) of two types and stimuli (uddīpana).
Purport
The cause or basis for relishing transcendental mellow is exactly what we mean by vibhāva. This vibhāva is divided into two—namely, basic and impelling, or impetus-giving.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The heading tatra vibhāvāḥ indicates that in rasa now vibhāvas will be described. (This will be the subject of the chapter.) Why? Verse 14 gives the reason. The causes of tasting rati should be known (jñeyā). These are explained in the next line of the verse as the person who is the object of love (viṣaya), the subject experiencing the love (āśraya), and the stimuli awakening the rasa (uddīpana).
[vibhaavo naama sa dvedhaalambanoddeepanaatmakah ||15||]
Blended reading (Sanskrit + English inline)
tad uktam agni-purāṇe (alaṅkāra section, 3.35) –vibhāvyate hi raty-ādir yatra yena vibhāvyate |
vibhāvo nāma sa dvedhālambanoddīpanātmakaḥ ||15||
This is mentioned in the Agni Purāṇa (Alaṅkāra section, 3.35): Vibhāva refers to the two types of ālambana--the person in relation to whom the rati and other elements are experienced (viṣaya), the person in whom the rati and other elements are experienced (āśraya) and to uddīpana, the stimuli by which rati is experienced.
Purport
In the Agni Purāṇa the description of vibhāva is given as follows: “The basis from which ecstatic love is born is called vibhāva, which is divided into two—basic and impelling.” In other words, there are two kinds of ecstatic love. The object of basic ecstatic love is Kṛṣṇa and His devotee. Lord Kṛṣṇa is the object of basic ecstatic love, and His pure devotee, a reservoir of such love, is the object of impelling ecstatic love. Impelling ecstatic love, then, is that love which develops when one sees an object which reminds him of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The devotees and the Lord in relation to whom rati is tasted (yatra vibhāvyate) are called the ālambana-vibhāva. Those elements by which rati is tasted (yena vibhāvyate) are called uddīpana-vibhāva.
kṛṣṇaś ca kṛṣṇa-bhaktāś ca budhair ālambanā matāḥ |
[krishnash cha krishna-bhaktaash cha budhair aalambanaa mataah |]
raty-āder viṣayatvena tathādhāratayāpi ca ||16||
[raty-aader vishayatvena tathaadhaaratayaapi cha ||16||]
Blended reading (Sanskrit + English inline)
tatra ālambanāḥ –
kṛṣṇaś ca kṛṣṇa-bhaktāś ca budhair ālambanā matāḥ |
raty-āder viṣayatvena tathādhāratayāpi ca ||16||
Ālambanas are described as follows: The wise consider the ālambanas to be Kṛṣṇa, as the object of love experienced in rati, and His devotees, as the experiencer (subject) of rati (the five major and seven secondary sthāyi-bhāvas).
Purport
In the Agni Purāṇa the description of vibhāva is given as follows: “The basis from which ecstatic love is born is called vibhāva, which is divided into two—basic and impelling.” In other words, there are two kinds of ecstatic love. The object of basic ecstatic love is Kṛṣṇa and His devotee. Lord Kṛṣṇa is the object of basic ecstatic love, and His pure devotee, a reservoir of such love, is the object of impelling ecstatic love. Impelling ecstatic love, then, is that love which develops when one sees an object which reminds him of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse distinguished the ālambana as Kṛṣṇa and His devotees. The object which inspires rati is called the viṣaya. That is Kṛṣṇa alone in this context. The ādhāra (container) is the foundation of the experience of rati, the person qualified to experience rati. Consequently, it refers to devotees--the highly affectionate devotees, even if they are recent devotees (not nitya-siddha). It also refers to the associates eternally situated in the Lord’s pastimes (nitya-siddha), the embodiments of profound rasa, who will be defined later in the text.
According to other opinions, there is an alternative to being the āśraya. That rati which prominently distinguishes object (viṣaya) and subject (āśraya) takes place in persons other than the eternal associates of the Lord in His pastimes. However, even among the associates in the Lord’s pastimes, the distinction of āśraya and viṣaya takes place in all except the most intimate associates. For these most intimate among the intimate associates, there is no distinction of āśraya and viṣaya. In that case, only Kṛṣṇa as ālambana is prominent.
Raty-ādeḥ (rati and other items) means the main sthāyi-bhāvas (five) and the seven secondary ones such as hāsa (humor), which will be explained later. The rati experienced within a person will be that which is being cultivated by the experiencer, and should not be dissimilar. It would be considered different if it were not related to the internal inclinations (saṁskāra) of the experiencer. If it is dissimilar but is not contradictory to his natural inclination in rati, that type of rati acts as a stimulus (uddīpana) (being observed by him in others) but the person does not directly act as the ālambana by directly experiencing that dissimilar rati. In what manner a person becomes the shelter of contradictory rati will be explained later in the text. [Note: This is explained in the Northern Section, in the chapter dealing with friendly and inimical rasas (4.8).]
so ’nyarūpa-svarūpābhyām asminn ālambano mataḥ ||17||
Now Kṛṣṇa as the object of rati is discussed: Kṛṣṇa, Svayam Bhagavān, is the crest jewel of heroes, in whom all great qualities shine eternally. He is considered the ālambana or support for rati (viṣaya) through His svarūpa and through other forms that He may assume.
Purport
Lord Kṛṣṇa, who is the possessor of inconceivable potencies and qualities of transcendental knowledge and bliss, is the basic cause of ecstatic love. Lord Kṛṣṇa also becomes the reservoir (impetus) of ecstatic love by His different incarnations and expansions.
The “other forms” are now explained as follows: “How is it that I have developed rati for the calves and the cowherd boys similar to my rati for Kṛṣṇa?” In this way Balarāma with indecision remained struck with wonder.
Purport
In Śrīmad-Bhāgavatam there is a statement in connection with the brahma-vimohana-līlā which demonstrates something of this impelling or impetus-giving feature of ecstatic love. When Brahmā was deluded by Kṛṣṇa, who expanded Himself into so many cowherd boys, calves and cows, Kṛṣṇa’s elder brother, Śrī Baladeva (a direct expansion of Kṛṣṇa Himself), felt astonishment and said, “How wonderful it is that My ecstatic love for Kṛṣṇa is again being attracted to so many cowherd boys, calves and cows!” He was struck with wonder by thinking in this way. This is one of the examples in which Kṛṣṇa Himself becomes the object and reservoir of ecstatic love in the impelling aspect.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
How has Balarāma’s rati for Kṛṣṇa arisen in relation to the calves and cowherd boys? [Note: In this example the object of affection or rati is still Kṛṣṇa but in the form of the calves and cowherd boys.] Stimita means stunned. Iva is used as an ornament of speech (and does mean “somewhat astonished.”)
An example of a disguised svarūpa is given: Why does this queen in the inner chambers of Dvārakā attract me so much? Ah! I can understand that Kṛṣṇa has assumed the dress of a queen out of curiosity and is wandering about the palace.
Purport
There is an example of His covered personal feature in Śrīmad-Bhāgavatam in connection with His dvārakā-līlā (His residence in Dvārakā as its king). Sometimes Lord Kṛṣṇa began to play by dressing Himself like a woman. Seeing this form, Uddhava said, “How wonderful it is that this woman is attracting my ecstatic love exactly as Lord Kṛṣṇa does. I think she must be Kṛṣṇa covered by the dress of a woman!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Uddhava. The attraction caused by the queen is the same as that directed to the Lord. This incident is supported by the show of Kṛṣṇa’s power of yoga-māyā in Dvārakā described in the Bhāgavatam:
avyakta-lingaṁ prakṛtiṣv antaḥ-pura-gṛhādiṣu
kvacic carantaṁ yogeśaṁ tat-tad-bhāva-bubhutsayā
Somewhere Kṛṣṇa, the Lord of mystic power, was moving about in disguise among the homes of ministers and other citizens in order to understand what each of them was thinking. SB 10.69.36
karoty uccair modaṁ mama madhura-mūrtir madhu-ripuḥ ||22||
An example of the manifested svarūpa is given: This sweet form of the enemy of the demon Madhu gives me intense bliss. He has a neck like a conch shell, beautiful eyes envied by the lotuses, and the bodily glow of the dark tamāla tree. His head is sheltered by an umbrella, His chest is marked with the śrīvatsa whorl, and His hands are marked with cakra, conch and other symbols.
Purport
One devotee praised the bodily features of Kṛṣṇa when he saw the Lord in His manifested personal feature. He exclaimed, “How wonderful is the personal feature of Lord Kṛṣṇa! How His neck is just like a conchshell! His eyes are so beautiful, as though they themselves were encountering the beauty of a lotus flower. His body is just like the tamāla tree, very blackish. His head is protected with a canopy of hair. There are the marks of Śrīvatsa on His chest, and He is holding His conchshell. By such beautiful bodily features, the enemy of the demon Madhu has appeared so pleasing that He can bestow upon me transcendental bliss simply by my seeing His transcendental qualities.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are also the words of Uddhava. Kṛṣṇa has extreme beauty in His eyes, which are desired by the lotuses (kamala-kamanīyākṣi-paṭimā). The effulgence of His body shines like the blackness of the tamāla tree (tamāla-śyāmāṅga-dyutiḥ). There are other versions of the verse, but these have been rejected. He has the mark of the Śrīvatsa, in the form of a whorl of very fine (dara), white hair. His hands are marked with the signs of the cakra (ari) and conch (dara). At all times (atitarām), His head is sheltered by an umbrella.
The qualities of Krṣṇa will be described: The hero Kṛṣṇa has beautiful limbs, has all auspicious bodily features, is pleasing to behold, possesses vitality, is strong and is endowed with ideal age.
Purport
Śrīla Rūpa Gosvāmī, after consulting various scriptures, has enumerated the transcendental qualities of the Lord as follows: (1) beautiful features of the entire body; (2) marked with all auspicious characteristics; (3) extremely pleasing; (4) effulgent; (5) strong; (6) ever youthful;
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Qualities function in two ways: as primary indicators and as secondary indicators. If we talk about the beautiful limbs of Kṛṣṇa, the emphasis is placed on the quality of Kṛṣṇa, the beautiful limbs. In this case, acting in a primary way, the quality acts as uddīpana. If we talk about beautiful-limbed Kṛṣṇa, the emphasis is on Kṛṣṇa, and the quality is secondary (intrinsic to His very self). The quality in this case acts as the ālambana. The qualities in their secondary function, acting as ālambana, will be described first. In this verse ayaṁ netā means the hero or object of love, who is called Kṛṣṇa.
He is aesthetic, clever, skillful, and grateful. He keeps his vows, is knowledgeable of time, place and person, sees through the eyes of scripture, is pure, and controls His senses.
Purport
(14) artistic; (15) extremely clever; (16) expert; (17) grateful; (18) firmly determined; (19) an expert judge of time and circumstances; (20) sees and speaks on the authority of Vedas, or scriptures; (21) pure; (22) self-controlled;
He is persevering, patient, tolerant, inscrutable, steadfast, uniform, generous, virtuous, heroic, compassionate, and respectful to persons worthy of respect.
He is compliant, modest, bashful, the protector of those who take shelter of Him, happy, friend of the devotees, controlled by love, and the benefactor of all.
Purport
(34) gentle; (35) liberal; (36) shy; (37) the protector of surrendered souls; (38) happy; (39) the well-wisher of devotees; (40) controlled by love; (41) all-auspicious;
He is glorious, renowned, the object of attraction for all, the shelter of the devotees, attractive to women, worshipable by all, and endowed with the greatest wealth.
Purport
(42) most powerful; (43) all-famous; (44) popular; (45) partial to devotees; (46) very attractive to all women; (47) all-worshipable; (48) all-opulent;
He is the most important and the controller. These fifty qualities of Kṛṣṇa which have been listed are difficult to fathom, like the ocean.
Purport
(49) all-honorable; (50) the supreme controller. The Supreme Personality of Godhead has all these fifty transcendental qualities in fullness as deep as the ocean. In other words, the extent of His qualities is inconceivable.
These qualities are present even in the jīvas to a very small degree now and then. However, they are present in full in the Supreme Lord.
Purport
As parts and parcels of the Supreme Lord, the individual living entities can also possess all of these qualities in minute quantities, provided they become pure devotees of the Lord. In other words, all of the above transcendental qualities can be present in the devotees in minute quantity, whereas the qualities in fullness are always present in the Supreme Personality of Godhead.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
“Now and then” (kvacit) means that those jīvas who receive the mercy of the Lord exhibit the majority of these qualities. Even then, the qualities are present as small drops only. The qualities are present in others (who do not receive the Lord’s mercy) only as a mere semblance (ābhāsa). [Note: This implies that those qualities are not real.]
In this way, in the Padma Purāṇa, Śiva tells Pārvatī about the qualities of Kṛṣṇa, starting with His beauty, which is greater than that of ten million Cupids.
Purport
Besides these, there are other transcendental qualities which are described by Lord Śiva to Pārvatī in the Padma Purāṇa, …
The earth also describes the qualities of Kṛṣṇa clearly and extensively in order to instruct the deity of dharma, in the First Canto.
Purport
… and in the First Canto of Śrīmad-Bhāgavatam in connection with a conversation between the deity of the earth and the King of religion, Yamarāja.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse, dharmāya means “in order to teach the personification of dharma.” The dative case (dharmāya) is used according to the rule kriyārthopapadasya ca karmaṇi sthāninaḥ: dative case of a word is employed to denote the object of a suppressed infinitive. (Pāṇini 2.3.14) Thus dharmāya (dative case) means “The earth described Kṛṣṇa’s qualities for dharma,” or “The earth described Kṛṣṇa’s qualities in order to teach the deity Dharma.”
prārthyā mahattvam icchadbhir na viyanti sma karhicit ||36||
In Him reside (1) truthfulness, (2) cleanliness, (3) intolerance of another’s unhappiness, (4) the power to control anger, (5) self-satisfaction, (6) straightforwardness, (7) steadiness of mind, (8) control of the sense organs, (9) responsibility, (10) equality, (11) tolerance, (12) equanimity, (13) faithfulness, (14) knowledge, (15) absence of sense enjoyment, (16) leadership, (17) chivalry, (18) influence, (19) the power to make everything possible, (20) the discharge of proper duty, (21) complete independence, (22) dexterity, (23) fullness of all beauty, (24) serenity, (25) kindheartedness, (26) ingenuity, (27) gentility, (28) magnanimity, (29) determination, (30) perfection in all knowledge, (31) proper execution, (32) possession of all objects of enjoyment, (33) joyfulness, (34) immovability, (35) fidelity, (36) fame, (37) worship, (38) pridelessness, (39) being (as the Personality of Godhead), (40) eternity, and many other transcendental qualities which are eternally present and never to be separated from Him. SB 1.16.27-30
Purport
It is said therein, “Persons who are desirous of becoming great personalities must be decorated with the following qualities: truthfulness, cleanliness, mercy, perseverance, renunciation, peacefulness, simplicity, control of the senses, equilibrium of the mind, austerity, equality, forbearance, placidity, learning, knowledge, detachment, opulence, chivalry, influence, strength, memory, independence, tactfulness, luster, patience, kind-heartedness, ingenuity, gentility, mannerliness, determination, perfection in all knowledge, proper execution, possession of all objects of enjoyment, gravity, steadiness, faithfulness, fame, respectfulness and lack of false egotism.” Persons who are desiring to become great souls cannot be without any of the above qualities, so we can know for certain that these qualities are found in Lord Kṛṣṇa, the supreme soul.
prārthyā mahattvam icchadbhir na viyanti sma karhicit ||36||
In Him reside (1) truthfulness, (2) cleanliness, (3) intolerance of another’s unhappiness, (4) the power to control anger, (5) self-satisfaction, (6) straightforwardness, (7) steadiness of mind, (8) control of the sense organs, (9) responsibility, (10) equality, (11) tolerance, (12) equanimity, (13) faithfulness, (14) knowledge, (15) absence of sense enjoyment, (16) leadership, (17) chivalry, (18) influence, (19) the power to make everything possible, (20) the discharge of proper duty, (21) complete independence, (22) dexterity, (23) fullness of all beauty, (24) serenity, (25) kindheartedness, (26) ingenuity, (27) gentility, (28) magnanimity, (29) determination, (30) perfection in all knowledge, (31) proper execution, (32) possession of all objects of enjoyment, (33) joyfulness, (34) immovability, (35) fidelity, (36) fame, (37) worship, (38) pridelessness, (39) being (as the Personality of Godhead), (40) eternity, and many other transcendental qualities which are eternally present and never to be separated from Him. SB 1.16.27-30
Purport
It is said therein, “Persons who are desirous of becoming great personalities must be decorated with the following qualities: truthfulness, cleanliness, mercy, perseverance, renunciation, peacefulness, simplicity, control of the senses, equilibrium of the mind, austerity, equality, forbearance, placidity, learning, knowledge, detachment, opulence, chivalry, influence, strength, memory, independence, tactfulness, luster, patience, kind-heartedness, ingenuity, gentility, mannerliness, determination, perfection in all knowledge, proper execution, possession of all objects of enjoyment, gravity, steadiness, faithfulness, fame, respectfulness and lack of false egotism.” Persons who are desiring to become great souls cannot be without any of the above qualities, so we can know for certain that these qualities are found in Lord Kṛṣṇa, the supreme soul.
prārthyā mahattvam icchadbhir na viyanti sma karhicit ||36||
In Him reside (1) truthfulness, (2) cleanliness, (3) intolerance of another’s unhappiness, (4) the power to control anger, (5) self-satisfaction, (6) straightforwardness, (7) steadiness of mind, (8) control of the sense organs, (9) responsibility, (10) equality, (11) tolerance, (12) equanimity, (13) faithfulness, (14) knowledge, (15) absence of sense enjoyment, (16) leadership, (17) chivalry, (18) influence, (19) the power to make everything possible, (20) the discharge of proper duty, (21) complete independence, (22) dexterity, (23) fullness of all beauty, (24) serenity, (25) kindheartedness, (26) ingenuity, (27) gentility, (28) magnanimity, (29) determination, (30) perfection in all knowledge, (31) proper execution, (32) possession of all objects of enjoyment, (33) joyfulness, (34) immovability, (35) fidelity, (36) fame, (37) worship, (38) pridelessness, (39) being (as the Personality of Godhead), (40) eternity, and many other transcendental qualities which are eternally present and never to be separated from Him. SB 1.16.27-30
Purport
It is said therein, “Persons who are desirous of becoming great personalities must be decorated with the following qualities: truthfulness, cleanliness, mercy, perseverance, renunciation, peacefulness, simplicity, control of the senses, equilibrium of the mind, austerity, equality, forbearance, placidity, learning, knowledge, detachment, opulence, chivalry, influence, strength, memory, independence, tactfulness, luster, patience, kind-heartedness, ingenuity, gentility, mannerliness, determination, perfection in all knowledge, proper execution, possession of all objects of enjoyment, gravity, steadiness, faithfulness, fame, respectfulness and lack of false egotism.” Persons who are desiring to become great souls cannot be without any of the above qualities, so we can know for certain that these qualities are found in Lord Kṛṣṇa, the supreme soul.
prārthyā mahattvam icchadbhir na viyanti sma karhicit ||36||
In Him reside (1) truthfulness, (2) cleanliness, (3) intolerance of another’s unhappiness, (4) the power to control anger, (5) self-satisfaction, (6) straightforwardness, (7) steadiness of mind, (8) control of the sense organs, (9) responsibility, (10) equality, (11) tolerance, (12) equanimity, (13) faithfulness, (14) knowledge, (15) absence of sense enjoyment, (16) leadership, (17) chivalry, (18) influence, (19) the power to make everything possible, (20) the discharge of proper duty, (21) complete independence, (22) dexterity, (23) fullness of all beauty, (24) serenity, (25) kindheartedness, (26) ingenuity, (27) gentility, (28) magnanimity, (29) determination, (30) perfection in all knowledge, (31) proper execution, (32) possession of all objects of enjoyment, (33) joyfulness, (34) immovability, (35) fidelity, (36) fame, (37) worship, (38) pridelessness, (39) being (as the Personality of Godhead), (40) eternity, and many other transcendental qualities which are eternally present and never to be separated from Him. SB 1.16.27-30
Purport
It is said therein, “Persons who are desirous of becoming great personalities must be decorated with the following qualities: truthfulness, cleanliness, mercy, perseverance, renunciation, peacefulness, simplicity, control of the senses, equilibrium of the mind, austerity, equality, forbearance, placidity, learning, knowledge, detachment, opulence, chivalry, influence, strength, memory, independence, tactfulness, luster, patience, kind-heartedness, ingenuity, gentility, mannerliness, determination, perfection in all knowledge, proper execution, possession of all objects of enjoyment, gravity, steadiness, faithfulness, fame, respectfulness and lack of false egotism.” Persons who are desiring to become great souls cannot be without any of the above qualities, so we can know for certain that these qualities are found in Lord Kṛṣṇa, the supreme soul.
[atha pancha-gunaa ye syur amshena girishaadishu ||37||]
Blended reading (Sanskrit + English inline)
atha pañca-guṇā ye syur aṁśena giriśādiṣu ||37||
Now, five qualities of Kṛṣṇa, which will also be present in Śiva and others when they are the Lord’s expansions, will be listed.
Purport
Besides all of the above-mentioned fifty qualities, Lord Kṛṣṇa possesses five more, which are sometimes partially manifested in the persons of Lord Brahmā or Lord Śiva. These transcendental qualities are as follows:
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
… Giriśa means Sadāśiva.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Aṁśena here means “as His own expansions, where suitable.” “Others” (ādiṣu) indicates that the Lord Himself assumes the positions of Brahmā and others during some of Brahmās’ lifetimes.
He is always situated in His eternal form; He is omniscient; He is forever young; He has a body made of condensed eternity, knowledge and bliss; and He possesses all siddhis (mystic powers).
Purport
(51) changeless; (52) all-cognizant; (53) ever fresh; (54) sac-cid-ānanda (possessing an eternal blissful body); (55) possessing all mystic perfections.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In the case of the Supreme Lord, condensed (sāndra) means that He possesses a body (aṅgaḥ) endowed with eternity, knowledge and bliss without the presence of any other substance. In the case of Śiva, sāndra means that Śiva (Sadāśiva) possesses a body which has become very similar in nature to the Lord who is eternity, knowledge and bliss.
Now will be listed the amazing qualities present in Kṛṣṇa but present also in Nārāyaṇa, and the puruṣāvatāras. He has inconceivable, great energies; He is the form which expands over tens of millions of universes; He is the source of the numerous avatāras; He rewards even the enemies He kills; and He attracts the ātmārāmas. These qualities become even more astonishing in Kṛṣṇa.
Purport
Kṛṣṇa also possesses five other qualities, which are manifest in the body of Nārāyaṇa, and they are listed as follows. (56) He has inconceivable potency. (57) Uncountable universes generate from His body. (58) He is the original source of all incarnations. (59) He is the giver of salvation to the enemies whom He kills. (60) He is the attractor of liberated souls. All these transcendental qualities are manifest wonderfully in the personal feature of Lord Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
…Though these are the qualities of Nārāyaṇa, they become even more astonishing in Kṛṣṇa (kṛṣṇe ’khilādbhutāḥ). Kṛṣṇa, like Nārāyaṇa, has inconceivable, great powers, but Kṛṣṇa’s powers are even more astonishing. The Brahmā-mohana pastime is an example, in which Kṛṣṇa produced all the spiritual and material worlds in many forms. Though spread through the universes, Kṛṣṇa is also spread throughout the spiritual world as well. Though he is merciful to the enemies He kills, He gives them even liberation and bhakti. And though attractive to ātmārāmas, Kṛṣṇa is attractive even to the Lord of Vaikuṇṭha. For instance, it is said:
yan martya-līlaupayikaṁ sva-yoga-
māyā-balaṁ darśayatā gṛhītam
vismāpanaṁ svasya ca saubhagarddheḥ
paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam
The Lord appeared in the mortal world by His internal potency, yoga-māyā. He came in His eternal form, which is just suitable for His pastimes. This form is wonderful for even the Lord Himself in His form as the Lord of Vaikuṇṭha, because it is the highest perfection of beauty, enhancing the beauty of all ornaments. SB 3.2.12
dvijātmajā me yuvayor didṛkṣuṇā
mayopanītā bhuvi dharma-guptaye
kalāvatīrṇāv avaner bharāsurān
hatveha bhūyas tvarayetam anti me
Lord Mahā-Viṣṇu said: I brought the brāhmaṇa’s sons here because I wanted to see the two of you, who have appeared with Your śaktis. Having killed the demons, the burden of the earth, make them quickly come to Me. SB 10.89.58
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Lakṣmīśa refers to Nārāyaṇa, the master of the spiritual realm of Vaikuṇṭha. The word ādi indicates the puruṣāvatāras and others. However, it should be understood here the inconceivable power is present in Nārāyaṇa but not the puruṣāvatāras, since He is their source. As the first puruṣāvatāra, He has a form which spreads itself throughout tens of millions of universes, since that is the function of Mahā-viṣṇu who glances over the material energy. In the compound koṭi-brahmāṇḍa-vigrahaḥ the word vyāpī is missing. The phrase actually means koṭi-brahmāṇḍa-vyāpī-vigraha: He spreads himself throughout billions of universes. As Brahma-saṁhitā says:
yasyaika-niśvasita-kālam athāvalambya
jīvanti loma-vila-jā jagad-aṇḍa-nāthāḥ
viṣṇur mahān sa iha yasya kalā-viśeṣo
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi
Mahā-Viṣṇu, into whom all the innumerable universes enter and from whom they come forth again simply by His breathing process, is a plenary expansion of Kṛṣṇa. Therefore, I worship Govinda, Kṛṣṇa, the cause of all causes. Brahma-saṁhitā 5.48
The position as the origin of the avatāras applies to both Nārāyaṇa and the puruṣāvatāras, and to other suitable cases as well. [Note: Nārāyaṇa is the source of the puruṣāvatāras. The puruṣavatāras are the source of the līlāvatāras.] He awards the goal (gati) of Svarga or other places to the enemies He kills. This goal is generally not possible for persons inimical to the Lord to attain by any other action except the Lord’s. Usually, He condemns them. It is said in the Gītā:
tān ahaṁ dviṣataḥ krūrān saṁsāreṣu narādhamān |
kṣipāmy ajasram aśubhān āsurīṣv eva yoniṣu ||
āsurīṁ yonim āpannā mūḍhā janmani janmani |
mām aprāpyaiva kaunteya tato yānty adhamāṁ gatim ||
I cast those hateful, cruel, and lowest of humans, constantly doing evil, into repeated birth and death in the wombs of demons. Taking birth as demons birth after birth, these fools, not attaining My mercy at all, then go to the lowest status of life, O son of Kuntī. BG 16.19-20
Attracting the ātmārāmas is shown in many places in the Bhāgavatam, including the Third Canto, with the narration of the Kumāras, who became attracted to the fragrance of the Lord’s feet decorated with tulasī.
These qualities become even more amazing in Kṛṣṇa (kṛṣṇe kilādbhutāḥ) since He becomes absorbed in the role of an ordinary human when He appears on earth (and yet still possesses these powers). “Possessing inconceivable powers” and “being the origin of the avatāras” are qualities which also belong to Kṛṣṇa, since He is Svayam Bhagavān, the Original Supreme Lord. (He is the source of Nārāyaṇa, who is the source of the puruṣāvatāras. Whatever is in them must also be within Him.) One can consult the Bhagavat-sandarbha if one wishes to know about Kṛṣṇa’s position as Svayam Bhagavān. Though the puruṣāvatāras spread Themselves over all the universes in Their expansions, Kṛṣṇa spreads Himself throughout Vaikuṇṭha (as Nārāyaṇa expansions). Kṛṣṇa is most astonishing because He awards the goal of liberation and even bhakti to those He kills. Thus, since Kṛṣṇa’s ability to astonish by His display of those qualities surpasses even that of Nārāyaṇa, it should also be understood that there is total lack of these qualities in Śiva and others who are expansions. It should be understood however that these qualities are not at all causes of amazement for those who relish Kṛṣṇa (since they are absorbed in His sweetness).
yan martya-līlaupayikaṁ sva-yoga-
māyā-balaṁ darśayatā gṛhītam
vismāpanaṁ svasya ca saubhagarddheḥ
paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam
The Lord appeared in the mortal world by His internal potency, yoga-māyā. He came in His eternal form, which is just suitable for His pastimes. This form is wonderful for even the Lord Himself in His form as the Lord of Vaikuṇṭha, because it is the highest perfection of beauty, enhancing the beauty of all ornaments. SB 3.2.12
gopyas tapaḥ kim acaran yad amuṣya rūpaṁ
lāvaṇya-sāram asamordhvam ananya-siddham
dṛgbhiḥ pibanty anusavābhinavaṁ durāpam
ekānta-dhāma yaśasaḥ śrīya aiśvarasya
What austerities must the gopīs have performed! With their eyes they always drink the nectar of Lord Kṛṣṇa’s form, which is the essence of loveliness and is not to be equaled or surpassed. That loveliness is the only abode of beauty, fame and opulence. It is self-perfect, ever fresh and extremely rare. SB 10.44.14
Now will be listed the amazing qualities present in Kṛṣṇa but present also in Nārāyaṇa, and the puruṣāvatāras. He has inconceivable, great energies; He is the form which expands over tens of millions of universes; He is the source of the numerous avatāras; He rewards even the enemies He kills; and He attracts the ātmārāmas. These qualities become even more astonishing in Kṛṣṇa.
Purport
Kṛṣṇa also possesses five other qualities, which are manifest in the body of Nārāyaṇa, and they are listed as follows. (56) He has inconceivable potency. (57) Uncountable universes generate from His body. (58) He is the original source of all incarnations. (59) He is the giver of salvation to the enemies whom He kills. (60) He is the attractor of liberated souls. All these transcendental qualities are manifest wonderfully in the personal feature of Lord Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Lakṣmīśa refers to Nārāyaṇa, the master of the spiritual realm of Vaikuṇṭha. The word ādi indicates the puruṣāvatāras and others. However, it should be understood here the inconceivable power is present in Nārāyaṇa but not the puruṣāvatāras, since He is their source. As the first puruṣāvatāra, He has a form which spreads itself throughout tens of millions of universes, since that is the function of Mahā-viṣṇu who glances over the material energy. In the compound koṭi-brahmāṇḍa-vigrahaḥ the word vyāpī is missing. The phrase actually means koṭi-brahmāṇḍa-vyāpī-vigraha: He spreads himself throughout billions of universes. As Brahma-saṁhitā says:
yasyaika-niśvasita-kālam athāvalambya
jīvanti loma-vila-jā jagad-aṇḍa-nāthāḥ
viṣṇur mahān sa iha yasya kalā-viśeṣo
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi
Mahā-Viṣṇu, into whom all the innumerable universes enter and from whom they come forth again simply by His breathing process, is a plenary expansion of Kṛṣṇa. Therefore, I worship Govinda, Kṛṣṇa, the cause of all causes. Brahma-saṁhitā 5.48
The position as the origin of the avatāras applies to both Nārāyaṇa and the puruṣāvatāras, and to other suitable cases as well. [Note: Nārāyaṇa is the source of the puruṣāvatāras. The puruṣavatāras are the source of the līlāvatāras.] He awards the goal (gati) of Svarga or other places to the enemies He kills. This goal is generally not possible for persons inimical to the Lord to attain by any other action except the Lord’s. Usually, He condemns them. It is said in the Gītā:
tān ahaṁ dviṣataḥ krūrān saṁsāreṣu narādhamān |
kṣipāmy ajasram aśubhān āsurīṣv eva yoniṣu ||
āsurīṁ yonim āpannā mūḍhā janmani janmani |
mām aprāpyaiva kaunteya tato yānty adhamāṁ gatim ||
I cast those hateful, cruel, and lowest of humans, constantly doing evil, into repeated birth and death in the wombs of demons. Taking birth as demons birth after birth, these fools, not attaining My mercy at all, then go to the lowest status of life, O son of Kuntī. BG 16.19-20
Attracting the ātmārāmas is shown in many places in the Bhāgavatam, including the Third Canto, with the narration of the Kumāras, who became attracted to the fragrance of the Lord’s feet decorated with tulasī.
These qualities become even more amazing in Kṛṣṇa (kṛṣṇe kilādbhutāḥ) since He becomes absorbed in the role of an ordinary human when He appears on earth (and yet still possesses these powers). “Possessing inconceivable powers” and “being the origin of the avatāras” are qualities which also belong to Kṛṣṇa, since He is Svayam Bhagavān, the Original Supreme Lord. (He is the source of Nārāyaṇa, who is the source of the puruṣāvatāras. Whatever is in them must also be within Him.) One can consult the Bhagavat-sandarbha if one wishes to know about Kṛṣṇa’s position as Svayam Bhagavān. Though the puruṣāvatāras spread Themselves over all the universes in Their expansions, Kṛṣṇa spreads Himself throughout Vaikuṇṭha (as Nārāyaṇa expansions). Kṛṣṇa is most astonishing because He awards the goal of liberation and even bhakti to those He kills. Thus, since Kṛṣṇa’s ability to astonish by His display of those qualities surpasses even that of Nārāyaṇa, it should also be understood that there is total lack of these qualities in Śiva and others who are expansions. It should be understood however that these qualities are not at all causes of amazement for those who relish Kṛṣṇa (since they are absorbed in His sweetness).
yan martya-līlaupayikaṁ sva-yoga-
māyā-balaṁ darśayatā gṛhītam
vismāpanaṁ svasya ca saubhagarddheḥ
paraṁ padaṁ bhūṣaṇa-bhūṣaṇāṅgam
The Lord appeared in the mortal world by His internal potency, yoga-māyā. He came in His eternal form, which is just suitable for His pastimes. This form is wonderful for even the Lord Himself in His form as the Lord of Vaikuṇṭha, because it is the highest perfection of beauty, enhancing the beauty of all ornaments. SB 3.2.12
gopyas tapaḥ kim acaran yad amuṣya rūpaṁ
lāvaṇya-sāram asamordhvam ananya-siddham
dṛgbhiḥ pibanty anusavābhinavaṁ durāpam
ekānta-dhāma yaśasaḥ śrīya aiśvarasya
What austerities must the gopīs have performed! With their eyes they always drink the nectar of Lord Kṛṣṇa’s form, which is the essence of loveliness and is not to be equaled or surpassed. That loveliness is the only abode of beauty, fame and opulence. It is self-perfect, ever fresh and extremely rare. SB 10.44.14
The four extraordinary qualities possessed by Govinda alone are as follows. He is a wave-filled ocean of the most astonishing display of pastimes. He is surrounded by loving associates decorated with incomparably sweet prema. He plays sweet notes on His flute which attract all the minds in the three worlds. He astonishes all moving and non-moving entities with the beauty of His form to which there is no equal or superior. His extraordinary qualities are His special pastimes, His devotees endowed with abundant prema, the sweetness of His flute and the sweetness of His form.
Purport
Besides these sixty transcendental qualities, Kṛṣṇa has four more, which are not manifest even in the Nārāyaṇa form of Godhead, what to speak of the demigods or living entities. They are as follows. (61) He is the performer of wonderful varieties of pastimes (especially His childhood pastimes). (62) He is surrounded by devotees endowed with wonderful love of Godhead. (63) He can attract all living entities all over the universes by playing on His flute. (64) He has a wonderful excellence of beauty which cannot be rivaled anywhere in the creation.
Adding to the list these four exceptional qualities of Kṛṣṇa, it is to be understood that the aggregate number of qualities of Kṛṣṇa is sixty-four.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These will be discussed when illustrations are given. The four phrases describing Kṛṣṇa are bahuvṛhi compounds with a possessive sense. At the end, the author repeats the four qualities in summary. His first quality is His līlā. Secondly, accompanying Him is an abundance of dear devotees filled with prema (premnā priyādhikyam). The sweetness of His flute is the third quality. The sweetness of His form is the fourth quality. Having listed these qualities, the author boldly asserts that these are most extraordinary, out of reference to some particular knowledge, which was previously stated:
siddhāntatas tv abhede ’pi śrīśa-kṛṣṇa-svarūpayoḥ |
rasenotkṛṣyate kṛṣṇa-rūpam eṣā rasa-sthitiḥ ||
Though the forms of Viṣṇu and Kṛṣṇa are non-different according to the statements of scripture, Kṛṣṇa’s form is shown to be superior because of His rasas which are endowed with the highest type of prema. The very nature of His rasa shows Kṛṣṇa’s form as superior. BRS 1.2.59
The four extraordinary qualities possessed by Govinda alone are as follows. He is a wave-filled ocean of the most astonishing display of pastimes. He is surrounded by loving associates decorated with incomparably sweet prema. He plays sweet notes on His flute which attract all the minds in the three worlds. He astonishes all moving and non-moving entities with the beauty of His form to which there is no equal or superior. His extraordinary qualities are His special pastimes, His devotees endowed with abundant prema, the sweetness of His flute and the sweetness of His form.
Purport
Besides these sixty transcendental qualities, Kṛṣṇa has four more, which are not manifest even in the Nārāyaṇa form of Godhead, what to speak of the demigods or living entities. They are as follows. (61) He is the performer of wonderful varieties of pastimes (especially His childhood pastimes). (62) He is surrounded by devotees endowed with wonderful love of Godhead. (63) He can attract all living entities all over the universes by playing on His flute. (64) He has a wonderful excellence of beauty which cannot be rivaled anywhere in the creation.
Adding to the list these four exceptional qualities of Kṛṣṇa, it is to be understood that the aggregate number of qualities of Kṛṣṇa is sixty-four.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
These will be discussed when illustrations are given. The four phrases describing Kṛṣṇa are bahuvṛhi compounds with a possessive sense. At the end, the author repeats the four qualities in summary. His first quality is His līlā. Secondly, accompanying Him is an abundance of dear devotees filled with prema (premnā priyādhikyam). The sweetness of His flute is the third quality. The sweetness of His form is the fourth quality. Having listed these qualities, the author boldly asserts that these are most extraordinary, out of reference to some particular knowledge, which was previously stated:
siddhāntatas tv abhede ’pi śrīśa-kṛṣṇa-svarūpayoḥ |
rasenotkṛṣyate kṛṣṇa-rūpam eṣā rasa-sthitiḥ ||
Though the forms of Viṣṇu and Kṛṣṇa are non-different according to the statements of scripture, Kṛṣṇa’s form is shown to be superior because of His rasas which are endowed with the highest type of prema. The very nature of His rasa shows Kṛṣṇa’s form as superior. BRS 1.2.59
The four extraordinary qualities possessed by Govinda alone are as follows. He is a wave-filled ocean of the most astonishing display of pastimes. He is surrounded by loving associates decorated with incomparably sweet prema. He plays sweet notes on His flute which attract all the minds in the three worlds. He astonishes all moving and non-moving entities with the beauty of His form to which there is no equal or superior. His extraordinary qualities are His special pastimes, His devotees endowed with abundant prema, the sweetness of His flute and the sweetness of His form.
Purport
Besides these sixty transcendental qualities, Kṛṣṇa has four more, which are not manifest even in the Nārāyaṇa form of Godhead, what to speak of the demigods or living entities. They are as follows. (61) He is the performer of wonderful varieties of pastimes (especially His childhood pastimes). (62) He is surrounded by devotees endowed with wonderful love of Godhead. (63) He can attract all living entities all over the universes by playing on His flute. (64) He has a wonderful excellence of beauty which cannot be rivaled anywhere in the creation.
Adding to the list these four exceptional qualities of Kṛṣṇa, it is to be understood that the aggregate number of qualities of Kṛṣṇa is sixty-four.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
These will be discussed when illustrations are given. The four phrases describing Kṛṣṇa are bahuvṛhi compounds with a possessive sense. At the end, the author repeats the four qualities in summary. His first quality is His līlā. Secondly, accompanying Him is an abundance of dear devotees filled with prema (premnā priyādhikyam). The sweetness of His flute is the third quality. The sweetness of His form is the fourth quality. Having listed these qualities, the author boldly asserts that these are most extraordinary, out of reference to some particular knowledge, which was previously stated:
siddhāntatas tv abhede ’pi śrīśa-kṛṣṇa-svarūpayoḥ |
rasenotkṛṣyate kṛṣṇa-rūpam eṣā rasa-sthitiḥ ||
Though the forms of Viṣṇu and Kṛṣṇa are non-different according to the statements of scripture, Kṛṣṇa’s form is shown to be superior because of His rasas which are endowed with the highest type of prema. The very nature of His rasa shows Kṛṣṇa’s form as superior. BRS 1.2.59
The sixty-four qualities in four divisions will each be described with examples.
Purport
Śrīla Rūpa Gosvāmī has attempted to give evidences from various scriptures about all sixty-four qualities present in the person of the Supreme Lord.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The four divisions are: the first fifty qualities, the second five qualities, the third five qualities, and the last four qualities. For the four classes of qualities, examples are given by quoting authoritative statements. These are from scriptures, commentaries on the scriptures, testimonies of the great devotees following after the scriptures, and statements in agreement with those. These are of two types: those which astonish by presenting aspects of Kṛṣṇa as the Lord, and those which astonish by presenting Kṛṣṇa’s human pastimes. Even though Kṛṣṇa is God, His human pastimes also cause astonishment. Thus it is said:
sthity-udbhavāntaṁ bhuvana-trayasya yaḥ
samīhite ’nanta-guṇaḥ sva-līlayā
na tasya citraṁ para-pakṣa-nigrahas
tathāpi martyānuvidhasya varṇyate
For Him who orchestrates the creation, maintenance and destruction of the three worlds and who possesses unlimited spiritual qualities, it is hardly amazing that He subdues an opposing party. Still, when the Lord does so, imitating human behavior, sages glorify His acts. SB 10.50.29
prapañcaṁ niṣprapañco ’pi viḍambayasi bhū-tale
prapanna-janatānanda-sandohaṁ prathituṁ prabho
My dear master, although You have nothing to do with material existence, You come to this earth and imitate material life just to expand the varieties of ecstatic enjoyment for Your surrendered devotees. SB 10.14.37
Similarly, the earth describes the qualities of the Lord in SB 1.16.27 quoted in the text earlier and as well there are examples such as paśya vindhya-girito ’pi gariṣṭhaṁ cited in BRS 2.1.61 in this text itself.
What sweetness the form of Murāri reveals. His face is like the moon. His thighs are like elephant trunks. His arms are as sturdy as the bases of pillars. His hands are the object of praise for lotuses. His chest is as broad as a door. His hips are massive and His waist is thin.
Purport
Any comparison of the different parts of the Lord’s body to different material objects cannot factually be a complete comparison. Ordinary persons, who cannot understand how exalted are the bodily features of the Lord, are simply given a chance to understand by a material comparison. It is said that Kṛṣṇa’s face is as beautiful as the moon, His thighs are powerful just like the trunks of elephants, His arms are just like two pillars, His palms are expanded like lotus flowers, His chest is just like a doorway, His hips are dens, and the middle of His body is a terrace.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
As was explained previously, though the Lord cannot really be compared to material things, such as the moon, these examples are given so that ordinary people can begin to understand the glories of the Lord. But when the Lord’s intimate associates give descriptions of the Lord, comparing Kṛṣṇa’s features to the moon and other objects, it should be understood in all cases that the moon and other objects of comparison are His spiritual vibhūtis directly participating in His pastimes. The verses will be given as illustrations without further regard for this fact. Aviralam (compact) means that because of the massive nature of His hips, it is impossible to consider it in parts.
tanau guṇottham aṅkottham iti sal-lakṣaṇaṁ dvidhā [Note: Quality 2 - sarva-sal-lakṣaṇānvitaḥ: Kṛṣṇa’s body is endowed with all of the auspicious features ] ||47||
[tanau gunottham ankottham iti sal-lakshanam dvidhaa [note: quality 2 - sarva-sal-lakshanaanvitah: krishna’s body is endowed with all of the auspichious features ] ||47||]
Blended reading (Sanskrit + English inline)
tanau guṇottham aṅkottham iti sal-lakṣaṇaṁ dvidhā [Note: Quality 2 - sarva-sal-lakṣaṇānvitaḥ: Kṛṣṇa’s body is endowed with all of the auspicious features ] ||47||
Good indications or auspicious characteristics are of two types: bodily features (guṇottham) and the markings on the hands and feet (aṅkottham).
Purport
2. Auspicious Characteristics
There are certain characteristics of different limbs which are considered to be very auspicious and are fully present in the body of the Lord.
Guṇottham refers to such things as redness or elevation of a limb.
Purport
2. Auspicious Characteristics
There are certain characteristics of different limbs which are considered to be very auspicious and are fully present in the body of the Lord.
O friend! I see that your child has thirty-two auspicious marks on His body. How is it possible that such a child could be born in a cowherd’s house? Seven places on his body are red. Six limbs are elevated. Three limbs are broad. Three limbs are short. Three limbs are deep. Five limbs are long. Five limbs are fine.
Purport
In this connection, one friend of Nanda Mahārāja, speaking about Lord Kṛṣṇa’s auspicious bodily symptoms, said, “My dear King of the cowherds, I can find thirty-two auspicious symptoms on the body of your son! I am wondering how this boy could have taken His birth in a family of cowherd men.” Generally, when Lord Kṛṣṇa appears He does so in a family of kṣatriyas (kings), as did Lord Rāmacandra, and sometimes in a family of brāhmaṇas. But Kṛṣṇa accepted the role of son to Mahārāja Nanda, despite the fact that Nanda belonged to the vaiśya community. The business of the vaiśya community is trade, commerce and the protection of cows. Therefore his friend, who may have been born into a brāhmaṇa family, expressed his wonder at how such an exalted child could take birth in a family of vaiśyas. Anyway, he pointed out the auspicious signs on the body of Kṛṣṇa to the boy’s foster father.
He continued, “This boy has a reddish luster in seven places—His eyes, the palms of His hands, the soles of His feet, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of one elderly friend of Nanda Mahārāja. The red parts of the body are: edges of the eyes, soles of the feet, palms of the hand, roof of the mouth, upper and lower lips, tongue, and nails. Six elevated limbs are: chest, shoulders, nails, nose, waist, and mouth. The three broad limbs are: waist, forehead and chest. The three short limbs are: neck, lower legs and genital. Three deep limbs are: navel, voice, and intelligence. The five long limbs are: nose, arms, eyes, cheeks, and knees. The five fine limbs are: skin, head hair, body hair, teeth and finger joints. These are the marks of a great personality according to literature concerning bodily markings. With these thirty-two auspicious markings, Kṛṣṇa possesses the best markings among all the cowherd people with auspicious markings. Such markings are not found even in the avatāras of the Lord, so how is it possible for these markings to appear on a cowherd boy?
O king of the cowherd men! See, on the hands of your child, there are clear lines of the lotus and cakra, and on His feet there are marks of a flag, thunderbolt, goad, fish and a lotus.
Purport
In this connection, one old gopī informed King Nanda, “Your son possesses various wonderful fate lines on His palms. There are the signs of lotus flowers and wheels on His palms, and on His soles there are the signs of a flag, a thunderbolt, a fish, a rod for controlling elephants, and a lotus flower. Please observe how auspicious these signs are!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse, one elderly gopī speaks. The list of lines is representative only, not complete. From works like the Padma Purāṇa one should understand that there are other remarkable lines as well. In the Padma Purāṇa Brahmā speaks. “Listen, Nārada. I will tell you about the marks on the Lord’s feet. I have previously told you about the unlimited avatāras of Kṛṣṇa, who is full of bliss. Later I will say that Kṛṣṇa is the original form of God. Kṛṣṇa has appeared on earth for assisting the devatās and sages and out of desire to see His own dear devotees. I (and no one else) know the marks by which the Lord who is most affectionate to His devotees can be known. I speak the truth, for I have seen sixteen marks on His feet. On His right foot are eight marks and on His left foot are seven marks. O best of Vaiṣṇavas! On his right foot can be seen the marks of the flag, lotus, thunderbolt, goad, barley corn, svastika, an upward line and an octagon. O best of the Vaiṣṇavas! Now I will tell you about the seven marks on His left foot. There is a rainbow, a triangle, a pot, a crescent moon, a compass, a fish and a hoof print of a cow. Whenever one sees these marks on the feet of someone, O learned sage, without doubt the supreme Brahman has taken birth on earth as that person. O best of Vaiṣṇavas, two, three, four or five of these marks will sometimes be found on the feet of Kṛṣṇa’s avatāras. Hear about the sixteen marks, O best of the sages among the devatās. Sometimes a mark resembling a jambu fruit will be seen.” From other scriptures, from the tāpanīs, āgamas and the Varāha Purāṇa it is understood that there are also signs of the conch, cakra and umbrella on His feet.
Rucira means “He gives bliss to the eye by His beauty.”
Purport
3. Pleasing
Beautiful bodily features which automatically attract the eyes are called rucira (pleasing). Kṛṣṇa possesses this attractive feature of rucira in His personal features.
All the demigods from the upper, lower and middle universal planetary systems assembled at the altar of the rājasūya sacrifice performed by Mahārāja Yudhiṣṭhira. After seeing the beautiful bodily features of Lord Kṛṣṇa, they all realized that whatever Brahmā had previously created had now completely entered into Kṛṣṇa. SB 3.2.13
Purport
In the Third Canto, Second Chapter, verse 13, of Śrīmad-Bhāgavatam, there is a statement about this. “The Supreme Personality of Godhead, in His pleasing dress, appeared at the scene of the sacrificial arena when King Yudhiṣṭhira was performing the Rājasūya sacrifice. All important personalities from different parts of the universe had been invited to the sacrificial arena, and all of them, upon beholding Kṛṣṇa there, considered that the Creator had ended all of His craftsmanship in the creation of this particular body of Kṛṣṇa.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The verse states that the Lord is also Brahmā’s creation, though factually Brahmā is not the creator of the Lord.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
They realized (amanyata) that whatever skill Brahmā had utilized in previous creations was included in the beauty of Kṛṣṇa. Everything was included within one fraction of the beauty of Kṛṣṇa. There is another version with amaṁsta instead of amanyata, but that is a printing error.
Or, another example: If the bee-like eyes of the gopīs fall upon one among the eight lotus-like bodily parts of Kṛṣṇa, the enemy of the Dānavas, they will not be able to rise from the thick honey of His beauty.
Purport
It is said that the transcendental body of Kṛṣṇa resembles the lotus flower in eight parts—namely His face, His two eyes, His two hands, His navel and His two feet. The gopīs and inhabitants of Vṛndāvana used to see the luster of lotus flowers everywhere, and they could hardly withdraw their eyes from such a vision.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Since the first of the two examples is a mixture of rucira with suramyāṅga, the author, not being satisfied, gives a pure example in verse 54. The eight lotus-like parts of Kṛṣṇa’s body are: His face, His two eyes, His navel, His two feet, and His two hands. These of course are only representative of other limbs which are also most beautiful.
The wise say there are two meanings of tejas: dhāma (effulgence) and prabhāva (conquering the enemy).
Purport
4. Effulgent
The effulgence pervading the universe is considered to be the rays of the Supreme Personality of Godhead. The supreme abode of Kṛṣṇa is always throwing off the effulgence known as brahma-jyoti, and that effulgence is emanating from His body.
4. Effulgent
The effulgence pervading the universe is considered to be the rays of the Supreme Personality of Godhead. The supreme abode of Kṛṣṇa is always throwing off the effulgence known as brahma-jyoti, and that effulgence is emanating from His body.
Though the Kaustubha jewel, the king of jewels, discredits the sun by its shining rays, it appears like only a star on the Lord’s chest, which shines much brighter than the Kaustubha.
Purport
The luster of the hosts of jewels fixed on the chest of the Lord can defeat even the luster of the sun, and still, when compared with the bodily luster of the Lord, that crest of jewels appears to be only as bright as one of the stars in the sky.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Though this is true, the Lord also hides His effulgence in order to perform His earthly pastimes. It should be understood that because of doing this, one is able to perceive the effulgence of the sun and other sources of illumination. Kṛṣṇa says nāhaṁ prakāśaḥ sarvasya yogamāyā-samāvṛtaḥ: Covered by yoga-māyā, I am not revealed to all people. (BG 7.25) Another version of the text is: kaustubha-maṇir uḍur iva (the Kaustubha jewel like the moon) instead of maṇirāḍ ayam uḍur iva (king of jewels like the moon).
Seeing Mādhava with His tender body from a distance in the wrestling arena, the group of wrestlers, though endowed with chests greater than mountains, became agitated with fear.
Purport
When Kṛṣṇa was present in the sacrificial arena of His enemy King Kaṁsa, the wrestlers present, although appreciating the softness of the body of Śrī Kṛṣṇa, were afraid and perturbed when they thought of engaging with Him in battle.
See! Lotus-eyed Kṛṣṇa has thrown to a far distance, like a piece of cotton, the greatest demon Ariṣṭa, who is heavier and higher than the Vindhya mountain range.
Purport
When Kṛṣṇa killed Ariṣṭāsura, some of the gopīs said, “My dear friends, just see how Kṛṣṇa has killed Ariṣṭāsura! Although he was stronger than a mountain, Kṛṣṇa plucked him up just like a piece of cotton and threw him away without any difficulty!”
Another example: May the left hand of lotus-eyed Kṛṣṇa, which has lifted Govardhana Hill like a ball, protect you!
Purport
There is another passage wherein it is said, “O my dear devotees of Lord Kṛṣṇa, may the left hand of Lord Kṛṣṇa, which has lifted Govardhana Hill like a ball, save you from all dangers.”
Though Kṛṣṇa is endowed with all ages which become most excellent, the age of kaiśora, ever-fresh, endowed with all pastimes, manifesting all good qualities, and the shelter of all rasas, is considered the best.
Purport
6. Ever Youthful
Kṛṣṇa is beautiful at His different ages—namely His childhood, His boyhood and His youth. Out of these three, His youth is the reservoir of all pleasures and is the time when the highest varieties of devotional service are acceptable. At that age, Kṛṣṇa is full with all transcendental qualities and is engaged in His transcendental pastimes. Therefore, devotees have accepted the beginning of His youth as the most attractive feature in ecstatic love.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Kṛṣṇa has three progressive ages: kaumāra, paugaṇḍa and kaiśora. Kṛṣṇa attains identity with all these ages. This indicates the excellence of kaumāra and paugaṇḍa as well as kaiśora. In the phrase vayasānvitaḥ, the word anvitaḥ (having as its essential quality) means anu itaḥ, “obtaining identity with.” Amara-kośa says that anu means “after” or “similar.” Dharmī here means “possessing all qualities” or “a full manifestation of qualities.” This is because it contains all rasas. This has been described in the chapter on sāmānya-bhakti (First Wave of the Eastern Section).
Filled with the joy of recently manifested youth, the sweetness of Murāri, defeating the spotless, full moon with the effulgence of His smile, and made soft with a hint of the fresh sports of Cupid, gives great joy to the minds of the sweet-eyed gopīs.
Purport
At this age Kṛṣṇa is described as follows: “The force of Kṛṣṇa’s youth was combined with His beautiful smile, which defeated even the beauty of the full moon. He was always nicely dressed, in beauty surpassing even Cupid, and He was always attracting the minds of the gopīs, who were thereby always feeling pleasure.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse is cited in order to show the supreme position of the greatest rasa called śṛṅgara-rasa. Tadātva means “at that time,” according to Amara-kośa. And also according to the same work, dara means “slightly.”
[vividhaadbhuta-bhaashaavit sa prokto yas tu kovidah |]
nānā-deśyāsu bhāṣāsu saṁskṛte prākṛteṣu ca ||65||
[naanaa-deshyaasu bhaashaasu samskrite praakriteshu cha ||65||]
Blended reading (Sanskrit + English inline)
(7) vividhādbhuta-bhāṣāvit –
vividhādbhuta-bhāṣāvit sa prokto yas tu kovidaḥ |
nānā-deśyāsu bhāṣāsu saṁskṛte prākṛteṣu ca ||65||
A person who knows the languages of various countries, saṁskṛta, the vernacular and the languages of animals is called a knower of astonishing languages.
Purport
7. Wonderful Linguist
Rūpa Gosvāmī says that a person who knows the languages of different countries, especially the Sanskrit language, which is spoken in the cities of the demigods—as well as other worldly languages, including those of the animals—is called a wonderful linguist. It appears from this statement that Kṛṣṇa can also speak and understand the languages of the animals.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The word ca at the end indicates the languages of animals.
Kṛṣṇa, śauri, expresses Himself in the vernacular to the young gopīs of Vraja, in saṁṣkṛta to the respectful Indra, and in the colloquial dialect to the animals, to the people of Kāśmīra and to the parrots. How amazing! How has he become expert in all these languages?
Purport
An old woman in Vṛndāvana, present at the time of Kṛṣṇa’s pastimes, once stated in surprise, “How wonderful it is that Kṛṣṇa, who owns the hearts of all the young girls of Vrajabhūmi, can nicely speak the language of Vrajabhūmi with the gopīs, while in Sanskrit He speaks with the demigods, and in the language of the animals He can even speak with the cows and buffalo! Similarly, in the language of the Kashmir Province, and with the parrots and other birds, as well as in most common languages, Kṛṣṇa is so expressive!” She inquired from the gopīs as to how Kṛṣṇa had become so expert in speaking so many different types of languages.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is the statement of an elderly, observant resident of Vraja. It may be asked how the residents could address Kṛṣṇa as śauri, indicating that He was the son of Vasudeva, when the fact was hidden from them until Kṛṣṇa went to Mathurā. However, Garga informed Nanda during the name-giving ceremony that in previous lifetimes He had been the son of Vasudeva:
prāgayaṁ vasudevasya kvacij jātas tavātmajaḥ
vāsudeva iti śrīmān abhijñāḥ sampracakṣate
For many reasons, this beautiful son of yours sometimes appeared previously as the son of Vasudeva. Therefore, those who are learned sometimes call this child Vāsudeva. SB 10.26.17
Thus there is no contradiction if the residents address Him as the son of Vasudeva. Though the young girls of Vraja are mentioned, it is understood that all the residents are included. He spoke to them all in the vernacular---a special dialect of that particular region called śaurasenī (language of Mathurā). Vraja and Mathurā of course were practically the same place with the same dialect. The word saurīm, from the word sura, means saṁskṛta, the language of the devas. He also spoke to animals, including the cows and buffalos. Kīreṣu refers to the people of Kashmir and to parrots. Apabhraṁśa refers to a very low form of colloquial language. According to the situation, He spoke the particular language.
tathāpi na murāntaka vyabhicariṣṇur uktis tava ||68||
[tathaapi na muraantaka vyabhicharishnur uktis tava ||68||]
Blended reading (Sanskrit + English inline)
yathā –
pṛthe tanaya-pañcakaṁ prakaṭam arpayiṣyāmi te
raṇorvaritam ity abhūt tava yathārtham evoditam |
ravir bhavati śītalaḥ kumuda-bandhur apy uṣṇalas
tathāpi na murāntaka vyabhicariṣṇur uktis tava ||68||
You said, “O Kunti! I will bring back your five sons to you from the battlefield alive and with great honor.” Your statement has come true. O Murari! Even though the sun may become cold and the moon may become hot, Your words will never be untrue.
Purport
Kṛṣṇa once promised Kuntī, the mother of the Pāṇḍavas, that He would bring her five sons back from the Battlefield of Kurukṣetra. After the battle was finished, when all the Pāṇḍavas had come home, Kuntī praised Kṛṣṇa because His promise was so nicely fulfilled. She said, “Even the sunshine may one day become cool and the moonshine one day become hot, but still Your promise will not fail.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
This is a statement made by Kuntī to Kṛṣṇa who came to see her after the battle was over.
Though disguising Himself as a brāhmaṇa, Kṛṣṇa told the truth to Jarāsandha. “O king of Magadha! Understand that it is I, Kṛṣṇa, your enemy, accompanying the two sons of Pāṇḍu.”
Purport
Similarly, when Kṛṣṇa, along with Bhīma and Arjuna, went to challenge Jarāsandha, He plainly told Jarāsandha that He was the eternal Kṛṣṇa, present along with two of the Pāṇḍavas. The story is that both Kṛṣṇa and the Pāṇḍavas—in this case Bhīma and Arjuna—were kṣatriyas (warrior-kings). Jarāsandha was also a kṣatriya and was very charitable toward the brāhmaṇas. Thus Kṛṣṇa, who had planned to fight with Jarāsandha, went to him with Bhīma and Arjuna in the dress of brāhmaṇas. Jarāsandha, being very charitable toward the brāhmaṇas, asked them what they wanted, and they expressed their desire to fight with him. Then Kṛṣṇa, dressed as a brāhmaṇa, declared Himself to be the same Kṛṣṇa who was the King’s eternal enemy.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Still on the topic of telling the truth, but with fear of being repetitive, the author gives an alternative example (yathā vā). Saṁsṛṣtam means “coming together.”
O king of the snakes! Though I have afflicted you, do not find fault in Me. For the good of the cows, worthy of respect by the devatās, you should live far from here.
Purport
Kṛṣṇa was such a pleasing talker that after defeating His enemy Kāliya in the water of the Yamunā, He said, “My dear King of the snakes, although I have given you so much pain, please do not be dissatisfied with Me. It is My duty to protect these cows, which are worshiped even by the demigods. Only in order to save them from the danger of your presence have I been obliged to banish you from this place.”
Kāliya was residing within the water of the Yamunā, and as a result the back portion of that river had become poisoned. Thus so many cows who had drunk the water had died. Therefore Kṛṣṇa, even though He was only four or five years old, dipped Himself into the water, punished Kāliya very severely and then asked him to leave the place and go elsewhere.
Kṛṣṇa said at that time that the cows are worshiped even by the demigods, and He practically demonstrated how to protect the cows. At least people who are in Kṛṣṇa consciousness should follow in His footsteps and give all protection to the cows. Cows are worshiped not only by the demigods. Kṛṣṇa Himself worshiped the cows on several occasions, especially on the days of Gopāṣṭamī and Govardhana-pūjā.
An example of speaking in a pleasing manner: O friends! Whose heart will not be stolen by the words of Kṛṣṇa, sweet with clear, soft pronunciation, an elixir of intense nectar in the placement of each syllable, a medicine, giving life to the ears of all people by its sweet intonation?
Purport
There is a nice statement in Śrīmad-Bhāgavatam regarding Kṛṣṇa’s speaking politely. When Kṛṣṇa politely bade His father, Nanda Mahārāja, to stop the ritualistic offering of sacrifice to the rain-god, Indra, a wife of one village cowherd man became captivated. She later thus described the speaking of Kṛṣṇa to her friends: “Kṛṣṇa was speaking to His father so politely and gently that it was as if He were pouring nectar into the ears of all present there. After hearing such sweet words from Kṛṣṇa, who will not be attracted to Him?”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of the wife of a balladeer who was enamored with the words of Kṛṣṇa at the assembly of Nanda on the occasion of the sacrifice to Indra. She speaks to her friends. The first line starting with aśliṣṭa shows the sweetness of diction. The second line shows the sweetness in the composition—the placement of each syllable and word. The third line indicates the sweetness of the tone. Sometimes akliṣṭam (undisturbed, calm) is seen instead of aśliṣṭa (clear in meaning).
An example of the skilful meaning of words is as follows: The words of Kṛṣṇa, skilful at changing the hearts of His adversaries, superior to all in extinguishing all doubts in the universe, authoritative and economical, endowed with many meanings, have today made all my mental functions blissful.
Purport
Kṛṣṇa’s speech, which contains all good qualities in the universe, is described in the following statement by Uddhava: “The words of Kṛṣṇa are so attractive that they can immediately change the heart of even His opponent. His words can immediately solve all of the questions and problems of the world. Although He does not speak very long, each and every word from His mouth contains volumes of meaning. These speeches of Kṛṣṇa are very pleasing to my heart.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Uddhava. The first line shows His skill in satisfying others. The second line shows His skill in logic. The third line shows His skill in speaking truth. Pramita akṣara can mean measured words (not wasting words) or authoritative words. He uses colorful meanings of words while arguing, reasoning and concluding (vividhārtha-mayī). The fourth line shows His skill in creativity or imagination.
vidvān akhila-vidyā-vin nītijñas tu yathārha-kṛt ||75||
[vidvaan akhila-vidyaa-vin neetijnas tu yathaarha-krit ||75||]
Blended reading (Sanskrit + English inline)
(11) supaṇḍityaḥ –
vidvān nītijña ity eṣa supaṇḍityo dvidhā mataḥ |
vidvān akhila-vidyā-vin nītijñas tu yathārha-kṛt ||75||
Being knowledgeable has two aspects: knowledgeable of all branches of all subjects and knowledgeable of proper conduct.
Purport
11. Highly Learned
When a person is highly educated and acts strictly on moral principles, he is called highly learned. A person conversant in different departments of knowledge is called educated, and because he acts on moral principles, he is called morally stout. Together, these two factors constitute learning.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Knowledgeable of all branches of knowledge refers to scriptural knowledge only. Yathārha-kṛt means that, having the scriptural knowledge, the person knows what is to be done.
An example of knowing all branches of knowledge: Previously the clouds, in the form of Brahmā and others, by expertly serving with reverence the ocean, in the form of Kṛṣṇa, produced rivers of knowledge. Now those rivers of knowledge are flowing from the mountain of Sāndīpani back into the ocean of Kṛṣṇa.
Purport
Kṛṣṇa’s receiving education from Sāndīpani Muni is described by Śrī Nārada Muni as follows: “In the beginning, Lord Brahmā and others are like clouds of evaporated water from the great ocean of Kṛṣṇa. In other words, Brahmā first received the Vedic education from Kṛṣṇa, as the clouds receive water from the ocean. That Vedic education or instruction which was spoken by Brahmā to the world was then reposed upon the mountain of Sāndīpani Muni. Sāndīpani Muni’s instructions to Kṛṣṇa are like a reservoir of water on the mountain, which flows as a river and goes again to mix with the source, the ocean of Kṛṣṇa.” To be more clear, the idea is that Kṛṣṇa actually cannot be instructed by anyone, just as the ocean does not receive water from any source but itself. It only appears that the rivers are pouring water into the ocean. So it is clear that Brahmā received his education from Kṛṣṇa, and from Brahmā, via the disciplic succession, this Vedic instruction was distributed. Sāndīpani Muni is likened to the river which is flowing down again to that same original ocean of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is the statement of Nārada. Sāndīpani was born in the Kāśi region (kāśya). The usage of the compound kāśya-guru is similar to saying māthura-vaṁśa (coming from the lineage of persons of Mathurā).
Another example: O Govinda! The bride of knowledge with fourteen branches whose lineage is distributed by the four Vedas, and which includes the smṛtis, is made brilliant by the six aṅgas, is followed by the saḍ-darśaṇas, is assisted by the Purāṇas, and decorated with the karma and jñāna-kāṇḍas. This bride known as knowledge, seeing You eager for gaining her association (knowledge) at the house of Your guru, desires to serve You--finding this opportunity after a long time.
Purport
The Siddhas, the inhabitants of Siddhaloka (where all are born with fully developed mystic powers), and the Cāraṇas, the inhabitants of a similar planet, pray to Kṛṣṇa as follows: “My Lord Govinda, the goddess of learning is decorated with fourteen kinds of educational ornaments, her intelligence is all-pervading within the four departments of the Vedas, her attention is always on the lawbooks given by great sages like Manu, and she is appareled in six kinds of expert knowledge—namely Vedic evidence, grammar, astrology, rhetoric, vocabulary and logic. Her constant friends are the supplements of the Vedas, the Purāṇas, and she is decorated with the final conclusion of all education. And now she has acquired an opportunity to sit with You as a class friend in school, and she is now engaged in Your service.”
Kṛṣṇa, the Supreme Personality of Godhead, does not require any education, but He gives a chance to the goddess of learning to serve Him. Being self-sufficient, Kṛṣṇa does not require the service of any living entity, although He has many devotees. It is because Kṛṣṇa is so kind and merciful that He gives everyone the opportunity to serve Him, as though He required the service of His devotees.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are words of praise by the Siddhas and Cāraṇas. In terms of branches of knowledge, the verse can be analyzed as follows. The original knowledge was distributed and passed down through the four Vedas. Smṛti refers to the scriptures such as Manu-smṛti. [Note: These are numbered as eighteen. This classification is distinct from the term smṛti which means all texts other than the four Vedas.] The six aṅgas of the Vedas are defined by the wise as śikṣa (pronunciation), kalpa (rules of ritual), vyākaraṇa (grammar), jyotiṣa (astrology and astronomy), chandas (meter), and nirukta (etymology). Nyāya here means the scriptures based on reasoning (ṣaḍ-darśana). The Purāṇas such as Bhāgavatam are the assistants. Mīmāmsā refers to both pūrva and uttara forms: karma and jñāna. In this way, there are fourteen types (guṇāḥ) of knowledge. The authoritative statement is as follows:
aṅgāni vedāś catvāro mīmāṁsā nyāya-vistaraḥ
dharma-śāstraṁ purāṇaṁ ca vidyā hy etāś caturdaśa
The fourteen branches of knowledge are the four Vedas, the six aṅgas, the mīmāmsā, scriptures based on logic, the dharma-śāstras and the Purāṇas. Viṣṇu Purāṇa 3.6.28
Knowledge or vidyā is also considered a bride (vadhū). The fourteen divisions can be interpreted in relation to a wife. Āmnāya means good family. Ānvaya means the dynasty. Smṛti means memory or intelligence. The ṣaḍ-aṅgas are head, torso, two hands and two feet. Nyāya means good conduct. Purāṇa means elders, who assist the wife. Mīmāṁsā means deliberation. Thus the bride comes from a good family and dynasty, is endowed with intelligence, is beautiful in head, torso, two hands and two feet, is followed by good conduct, is assisted by the elders and decorated with discernment. This bride, endowed with fourteen good qualities equal to knowledge, while staying in the house of her father (guru-kule), on seeing that You desire her association, desires to serve You.
The second type of learning, knowledge of conduct is illustrated: The lord of the Madhus, Kṛṣṇa, is death for the thieves; the spring breeze for the pious; Cupid for the young women; a desire tree for the poverty-stricken; the cooling moon for His friends; the fire of final destruction in the form of Rudra for the enemies. He protects Mathurā and Dvārakā by His judicious conduct (in relation to all people.)
Purport
Regarding His moral principles, it is stated in Śrīmad-Bhāgavatam that Kṛṣṇa is ruling over Vṛndāvana as death personified to the thieves, as pleasing bliss to the pious, as the most beautiful Cupid to the young girls and as the most munificent personality to the poor men. He is as refreshing as the full moon to His friends, and to His opponents He is the annihilating fire generated from Lord Śiva. Kṛṣṇa is therefore the most perfect moralist in His reciprocal dealings with different kinds of persons. When He is death personified to the thieves, it is not that He is without moral principles or that He is cruel; He is still kind, because to punish thieves with death is to exhibit the highest quality of moral principles. In Bhagavad-gītā, also, Kṛṣṇa says that He deals with different kinds of persons according to their dealings with Him. Kṛṣṇa’s dealings with devotees and with nondevotees, although different, are equally good. Because Kṛṣṇa is all-good, His dealings with everyone are always good.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
Svasti-dhurandharaḥ means that Kṛṣṇa takes responsibility for the welfare of all. He protects the whole world by his proper conduct and by proper conduct brings death to the thieves.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
An alternate version is tribhuvanaṁ nītyā madhūnāṁ patiḥ: Kṛṣṇa protects the whole universe by proper conduct. This is a suitable description because it shows Kṛṣṇa acting like a king. If one takes madhupurīm nītyā madhūnāṁ patiḥ as the reading, it should be understood that madhupurīm indicates Dvārakā as well as Mathurā (since the Lord ruled both places), since one can analyze the compound into madhūnāṁ purī, city of the Madhu (Yadu) dynasty.
[guror jagati darshayan samayam atra vidyaarthinaam |]
sakṛn nigada-mātrataḥ sakalam eva vidyā-kulaṁ
[sakrin nigada-maatratah sakalam eva vidyaa-kulam]
dadhau hṛdaya-mandire kim api citravan mādhavaḥ ||80||
[dadhau hridaya-mandire kim api chitravan maadhavah ||80||]
Blended reading (Sanskrit + English inline)
tatra medhāvī, yathā –
avanti-pura-vāsinaḥ sadanam etya sāndīpaner
guror jagati darśayan samayam atra vidyārthinām |
sakṛn nigada-mātrataḥ sakalam eva vidyā-kulaṁ
dadhau hṛdaya-mandire kim api citravan mādhavaḥ ||80||
An example of the ability to absorb knowledge: Mādhava, going to the house of Sāndīpani, His guru living in Avantipura, in order to teach the proper method to those who desire knowledge, received all the knowledge in the temple of His heart after just one recitation by the guru. How astonishing it is!
Purport
As far as Kṛṣṇa’s memory is concerned, it is said that when He was studying in the school of Sāndīpani Muni in Avantīpura, He showed such a sharp memory that by once taking instructions from the teacher He immediately became perfect in any subject. Actually, His going to the school of Sāndīpani Muni was to show the people of the world that however great or ingenious one may be, he must go to higher authorities for general education. However great one may be, he must accept a teacher or spiritual master.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Samayaṁ darśayan here means showing conduct, in other words, teaching. Amara-kośa says samayāḥ sapathācara-kāla-siddhānta-saṁvit: samaya means oath, conduct, time conclusion and knowledge.
An example of having fine intelligence: This Kālayavana cannot be killed by the Yadus. By running away from him into the dimly lit cave, I will bring him there. In that cave decorated with waterfalls, Mucukunda is sleeping. When Mucukunda opens his eyes, being rudely awakened from comfortable sleep by Kālayavana, he will destroy this enemy with his glance.
Purport
Kṛṣṇa’s fine discretion was exhibited when He was fighting with the untouchable king who attacked the city of Mathurā. According to Vedic rites, those who are untouchable are not to be touched by the kṣatriya kings, not even for killing. Therefore, when the untouchable king seized the city of Mathurā, Kṛṣṇa did not think it wise to kill him directly with His own hand. Still the king had to be killed, and therefore Kṛṣṇa decided with fine discretion that He should flee from the battlefield so that the untouchable king would chase Him. He could then lead the king to the mountain where Mucukunda was lying asleep. Mucukunda had received a benediction from Kārttikeya to the effect that when he awoke from his sleep, whomever he might see would at once be burnt to ashes. Therefore Kṛṣṇa thought it wise to lead the untouchable king to that cave, so that the king’s presence would awaken Mucukunda and he would at once be burnt to ashes.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The cave is described as tarala-tamasi, shining and dark. How is that possible? That cave was able to reveal and hide the truth about objects (it hid the truth from Kālayavana and revealed the truth to Mucukunda). Or the meaning can be that the darkness of the cave became fickle or unsteady (another meaning of tarala) when Kṛṣṇa entered (because of Kṛṣṇa’s effulgence or because of ecstasy). According to Viśva-prakāśa, tarala means unsteady, a sword, and the central jewel of a necklace. The mention of the waterfall indicates one of the many factors in creating a sound sleep. By the power of His yoga, this fine intelligence would manifest in Kṛṣṇa at the appropriate time. The verse illustrates that, just as the eyes have the ability to see fine detail, Kṛṣṇa’s intelligence is capable of discerning things very minutely. Intelligence which immediately enters into the heart of a situation with correct judgment is called fine intelligence.
An example from Padyāvalī (283) – Rādhā said: O Kṛṣṇa, where do You stay (vāsa) now? Kṛṣṇa said: O Rādhā, with bewitching eyes! Can you not see that I am wearing my cloth (vāsam)? Rādhā said: How crafty You are! I am talking about Your residence, not your cloth! Kṛṣṇa said: O Rādhā with natural sweet aroma! I am fragrant (vāsa) by touching your limbs. Rādhā said: O cheater! Where did You stay during the night (yāminyām uṣitaḥ)? Kṛṣṇa said: How could I be stolen by the night, which does not even have a body (yāminyā muṣitaḥ)? In this way may Kṛṣṇa, who joked with Rādhā using tricky words, protect you!
Purport
In this connection there is a statement in Padyāvalī which contains the following conversation between Kṛṣṇa and Rādhā. One morning, when Kṛṣṇa came to Rādhā, Rādhā asked Him, “My dear Keśava, where is Your vāsa at present?” The Sanskrit word vāsa has three meanings: one meaning is residence, one meaning is fragrance, and another meaning is dress.
Actually Rādhārāṇī inquired from Kṛṣṇa, “Where is Your dress?” But Kṛṣṇa took the meaning as residence, and He replied to Rādhārāṇī, “My dear captivated one, at the present moment My residence is in Your beautiful eyes.”
To this Rādhārāṇī replied, “My dear cunning boy, I did not ask You about Your residence. I inquired about Your dress.”
Kṛṣṇa then took the meaning of vāsa as fragrance and said, “My dear fortunate one, I have just assumed this fragrance in order to be associated with Your body.”
Śrīmatī Rādhārāṇī again inquired from Kṛṣṇa, “Where did You pass Your night?” The exact Sanskrit word used in this connection was yāminyāmuṣitaḥ. Yāminyām means “at night,” and uṣitaḥ means “pass.” Kṛṣṇa, however, divided the word yāminyāmuṣitaḥ into two separate words, namely yāminyā and muṣitaḥ. By dividing this word into two, it came out to mean that He was kidnapped by Yāminī, or night. Kṛṣṇa therefore replied to Rādhārāṇī, “My dear Rādhārāṇī, is it possible that night can kidnap Me?” In this way He was answering all of the questions of Rādhārāṇī so cunningly that He gladdened this dearest of the gopīs.
Look! Kṛṣṇa is composing songs and dancing. He is making riddles, playing the flute, stringing garlands, and drawing pictures. He is making magical objects and winning at dice against persons showing pride. Kṛṣṇa, the residence of pastimes of unlimited arts, is now enjoying His leisure.
Purport
This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: “My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship.”
Kṛṣṇa gives bliss to all the cows by composing cowherd songs. He pleases the gopīs by the movement of His brow. He brings joy to His friends by heroic actions. All of these simultaneously give fear to Ariṣṭāsura (seeing how fearless Kṛṣṇa remains).
Purport
In this connection one of the gopīs said, “My dear friends, just see the clever activities of Śrī Kṛṣṇa! He has composed nice songs about the cowherd boys and is pleasing the cows. By the movement of His eyes He is pleasing the gopīs, and at the same time, He is fighting with demons like Ariṣṭāsura. In this way, He is sitting with different living entities in different ways, and He is thoroughly enjoying the situation.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Pārāvatī refers to particular songs composed by cowherds. The phrase ariṣṭa-bhayadena modifies all three of the previous phrases.
An example from the Tenth Canto: Lord Hari then struck down all the missiles and weapons that the enemy soldiers threw at Him, O hero of the Kurus, destroying each and every one with three sharp arrows. SB 10.59.17
Purport
About the expertise of Kṛṣṇa there is a statement in the Tenth Canto, Fifty-ninth Chapter, verse 17, of Śrīmad-Bhāgavatam, wherein Śukadeva Gosvāmī tells Mahārāja Parīkṣit, “O best of the Kurus, Śrī Kṛṣṇa cut to pieces all the different weapons used by different fighters.” Formerly, fighting was done by releasing different kinds of arrows. One party would release a certain arrow, and the other party had to defeat it by counteracting it with another arrow. For example, one party might release an arrow which would cause water to pour from the sky, and to counteract this the opposing party would have to release an arrow which could immediately turn the water into clouds. So from this statement it appears that Kṛṣṇa was very expert in counteracting the enemy’s arrows.
Another example: “O killer of the Agha demon! Please dance only with me!” Desiring to fulfill this request by all of the gopīs, Kṛṣṇa quickly produced a multitude of gopīs and Himself going to a suitable place and performing the dance--but in such a manner that each of the gopīs without doubt saw Him at her side alone.
Purport
Similarly, at the rāsa dance, each and every gopī requested that Kṛṣṇa individually become her partner, and Kṛṣṇa immediately expanded Himself into so many Kṛṣṇas in order to be coupled with each and every gopī. The result was that each gopī found Kṛṣṇa by her side.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Adhikam here means “undoubtedly.” They saw Him at each of their sides without doubt.
yad govindeti cukrośa kṛṣṇā māṁ dūra-vāsinam ||92||
An example from the Mahābhārata (5.58.21): Draupadī cried out “O Govinda!” though I was situated far away. That crying out has created an ever-increasing debt which does not leave My heart.
Purport
In the Mahābhārata, Kṛṣṇa says, “When I was away from Draupadī, she cried with the words, ‘He govinda!’ This call for Me has put Me in her debt, and that indebtedness is gradually increasing in My heart!” This statement by Kṛṣṇa gives evidence of how one can please the Supreme Lord simply by addressing Him, “He kṛṣṇa! He govinda!”
The mahā-mantra (Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare / Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare) is also simply an address to the Lord and His energy. So to anyone who is constantly engaged in addressing the Lord and His energy, we can imagine how much the Supreme Lord is obliged. It is impossible for the Lord to ever forget such a devotee. It is clearly stated in this verse that anyone who addresses the Lord immediately attracts the attention of the Lord, who always remains obliged to him.
kim uta sa khalu sādhu-śreṇi-cūḍāgra-ratnam ||93||
[kim uta sa khalu saadhu-shreni-choodaagra-ratnam ||93||]
Blended reading (Sanskrit + English inline)
yathā vā –
anugatim ati-pūrvaṁ cintayann ṛkṣa-mauler
akuruta bahumānaṁ śaurir ādāya kanyām |
katham api kṛtam alpaṁ vismaren naiva sādhuḥ
kim uta sa khalu sādhu-śreṇi-cūḍāgra-ratnam ||93||
Another example: Though Jāmbavān had offended Kṛṣṇa, the Lord, remembering his service in the past during the time of Lord Rāma, married his daughter and gave him great respect. Since the well-bred never forget what little service is rendered to them, what then can be said of Kṛṣṇa, who is the head jewel among all well-behaved persons?
Purport
Another instance of Kṛṣṇa’s feeling of obligation is stated in connection with His dealings with Jāmbavān. When the Lord was present as Lord Rāmacandra, Jāmbavān, the great king of the monkeys, rendered very faithful service to Him. When the Lord again appeared as Lord Kṛṣṇa, He married Jāmbavān’s daughter and paid him all the respect that is usually given to superiors. Any honest person is obliged to his friend if some service has been rendered unto Him. Since Kṛṣṇa is the supreme honest personality, how can He forget an obligation to His servitor?
Being true to His promises is illustrated in Hari-vaṁśa (2.68.38) – O Nārada! All of the devas, Gandharvas, Rākṣasas, asuras, Yakṣas and Pannagas are trying to make Me break My promise, but they cannot do so. May My promise to you be fruitful!
Purport
As far as the Lord’s determination is concerned, there is an example in His dealings in the Hari-vaṁśa. This is in connection with Lord Kṛṣṇa’s fighting the King of heaven, Indra, who was forcibly deprived of the pārijāta flower. Pārijāta is a kind of lotus flower grown on the heavenly planets. Once, Satyabhāmā, one of Kṛṣṇa’s queens, wanted that lotus flower, and Kṛṣṇa promised to deliver it; but Indra refused to part with his pārijāta flower. Therefore there was a great fight, with Kṛṣṇa and the Pāṇḍavas on one side and all of the demigods on the other. Ultimately, Kṛṣṇa defeated all of them and took the pārijāta flower, which He presented to His queen. So, in regard to that occurrence, Kṛṣṇa told Nārada Muni, “My dear great sage of the demigods, now you can declare to the devotees in general, and to the nondevotees in particular, that in this matter of taking the pārijāta flower, all the demigods—the Gandharvas, the Nāgas, the demon Rākṣasas, the Yakṣas, the Pannagas—tried to defeat Me, but none could make Me break My promise to My queen.”
There is another promise by Kṛṣṇa in Bhagavad-gītā to the effect that His devotee will never be vanquished. So a sincere devotee who is always engaged in the transcendental loving service of the Lord should know for certain that Kṛṣṇa will never break His promise. He will always protect His devotees in every circumstance.
Kṛṣṇa showed how He fulfills His promise by delivering the pārijāta flower to Satyabhāmā, by saving Draupadī from being insulted and by freeing Arjuna from the attacks of all enemies.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Mune (O muni) in the verse is an address to Nārada. Satyam means a vow, according to Amara-kośa: satyam śapatha-tathyayoḥ: satya means a vow or the truth.
[satyaam cha krishnaam cha sukhaam akaarsheet ||96||]
Blended reading (Sanskrit + English inline)
yathā vā –
sa-helam ākhaṇḍala-pāṇḍu-putrau
vidhāya kaṁsārir apārijātau |
nija-pratijñāṁ saphalāṁ dadhānaḥ
satyāṁ ca kṛṣṇāṁ ca sukhām akārṣīt ||96||
Another example: Very easily Kṛṣṇa, the enemy of Kaṁsa, made Indra bereft of the Pārijāta tree and pleased Satyabhāmā. He also made Yudhiṣṭhira devoid of enemies and pleased Draupadī. In this way, He fulfilled His promises.
Purport
As far as the Lord’s determination is concerned, there is an example in His dealings in the Hari-vaṁśa. This is in connection with Lord Kṛṣṇa’s fighting the King of heaven, Indra, who was forcibly deprived of the pārijāta flower. Pārijāta is a kind of lotus flower grown on the heavenly planets. Once, Satyabhāmā, one of Kṛṣṇa’s queens, wanted that lotus flower, and Kṛṣṇa promised to deliver it; but Indra refused to part with his pārijāta flower. Therefore there was a great fight, with Kṛṣṇa and the Pāṇḍavas on one side and all of the demigods on the other. Ultimately, Kṛṣṇa defeated all of them and took the pārijāta flower, which He presented to His queen. So, in regard to that occurrence, Kṛṣṇa told Nārada Muni, “My dear great sage of the demigods, now you can declare to the devotees in general, and to the nondevotees in particular, that in this matter of taking the pārijāta flower, all the demigods—the Gandharvas, the Nāgas, the demon Rākṣasas, the Yakṣas, the Pannagas—tried to defeat Me, but none could make Me break My promise to My queen.”
There is another promise by Kṛṣṇa in Bhagavad-gītā to the effect that His devotee will never be vanquished. So a sincere devotee who is always engaged in the transcendental loving service of the Lord should know for certain that Kṛṣṇa will never break His promise. He will always protect His devotees in every circumstance.
Kṛṣṇa showed how He fulfills His promise by delivering the pārijāta flower to Satyabhāmā, by saving Draupadī from being insulted and by freeing Arjuna from the attacks of all enemies.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In the case of Indra the word apārijāta means “devoid of the pārijāta tree.” In the case of Yudhiṣṭhira, apārijāta means “without any enemies.”
Why is sukhām declined in the feminine singular? Amara-kośa says atha triṣu dravye pāpaṁ puṇyaṁ sukhādi ca: such words as pāpa, puṇya and sukha should be declined in the singular in all genders. Sukham can be used as a verbal modifier as in the following example. sukham aham asvāpsam: I slept happily. Thus in this verse, it agrees with the noun it modifies (satyām and kṛṣṇām) and is declined in the feminine singular. Also, it can be understood to have the meaning “possessing happiness (sukhamatī)” as per arśādibhyo ’c (Pāṇini 5.2.127). [Note: According to this sūtra, “a” can be added to certain words giving the sense of possessing.]
mad-bhaktaḥ syān na duḥkhīti sva-vrataṁ vivṛtaṁ tvayā ||97||
[mad-bhaktah syaan na duhkheeti sva-vratam vivritam tvayaa ||97||]
Blended reading (Sanskrit + English inline)
satya-niyamo, yathā –
girer uddharaṇaṁ kṛṣṇa duṣkaraṁ karma kurvatā |
mad-bhaktaḥ syān na duḥkhīti sva-vrataṁ vivṛtaṁ tvayā ||97||
An example of being true to perpetual vows: O Kṛṣṇa! You vowed that Your devotee will never suffer. You have illustrated that by performing the difficult task of lifting Govardhana Hill.
Purport
The promise of Kṛṣṇa that His devotees are never vanquished had also previously been admitted by Indra when he was defeated in the govardhana-līlā. When Kṛṣṇa stopped the villagers of Vraja (Vṛndāvana) from worshiping Indra, Indra became angry and therefore inundated Vṛndāvana with continuous rain. Kṛṣṇa, however, protected all of the citizens and animals of Vṛndāvana by lifting Govardhana Hill, which served as an umbrella. After the incident was over, Indra surrendered to Kṛṣṇa with many prayers, in which he admitted, “By Your lifting Govardhana Hill and protecting the citizens of Vṛndāvana, You have kept Your promise that Your devotees are never to be vanquished.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The difference between satya-niyama and pratijñā is that satya-niyama is a constant vow whereas pratijñā is an occasional promise. This verse is the statement of Indra.
The knower of place, time and person is one who performs actions suitable to the time, place and person.
Purport
19. Expert Judge of Time and Circumstances
Kṛṣṇa was very expert in dealing with people according to circumstances, country, time and paraphernalia.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The suitability of time and place is based on the suitable person. Here the suitability of the person (supāṭra) is specifically mentioned to show that it is the major element, because if the persons are unqualified, then place and time are of little value. Thus, the word supātra is used instead of pātra to emphasize the importance of qualification of the candidate. Only one quality is mentioned (su, well qualified), but this indicates all qualities which make the candidate suitable. One should also understand that the expert person will understand all the qualities of place and time which make them suitable.
mano me sotkaṇṭhaṁ muhur ajani rāsotsava-rase ||99||
[mano me sotkantham muhur ajani raasotsava-rase ||99||]
Blended reading (Sanskrit + English inline)
yathā –
śaraj-jyotsnā-tulyaḥ katham api paro nāsti samayas
trilokyām ākṛīḍaḥ kvacid api na vṛndāvana-samaḥ |
na kāpy ambhojākṣī vraja-yuvati-kalpeti vimṛśan
mano me sotkaṇṭhaṁ muhur ajani rāsotsava-rase ||99||
There is no time compared to the autumn season in the moonlight. There is not place of amusement equal to Vṛndāvana in the three worlds. There are no lotus-eyed women like the young women of Vraja. Considering this, My heart longs for the taste of the rāsa dance.
Purport
How He could take advantage of a particular time, circumstance and person is expressed by Him while talking to Uddhava about His rāsa dance with the gopīs. He says, “The most opportune time is the full-moon night in autumn, like tonight. The best place within the universe is Vṛndāvana, and the most beautiful girls are the gopīs. So, My dear friend Uddhava, I think I should now take advantage of all these circumstances and engage Myself in the rāsa dance.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse illustrates how Kṛṣṇa is expert at judging suitable time, place and person for the rāsa dance. This statement occurs in a discussion when Kṛṣṇa speaks to Uddhava in Mathurā.
śāstrānusāri-karmā yaḥ śāstra-cakṣuḥ sa kathyate ||100||
[shaastraanusaari-karmaa yah shaastra-chakshuh sa kathyate ||100||]
Blended reading (Sanskrit + English inline)
(20) śāstra-cakṣuḥ –
śāstrānusāri-karmā yaḥ śāstra-cakṣuḥ sa kathyate ||100||
A person with “the eyes of scripture” is the person who performs his actions according to the rules of scripture.
Purport
20. Seer by the Authority of the Scriptures
A person who acts exactly according to the tenets of scripture is called śāstra-cakṣus. Śāstra-cakṣus means one who sees through the eyes of the authorized scriptures. Actually, any man of knowledge and experience should see everything through these books. For example, with our naked eye we perceive the sun globe simply as some glaring substance, but when we see through authorized books of science and other literature, we can understand how much greater the sun globe is than this earth and how powerful it is. So seeing things through the naked eye is not actually seeing. Seeing things through the authorized books or authorized teachers is the correct way to see. So, although Kṛṣṇa is the Supreme Personality of Godhead and can see all that is past, present and future, to teach the people in general He used to always refer to the scriptures. For example, in Bhagavad-gītā, although Kṛṣṇa was speaking as the supreme authority, He still mentioned and quoted Vedānta-sūtra as authority.
The eyes of scripture which belong to Kṛṣṇa, the enemy of Kaṁsa, exist only to see the practical action in a given situation, and His lotus eyes exist only to bewilder the young women.
Purport
There is a statement in Śrīmad-Bhāgavatam wherein a person jokingly says that Kṛṣṇa, the enemy of Kaṁsa, is known as the seer through the śāstras. In order to establish His authority, however, He is now engaged in seeing the gopīs, whereby the gopīs are becoming maddened.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement made by someone in a joking mood. To see what is practical (artha-dṛṣṭaye) means to see the auspicious and inauspicious elements of a given situation.
There are two types of purity: pāvana and viśuddha. Pāvana means he who destroys sin and viśuddha means he who is without faults.
Purport
21. Pure
There are two kinds of supreme purity. When one type is possessed, one is able to deliver a sinful person. When the other type is possessed, one does not do anything which is impure. A person who possesses either of these qualities is called supremely pure. Kṛṣṇa is both; He can deliver all sinful conditioned souls, and at the same time, He never does anything by which He can be contaminated.
Purification of sin (pāvana) is illustrated in the Padma Purāṇa:-- With intellect purified by faith and all sincerity, please intently worship Kṛṣṇa, an ocean of good qualities, whose glory destroys all darkness, who purifies those who purify others. When just the semblance of His name appears in the heart, it destroys the greatest accumulation of sins, just as the light prior to the rising of the sun destroys all darkness.
Purport
In this connection, Vidura, while trying to detach his elder brother, Dhṛtarāṣṭra, from his familial attachments, said, “My dear brother, you just fix your mind on the lotus feet of Kṛṣṇa, who is worshiped with beautiful, erudite verses by great sages and saintly persons. Kṛṣṇa is the supreme deliverer among all deliverers. Undoubtedly there are great demigods like Lord Śiva and Lord Brahmā, but their positions as deliverers depend always upon the mercy of Kṛṣṇa.” Therefore Vidura advised his elder brother, Dhṛtarāṣṭra, to concentrate his mind and worship only Kṛṣṇa. If one simply chants the holy name of Kṛṣṇa, this holy name will rise within one’s heart like the powerful sun and will immediately dissipate all the darkness of ignorance. Vidura advised Dhṛtarāṣṭra to therefore think always of Kṛṣṇa, so that the volumes of contaminations due to sinful activities would be washed off immediately. In Bhagavad-gītā also Kṛṣṇa is addressed by Arjuna as paraṁ brahma paraṁ dhāma pavitram [Bg. 10.12]—the supreme pure. There are many other instances exhibiting Kṛṣṇa’s supreme purity.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is an instruction of Vidura to Dhṛtarāṣṭra. One should understand the semblance of the name of the Lord (namābhāsa) from the following verse from the Padma Purāṇa:
namaikaṁ yasya vāci smaraṇa-patha-gataṁ śrotra-mūlaṁ gataṁ vā
śuddhaṁ vā ’śuddha-varṇaṁ vyavahita-rahitaṁ tārayaty eva satyam
Even chanting purely or impurely one name of the Lord completely, entering the ear and penetrating the mind, will certainly deliver a person.
Viśuddha (faultlessness) is illustrated as follows: O Syamantaka jewel! There is no deception in Kṛṣṇa to try to take you from Satrājit, and there is plenty of miserliness in Satrājit to keep you. Then why do you desire so forcibly to make a friendship with the Kaustubha jewel today?
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This a derisive statement made by Uddhava to Satrājit. Amara-koṣa says prasabhas tu balātkāro haṭha: prasabha means force or violence (haṭha). Haṭha is in the masculine. Prasabham here means “with force or violence” according to the rule arśādibhyo ’c.
[yasyendriyam vimathitum kuhakair na shekuh ||106||]
Blended reading (Sanskrit + English inline)
yathā prathame –
uddāma-bhāva-piśunāmala-valgu-hāsa-
vrīḍāvaloka-nihato madano ’pi yāsām |
saṁmuhya cāpam ajahāt pramadottamās tā
yasyendriyaṁ vimathituṁ kuhakair na śekuḥ ||106||
This is illustrated in the First Canto:- Although the queens’ beautiful smiles and furtive glances were all spotless and exciting, and signified deep love, and although they could conquer Cupid himself by making him give up his bow in frustration, other women who approached Kṛṣṇa with false smiles and glances could not agitate the senses of the Lord. SB 1.11.37
Purport
In this connection it is stated in Śrīmad-Bhāgavatam, “All the sixteen thousand wives of Kṛṣṇa were so exquisitely beautiful that their smiling and shyness were able to captivate the minds of great demigods like Lord Śiva. But still they could not even agitate the mind of Kṛṣṇa, in spite of their attractive feminine behavior.” Every one of the thousands of wives of Kṛṣṇa was thinking that Kṛṣṇa was captivated by her feminine beauty, but this was not the case. Kṛṣṇa is therefore the supreme controller of the senses, and this is admitted in Bhagavad-gītā, where He is addressed as Hṛṣīkeśa—the master of the senses.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Cupid (madanaḥ) was smitten by the queens’ smiles and bashful glances (hāsa-vrīḍāvaloka), indicating (piśuna) deep love (uddāma-bhāva), which were pure and attractive (amala-valgu). The strength of Cupid’s weapons which cause desire disappeared on seeing the queens’ intense love. This means that, being bewildered, he did not use his bow for firing arrows to inflame passion (saṁmuhya capām ajahāt). Thus, it is also said bhrū-pallavaṁ dhanur apāṅga-taraṅgitāni vāṇaḥ: their brows were bows and their glances were the arrows. (Gīta-govinda 3.13) This is an image to show the great attractiveness of the queens. Such queens had reached the most excellent position by their display of bliss arising from their exalted prema (pramadottamāḥ). In their group, some women, desiring a position similar to those queens who had a high level of spontaneous prema, could not bewilder the senses of Kṛṣṇa to the same degree as the queens did, with their smiles and glances, which were somewhat false because of lacking the prema of the exalted queens (kuhakaiḥ). However, they could bewilder the senses of Kṛṣṇa according to their level of prema.
[syaad udyamah krita-dhiyaam hi phalodayaantah ||108||]
Blended reading (Sanskrit + English inline)
yathā –
nirvedam āpa na vana-bhramaṇe murārir
nācintayad vyasanam ṛkṣa-vilapraveśe |
āhṛtya hanta maṇim eva puraṁ prapede
syād udyamaḥ kṛta-dhiyāṁ hi phalodayāntaḥ ||108||
Kṛṣṇa did not loathe wandering in the forest looking for the Syamantaka jewel, and did not consider fear on entering the cave of Jāmbavān. Taking the jewel, He returned to Dvārakā. Those of steady intelligence persevere in their work until attaining the result.
Purport
There was a fight between Kṛṣṇa and King Jāmbavān, and Kṛṣṇa was to take the valuable Syamantaka jewel from the King. The King tried to hide himself in the forest, but Kṛṣṇa would not become discouraged. Kṛṣṇa finally got the jewel by seeking out the King with great steadfastness.
[kim api manasi chitram chintyamaanaa tanoti ||110||]
Blended reading (Sanskrit + English inline)
yathā –
gurum api guru-vāsa-kleśam avyāja-bhaktyā
harir ajagaṇad antaḥ komalāṅgo ’pi nāyam |
prakṛtir ati-durūhā hanta lokottarāṇāṁ
kim api manasi citraṁ cintyamānā tanoti ||110||
Though Kṛṣṇa’s body was very soft, He did not consider in His heart the intolerable difficulties of living at the house of guru, because of His sincere devotion. One becomes amazed on contemplating the inscrutable character of extraordinary people.
Purport
When Kṛṣṇa was residing at the place of His spiritual master, He did not mind taking all troubles in rendering service to His guru, although His body was very soft and delicate. It is the duty of the disciple to execute all services unto the spiritual master, despite all kinds of difficulties. The disciple living at the residence of the spiritual master has to go begging from door to door and bring everything back to the spiritual master. When prasāda is being served, the spiritual master is supposed to call each and every disciple to come eat. If by chance the spiritual master forgets to call a disciple to partake of the prasāda, it is enjoined in the scriptures that the student should fast on that day rather than accept food on his own initiative. There are many such strictures. Sometimes, also, Kṛṣṇa went to the forest to collect dry wood for fuel.
An example from Śiṣupāla-vadha, Māgha-kāvya (16.25): Though Śiṣupāla criticized Kṛṣṇa hundreds of times, Kṛṣṇa did not give any response. Though the lion replies to the thunder, it does not pay attention to the howl of the jackal.
Purport
Lord Kṛṣṇa’s forgiving quality is described in the Śiśupāla-vadha in connection with His forbidding the killing of Śiśupāla. King Śiśupāla was the monarch of the Cedi kingdom, and although he happened to be a cousin of Kṛṣṇa’s, he was always envious of Him. Whenever they would meet, Śiśupāla would try to insult Kṛṣṇa and call Him ill names as much as possible. In the arena of the Rājasūya sacrifice of Mahārāja Yudhiṣṭhira, when Śiśupāla began to call Lord Kṛṣṇa ill names, Kṛṣṇa did not care and remained silent. Some of the people at the arena were prepared to kill Śiśupāla, but Kṛṣṇa restricted them. He was so forgiving. It is said that when there is a thundering sound in the clouds, the mighty lion immediately replies with his thundering roar. But the lion doesn’t care when all the foolish jackals begin to make their less important sounds.
vada kim apadam āgatas tasya te ’sti kṣamāyāḥ ||113||
[vada kim apadam aagatas tasya te ’sti kshamaayaah ||113||]
Blended reading (Sanskrit + English inline)
yathā vā yāmunācārya-stotre –
raghuvara yad abhūs tvaṁ tādṛśo vāyasasya
praṇata iti dayālur yac ca caidyasya kṛṣṇa |
pratibhavam aparāddhur mugdha sāyujyado ’bhūr
vada kim apadam āgatas tasya te ’sti kṣamāyāḥ ||113||
Another example from Stotra-ratna of Yāmunācārya (60) – O Rāmacandra, best of the Raghu dynasty! You were so merciful to the crow which pecked Sītā’s breast, but which then offered respects to You. [Note: Jayanta, son of Indra, took the form of a crow and pecked her breast, and Rāma sent His arrows after the crow. The crow finally surrendered to Rāma, and lost only his right eye.] O Kṛṣṇa, so forgetful of others sins! You gave attractive impersonal liberation to Śiṣupāla who offended You for many lifetimes. Tell me what offense exists in him that You would not tolerate?
Purport
Śrī Yāmunācārya praises the Lord’s power of forgiveness with the following statement: “My dear Lord Rāmacandra, You are so merciful to have excused the crow’s clawing on the nipples of Jānakī simply because of his bowing down before You.” Once Indra, the King of heaven, assumed the form of a crow and attacked Sītā (Jānakī), Lord Rāmacandra’s wife, by striking her on the breast. This was certainly an insult to the universal mother, Sītā, and Lord Rāmacandra was immediately prepared to kill the crow. But because later on the crow bowed down before the Lord, the Lord excused his offense. Śrī Yāmunācārya further says in his prayer that the forgiving power of Lord Kṛṣṇa is even greater than that of Lord Rāmacandra, because Śiśupāla was always in the habit of insulting Kṛṣṇa—not only in one lifetime, but continually throughout three lives. Still, Kṛṣṇa was so kind that He gave Śiśupāla the salvation of merging into His existence. From this we can understand that the goal of the monist to merge into the effulgence of the Supreme is not a very difficult problem. Persons like Śiśupāla who are consistently inimical to Kṛṣṇa can also get this liberation.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a second example of tolerance. There should be a conclusion after all the insults of Śiṣupāla mentioned in the previous verse, not simply tolerance, since it is difficult to tolerate loud banging sounds (and thus this verse explains that Kṛṣṇa liberated him). The reference to committing offenses for many lives (pratibhavam) indicates that Kṛṣṇa is superior to Rāma because Kṛṣṇa liberated him.
durvibodhāśayo yas tu sa gambhīraḥ itīryate ||114||
[durvibodhaashayo yas tu sa gambheerah iteeryate ||114||]
Blended reading (Sanskrit + English inline)
(26) gambhīraḥ –
durvibodhāśayo yas tu sa gambhīraḥ itīryate ||114||
A person whose intentions are difficult to comprehend is called inscrutable.
Purport
26. Grave
A person who does not express his mind to everyone, or whose mental activity and plan of action are very difficult to understand, is called grave.
śakto na harir vidhinā ruṣṭas tuṣṭo’thavā jñātum ||115||
When Brahmā worshipped Kṛṣṇa by offering the best praises in Vrndāvana, Kṛṣṇa remained silent. Brahmā could not understand if Kṛṣṇa was satisfied or angry with him.
Purport
After Lord Śrī Kṛṣṇa had been offended by Brahmā, Brahmā prayed to Him to be excused. But in spite of his offering nice prayers to Kṛṣṇa, Brahmā could not understand whether Kṛṣṇa was satisfied or still dissatisfied. In other words, Kṛṣṇa was so grave that He did not take the prayers of Brahmā very seriously.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The prayers of Brahmā had been clearly stated. Brahmā could not understand whether Kṛṣṇa was angry or satisfied with him for offering those prayers.
Another example: Though Kṛṣṇa, while lifting Govardhana Hill, was intoxicated with the new liquor of Rādhā’s love, even omniscient Balarāma could not notice any indications of change.
Purport
Another instance of Kṛṣṇa’s gravity is found in connection with His loving affairs with Rādhārāṇī. Kṛṣṇa was always very silent about His loving affairs with Rādhārāṇī, so much so that Baladeva, Kṛṣṇa’s elder brother and constant companion, could not understand the transformations of Kṛṣṇa on account of His gravity.
pūrṇa-spṛhaś ca dhṛtimān śāntaś ca kṣobha-kāraṇe ||117||
[poorna-sprihash cha dhritimaan shaantash cha kshobha-kaarane ||117||]
Blended reading (Sanskrit + English inline)
(27) dhṛtimān –
pūrṇa-spṛhaś ca dhṛtimān śāntaś ca kṣobha-kāraṇe ||117||
The person who is fully satisfied in his desires, or who is peaceful when there is cause for agitation by control of his mind, is called steadfast.
Purport
27. Self-satisfied
A person who is fully satisfied in himself, without any hankering, and who is not agitated even in the presence of serious cause for distress, is called self-satisfied.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Dhṛti (steadiness) means control of the mind. One who is satisfied (spṛha) because of attaining all desirable objects (pūrṇa) is called pūrna-spṛha. A person who is endowed with steadiness of mind caused by being fully satisfied in his desires is thus called dhṛtimān. A person is also called dhṛtimān who is peaceful (śānta), without agitation, by achieving control of the mind, even in the absence of achieving all desires.
The fully satisfied person is illustrated in the following: Though Kṛṣṇa is fond of fame, He gave that incomparable fame to Bhīma in the killing of Jarāsandha. What remains to be desired by those of superior character?
Purport
An example of Kṛṣṇa’s self-satisfaction was exhibited when He, Arjuna and Bhīma went to challenge Jarāsandha, the formidable king of Magadha, and Kṛṣṇa gave all credit to Bhīma for the killing of Jarāsandha. From this we can understand that Kṛṣṇa never cares at all for fame, although no one can be more famous.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
“Being satisfied in all desires” will be indicated in this verse by the words “those possessing superior character (lokottara-guṇa-śālinām).” Though he is satisfied in all His desires, it should be understood that Kṛṣṇa actually gave His fame to Bhīma because of His unconditional affection for Bhīma. Without this quality of affection, all other qualities become worthless. Since a person shows unconditional affection only for those who surrender, the Lord shows unconditional affection for the devotees who surrender unconditionally. The Lord’s fondness for fame arises only in order to give happiness to those devotees out of His affection. The devotees gain intense bliss by appreciating that fame of the Lord. Then the Lord transfers His own fame to the devotees. In this way, from His fondness for fame, full satisfaction is accomplished.
An example of being peaceful, in spite of causes of agitation: In spite of being rebuked by Śiśupāla and being praised by the sages in the assembly of the rājasūya sacrifice, Kṛṣṇa showed such steadiness that the kings present could not detect any change in Kṛṣṇa’s appearance.
Purport
An example of His not being disturbed was shown when Śiśupāla began to call Him ill names. All the kings and brāhmaṇas assembled at the sacrificial arena of Mahārāja Yudhiṣṭhira became perturbed and immediately wanted to satisfy Kṛṣṇa by offering nice prayers. But all these kings and brāhmaṇas could not discover any disturbance in Kṛṣṇa’s person.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The kings could not detect any change in Kṛṣṇa either of anger at the criticisms by Śiṣupāla or of satisfaction at the praises by the sages. Previously in describing inscrutability, Kṛṣṇa had feelings of love in his heart, but Balarāma could not understand that. In this case however neither anger nor joy appeared in Kṛṣṇa. That is the difference between steadiness and inscrutability.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The lack of response on being criticized by Śiṣupāla is an example of steadiness of mind through peacefulness. Kṛṣṇa’s lack of response also applies to His hearing the praises by the sages. Thus it is not an example of inscrutability or concealment of feeling, which has already been discussed. The sages were devotees, and thus they would be pleased internally and externally with whatever the Lord did. The difference between inscrutability and steadiness is that in inscrutability there is concealment of feelings, and in steadiness there is absence of feelings.
An example from the Tenth Canto: The punishment that this offender has been subjected to is certainly just. After all, You have incarnated within this world to curb envious and cruel persons. You are so impartial that You look equally upon Your enemies and Your own sons, for when You impose a punishment on a living being You know it to be for his ultimate benefit. SB 10.16.33
Purport
An example of Kṛṣṇa’s equilibrium is given in the Tenth Canto, Sixteenth Chapter, verse 33, of Śrīmad-Bhāgavatam in connection with His chastising Kāliya, the hundred-headed serpent. While Kāliya was being severely punished, all of his wives appeared before the Lord and prayed as follows: “Dear Lord, You have descended to punish all kinds of demoniac living creatures. Our husband, this Kāliya, is a greatly sinful creature, and so Your punishment for him is quite appropriate. We know that Your punishment for Your enemies and Your dealings with Your sons are both the same. We know that it is in thinking of the future welfare of this condemned creature that You have chastised him.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The Lord does not see with prejudiced vision in the manner of “This is My enemy, and this is My son.” The Lord sees with equal vision, because He sees differences only in terms of correct and incorrect. He gives punishment to the enemy, whose nature is incorrect, because he is thinking of the final result. This means that in the end, the Lord gives him the happiness of liberation. In this way, the Lord sees the enemy and His son as equal. It is also seen that fathers give punishment to erring sons. The enemies are people such as Jarāsandha and His sons are persons such as Narakāsura. How he became the son of the Lord during the Varāha pastimes is told in the Kālikā Purāṇa. [Note: This is minor Purāṇa named after Durgā.]
[kvachid api vishamam te cheshtitam jaaghateeti ||122||]
Blended reading (Sanskrit + English inline)
yathā vā –
ripur api yadi śuddho maṇḍanīyas tavāsau
yaduvara yadi duṣṭo daṇḍanīyaḥ suto ’pi |
na punar akhila-bhartuḥ pakṣapātojjhitasya
kvacid api viṣamaṁ te ceṣṭitaṁ jāghaṭīti ||122||
Another example: O best of the Yadus, if Your enemy does something correctly You reward him, and if Your son becomes spoiled You punish him. You are the protector of all people and without prejudice. Thus partiality can never occur in Your actions.
Purport
In another prayer it is said, “My dear Lord Kṛṣṇa, best of all the Yadu dynasty, You are so impartial that if even Your enemy is qualified, You will reward him; and if one of Your sons is a culprit, You will chastise him. This is Your business, because You are the supreme author of the universes. You have no partiality. If anyone finds any partiality in Your characteristics, he is surely mistaken.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
If the enemy does something correctly, without fault (śuddha), You reward him, and if Your son does something wrong, You punish him. Favoritism of either party (pakṣapataḥ) means to favor one party without good reasons.
The wishing jewel, the desire cow and the desire tree, being made useless by Kṛṣṇa, who fully satisfies all the supplicants’ desires, serve Dvārakā in shame.
Purport
When Kṛṣṇa was reigning over Dvārakā, He was so magnanimous and charitably disposed that there was no limit to His charity. In fact, so great was His charity in Dvārakā that even the spiritual kingdom, with all of its opulence of cintāmaṇi (touchstone), desire trees and surabhi cows, was surpassed. In the spiritual kingdom of Lord Kṛṣṇa, named Goloka Vṛndāvana, there are surabhi cows which give unlimited quantities of milk. There are desire trees from which anyone can take all kinds of fruits, as much as he may desire. The land is made of touchstone, which when touched to iron will transform it into gold. In other words, although in the spiritual kingdom, the abode of Kṛṣṇa, everything is wonderfully opulent, still when Kṛṣṇa was in Dvārakā His charity exceeded the opulences of Goloka Vṛndāvana. Wherever Kṛṣṇa is present, the limitless opulence of Goloka Vṛndāvana is automatically present.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a verse of praise by a professional reciter.
Another example: In each of the sixteen thousand one hundred and eight palaces with their queens, every day at one time Kṛṣṇa would give in charity thirteen thousand and eighty-four ornamented young cows with first-born calves. Who can be equal to Him in charity?
Purport
It is also stated that while Lord Kṛṣṇa was living in Dvārakā, He expanded Himself into 16,108 forms, and each and every expansion resided in a palace with a queen. Not only was Kṛṣṇa happily living with His queens in those palaces, but He was giving in charity from each palace an aggregate number of 13,054 cows completely decorated with nice clothing and ornaments. From each of Kṛṣṇa’s 16,108 palaces, these cows were being given in charity by Kṛṣṇa every day. No one can estimate the value of such a large number of cows given in charity, but that was the system of Kṛṣṇa’s daily affairs while He was reigning in Dvārakā.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The author enforces what was stated in the previous verse by one typical example of charity in Dvārakā. The number of palaces is sixteen multiplied (pūritā) by one thousand (daśa-śatī) plus one hundred and (śliṣṭa) eight. Gṛṣṭīnām refers to cows that have given birth to calves only once. One baddha is thirteen thousand eighty-four. In another edition this verse is missing.
kurvan kārayate dharmaṁ yaḥ sa dhārmika ucyate ||126||
[kurvan kaarayate dharmam yah sa dhaarmika uchyate ||126||]
Blended reading (Sanskrit + English inline)
(30) dhārmikaḥ –
kurvan kārayate dharmaṁ yaḥ sa dhārmika ucyate ||126||
The person who follows the principles of dharma and engages others in doing so also is called a virtuous man.
Purport
30. Religious
A person who personally practices the tenets of religion as they are enjoined in the śāstras and who also teaches others the same principles is called religious. Simply professing a kind of faith is not a sign of religiousness. One must act according to religious principles, and by his personal example he should teach others. Such a person is to be understood as religious.
An example: O king of the cowherd men! The bull of dharma with four legs under Your protection has flourished to such an extent that, going everywhere in the three worlds, it has forcefully gobbled up the grass of irreligion.
Purport
When Kṛṣṇa was present on this planet, there was no irreligion. In this connection, Nārada Muni once addressed Kṛṣṇa jokingly, “My dear Lord of the cowherd boys, Your bulls [bulls are the representation of religion], while eating grass from the pasturing ground and moving on their four legs, have certainly eaten up all the grass of irreligion!” In other words, by the grace of Kṛṣṇa, religious principles were so well cared for that hardly any irreligious activities could be found.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This and next verse are joking statements of Nārada. Examples of performing dharma and engaging others in dharma are given in the reverse order. The present verse is an example of engaging others in dharma. Gopendra is a pun. The normal meaning is king of the cowherd men. But gopa can also mean protector of the earth since go means earth and pa means protector. Thus gopendra means the best of protectors of the earth, or the best of kings. Amara-kośa says gopo bhūpa: gopa means king.
Another example: O Mukunda! You have performed so many sacrifices and continually attracted all the devatās that the wives of the devatās, feeling suffering in separation from their husbands, are praying to Buddha, Your ninth avatāra, to appear to stop sacrifices.
Purport
It is said that because Kṛṣṇa was constantly performing various types of sacrifices and was inviting the demigods from the higher planetary systems, the demigods were almost always absent from their consorts. Therefore the wives of the demigods, regretting the absence of their husbands, began to pray for the appearance of Lord Buddha, Kṛṣṇa’s ninth incarnation, who appears in the Age of Kali. In other words, instead of being pleased that Lord Kṛṣṇa had come, they began to pray for Lord Buddha, who is the ninth incarnation, because Lord Buddha stopped the ritualistic ceremonies and sacrifices recommended in the Vedas in order to discourage animal-killing. The demigods’ wives thought that if Lord Buddha appeared, all kinds of sacrifices would be stopped, and thus their husbands would not be invited to such ceremonies and would not be separated from them.
Sometimes it is inquired, “Why don’t the demigods from higher planetary systems come to this earth planet nowadays?” The plain answer is that since Lord Buddha appeared and began to deprecate the performance of sacrifice in order to stop animal-killing on this planet, the process of offering sacrifices has been stopped, and the demigods do not care to come here anymore.
utsāhī yudhi śūro ’stra-prayoge ca vicakṣaṇaḥ ||129||
[utsaahee yudhi shooro ’stra-prayoge cha vichakshanah ||129||]
Blended reading (Sanskrit + English inline)
(31) śūraḥ –
utsāhī yudhi śūro ’stra-prayoge ca vicakṣaṇaḥ ||129||
A hero is a person who is energetic in fighting and skilful in use of weapons.
Purport
NoD 22: Qualities of Kṛṣṇa Further Explained
31. Heroic
A person who is very enthusiastic in military activities and expert in releasing different kinds of weapons is called heroic.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
For the purpose of giving variety to the examples, the one warrior is described in two ways. This will be understood to be the method later as well.
An example of enthusiasm in fighting is illustrated first: O destroyer of Agha! Destroyer of sin! With Your trembling trunk-like arms, submerging Yourself in the lake of the expansive battlefield, playing in the forest of lotuses composed of Your enemies, You appear to be playing like the king of the elephants.
Purport
Regarding Kṛṣṇa’s heroism in fighting, there is the following statement: “My dear killer of the enemy, just as the elephant while taking bath in the lake destroys all the lotus stems within the water by swinging its trunk, so simply by moving Your arms, which are compared to the trunks of elephants, You have killed so many lotuslike enemies.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In the second line of this verse there is an alternate version: dviṣad aravindāvirala-śaivala-gām: entering into the thick growth of śaivala and lotuses composed of Your enemies.
dṛṣṭaḥ ko ’py atra nādaṣṭo hareḥ praharaṇāhibhiḥ ||131||
[drishtah ko ’py atra naadashto hareh praharanaahibhih ||131||]
Blended reading (Sanskrit + English inline)
dvitīyo, yathā –
kṣaṇād akṣauhiṇī-vṛnde jarāsandhasya dāruṇe |
dṛṣṭaḥ ko ’py atra nādaṣṭo hareḥ praharaṇāhibhiḥ ||131||
An example of being expert in handling weapons: Within a second, one could not see any soldier among the ferocious phalanx of akṣauhiṇis of Jarāsandha, any person who was not bitten by the snake-like arrows of the Lord.
Purport
Regarding Kṛṣṇa’s expertise in releasing weapons, when Jarāsandha and thirteen divisions of soldiers attacked Kṛṣṇa’s army, they were unable to hurt even one soldier on the side of Kṛṣṇa. This was due to Kṛṣṇa’s expert military training. This is unique in the history of military art.
[vrinde tam adya yadunandana-padma-bandhum ||133||]
Blended reading (Sanskrit + English inline)
yathā –
rājñām agādha-gatibhir magadhendra-kārā-
duḥkhāndhakāra-paṭalaiḥ svayam andhitānām |
akṣīṇi yaḥ sukhamayāni ghṛṇī vyatānīd
vṛnde tam adya yadunandana-padma-bandhum ||133||
An example of karuṇa: I offer my respects to the compassionate son of the Yadus, who like the sun made all the kings’ eyes blossom with joy. These kings had blinded themselves with tears, arising from the impenetrable darkness of suffering caused by being imprisoned by Jarāsandha.
Purport
Kṛṣṇa’s compassion for distressed persons was exhibited when He released all of the kings imprisoned by Magadhendra. While dying, Grandfather Bhīṣma prayed to Kṛṣṇa and described Him as the sun which eradicated darkness. The kings imprisoned by Magadhendra were put into dark cells, and when Kṛṣṇa appeared there, the darkness immediately disappeared, just as if the sun had risen. In other words, although Magadhendra was able to imprison so many kings, upon the appearance of Kṛṣṇa they were all released. Kṛṣṇa released the kings out of His sincere compassion for them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Bhīṣma when he was dying. Svayam indicates that the kings blinded themselves with their tears of suffering. Ghṛṇi means compassionate, according Amara-kośa. Jugupsā karuṇe ghṛṇa: ghṛṇa means disgust and compassion.
Another example: I offer my respects to the compassion of the Lord, who, because of Bhīṣma’s remembrance of Him while laying the bed of sharp arrows, immediately appeared, beyond His own control. He rushed towards Bhīṣma while forgetting His position as God, His body bathed in a shower of tears.
Purport
Kṛṣṇa’s compassion was also exhibited when Grandfather Bhīṣma was lying on the bed of arrows which had been shot through his body. While lying in this position, Bhīṣma was very anxious to see Kṛṣṇa, and thus Kṛṣṇa appeared there. Upon seeing the pitiable condition of Bhīṣma, Kṛṣṇa began speaking with tears in His eyes. Not only was He shedding tears, but He also forgot Himself in His compassion. Therefore, instead of offering obeisances to Kṛṣṇa directly, devotees offer obeisances to His compassionate nature. Actually, because Kṛṣṇa is the Supreme Personality of Godhead, it is very difficult to approach Him. But the devotees, taking advantage of His compassionate nature, which is represented by Rādhārāṇī, always pray to Rādhārāṇī for Kṛṣṇa’s compassion.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
I offer respects to the compassionate nature of Kṛṣṇa, who appeared because Bhīṣma thought of Him. How was that compassionate manifest? Kṛṣṇa, out of great haste to see Bhīṣma, forgot His position as the Lord (kavalita ātma-vispūrtaye). Such was Kṛṣṇa’s feeling for Bhīṣma.
Kṛṣṇa first offered respects to the lotus feet of His guru. He then offered respects to His father and elder brother. Then with folded hands and words, He offered respects to the elders of the Yadu dynasty in proper order.
Purport
When superior persons assembled before Kṛṣṇa, Kṛṣṇa first of all offered respect to His spiritual master, then to His father, and then to His elder brother, Balarāma. In this way Lord Kṛṣṇa, the lotus-eyed, was completely happy and pure at heart in all of His dealings.
The Supreme Lord, who is pure hearted by His very nature, does not see the serious offenses of His servant, but He accepts even a little service as a great thing. He does not find fault even in those of low character.
Purport
A statement by Uddhava after the Syamantaka jewel plundering confirms that Kṛṣṇa is so kind and favorable that if a servitor is accused even of great offenses, Kṛṣṇa does not take this into consideration. He simply considers the service that is rendered by His devotee.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement in a letter of Uddhava to Akrura after he stole the Syamantaka jewel and went to Kāśī.
An example from Māgha-kāvya: Seeing that Yudhiṣṭhira wanted to alight in haste from his chariot on seeing Kṛṣṇa, Kṛṣṇa Himself, by getting down from His chariot first out of great respect for Yudhiṣṭhira, showed more modesty than anyone else.
Purport
The example of Kṛṣṇa’s gentle behavior was manifested when He was coming to the arena of the Rājasūya sacrifice arranged by Mahārāja Yudhiṣṭhira, Kṛṣṇa’s older cousin. Mahārāja Yudhiṣṭhira knew that Kṛṣṇa was the Supreme Personality of Godhead, and he was attempting to get down from his chariot to receive Kṛṣṇa. But before Yudhiṣṭhira could get down, Lord Kṛṣṇa got down from His own chariot and immediately fell at the feet of the King. Even though Kṛṣṇa is the Supreme Personality of Godhead, He never forgets to show social etiquette in His dealings.
A person is called bashful who is shy when praised by others, or when he thinks others are aware of His secret love affairs. This is because of modesty or his unfathomable nature.
Purport
36. Shy
A person who sometimes exhibits humility and bashfulness is called shy.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He acts shyly when he thinks that His secret love affairs are known by others. He also shows shyness when praised by others. Such a person is called bashful. This is because of his modesty (śālīnatvena), or by his unfathomable nature. The example follows.
From Lalita-mādhava: All glories to the enemy of Madhu, who made Govardhana Hill shake slightly by the weight of glancing upon the expanse of the gopīs’ upraised breasts and who hung His head in shame when He saw Balarāma smiling before Him, while He was being praised by the fearful cowherd men.
Purport
As described in the Lalita-mādhava, Kṛṣṇa’s shyness was manifested when He lifted Govardhana Hill by the little finger of His left hand. All of the gopīs were observing Kṛṣṇa’s wonderful achievement, and Kṛṣṇa was also smiling at seeing the gopīs. When Kṛṣṇa’s glance went over the breasts of the gopīs, His hand began to shake, and upon seeing His hand shake, all of the cowherd men underneath the hill became a little disturbed. Then there was a tumultuous roaring sound, and they all began to pray to Kṛṣṇa for safety. At this time Lord Balarāma was smiling, thinking that these cowherd men had been frightened by the shaking of Govardhana Hill. But, seeing Balarāma smile, Kṛṣṇa thought that Balarāma had understood His mind in observing the breasts of the gopīs, and He immediately became bashful.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
From thinking of Kṛṣṇa’s tender body, the cowherd men became afflicted with fear (bhayārtaiḥ). From seeing Kṛṣṇa’s power, they began to offer Him praises—supplications to encourage His valor. In front, He saw Balarāma, who was smiling because Balarāma knew Kṛṣṇa’s powers. Because of His shy nature, He hung His head in embarrassment. All glories to that enemy of the Madhu demon. This means “May He appear within the hearts of the devotees with all His excellent qualities.”
The word kila in the verse has the meaning of “how is this happening?” It is said “Seeing the smiling Balarāma, Kṛṣṇa hung His head.” Thus the word kila indicates that there is the doubt whether Balarāma understood that the mountain was slightly moving because of Kṛṣṇa’s hand shaking from seeing the gopis’ breasts. Thus, because of the indication of doubt expressed by the word kila, it is understood that Balarāma actually did not know the reason for Kṛṣṇa’s hand moving. But even though His love of the gopīs was still secret, Kṛṣṇa acted bashfully out of His very nature. This is the indication. It would have been improper for Balarāma to observe Kṛṣṇa looking at the gopīs’ breasts. Also by Kṛṣṇa’s quality of inscrutability, He could make everyone unaware of His real feelings, while actually maintaining those feelings. The word kila, which indicates some doubt, placed in the first half of the verse can only indicate that perhaps the mountain was moving because of His shaking hand. Because of this, other interpretations are not accepted.
sadyaḥ prapadyamāne yad indavati yādavendro ’yam ||144||
O fever (weapon), though you are an offender in this battle, give up your fear, because the best of the Yadus, Kṛṣṇa, acts like the moon towards those who completely surrender to Him.
Purport
Some enemy of Kṛṣṇa’s was enlivened with the thought that he needn’t fear Kṛṣṇa, because if he simply surrendered unto Him, Kṛṣṇa would give him all protection. Kṛṣṇa is sometimes compared to the moon, which does not hesitate to distribute its soothing rays, even on the houses of the caṇḍālas and other untouchables.
sīmantinyaś ca nityaṁ yaduvara bhuvane kas tvad-anyo ’sti bhogī ||146||
The enjoyer is illustrated first: O best of the Yadus, the quantity of Your jeweled ornaments cannot even be imagined by Kubera, the lord of wealth. The singing and dancing taking place at Your door cannot be imagined by Indra, even in his dreams. At Your side constantly are beautiful women who enjoy all your attractive limbs, who are decorated with the tips of Your moon-like fingernails, and who are thus superior to the wife of Śiva. In this world there is no enjoyer like You.
Purport
As far as Kṛṣṇa’s enjoyment is concerned, it is stated that the ornaments which decorated the bodies of Kṛṣṇa and His queens were beyond the dreams of Kuvera, the treasurer of the heavenly kingdom. The constant dancing before the doors of Kṛṣṇa’s palaces was not to be imagined even by the demigods in the heavenly kingdom. In the heavenly kingdom, Indra always sees the dancing of the society girls. But even Indra could not imagine how beautiful were the dances being performed at the gates of Kṛṣṇa’s palaces. Gaurī means “white woman,” and Lord Śiva’s wife is called Gaurī. The beautiful women residing within the palaces of Kṛṣṇa were so much whiter than Gaurī that they were compared to the moonshine, and they were constantly visible to Kṛṣṇa. Therefore, no one can be enjoying more than Kṛṣṇa. The conception of enjoyment is beautiful women, ornaments and riches. And all of these were fabulously present in the palaces of Kṛṣṇa, defeating even the imagination of Kuvera, Lord Indra or Lord Śiva.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a verse sung by a bard. Śaśi-kalā can mean “who are decorated with the tips of the fingernails or marks of the fingernails, which are like many moons.” Or in reference to the wife of Śiva (gaurī), it can mean “who possesses only one digit of the moon, which is situated on Śiva’s forehead.” Kānta-sarvāṅga-bhājaḥ can mean “who enjoy all the attractive limbs of Kṛṣṇa” or it can mean in reference to the wife of Śiva, “who shares half the body of her beloved.” Thus the alternative meaning is: You are accompanied by many women who are superior to Gaurī, Śiva’s wife, because they enjoy all Your limbs whereas she enjoys only half of Śiva’s body, and they are decorated with countless moons of Your fingernail tips, whereas she is decorated with the reflection of only one moon on Śiva’s forehead.” The pun on words is apt, because it shows their superiority to Gaurī.
“Being without a trace of sorrow” is illustrated next: O wives of the brāhmaṇas! Not even a trace of sorrow can touch Kṛṣṇa, for in Him there is no destruction, no decrease, no suffering in household affairs, no cause of fear, and no worry. He does not know any of the suffering of this world. He is eternally engaged in amusing Himself in Vrndāvana with beautiful women, who were perfect, the best of friends, and held the highest love.
Purport
Not even a slight distress can touch Kṛṣṇa. Once some of the gopīs went to the place where the brāhmaṇas were performing sacrifices and said, “Dear wives of the brāhmaṇas, you must know that not even a slight smell of distress can touch Kṛṣṇa. He knows no loss, He knows no defamation, He has no fear, He has no anxiety, and He does not know calamity. He is simply encircled by the dancers of Vraja and is enjoying their company in the rāsa dance.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement made by a messenger of Kṛṣṇa acting as a go-between with the wives of the brāhmaṇas. Ghoram (terrible) here means there is nothing to cause fear in Him. Thus he has no fear at all. Udgūrṇām means anxiety. Sāṅgīkṛta-suhṛd-anaṅgābhiḥ varāṅgibhiḥ viharati means “He consorts with beautiful women who were perfect, the best of friends, possessing the highest love.” Though all these things are stated concerning the Lord, it must also be implied that He is not totally ignorant of these things. Thus, what is pointed out here is Kṛṣṇa’s great power to remain without confusion in all such circumstances.
An example of being easily served from Viṣṇu-dharma: [Note: This verse is also found in the Gautamīya-tantra.] If the devotees offer only water and tulasī leaves to the Lord, the Lord, being affectionate to the devotees, puts Himself under the control of the devotees.
Purport
It is said of Kṛṣṇa’s devotees that if they offer even a little water or a tulasī leaf in devotion to Lord Viṣṇu, Lord Viṣṇu is so kind that He will sell Himself to them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse, vikrīṇīte svam ātmānam (He sells His soul) means that He puts Himself completely under the control of the devotees.
An example of being the friend of His servant, from the First Canto: Fulfilling my desire and sacrificing His own promise, He got down from the chariot, took up its wheel, and ran towards me hurriedly, just as a lion goes to kill an elephant. He even dropped His upper garment on the way. SB 1.9.37
Purport
Kṛṣṇa’s favoritism toward His devotees was exhibited in His fight with Bhīṣma. When Grandfather Bhīṣma was lying at the point of death on the bed of arrows, Kṛṣṇa was present before him, and Bhīṣma was remembering how Kṛṣṇa had been kind to him on the battlefield. Kṛṣṇa had promised that in the Battle of Kurukṣetra He would not even touch a weapon to help either side; He would remain neutral. Although Kṛṣṇa was Arjuna’s charioteer, He had promised that He would not help Arjuna by using any weapons. But one day Bhīṣma, in order to nullify Kṛṣṇa’s promise, exhibited his fighting spirit so magnificently against Arjuna that Kṛṣṇa was obliged to get down from His chariot. Taking up a broken chariot wheel, He ran toward Grandfather Bhīṣma as a lion runs toward an elephant to kill it. Grandfather Bhīṣma remembered this scene, and He later praised Kṛṣṇa for His glorious favoritism toward His devotee, Arjuna, even at the risk of breaking His own promise.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement of Bhīṣma on leaving his body. Kṛṣṇa gave up His promise (nigamam apahāya) to take up arms in the war. “I also made an oath, to make Kṛṣṇa take up arms. Though standing in Arjuna’s chariot, to make my oath come true, Kṛṣṇa got down on the ground and took the chariot wheel in His hand. Being absorbed in this, His top cloth fell off (gataḥ uttarīyaḥ) and by that absorption, with His manifested power, the earth shook. He came towards me to kill me, but did not do so. May that Mukunda be the object of my mind! (This is stated in the next verse.) He was like a lion attacking an elephant (me). His sense of friendship, with its devotion, detected a trace of past devotion in me--who by fate have now become a great offender to Kṛṣṇa and His friend Arjuna. In addition, such friendship increased my glory while decreasing His glory.” Kṛṣṇa alone has such friendship with His pure devotees at all times.
He who is controlled only by affection is called “controlled by love.”
Purport
40. Controlled by Love
Kṛṣṇa becomes obliged to the loving spirit of the devotee and not exactly to the service rendered. No one can serve Kṛṣṇa completely. He is so complete and self-sufficient that He has no need of any service from the devotee. It is the devotee’s attitude of love and affection for Kṛṣṇa that makes Him obliged.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He is controlled, not by service or other elements, but by the love.
An example from the Tenth Canto: The lotus-eyed Supreme Lord felt intense ecstasy upon touching the body of His dear friend, the wise brāhmaṇa, and thus He shed tears of love. SB 10.80.19
Purport
A very nice example of this obligatory behavior was manifested when Sudāmā Vipra went to Kṛṣṇa’s palace. Sudāmā Vipra had been a class friend of Kṛṣṇa’s, and due to his poverty he was induced by his wife to see Kṛṣṇa to request some aid. When Sudāmā Vipra reached Kṛṣṇa’s palace, Kṛṣṇa received him very well, and both He and His wife washed the feet of Sudāmā Vipra, showing respect to the brāhmaṇa. Remembering His loving affairs with Sudāmā in their childhood, Kṛṣṇa began to shed tears while receiving him.
Another example from the Tenth Canto: Because of mother Yaśodā’s hard labor, her whole body became covered with perspiration, and the flowers and comb were falling from her hair. When child Kṛṣṇa saw His mother thus fatigued, He became merciful to her and agreed to be bound. SB 10.9.18
Purport
Another instance of Kṛṣṇa’s obligation to His devotee is described in the Tenth Canto, Ninth Chapter, verse 18, of Śrīmad-Bhāgavatam, where Śukadeva Gosvāmī tells King Parīkṣit, “My dear King, when Mother Yaśodā was perspiring, tired of trying to bind Kṛṣṇa up with rope, Kṛṣṇa agreed to allow her to bind Him.” Kṛṣṇa, as a child, was disturbing His mother by His naughty activities, and she wanted to bind Him up. Mother Yaśodā brought some rope from the house and tried to tie up the child, but she could not tie a knot due to the shortness of the rope. She tied together many ropes, but when she finished still the rope was too short. After a while she felt very tired and began to perspire. At that time Kṛṣṇa agreed to be bound up by His mother. In other words, no one can bind Kṛṣṇa by any means other than love. He is bound only by obligation to His devotees, because of their ecstatic love for Him.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is given as an example of extreme control of Kṛṣṇa by extreme love.
He gave benefit to the sages by the display of His qualities manifested in Dvārakā. He gave benefit to the followers of dharma by destroying the wicked. He gave success to the rascals by killing them in battle. To whom did Kṛṣṇa not give benefit?
Purport
After the disappearance of Lord Kṛṣṇa from this planet, Uddhava began to remember the activities of the Lord and said, “Kṛṣṇa satisfied all great sages by His wonderful pastimes. He demolished all of the demoniac activities of the cruel royal order, protected all pious men and killed all cruel fighters on the battlefield. Therefore He is all-auspicious for all men.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement of Uddhava after Kṛṣṇa’s disappearance from the earth. The sages who take pleasure in the ātmā (being liberated) received benefit from the display of the Lord’s qualities manifested in Dvārakā. The following verse illustrates this.
ātmārāmāś ca munayo nirgranthā apy urukrame
kurvanty ahaitukīṁ bhaktim ittham-bhūta-guṇo hariḥ
All different varieties of ātmārāmas [those who take pleasure in ātmā, or spirit self], especially those established on the path of self-realization, though freed from all kinds of material bondage, desire to render unalloyed devotional service unto the Personality of Godhead. This means that the Lord possesses transcendental qualities and therefore can attract everyone, including liberated souls. SB 1.7.10
When You illuminate the world with Your brilliancy which is like the sun, the darkness of mountain caves becomes the shelter for the terrible demons who are like owls.
Purport
When Kṛṣṇa was present on this planet, just as the powerful sun drives all darkness to take shelter in caves, He drove away all of His enemies, who fled like owls to take shelter beyond His sight.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Pratāpayati means “he illuminates.” The usage of the word tāpī is found in such words as Nṛsiṁha-tāpanī Upaniṣad (Upaniṣad which reveals Nṛsiṁha). In fact prakāśayati is sometimes found instead of pratāpayati in this verse. In verse 58 the Lord was defined as having power (prabhāva) because He has the demeanor of conquering all (prabhāvaḥ sarva-jit-sthitiḥ). The difference between prabhāva and pratāpī is that pratāpī means a person who is famous for his power over others.
O son of Nanda! Since the light of the moon of Your good qualities has already turned everything radiant (white), how can it make the world thick with Kṛṣṇa prema (kṛṣṇa also means darkness)?
Purport
It is stated that the diffusion of Kṛṣṇa’s fame is like the moonshine, which turns darkness into light. In other words, if Kṛṣṇa consciousness is preached all over the world, the darkness of ignorance and the anxiety of material existence will turn into the whiteness of purity, peacefulness and prosperity.
Another example, from Lalita-mādhava: O Dāmodara Kṛṣṇa! When Nārada, playing his vīṇā, began to sing Your glories, Pārvatī, not seeing the blue color on his throat, left Śiva’s abode; Balarāma seeing his blue cloth turn white, gave it up in astonishment; and the excited cowherd women, seeing the blue water of the Yamunā turn white, began to churn it, thinking it was milk.
Purport
When the great sage Nārada was chanting the glories of the Lord, the bluish line on the neck of Lord Śiva disappeared. Upon seeing this, Gaurī, the wife of Lord Śiva, suspected Lord Śiva of being someone else disguised as her husband, and out of fear she immediately left his company. Upon hearing the chanting of Kṛṣṇa’s name, Lord Balarāma saw that His dress had become white, although He was generally accustomed to a bluish dress. And the cowherd girls saw all of the water of the Yamunā River turn into milk, so they began to churn it into butter. In other words, by the spreading of Kṛṣṇa consciousness, or the glories of Kṛṣṇa, everything became white and pure.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a playful image according to poetic usage, rather than a description of actual events. However, on hearing the glories of Kṛṣṇa, Pārvatī does lose interest in Śiva, Balarāma loses interest in his cloth, and the cowherd women begin churning the Yamunā in ecstasy. Instead of ābhīrikotkā (excited cowherd women) there is an alternate version abhīra-rāmā (cowherd women).
An example from the First Canto: O lotus-eyed Lord, whenever You go away to Vṛndāvana or Hastināpura to meet Your friends and relatives, every moment of Your absence seems like a million years. O infallible one, at that time we become bewildered, just like eyes become bewildered when bereft of the sun. SB 1.11.9
Purport
As for Kṛṣṇa’s popularity, there is a statement in the First Canto, Eleventh Chapter, verse 9, of Śrīmad-Bhāgavatam, that deals with His returning home from the capital of Hastināpura. While He had been absent from Dvārakā at the Battle of Kurukṣetra, all the citizens of Dvārakā had become morose. Then, when He returned, the citizens joyfully received Him and said, “Dear Lord, while You were absent from the city, we passed our days in the darkness of night. As in the darkness of night every moment appears to be a long duration of time, so while You were gone every moment appeared to us like millions of years. Your separation is completely unbearable to us.” This statement shows how popular Kṛṣṇa was all over the country.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Not only does a moment seem like a million years, but just as the eyes without the sun are bewildered, so we (naḥ), who are Your servants (tava), are bewildered without You.
ke vā raṅga-sthala-bhuvi harau bhejire nānurāgam ||163||
Another example: When Kṛṣṇa entered the arena of Kaṁsa the sages uttered blessings of “Victory! Victory! Victory!” The devatās uttered sweet songs of praise. Out of joy, the woman shouted loudly all around. Who did not develop attraction for Kṛṣṇa at the sports arena?
Purport
A similar incident occurred when Kṛṣṇa entered the arena of sacrifice arranged by King Kaṁsa for His death. As soon as He entered the place, all the sages began to cry, “Jaya! Jaya! Jaya!” (which means “Victory!”). Kṛṣṇa was a boy at that time, and all the sages offered their respectful blessings to Him. The demigods who were present also began to offer beautiful prayers to Kṛṣṇa. And the ladies and girls present expressed their joy from all corners of the arena. In other words, there was no one in that particular place with whom Kṛṣṇa was not very popular.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Someone present at the arena speaks, using repetition of the present tense to express himself briefly. By asking a question at the end of the verse, there is indirect expression that everyone felt happiness and wonder. Instead of bhejire nānurāgam (who would not have attraction?), the phrase nānurāgaṁ bhajanti (who is not attracted?) is also found.
sad-eka-pakṣapātī yaḥ sa syāt sādhu-samāśrayaḥ ||164||
[sad-eka-pakshapaatee yah sa syaat saadhu-samaashrayah ||164||]
Blended reading (Sanskrit + English inline)
(45) sādhu-samāśrayaḥ –
sad-eka-pakṣapātī yaḥ sa syāt sādhu-samāśrayaḥ ||164||
He who has exclusive inclination to the devotees is called the person who protects the devotees.
Purport
45. Partiality to Devotees
Although Kṛṣṇa is the Supreme Personality of Godhead and is therefore not partial to anyone, it is stated in Bhagavad-gītā that He has special attraction for a devotee who worships His name in love and affection.
O Supreme Person! If You did not appear on this earth to bestow auspiciousness, I do not know what condition would befall the devotees from the persecution by all the fierce demons.
Purport
When Kṛṣṇa was on this planet, one devotee expressed his feeling in this way: “My dear Lord, if You had not appeared on this planet, then the asuras [demons] and atheists would have surely created havoc against the activities of the devotees. I cannot imagine the magnitude of such devastation prevented by Your presence.” From the very beginning of His appearance, Kṛṣṇa was the greatest enemy of all demoniac persons, although Kṛṣṇa’s enmity toward the demons is actually comparable to His friendship with the devotees. This is because any demon who is killed by Kṛṣṇa receives immediate salvation.
The person who enchants a group of women by his very nature is called an attractor of women.
Purport
46. Very Attractive to All Women
Any person who has special qualifications becomes immediately very attractive to women.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Just as the word nārī-gaṇa-manohārī indicates that attracting women is His very nature with the ending ī, sundari-vṛnda-mohanaḥ also indicates a person who by his very nature bewilders a group of beautiful women because of the ending ana on mohanaḥ. [Note: Mohana comes from the verb muh. With the suffic ana it becomes mohana.] Kṛṣṇa has this special ability of attracting the women because He possesses other qualities, such as having a beautiful body (suramyāṅga), by His very nature. Thus, the women of Vraja said kṛṣṇaṁ nirīkṣya vanitotsava-rūpa-śīlaṁ: Kṛṣṇa’s beauty and character create a festival for all women. (SB 10.21.22) The word gaṇa in the first phrase and vṛnda in the second phrase indicate a particular section of all women. Thus, there is no over-extension of the statement to include those women not endowed with genuine love of Kṛṣṇa.
An example from the Tenth Canto: The Lord, being glorified in countless ways, forcibly attracts the minds of women who simply hear about Him. What to speak, then, if those women see Him directly? SB 10.90.26
Purport
A devotee made the following statement about the queens of Dvārakā: “How shall I describe the glories of the queens of Dvārakā, who were personally engaged in the service of the Lord? The Lord is so great that simply by chanting His name all the great sages like Nārada can enjoy transcendental bliss. So what can be said about those queens, who were at every moment seeing the Lord and serving Him personally?” Kṛṣṇa had 16,108 wives in Dvārakā, …
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Here again in mentioning women, it refers to a particular group of women. Since He is praised in many ways (urugītaḥ) by these special devotees (urugāya), He attracts the minds of these particular women. Then certainly He will attract their minds when He is seen by them.
Another example: O Mādhava! You are a magnet and certain women are iron. Wherever You wander in play, they run after You.
Purport
… and each and every one of them was attracted to Kṛṣṇa just as iron is attracted by a magnet. There is a statement by a devotee: “My dear Lord, You are just like a magnet, and all the damsels of Vraja are just like iron: in whichever direction You are moving they are following You, as iron is attracted by magnetic force.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse clarifies His nature of attracting women by giving an analogy. The word aṅganā-jātiḥ indicates a particular group of women.
sarveṣām agra-pūjyo yaḥ sa sarvārādhya ucyate ||169||
[sarveshaam agra-poojyo yah sa sarvaaraadhya uchyate ||169||]
Blended reading (Sanskrit + English inline)
(47) sarvārādhyaḥ –
sarveṣām agra-pūjyo yaḥ sa sarvārādhya ucyate ||169||
He who should be worshipped before all others is called all-worshipable.
Purport
47. All-worshipable
A person who is respected and worshiped by all kinds of human beings and demigods is called sarvārādhya, or all-worshipable.
Kṛṣṇa is worshiped not only by all living entities, including the great demigods like Lord Śiva and Lord Brahmā, but also by Viṣṇu expansions (forms of Godhead) such as Baladeva and Śeṣa. Baladeva is a direct expansion of Kṛṣṇa, but He still accepts Kṛṣṇa as worshipable.
An example from the First Canto: At the Rājasūya-yajña [sacrifice] performed by Mahārāja Yudhiṣṭhira, there was the greatest assembly of all the elite men of the world, the royal and learned orders, and in that great assembly Lord Śrī Kṛṣṇa was worshiped by one and all as the most exalted Personality of Godhead. This happened during my presence, and I remembered the incident in order to keep my mind upon the Lord. SB 1.9.41
Purport
When Kṛṣṇa appeared in the arena of the Rājasūya sacrifice organized by Mahārāja Yudhiṣṭhira, to all present, including great sages and demigods, Kṛṣṇa became the cynosure, the center of attraction, and everyone offered Him respects.
varṣanty aṣṭau kim api nidhayaś cārtha-jātaṁ tavāmī |
śuddhāntaś ca sphurati navabhir lakṣitaḥ saudha-lakṣmair
lakṣmīṁ paśyan mura-damana te nātra citrāyate kaḥ ||172||
O subduer of Mura! Five hundred and sixty million Yadus are serving You. Your eight treasures are raining all wealth. Nine hundred thousand pure palaces are shining in glory. Who would not be astonished on seeing Your wealth?
Purport
When Kṛṣṇa was present in Dvārakā, His family, which is known as the Yadu dynasty, consisted of 560 million members. And all of these family members were very obedient and faithful to Kṛṣṇa. There were more than 900,000 big palatial buildings there to house all the people, and everyone in them respected Kṛṣṇa as the most worshipable. Devotees were astonished to see the opulence of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The number of five hundred and sixty million is arrived at by considering the subdivisions of the clan. This is an example from the Lord’s pastimes manifested on earth. However, the same exists in the Lord’s unmanifest pastimes. It should be understood that by the desire of the Lord this becomes manifest on earth. Thus, it is said in the Bhāgavatam:
tata ārabhya nandasya vrajaḥ sarva-samṛddhimān
harer nivāsātma-guṇaiḥ ramākrīḍam abhūn nṛpa
O Mahārāja Parīkṣit, the home of Nanda Mahārāja is eternally the abode of the Supreme Personality of Godhead and His transcendental qualities and is therefore always naturally endowed with the opulence of all wealth. Yet beginning from Lord Kṛṣṇa’s appearance there, Vraja (place of manifest pastimes) became the place for the pastimes of the goddess of fortune. SB 10.5.18
yathā vā kṛṣṇa-karṇāmṛte [Note: This is not in any of the present versions of the work. It is also quoted in CC. Madhya 14.228.] –
cintāmaṇiś caraṇa-bhūṣaṇam aṅganānāṁ
śṛṅgāra-puṣpa-taravas taravaḥ surāṇām |
vṛndāvane vraja-dhanaṁ nanu kāma-dhenu-
vṛndāni ceti sukha-sindhur aho vibhūtiḥ ||173||
Another example, from Kṛṣṇa-karṇāmṛta: In Vṛndāvana, the ornaments on the feet of the women are cintāmaṇi. The flower trees for making decorations are desire trees. The desire cows are the wealth of Vraja. This display of wealth is an ocean of happiness.
Purport
This was verified by Bilvamaṅgala Ṭhākura when in Kṛṣṇa-karṇāmṛta he addressed Kṛṣṇa thus: “My dear Lord, what can I say about the opulence of Your Vṛndāvana? Simply the ornaments on the legs of the damsels of Vṛndāvana are more than cintāmaṇi, and their dresses are as good as the heavenly pārijāta flowers. And the cows exactly resemble the surabhi cows in the transcendental abode. Therefore Your opulence is just like an ocean that no one can measure.”
Brahmā and others came to see Kṛṣṇa and arrived at the gate of Dvārakā. The doorkeeper said: O Brahmā! Just sit for a moment with Śiva on this seat. It is not necessary to make hymns of praise. Just remain silent. O Varuṇa! Go away. Why are the devatās making such a clamor at the gate? It is not time for the Lord of Dvārakā to come.
Purport
When Kṛṣṇa was living at Dvārakā, demigods like Lord Śiva, Lord Brahmā, Indra the King of heaven and many others used to come to visit Him. The doorkeeper, who had to manage the entrance of all these demigods, one very busy day said, “My dear Lord Brahmā and Lord Śiva, please sit down on this bench and wait. My dear Indra, please desist from reading your prayers. This is creating a disturbance. Please wait silently. My dear Varuṇa, please go away. And my dear demigods, do not waste your time uselessly. Kṛṣṇa is very busy; He cannot see you!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
… Other door keepers coming from Kṛṣṇa say, “Why are the devatās making such a clamor at the gate?” Then Brahmā and others say, “How unfortunate! It is not time for the Lord of Dvārakā to come.”
dvidheśvaraḥ svatantraś ca durlaṅghyājñaś ca kīrtyate ||176||
[dvidheshvarah svatantrash cha durlanghyaajnash cha keertyate ||176||]
Blended reading (Sanskrit + English inline)
(50) īśvaraḥ –
dvidheśvaraḥ svatantraś ca durlaṅghyājñaś ca kīrtyate ||176||
It is said that there are two types of controllers: he who is independent and he whose orders cannot be neglected.
Purport
50. The Supreme Controller
There are two kinds of controllers, or lords: one who is independent is called controller, and one whose orders cannot be neglected by anyone is called controller.
An example of “He who is independent”: Though Kāliya offended the Lord, Kṛṣṇa gave him mercy by placing His foot mark on his head. Though Brahmā praised the Lord, Kṛṣṇa did not glance at him. Such unprecedented behavior is suitable to the Lord because the Vedas praise him as being independent.
Purport
Regarding Kṛṣṇa’s complete independence and lordship, Śrīmad-Bhāgavatam says that although Kāliya was a great offender, Kṛṣṇa still favored him by marking his head with His lotus feet, whereas Lord Brahmā, although having prayed to Kṛṣṇa with so many wonderful verses, still could not attract Him.
This contradictory treatment by Kṛṣṇa is just befitting His position, because in all the Vedic literature He is described as the complete independent. In the beginning of Śrīmad-Bhāgavatam the Lord is described as svarāṭ, which means “completely independent.” That is the position of the Supreme Absolute Truth. The Absolute Truth is not only sentient, but is also completely independent.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is suitable (sthāne) behavior (ayam). He is praised (nutaḥ) by the Vedas (nigamaiḥ) as having an independent nature (svatantra-caritaḥ).
An example of “He whose order cannot be neglected,” from the Third Canto: Lord Śrī Kṛṣṇa is the Lord of all kinds of threes and is independently supreme by achievement of all kinds of fortune. He is worshiped by the eternal maintainers of the creation, who offer Him the paraphernalia of worship by touching their millions of helmets to His feet. SB 3.2.21
Purport
As for Kṛṣṇa’s orders not being neglected by anyone, in Śrīmad-Bhāgavatam, Third Canto, Second Chapter, verse 21, Uddhava tells Vidura, “Lord Kṛṣṇa is the master of the three modes of material nature. He is the enjoyer of all opulences, and therefore there is no one equal to or greater than Him.” All the great kings and emperors used to come before Him, offer their gifts and pay obeisances with their helmets at the feet of the Lord.
Another example: O enemy of Kaṁsa! All the Brahmās, accepting Your order to create, create all the new universes. All the Śivas destroy all the old universes on Your order to destroy. All Your expansions in the form of Viṣṇus, protectors of the universe, carry out Your order to protect the newly created universes. All the masters of the universes in all directions are awaiting Your order.
Purport
One devotee said, “My dear Kṛṣṇa, when You order Brahmā, ‘Now you may create the universe,’ and when You order Lord Śiva, ‘Now you dissolve this material manifestation,’ You are in this way creating and dissolving the material creation Yourself. Simply by Your orders and by Your partial representation of Viṣṇu, You are maintaining the universes. In this way, O Kṛṣṇa, O enemy of Kaṁsa, there are so many Brahmās and Śivas who are simply carrying out Your orders.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse kṛtājñā does not mean grateful, but “accepting orders.” Since the universes are old (kāla-jīrṇe), a group of Śivas destroys them on His order. Since the universes are young (taruṇe), a group of Viṣṇus protects them. After the Lord gives the order, it is to be expected that they will be attentive for upholding the given order. Even at the time of creation, the Viṣṇus and Śivas remain always ready to follow Kṛṣṇa’s order, because of the existence of portions of universes needing protection and destruction at that time. However, by use of the three words navya, jīrṇa and taruṇa, the intensity of attention at those particular times by Brahmās, Śivas and Viṣṇus is emphasized.
He who is not controlled by māyā or its effects is said to have a constant form.
Purport
51. Changeless
Kṛṣṇa does not change His constitutional position, not even when He appears in this material world. Ordinary living entities have their constitutional spiritual positions covered. They appear in different bodies, and under the different bodily concepts of life they act. But Kṛṣṇa does not change His body. He appears in His own body and is therefore not affected by the modes of material nature.
na yujyate sadātma-sthair yathā buddhis tad-āśrayā ||181||
An example from the First Canto: This is the divinity of the Personality of Godhead: He is not affected by the qualities of material nature, even though He is in contact with them. Similarly, the devotees who have taken shelter of the Lord do not become influenced by the material qualities. SB 1.11.39
Purport
In the First Canto, Eleventh Chapter, verse 38, of Śrīmad-Bhāgavatam it is stated that the special prerogative of the supreme controller is that He is not at all affected by the modes of nature. The practical example of this is that devotees who are under the protection of the Lord are also not affected by material nature. To overcome the influence of material nature is very difficult, but the devotees or the saintly persons who are under the protection of the Lord are not affected. So what need is there to speak of the Lord Himself? To be more clear, although the Lord sometimes appears in this material world, He has nothing to do with the modes of material nature, and He acts with full independence in His transcendental position. This is the special quality of the Lord.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse explains the nature of the Lordship (īśanam) of He who controls everything (īśasya). Māyā-kāryāvaśī-kṛtaḥ means one who is not controlled by māyā or its effects. The Lord is situated within prakṛti either as the Supersoul or as an avatāra, but He is not contaminated (yujyate) by prakṛti’s effects in the form of the three guṇas--sattva, rajas and tamas. In contrast to this, the jīvas are affected by the guṇas through taking the role of owners of it while being situated within it. A comparison is given. It is just like the intelligence of the devotees, which takes shelter of the Lord. Their intelligence also does not become contaminated. In this way the Lord is shown to be always situated in His svarūpa (sadā-svarūpa-samprāpta). He does not at all deviate from His form and qualities which are actually the product of His svarūpa-śakti. This is another way of saying that He is not affected at all by māyā and its guṇas. In the Bhāgavatam, the śrutis also say:
sa yad ajayā tv ajām anuśayīta guṇāṁś ca juṣan
bhajati sarūpatāṁ tad anu mṛtyum apeta-bhagaḥ
tvam uta jahāsi tām ahir iva tvacam ātta-bhago
mahasi mahīyase ’ṣṭa-guṇite ’parimeya-bhagaḥ
The illusory material nature attracts the minute living entity to embrace her, and as a result he assumes forms composed of her qualities. Subsequently, he loses all his spiritual qualities and must undergo repeated deaths. You, however, avoid the material energy in the same way that a snake abandons its old skin. Glorious in Your possession of eight mystic perfections, You enjoy unlimited opulences. SB 10.87.38
An example, from the First Canto: During our exile, Durvāsā Muni, who eats with his ten thousand disciples, intrigued with our enemies to put us in dangerous trouble. At that time Lord Kṛṣṇa, simply by accepting the remnants of food, saved us. By His accepting food thus, the assembly of munis, while bathing in the river, felt sumptuously fed. And all the three worlds were also satisfied. SB 1.15.11
Purport
A nice example of the all-cognizant quality of the Lord is described in Śrīmad-Bhāgavatam, First Canto, Fifteenth Chapter, verse 11, in connection with Durvāsā Muni’s visit to the house of the Pāṇḍavas in the forest. Following a calculated plan, Duryodhana sent Durvāsā Muni and his ten thousand disciples to be guests of the Pāṇḍavas in the forest. Duryodhana arranged for Durvāsā and his men to reach the place of the Pāṇḍavas just when the Pāṇḍavas’ lunchtime ended, so that the Pāṇḍavas would be caught without sufficient means to feed such a large number of guests. Knowing Duryodhana’s plan, Kṛṣṇa came to the Pāṇḍavas and asked their wife, Draupadī, if there were any remnants of food which she could offer to Him. Draupadī offered Him a container in which there was only a little fragment of some vegetable preparation, and Kṛṣṇa at once ate it. At that moment all of the sages accompanying Durvāsā were taking bath in the river, and when Kṛṣṇa felt satisfaction from eating Draupadī’s offering, they also felt satisfaction, and their hunger was gone. Because Durvāsā and his men were unable to eat anything more, they went away without coming into the house of the Pāṇḍavas. In this way the Pāṇḍavas were saved from the wrath of Durvāsā. Duryodhana had sent them because he knew that since the Pāṇḍavas would not be able to receive such a large number, Durvāsā would become angry, and the Pāṇḍavas would be cursed. But Kṛṣṇa saved them from this calamity by His trick and by His all-cognizant quality.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement made by Arjuna. Kṛṣṇa, knowing that we were doing austerities, since He knows everything, came to the forest and protected us Pāṇḍavas. From what did He protect us? He protected us from the difficulty (kṛcchram) of the curse which would be uttered by Durvāsā, and which would be difficult to avoid (duranta). What type of curse? It was a curse arranged by the enemy Duryodhana (ari-racitāt). What was the nature of Durvāsā? He would eat his meals along with ten thousand sages (ayutāgra-bhuk). He was invited to eat by Yudhiṣṭhira, who did not know that Draupadī had already eaten, and thus the pot could not supply any more food. Where did Durvāsā go? Along with his followers he went to bathe in the water. He stayed a long time in the water in order to complete his rituals. How did Kṛṣṇa protect the Pāṇḍavas? Kṛṣṇa ate a morsel of rice and spinach stuck to the pot. Well and good, but then what happened? Because Kṛṣṇa was satisfied with that morsel, Durvāsā, what to speak of his followers, felt that not only he, but all three worlds, were satisfied with food.
vismayaṁ mādhurībhir yaḥ sa prokto nitya-nūtanaḥ ||184||
[vismayam maadhureebhir yah sa prokto nitya-nootanah ||184||]
Blended reading (Sanskrit + English inline)
(53) nitya-nūtanaḥ –
sadānubhūyamāno ’pi karoty ananubhūtavat |
vismayaṁ mādhurībhir yaḥ sa prokto nitya-nūtanaḥ ||184||
He who astonishes by appearing to be previously unrelished, though he has already been relished with His sweet qualities, is called ever-fresh.
Purport
53. Ever Fresh
Kṛṣṇa is always remembered, and His name is always chanted by millions of devotees, but the devotees never become satiated. Instead of becoming disinterested in thinking of Kṛṣṇa and in chanting His holy name, the devotees get newer and newer impetus to continue the process. Therefore Kṛṣṇa is ever fresh. Not only Kṛṣṇa Himself, but also Kṛṣṇa’s knowledge is ever fresh. Bhagavad-gītā, which was imparted five thousand years ago, is still being read repeatedly by many, many men, and still new light is always being found in it. Therefore, Kṛṣṇa and His name, fame, qualities—and everything in relationship with Him—is ever fresh.
[chalaapi yach chreer na jahaati karhichit ||185||]
Blended reading (Sanskrit + English inline)
yathā prathame –
yadyapy asau pārśva-gato raho-gatas
tathāpi tasyāṅghri-yugaṁ navaṁ navam |
pade pade kā virameta tat-padāc
calāpi yac chrīr na jahāti karhicit ||185||
An example, from the First Canto: Although Lord Sri Kṛṣṇa was constantly by their sides, as well as being exclusively alone, His feet appeared to them to be newer and newer. The goddess of fortune, although always restless and moving, could not quit the Lord’s feet. So what woman can be detached from those feet, having once taken shelter of them? SB 1.11.34
Purport
All the queens at Dvārakā were goddesses of fortune. It is said in Śrīmad-Bhāgavatam, First Canto, Eleventh Chapter, verse 33, that the goddesses of fortune are very fickle and restless, so no one can consistently captivate them. Thus one’s luck will always change sometime. Yet the goddesses of fortune could not leave Kṛṣṇa for even a moment when they were residing with Him at Dvārakā. This means that Kṛṣṇa’s attraction is ever fresh. Even the goddesses of fortune cannot leave His company.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The last line expresses that in Lakṣmī there exist both fickleness and steadiness. She is calā or fickle, only in her secondary aspect. She is steady in being attached to the Lord’s feet in her svarūpa aspect. This illustrates the special greatness of Kṛṣṇa’s sweetness.
Another example, from Latlia-mādhava: O beautiful-faced friend! Who is this expert craftsman Viśvakarma standing in front of us, breaking the stones of self-control in all the young women with the tips of His long, sharp, chisel-like corners of His eyes and simultaneously constructing a cow pen using millions of sapphires?
Purport
Regarding Kṛṣṇa’s attractive features being ever fresh, there is a statement by Rādhārāṇī in the Lalita-mādhava in which Kṛṣṇa is compared to the greatest sculptor, because He is expert in chiseling at the chastity of women. In other words, although chaste women may follow the rules and regulations of Vedic principles to become ever faithful to their husbands, Kṛṣṇa is able to break their stonelike chastity with the chisel of His beauty. Most of the girlfriends of Kṛṣṇa were married, but because Kṛṣṇa was their friend before their marriages, they could not forget His attractive features, which were always fascinating to them, even after their marriages.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement of the queen of Vṛndāvana, Rādhā, who would relish Kṛṣṇa at every moment. Because of the strength of the expression in the verse, it is understood that she experienced Kṛṣṇa in increasingly unique ways. Thus the verse is used as an example of ever-freshness. Chaṭa means a fine tip. The word is also found in the phrase saṭācchaṭābhinna-ghaṇa (solid with a fine tip) from Śisupāla-vadha. Kakṣa means an enclosure according to Amara-kośa. The fence appears to be made of sapphires because of the rays emanating from Kṛṣṇa’s blackish body. But there is something remarkable here in Kṛṣṇa. While doing the difficult work of constructing a cow pen out of sapphires (so it appears), He simultaneously breaks the stones of self-control of the gopīs. The hint here is that it is not intentional on His part to break the gopīs’ dharma.
He who has a form thoroughly composed of knowledge and bliss, with no contamination of other elements, is called sac-cid-ānanda-sāndrāṅga.
Purport
54. Sac-cid-ānanda-vigraha Bs. 5.1
Kṛṣṇa’s transcendental body is eternal, full of knowledge and bliss. Sat means ever-existing for all time and in all places; in other words, all-pervading in time and space. Cit means full of knowledge. Kṛṣṇa has nothing to learn from anyone. He is independently full of all knowledge. Ānanda means the reservoir of all pleasure. The impersonalists are seeking to merge into the Brahman effulgence of eternity and knowledge, but the major portion of the absolute pleasure which is in Kṛṣṇa is avoided by them. One can enjoy the transcendental blissfulness of merging into the Brahman effulgence after being freed from the contamination of material illusion, false identification, attachment, detachment and material absorption. These are the preliminary qualifications of a person who can realize Brahman. It is stated in Bhagavad-gītā that one has to become full of joyfulness; this is not exactly joyfulness, but a sense of freedom from all anxieties. Freedom from all anxieties may be the first principle of joyfulness, but it is not actual joyfulness. Those who realize the self, or become brahma-bhūta [SB 4.30.20], are only preparing themselves for the platform of joyfulness. That joyfulness can be actually achieved only when one comes into contact with Kṛṣṇa. Kṛṣṇa consciousness is so complete that it includes the transcendental pleasure derived from impersonal or Brahman realization. Even the impersonalist will become attracted to the personal form of Kṛṣṇa, known as Śyāmasundara.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The Lord is called sat (existence) because He exists in all time and space.
yo ’yaṁ kālas tasya te ’vyakta-bandhoceṣṭām āhuś
O inaugurator of the material energy, this wonderful creation works under the control of powerful time, which is divided into seconds, minutes, hours and years. This element of time, which extends for many millions of years, is but another form of Lord Viṣṇu. SB 10.3.26
na cāntar na bahir yasya na pūrvaṁ nāpi cāparam
The Supreme Personality of Godhead has no beginning and no end, no exterior and no interior, no front and no rear. In other words, He is all-pervading. SB 10.9.13
The Lord is called cit because He is a conscious entity, rather than inert matter, because He alone reveals Himself (which matter cannot do, and which jīvas cannot do).
tāvat sarve vatsa-pālāḥ paśyato ’jasya tat-kṣaṇāt
vyadṛśyanta ghana-śyāmāḥ pīta-kauśeya-vāsasaḥ
Then, while Lord Brahmā looked on, all the calves and the boys tending them immediately appeared to have complexions which were the color of bluish rain clouds and to be dressed in yellow silken garments. SB 10.13.
The calves and boys (Kṛṣṇa) transformed themselves and were seen by Brahma to be bluish. The form is reflexive passive.
rūpam asya na cakṣuṣā paśyati kaścanainam
No one can see that form with material eye. Kaṭha Upaniṣad 6.9
yam evaiṣa vṛṇute tena labhyas
tasyaiṣa ātmā vivṛṇute tanuṁ svām
He is attained by the person whom He chooses. He reveals His form to that person. Muṇḍaka Upaniṣad 3.2.3.
The Lord is called ānanda because of being composed completely of unmixed prema.
kim etad adbhutam iva vāsudeve ’khilātmani
vrajasya sātmanas tokeṣv apūrvaṁ prema vardhate
What is this wonderful phenomenon? The affection of all the inhabitants of Vraja, including Me, toward these boys and calves is increasing as never before, just like our affection for Lord Kṛṣṇa, the Supersoul of all living entities. SB 10.13.36
The śruti says:
ānandaṁ brahmaṇo rūpam
The form of Brahman is bliss.
The word sāndra is used to indicate being uncontaminated with any other element. This is expressed as follows:
mayā tatam idaṁ sarvaṁ jagad avyakta-mūrtinā
mat-sthāni sarva-bhūtāni na cāhaṁ teṣv avasthitaḥ
By Me, in My unmanifested form, this entire universe is pervaded. All beings are in Me, but I am not contaminated by them. BG 9.4
Cid-ānanda-ghanākṛti has the same meaning as sac-cid-ānanda-sāndrāṅga. The word sat is not used in the phrase because it is implied by the mention of the existence of His various forms (ākṛti).
Who is that person standing before us, revealing a human form, black in color, full of bliss, who even covers the happiness of brahman which appears spontaneously after the five types of suffering have been destroyed?
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The five types of suffering are ignorance (avidyā), false identity (asmitā), attraction (rāga), hatred (dveṣa) and clinging to life (abhiniveśa). These are mentioned in the Yoga-sūtra 2.3 of Patañjali. Vyarthayan means “covering.”
yathā va brahma-saṁhitāyām ādi-puruṣa-rahasye (5.51) –
[yathaa va brahma-samhitaayaam aadi-purusha-rahasye (5.51) –]
yasya prabhā prabhavato jagad-aṇḍa-koṭi-
[yasya prabhaa prabhavato jagad-anda-koti-]
koṭiṣv aśeṣa-vasudhādi vibhūti-bhinnam |
[kotishv ashesha-vasudhaadi vibhooti-bhinnam |]
tad brahma niṣkalam anantam aśeṣa-bhūtaṁ
[tad brahma nishkalam anantam ashesha-bhootam]
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi ||189||
[govindam aadi-purusham tam aham bhajaami ||189||]
Blended reading (Sanskrit + English inline)
yathā va brahma-saṁhitāyām ādi-puruṣa-rahasye (5.51) –
yasya prabhā prabhavato jagad-aṇḍa-koṭi-
koṭiṣv aśeṣa-vasudhādi vibhūti-bhinnam |
tad brahma niṣkalam anantam aśeṣa-bhūtaṁ
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi ||189||
Another example, from Brahma-saṁhitā: I worship the supreme lord Govinda, whose powerful form disperses an effulgence known as the undifferentiated, unlimited, all-encompassing brahman, which is overshadowed by the unlimited powers of the Lord displayed in unlimited planets throughout billions of universes.
Purport
It is confirmed by the statement of Brahma-saṁhitā that the Brahman effulgence is the bodily ray of Kṛṣṇa; the Brahman effulgence is simply an exhibition of the energy of Kṛṣṇa. Kṛṣṇa is the source of the Brahman effulgence, as He Himself confirms in Bhagavad-gītā. From this we can conclude that the impersonal feature of the Absolute Truth is not the ultimate end; Kṛṣṇa is the ultimate end of the Absolute Truth.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Previously this Brahma-saṁhitā verse was quoted in the commentary on 1.2.278 to demonstrate that the impersonal brahman is non-different from Kṛṣṇa in the manner that light and the sun are non-different. Though the brahman has been explained as the effulgence of the Lord, it should also be understood to be just the Lord’s vibhūti or power. The śruti also confirms:
yasya avyaktam śarīram yo avyakam sañcaran yam avyaktaṁ na veda… sa eṣa sarvabhūtāntarātmā divyo deva eko nārāyaṇa
Nārāyaṇa is the one spiritual lord, the soul of all beings, whose body is the unmanifest brahman, who pervades the brahman, whom no one knows as the brahman. Subala Upaniṣad 7
Bhagavad-gītā says:
yasmāt kṣaram atīto ’ham akṣarād api cottamaḥ
ato ’smi loke vede ca prathitaḥ puruṣottamaḥ
Because I am superior to the jīvas, to the impersonal brahman and to the puruṣa known as paramātmā, and even to the other forms of bhagavān, I am celebrated in the Vedas and the smṛtis, as the Supreme Person. BG 15.18
Also the Eleventh Canto of Bhāgavatam states that brahman is a vibhūti of the Lord (indicated by the word param in the verse):
pṛthivī vāyur ākāśa āpo jyotir ahaṁ mahān
vikāraḥ puruṣo ’vyaktaṁ rajaḥ sattvaṁ tamaḥ param
I am form, taste, aroma, touch and sound; false ego; the mahat-tattva; earth, water, fire, air and sky; the living entity; material nature; the modes of goodness, passion and ignorance; and the brahman. SB 11.16.37
In the commentary of Śrīdhara it is mentioned that param means the brahman.
tad brahma śrī-bhagavato vibhūtir iti kīrtyate ||190||
Thus the Śrī-vaiṣṇavas who have taken into account all the śruti and smṛti statements, say that this brahman is the vibhūti of Bhagavān.
Purport
The members of the Vaiṣṇava schools therefore never try to merge into the Brahman effulgence in their pursuit of spiritual perfection. They accept Kṛṣṇa as the ultimate goal of self-realization. Therefore Kṛṣṇa is called Para-brahman (the Supreme Brahman) or Parameśvara (the supreme controller).
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Though the Śrī-vaiṣṇavas say that word brahman denotes bhagavān and do not accept the existence of a separate impersonal brahman, it should be understood here that another opinion has been accepted and is stated here.
Thus Yāmunācārya states in his stotra -- O Bhagavān! The universe, and within the universe, all the elements starting with earth, with coverings in dimensions increasing by ten times with each covering, followed by the three guṇas, the totality of jīvas, prakṛti, Vaikuṇṭha and the brahman are all Your vibhūtis.
Purport
Śrī Yāmunācārya has prayed as follows: “My dear Lord, I know that the gigantic universe and gigantic space and time within the universe are covered by the ten layers of the material elements, each layer ten times larger than the previous one. The three material modes of nature, the Garbhodakaśāyī Viṣṇu, the Kṣīrodakaśāyī Viṣṇu, the Mahā-Viṣṇu, and beyond them the spiritual sky and its spiritual planets, known as Vaikuṇṭhas, and the Brahman effulgence in that spiritual sky—all of these taken together are nothing but a small exhibition of Your potency.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The universe, and within the universe, the sense objects (gocara), are Your vibhūtis. The coverings of the universe made of the elements, each ten times thicker than the previous covering, are Your vibhūtis. The totality of jīvas (puruṣa) is Your vibhūti. Vaikuṇṭha (paraṁ padam) is Your vibhūti. The brahman also is to be considered a particular manifestation with lack of qualities, under the control of the Lord in all cases.
He who controls all mystic powers is called “served by all siddhis.”
Purport
55. Possessing All Mystic Perfections
There are many standards of perfection. The highest material perfections, obtained by perfect yogīs, are listed as eight: to become the smallest of the small, to become the greatest of the great, etc. All of these material perfections, as well as all spiritual perfections, can be found fully in Kṛṣṇa’s personality.
The eight great siddhis, served by ten companion siddhis one after the other, do not have the opportunity to enter the door of Kṛṣṇa’s palace.
Purport
55. Possessing All Mystic Perfections
There are many standards of perfection. The highest material perfections, obtained by perfect yogīs, are listed as eight: to become the smallest of the small, to become the greatest of the great, etc. All of these material perfections, as well as all spiritual perfections, can be found fully in Kṛṣṇa’s personality.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The eight great siddhis [Note: Among the eight primary mystic perfections, the three by which one transforms one’s own body are aṇimā, becoming smaller than the smallest; mahimā, becoming greater than the greatest; and laghimā, becoming lighter than the lightest. Through the perfection of prāpti one acquires whatever one desires, and through prākāmya-siddhi one experiences any enjoyable object, either in this world or the next. Through iśitā-siddhi one can manipulate the subpotencies of māyā, and through the controlling potency called vaśitā-siddhi one is unimpeded by the three modes of nature. One who has acquired kāmāvasāyitā-siddhi can obtain anything from anywhere, to the highest possible limit. My dear gentle Uddhava, these eight mystic perfections are considered to be naturally existing and unexcelled within this world. SB 11.15.4-5] are served (vṛtā) by ten siddhis [Note: The ten secondary mystic perfections arising from the modes of nature are the powers of freeing oneself from hunger and thirst and other bodily disturbances, hearing and seeing things far away, moving the body at the speed of the mind, assuming any form one desires, entering the bodies of others, dying when one desires, witnessing the pastimes between the demigods and the celestial girls called Apsaras, completely executing one’s determination and giving orders whose fulfillment is unimpeded. SB 11.15.6-7] one after the other.
The siddhis may be known from the Eleventh Canto.
He who has an extraordinary role in creating and destroying the universe, who can bewilder Brahmā and Śiva and who has power to destroy the prārabdha-karmas of the devotee, is called the possessor of great, inconceivable powers.
Purport
56. Kṛṣṇa's Inconceivable Potencies
Kṛṣṇa is present everywhere, not only within the universe, not only within the hearts of all living entities, but also within every atom. In the prayers of Queen Kuntī we find mention of this inconceivable potency of Kṛṣṇa. While Kṛṣṇa was talking with Kuntī, He simultaneously entered the womb of Uttarā, who was in danger due to the atomic weapon of Aśvatthāmā. Kṛṣṇa can illusion even Lord Brahmā and Lord Śiva, and He can protect all surrendered devotees from the reactions of sinful activities. These are some of the examples of His inconceivable potencies.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The sequence of three items is from greater to lesser in powers. He has the power to bewilder Brahmā, Śiva and others. “Others” refers to Saṅkarṣaṇa (Balarāma). Balarāma also gets bewildered by Kṛṣṇa. Balarāma had greater and greater realizations after Kṛṣṇa had played the role of the calves and boys for almost a year:
prāyo māyāstu me bhartur nānyā me ’pi vimohinī
She must be the illusory energy of My master, Lord Kṛṣṇa, for who else can bewilder Me? SB 10.13.37
The word divya in the phrase divya-sargādi-kartṛtvaṁ (taking a divya role in creating the universe) indicates that Kṛṣṇa even takes the role of antaryāmī within all the universes, but remains uncontaminated by it. Vidhvaṁsa here means vidhvaṁsanam, the cause of destruction of the prārabdha-karmas.
aṁśenāṁśena cakre tad anu bahu-catur-bāhutāṁ teṣu tene |
vṛttas tattvādi-vītair atha kam alabhavaiḥ stūyamāno’khilātmā
tāvad brahmāṇḍa-sevyaḥ sphuṭam ajani tato yaḥ prapadye tam īśam ||195||
An example of His extraordinary role in creation of the universes: The Lord, the soul of all, first was alone, then produced forms of the calves and boys by a part of part of Himself, then spread Himself in those forms as four-handed forms of Viṣṇu, and then was surrounded by Brahmā and others along with the elements and was praised and served by all the jīvas of the universe. I surrender to that Lord.
Purport
Śrīla Rūpa Gosvāmī therefore offers his obeisances unto Kṛṣṇa by saying, “Kṛṣṇa, who is present as a human being, has as His mere shadow the whole material nature. He has expanded Himself into so many cows, calves and cowherd boys, and He has again manifested Himself in all of them as the four-handed Nārāyaṇa. He has taught millions of Brahmās self-realization, and thus He is worshipable not only by the heads of all universes, but by everyone else also. Therefore let me always accept Him as the Supreme Personality of Godhead.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
An example of the astonishing power of the Lord which was previously promised is here presented. It is astonishing because it presents the Lord absorbed in His human pastimes while simultaneously showing His powers as the Lord. Other verses will also later illustrate this (verse 198). This same incident should be understood according to the Bhāgavatam:
adyaiva tvad ṛte ’sya kiṁ mama na te māyātvam ādarśitam
eko ’si prathamaṁ tato vraja-suhṛd-vatsāḥ samastā api
tāvanto ’si catur-bhujās tad akhilaiḥ sākaṁ mayopāsitās
tāvanty eva jaganty abhūs tad amitaṁ brahmādvayaṁ śiṣyate
Have You not shown me today that both You Yourself and everything within this creation are manifestations of Your inconceivable potency? First You appeared alone, and then You manifested Yourself as all of Vṛndāvana’s calves and cowherd boys, Your friends. Next, You appeared as an equal number of four-handed Viṣṇu forms, who were worshiped by all living beings, including me, and after that You appeared as an equal number of complete universes. Finally, You have now returned to Your unlimited form as the Supreme Absolute Truth, one without a second. SB 10.14.18
An alternate version of the text is rejected.
An example of His extraordinary ability to bewilder Brahma, Śiva and others is illustrated as follows: Brahmā was bewildered by Kṛṣṇa, the enemy of Kaṁsa when he stole the boys and calves. In battle with Kṛṣṇa, Śiva was put to sleep. O Indra, compared to Kṛṣṇa, who are you devatās now?
Purport
When Indra was defeated by Kṛṣṇa in the matter of taking the pārijāta plant from heaven, Nārada met Indra and criticized him, “O Indra, great King of heaven, Kṛṣṇa has already defeated Lord Brahmā and Lord Śiva. So what can be said of an insignificant demigod like you?” Nārada Muni, of course, was criticizing Indra jokingly, and Indra enjoyed it. In Nārada’s statement it is confirmed that Kṛṣṇa was able to illusion even Lord Brahmā and Lord Śiva, as well as Indra. So there is no question of Kṛṣṇa’s power to do the same to lesser living entities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Nārada spoke these joking words to Indra who was pompously speaking after the battle of arrows for retrieving his parijāta tree. The word “now” (adya) indicates that Indra has just been defeated.
An example of destroying the prārabdha-karmas of the devotee is discussed in the Tenth Canto: Suffering the bondage of his past activity, My spiritual master’s son was brought here to you. O great King Yamarāj, bring this boy to Me without delay. He has been purified by My edict. SB 10.45.45
Purport
A description of Kṛṣṇa’s power in minimizing the sufferings of sinful reactions is given in Brahma-saṁhitā as follows: “Beginning from the great King of heaven down to the ant, everyone is undergoing the reactions of past deeds. But a devotee of Kṛṣṇa is relieved from such reactions by the grace of Kṛṣṇa.” This was clearly proved when Kṛṣṇa went to the place of Yamarāja, the Lord of death, to reclaim the dead son of His teacher. Kṛṣṇa’s teacher had requested Kṛṣṇa to bring back his dead son, and to do so Kṛṣṇa went to the place of Yamarāja to claim that soul, who had been brought there by Yamarāja and was being kept under his control. Kṛṣṇa immediately ordered Yamarāja, “Be benefited by My order and return that soul unto Me!” The purport of this incident is that even a person who is under the regulative principles of the laws of nature, and is therefore punishable by Yamarāja under these laws, can be granted complete immunity by the grace of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The son was made a devotee by the mercy of Kṛṣṇa, without performing sādhana, since he was the son of Kṛṣṇa’s guru.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Since the son was brought here because of his karmas to be suffered, how did he overcome that karma? “Bring him here. He has been purified by My edict.” What was the edict? By the Lord’s edict, he became a devotee. It is understood that he was made a devotee because of his relationship to Sāndīpani.
The word ādi in the definition (ity ādy acintya-śaktitā in verse 194) also refers to accomplishing what is most difficult or impossible (durghata-ghaṭana): My master Kṛṣṇa, full of infinite, inconceivable powers, who, though without birth, became the son of Nanda, the leader of cowherds; who, though pervading everywhere, manifested His form in the arms and lap of Yaśodā; and who, though manifesting many forms, is only one form, delights my heart.
Purport
Kṛṣṇa’s inconceivable potencies have been described by Śukadeva Gosvāmī as follows: “Kṛṣṇa is bewildering my intelligence because, although He is unborn, He has appeared as the son of Nanda Mahārāja. He is all-pervading, but still He is held on the lap of Yaśodā. In spite of His being all-pervasive, He has become limited by the love of Yaśodā. Although He has innumerable forms, still He is moving as one Kṛṣṇa before His father and mother, Nanda and Yaśodā.” In the Brahma-saṁhitā also it is said that although Kṛṣṇa is eternally living in Goloka Vṛndāvana, His transcendental abode, He is still present everywhere, even within the atoms.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Durghaṭa-ghaṭanā means that the Lord reveals Himself in unprecedented circumstances which are difficult for the observer to understand. This is a statement of Śukadeva. Uddhava describes how Kṛṣṇa is unborn (api jani-parihīnaḥ):
va-śānta-rūpeṣv itaraiḥ sva-rūpair
abhyardyamāneṣv anukampitātmā
parāvareśo mahad-aṁśa-yukto
hy ajo ’pi jāto bhagavān yathāgniḥ
The Personality of Godhead, the all-compassionate controller of both the spiritual and material creations, whose portion is Mahā-viṣṇu, revealer of the mahat-tattva, is unborn, but when there is friction between His peaceful devotees and persons who are in the material modes of nature, He takes birth just like fire. SB 3.2.1
Garga speaks of Kṛṣṇa as the son of the head of the cowherd men (sūnuḥ ābhīra-bhartuḥ):
prāg ayaṁ vasudevasya kvacij jātas tavātmajaḥ
vāsudeva iti śrīmān abhijñāḥ sampracakṣate
For many reasons, this beautiful son of yours sometimes appeared previously as the son of Vasudeva. Therefore, those who are learned sometimes call this child Vāsudeva SB 10.8.14
Sometimes svaprasūr garbha-janma (one who takes birth though he is self-born) is seen instead of sūnur ābhira-bhartuḥ (son of the leader of cowherd men). As the Lord (vibhuḥ) pervades everywhere by His form, Kṛṣṇa manifests Himself to the fullest extent (paryāptā) in the arms of His mother Yaśodā and others.
na cāntar na bahir yasya na pūrvaṁ nāpi cāparam
pūrvāparaṁ bahiś cāntar jagato yo jagac ca yaḥ
The Supreme Personality of Godhead has no beginning and no end, no exterior and no interior, no front and no rear. In other words, He is all-pervading. Because He is not under the influence of the element of time, for Him there is no difference between past, present and future; He exists in His own transcendental form at all times. SB 10.9.13
Nārada describes how the Lord appears in many forms but is one:
citraṁ bataitad ekena vapuṣā yugapat pṛthak
gṛheṣu dvy-aṣṭa-sāhasraṁ striya eka udāvahat
It is astounding that Lord Śrī Kṛṣṇa, who is one without a second, expanded Himself in sixteen thousand similar forms to marry sixteen thousand queens in their respective homes. SB 10.69.2
[vaataadhva-roma-vivarasya cha te mahitvam ||200||]
Blended reading (Sanskrit + English inline)
yathā tatraiva –
kvāhaṁ tamo-mahad-ahaṁ-kha-carāgni-vār-bhū-
saṁveṣṭitāṇḍa-ghaṭa-sapta-vitasti-kāyaḥ |
kvedṛg-vidhāvigaṇitāṇḍa-parāṇu-caryā-
vātādhva-roma-vivarasya ca te mahitvam ||200||
An example from the Bhāgavatam: What am I, a small creature measuring seven spans of my own hand? I am enclosed in a potlike universe composed of material nature, the total material energy, false ego, ether, air, water and earth. And what is Your glory? Unlimited universes pass through the pores of Your body just as particles of dust pass through the openings of a screened window. SB 10.14.11
Purport
In the Tenth Canto, Fourteenth Chapter, verse 11, of Śrīmad-Bhāgavatam, Lord Brahmā says, “My dear Lord, false ego, intelligence, mind, sky, air, fire, water and earth are the material ingredients of this universe, which can be compared to a gigantic pot. In that gigantic pot my body is of insignificant measurement, and even though one of the many universes is created by me, innumerable universes are coming and going from the pores of Your body, just as atomic particles are seen flickering in the sunlight. I think I am very, very insignificant before You, and I am therefore begging Your pardon. Please be merciful toward me.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This example shows how Mahā-viṣṇu is a form spreading over all the universes to illustrate the present topic of the Lord having a form composed of ten million universes. However, from this it should be concluded that Kṛṣṇa, who is the source of Mahā-viṣṇu, is therefore even greater, for He spreads Himself all over Vaikuṇṭha. Kṛṣṇa’s separateness from all these universes and Vaikuṇṭha is astonishing. It is said in the Gītā:
mayā tatam idaṁ sarvaṁ jagad avyakta-mūrtinā
mat-sthāni sarva-bhūtāni na cāhaṁ teṣv avasthitaḥ
By Me, in My unmanifested form, this entire universe is pervaded. All beings are in Me, but I am not in them. BG 9.4
Now the present verse will be explained. Tamas is prakṛti. Mahat is mahat-tattva. Aham is ahaṅkāra. Kham is ether element. Caraḥ is air element. Bhūḥ is earth element. This whole universe is elsewhere considered like a beggar’s bowl. Here it is designated as a pot (ghaṭa) to indicate Brahmā’s body being reddish like earth. Brahmā identifying himself with the form of the totality of jīvas, the universe surrounded by the elements, says “Who am I?” Identifying himself as four-headed Brahmā, a form of seven vitastis (7 x 9 inches), he says, “Who am I?” The modifiers are in the form of karma-dhārayas. And what is the greatness of Your form with such great qualities (īdṛg-vidhā)? Like atoms moving in and out (parāṇu-caryā) of the lattice-work of a window (vātādhva), the universes are created and destroyed in Your hair pores (roma–vivarasya), each one being very small. It is also seen in the Viṣṇu Purāṇa: yasyāyutāyutāṁśāṁse viśva-śaktir iyam sthitā: The energy of the universe is situated as a portion of one ten-thousandth of the Lord’s energy.
dṛṣṭaṁ yasyātra vṛndāvanam api bhavataḥ kaḥ stutau tasya śaktaḥ ||201||
Another example: How is it possible for anyone to glorify You, whom Brahmā saw in Vṛndāvana? In one corner of that Vrndāvana are situated a million universes each made of an earth measuring five hundred million yojanas in diameter, each filled with lower hellish planets and the upper heavenly planets and all the material elements.
Purport
If one takes account of only one universe, he will find so many combinations of wonderful things within, because there are innumerable planets, innumerable residences and places of demigods. The diameter of the universe is four billion miles, and it is infested with many unfathomable regions known as Pātālas, or lower planetary systems. Although Kṛṣṇa is the origin of all this, He can always be seen in Vṛndāvana, exhibiting His inconceivable potencies. So who can adequately worship such an all-powerful Lord, possessed of such inconceivable energy?
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The Lord’s size is shown by showing the size of Vṛndāvana.
He who is the source of all the avatāras is called “the seed of the avatāras.”
Purport
58. The Original Source of All Incarnations
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The word avatārī means “the aggregate of all the avatāras,” “He who possesses all the avatāras,” or “in whom all the avatāras reside.” This is because of His being complete, compared to all the avatāras. This is shown in the following statement:
ete cāṁśa-kalāḥ puṁsaḥ kṛṣṇas tu bhagavān svayam
indrāri-vyākulaṁ lokaṁ mṛḍayanti yuge yuge
All the lists of the incarnations of Godhead submitted herewith are either plenary expansions or parts of the plenary expansions of the Supreme Godhead, but Kṛṣṇa is the Supreme Personality of Godhead Himself. SB 1.3.28
An example, from Gīta-govinda: I offer my respects to Kṛṣṇa, who takes ten forms--who rescues the Vedas as Matsya, supports the worlds as Kūrma, lifts the earth from the lower regions as Varāha, pierces Hiraṇyakaśipu as Narasiṁha, tricks Bali as Vāmana, destroys the warriors as Parāśurāma, conquers Rāvaṇa as Rāma, pulls His plough as Balarāma, distributes mercy as Buddha, and kills the rascals as Kalkī.
Purport
Jayadeva Gosvāmī, in his Gīta-govinda, has sung as follows: “The Lord has saved the Vedas in His form as a fish, and He has borne the whole universe on His back in the form of a tortoise. He has picked up this earthly planet from the water in the form of a boar. He has killed Hiraṇyakaśipu in the form of Nṛsiṁha. He has cheated Mahārāja Bali in the form of Vāmana. He has annihilated all the dynasties of the kṣatriyas in the form of Paraśurāma. He has killed all the demons in the form of Lord Rāma. He has accepted the great plow in the form of Balarāma. He has annihilated all the atheistic persons in the form of Kalki. And He has saved all the poor animals in the form of Lord Buddha.” [Note: All of these incarnations of Godhead are described in the author’s Śrīmad-Bhāgavatam, First Canto, Chapter Three.] These are some of the descriptions of the incarnations emanating from Kṛṣṇa, and from Śrīmad-Bhāgavatam it is understood that innumerable incarnations are always coming out from the body of Kṛṣṇa, just like waves in the ocean. No one can even count how many waves there are, and similarly no one can count how many incarnations are coming from the Lord’s body.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The author quotes Gīta-govinda in order to show how a great personality has summarized the statements of the Bhāgavatam, the highest scripture and the highest proof.
He who gives liberation to those He kills is called “giver of the goal to those he kills.”
Purport
59. Kṛṣṇa Gives Salvation to the Enemies That He Kills
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
Qualities such as giving liberation to the enemy actually belong only to Kṛṣṇa, since the ordinary forms of Nārāyaṇa possess ordinary qualities of awarding a goal to the enemy. [Note: In the commentary on verse 40 it was explained that Nārāyaṇa gives Svarga to the enemy. He is the source of the puruṣāvatāras but He is not avatārī.]
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Liberation mentioned in this definition is representative only, and should also be understood to include giving bhakti to persons such as Pūtanā well. This has been indicated with amī kṛṣṇe kilādbhūtāḥ: these qualities become more astounding in Kṛṣṇa. (2.1.40)
O topmost jewel! Though you give the pa-vargas of defeat (pa), foaming mouth (pha), bondage (ba), fear (bha) and death (ma) to Your enemies, You give them the opposite, apavarga or liberation as well.
Purport
Another name for salvation is apavarga. Apavarga is the opposite of pavarga, or the various miserable conditions of material existence. The word pa-varga indicates the combination of five Sanskrit letters: pa, pha, ba, bha and ma. These letters are the first letters of the words for five different conditions, as described below. The first letter, pa, comes from the word parābhava, which means “defeat.” In this material struggle for existence, we are simply meeting defeat. Actually, we have to conquer birth, death, disease and old age, and because there is no possibility of overcoming all these miserable conditions, due to the illusion of māyā we are simply meeting with parābhava, or defeat. The next letter, pha, is taken from the word phena. Phena is the foam which is found on the mouth when one is very tired (as is commonly observed with horses). The letter ba comes from the word bandha, or bondage. Bha is taken from the word bhīti, or fearfulness. Ma is taken from the word mṛti, or death. So the word pavarga signifies our struggle for existence and our meeting with defeat, exhaustion, bondage, fearfulness and, at last, death. Apavarga means that which can nullify all of these material conditions. Kṛṣṇa is said to be the giver of apavarga, the path of liberation.
For the impersonalists and the enemies of Kṛṣṇa, liberation means merging into the Supreme. The demons and the impersonalists do not care for Kṛṣṇa, but Kṛṣṇa is so kind that He gives this liberation even to His enemies and to the impersonalists.
Another example: O Murāri! It is truly astonishing that the demons who wage war with You with all their energy, not being destroyed, are transformed by You into friends and attain liberation.
Purport
There is the following statement in this connection: “O Murāri [Kṛṣṇa]! How wonderful it is that although the demons, who were always envious of the demigods, have failed to penetrate Your military phalanx, they have penetrated the region of mitra, the sun globe.” The word mitra is used metaphorically. Mitra means “the sun globe,” and mitra also means “friend.” The demons who opposed Kṛṣṇa as enemies wanted to penetrate His military phalanx, but instead of doing this, they died in battle, and the result was that they penetrated the planet of Mitra, or the sun planet. In other words, they entered into the Brahman effulgence. The example of the sun planet is given here because the sun is ever-illuminating, like the spiritual sky, where there are innumerable illuminating Vaikuṇṭha planets. The enemies of Kṛṣṇa were killed, and instead of penetrating Kṛṣṇa’s phalanx, they entered into the friendly atmosphere of the spiritual effulgence. That is the mercy of Kṛṣṇa, and therefore He is known as the deliverer of His enemies also.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Mitra can also mean the sun. Therefore, the meaning can also be “You do not destroy these enemies. They surpass the sun planet and attain liberation.”
kṛtvā bata sāraṅgaṁ vyadhita kathaṁ sārase tṛṣitam ||208||
O Mādhava! Though I am a pure paramahaṁsa without desires, by smelling the fragrance of the great herbs of Your pastimes, I have been transformed into a devotee and am thirsty for the rasa of bhakti.
Purport
In this connection the following statement was given by the Kumāras: “How wonderful it is that although we are completely liberated, free from desire and situated at the stage of paramahaṁsa, we are still aspiring to taste the pastimes of Rādhā and Kṛṣṇa.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The word sāraṅga means the cātaka bird and the devotee (who sings sweet songs (sāraṁ gāyati). The usage is found in the following verse:
śriyo nivāso yasyoraḥ pāna-pātraṁ mukhaṁ dṛśām
bāhavo loka-pālānāṁ sāraṅgāṇāṁ padāmbujam
The Lord’s chest is the abode of the goddess of fortune. His moonlike face is the drinking vessel for eyes which hanker after all that is beautiful. His arms are the resting places for the administrative demigods. And His lotus feet are the refuge of pure devotees who never talk or sing of any subject except His Lordship. SB 1.11.27
Sārase can be divided into sā (modifying mahauṣadhīḥ) and rase, or can be kept as one word sārase, meaning lotus. Thus the second meaning of the verse is “Smelling the great powerful herbs of Your pastimes, has turned me, a paramahaṁsa (great swan), into a cātaka bird, and has made me desirous of the lotus. How astonishing this is (katham)!” The astonishment becomes doubled because there are two meanings caused by the pun in the verse.
[santi yadyapi me praajyaa leelaas taas taa manoharaah |]
na hi jāne smṛte rāse mano me kīdṛśaṁ bhavet ||209||
[na hi jaane smrite raase mano me keedrisham bhavet ||209||]
Blended reading (Sanskrit + English inline)
athāsādharaṇa-guṇa-catuṣke–(61) līlā-mādhuryaṁ–
yathā bṛhad-vāmane –
santi yadyapi me prājyā līlās tās tā manoharāḥ |
na hi jāne smṛte rāse mano me kīdṛśaṁ bhavet ||209||
Now the four extraordinary qualities of Kṛṣṇa are illustrated: the sweetness of Kṛṣṇa’s pastimes, from the Bṛhad-vāmana Purāṇa: Though all of My pastimes are very attractive and profound, when I remember the rāsa-līlā, I cannot explain what happens to My mind.
Purport
61. Performer of Wonderful Activities
In the Bṛhad-vāmana Purāṇa, the Lord says, “Although I have many fascinating pastimes, whenever I think of the rāsa-līlā, which I perform with the gopīs, I become eager to have it again.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Two examples are given for showing the supreme position of Kṛṣṇa’s pastimes, to point out the uniqueness of His pastimes. His pastimes are actually depicted to perfection in the Bhāgavatam, and thus they are not quoted here. The word prājyā in the present verse quoted means “profound.” Parikṣit has made two statements in this regard:
yena yenāvatāreṇa bhagavān harir īśvaraḥ
karoti karṇa-ramyāṇi mano-jñāni ca naḥ prabho
My lord, Śukadeva Gosvāmī, all the various activities exhibited by the incarnations of the Supreme Personality of Godhead are certainly pleasing to the ear and to the mind. SB 10.7.1
yac-chṛṇvato ’paity aratir vitṛṣṇā
sattvaṁ ca śuddhyaty acireṇa puṁsaḥ
bhaktir harau tat-puruṣe ca sakhyaṁ
tad eva hāraṁ vada manyase cet
Simply by one’s hearing of these activities, the dirty things in one’s mind immediately vanish. Generally, we are reluctant to hear about the activities of the Lord, but Kṛṣṇa’s childhood activities are so attractive that they are automatically pleasing to the mind and ear. Thus one’s attachment for hearing about material things, which is the root cause of material existence, vanishes, and one gradually develops devotional service to the Supreme Lord, attachment for Him, and friendship with devotees who give us the contribution of Kṛṣṇa consciousness. If you think it fit, kindly speak about those activities of the Lord. SB 10.7.2
[tathaa bhuvana-nandinas tad-avataara-vrindasya cha |]
harer api camatkṛti-prakara-vardhanaḥ kintu me
[harer api chamatkriti-prakara-vardhanah kintu me]
bibharti hṛdi vismayaṁ kam api rāsa-līlā-rasaḥ ||210||
[bibharti hridi vismayam kam api raasa-leelaa-rasah ||210||]
Blended reading (Sanskrit + English inline)
athā vā –
parisphuratu sundaraṁ caritram atra lakṣmī-pates
tathā bhuvana-nandinas tad-avatāra-vṛndasya ca |
harer api camatkṛti-prakara-vardhanaḥ kintu me
bibharti hṛdi vismayaṁ kam api rāsa-līlā-rasaḥ ||210||
Another example: Let the exquisite pastimes of Nārāyaṇa and the avatāras which cause bliss to the world appear in this universe! But the taste of the rāsa-līlā which causes astonishment even in Hari is filling my heart with inconceivable astonishment.
Purport
One devotee has said, “I know about Nārāyaṇa, the husband of the goddess of fortune, and I also know about many other incarnations of the Lord. Certainly all the pastimes of such incarnations are exciting to my mind, but still the pastimes of the rāsa-līlā performed by Lord Kṛṣṇa Himself are wonderfully increasing my transcendental pleasure.”
Kṛṣṇa is surrounded by devotees with intense prema, the Tenth Canto: When You go off to the forest during the day, a tiny fraction of a second becomes like a millennium for us because we cannot see You. And even when we can eagerly look upon Your beautiful face, so lovely with its adornment of curly locks, our pleasure is hindered by our eyelids, which were fashioned by the foolish creator. SB 10.31.15
Purport
62. Kṛṣṇa Is Surrounded by Loving Devotees
When we speak of Kṛṣṇa, Kṛṣṇa is not alone. “Kṛṣṇa” means His name, His qualities, His fame, His friends, His paraphernalia, His entourage—all of these are included. When we speak of a king, it is to be understood that he is surrounded by ministers, secretaries, military commanders and many other people. Similarly, Kṛṣṇa is not impersonal. In His Vṛndāvana līlā especially, He is surrounded by the gopīs, the cowherd boys, His father, His mother and all the inhabitants of Vṛndāvana.
In the Tenth Canto, Thirty-first Chapter, verse 15, of Śrīmad-Bhāgavatam, the gopīs lament, “My dear Kṛṣṇa, during the daytime when You go out into the forest of Vṛndāvana with Your cows, we consider one moment to be twelve years, and it is very difficult for us to pass the time. And again when You come back at the end of the day, by seeing Your beautiful face we are so much attracted that we are unable to stop looking upon You constantly. At these times, when there is occasional blinking of our eyelids, we condemn the creator, Lord Brahmā, as a dunce, because he does not know how to make perfect eyes!” In other words, the gopīs were disturbed by the blinking of their eyes, because for the moment that their eyes were closed they could not see Kṛṣṇa. This means that the gopīs’ love for Kṛṣṇa was so great and ecstatic that they were disturbed by even His momentary absence. And when they saw Kṛṣṇa, they were also disturbed. This is a paradox.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This example shows the great love of the devotees by showing their hankering, which is not seen anywhere else. The following special position of Kṛṣṇa’s devotees should also be noted.
aho bhāgyam aho bhāgyaṁnanda-gopa-vrajaukasām
yan-mitraṁ paramānandaṁ pūrṇaṁ brahma sanātanam
How greatly fortunate are Nanda Mahārāja, the cowherd men and all the other inhabitants of Vrajabhūmi! There is no limit to their good fortune, because the Absolute Truth, the source of transcendental bliss, the eternal Supreme Brahman, has become their friend. SB 10.14.32
nemaṁ viriñco na bhavo na śrīr apy aṅga-saṁśrayā
prasādaṁ lebhire gopī yat tat prāpa vimuktidāt
Neither Lord Brahmā, nor Lord Śiva, nor even the goddess of fortune, who is always the better half of the Supreme Lord, can obtain from the Supreme Personality of Godhead, the deliverer from this material world, such mercy as received by mother Yaśodā. SB 10.9.20
itthaṁ satāṁ brahma-sukhānubhūtyā
dāsyaṁ gatānāṁ para-daivatena
māyāśritānāṁ nara-dārakeṇa
sākaṁ vijahruḥ kṛta-puṇya-puñjāḥ
Here is the Supreme Person, who is considered the impersonal Brahman by great sages, the Supreme Personality of Godhead by devotees, and a product of material nature by ordinary men. Now these boys, who have performed many, many pious activities in their past lives, are playing with that Supreme Personality of Godhead. SB 10.12.11
nāyaṁ śriyo ’ṅga u nitānta-rateḥ prasādaḥ
svar-yoṣitāṁ nalina-gandha-rucāṁ kuto ’nyāḥ
rāsotsave ’sya bhuja-daṇḍa-gṛhīta-kaṇṭha-
labdhāśiṣāṁ ya udagād vraja-sundarīṇām
The gopīs received benedictions from the Lord that neither Lakṣmīdevī nor the most beautiful dancers in the heavenly planets could attain. In the rāsa dance, the Lord showed His favor to the most fortunate gopīs by placing His arms on their shoulders and dancing with each of them individually. No one can compare with the gopīs, who received the causeless mercy of the Lord. SB 10.47.60
Another example: Killer of Agha! In Your association, the night of Brahmā has passed like half a moment for the cowherd women. Now, in separation from You, half a moment has become as long as Brahmā’s night for them.
Purport
One gopī, expressing herself to Kṛṣṇa, says, “When we meet You at night, we consider the duration of night to be very small. And why speak of only this night? Even if we had a night of Brahmā [Note: 4,300,000,000 solar years equals twelve hours, or one night, of Brahmā.] we would consider it a very short time!” We get an idea of Brahmā’s day from the following statement of Bhagavad-gītā (8.17): “By human calculation, a thousand yuga cycles taken together is Brahmā’s one day. And such also is the duration of his night.” The gopīs said that even if they could have that duration of night, it would still not be sufficient for their meeting with Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
According to some people, this verse is an explanation of the verse starting brahma-rātra upāvṛte describing the end of the rāsa-līlā:
brahma-rātra upāvṛtte vāsudevānumoditāḥ
anicchantyo yayur gopyaḥ sva-gṛhān bhagavat-priyāḥ
After an entire night of Brahmā had passed, Lord Kṛṣṇa advised the gopīs to return to their homes. Although they did not wish to do so, the Lord’s beloved consorts complied with His command. SB 10.33.38
Śrīdhara Svāmī agrees with this statement in his commentary on kāmārditāḥ śaśāṅkaś ca sa-gaṇo vismito ’bhavat. (SB 10.33.18) Other statements of Bhāgavatam are not contradictory. For example, it is said:
tās tāḥ kṣapāḥ preṣṭhatamena nītā
mayaiva vṛndāvana-gocareṇa
kṣaṇārdha-vat tāḥ punar aṅga tāsāṁ
hīnā mayā kalpa-samā babhūvuḥ
Dear Uddhava, all of those nights that the gopīs spent with Me, their most dearly beloved, in the land of Vṛndāvana seemed to them to pass in less than a moment. Bereft of My association, however, the gopīs felt that those same nights dragged on forever, as if each night were equal to a day of Brahmā. SB 11.12.11
The sweetness of the flute, from the Bhāgavatam: O pious mother Yaśodā, your son, who is expert in all the arts of herding cows, has invented many new styles of flute-playing. When He takes His flute to His bimba-red lips and sends forth the tones of the harmonic scale in variegated melodies, Brahmā, Śiva, Indra and other chief demigods become confused upon hearing the sound. Although they are the most learned authorities, they cannot ascertain the essence of that music, and thus they bow down their heads and hearts. SB 10.33.15
Purport
63. Kṛṣṇa's Attractive Flute
In the Tenth Canto, Thirty-fifth Chapter, verses 14-15, of Śrīmad-Bhāgavatam, the gopīs tell Mother Yaśodā, “When your son plays on His flute, Lord Śiva, Lord Brahmā and Indra—although they are supposed to be the greatest learned scholars and personalities—all become bewildered. Although they are all very great personalities, by hearing the sound of Kṛṣṇa’s flute they humbly bow down and become grave from studying the sound vibrated.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Other verses such as the following should also be taken into account as examples.
nadyas tadā tad upadhārya mukunda-gītam
āvarta-lakṣita-manobhava-bhagna-vegāḥ
āliṅgana-sthagitam ūrmi-bhujair murārer
gṛhṇanti pāda-yugalaṁ kamalopahārāḥ
When the rivers hear the flute-song of Kṛṣṇa, their minds begin to desire Him, and thus the flow of their currents is broken and their waters are agitated, moving around in whirlpools. Then with the arms of their waves the rivers embrace Murāri’s lotus feet and, holding on to them, present offerings of lotus flowers. SB 10.21.15
Savanaśah means “again and again.” Kaśmalam means bewilderment. Aniścita-tattvāḥ means “They were not able to determine what it was.”
Another example, from Vidagdha-mādhava: The sound of Kṛṣṇa’s flute wandered everywhere, piercing through the shell of the universe. It stopped the clouds, amazed the Gandharva Tumburu, broke the meditation of the yogīs headed by Sananda, astonished Brahmā, made Bali unsteady with longing, and made Ananta dizzy.
Purport
In his book Vidagdha-mādhava, Śrī Rūpa Gosvāmī thus describes the vibration of Kṛṣṇa’s flute: “The sound vibration created by the flute of Kṛṣṇa wonderfully stopped Lord Śiva from playing his ḍiṇḍima drum, and the same flute has caused great sages like the four Kumāras to become disturbed in their meditation. It has caused Lord Brahmā, who was sitting on the lotus flower for the creative function, to become astonished. And Anantadeva, who was calmly holding all the planets on His hoods, was moving in this way and that due to the transcendental vibration from Kṛṣṇa’s flute, which penetrated through the covering of this universe and reached to the spiritual sky.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The flute by its sound spread everywhere, and pierced the shell of the universe. Then the different effects are shown. Because of the flute’s extraordinary nature, it affected everyone in this manner. Tumburu became amazed. That was stated in the previous verse quoted. In place of the word vismerayan (it caused astonishment) the alternative form vismāpayan (it caused astonishment in them) is found, which is the correct form.
The sweetness of His form, from the Third Canto: The Lord appeared in the mortal world by His internal potency, yoga-māyā. He came in His eternal form, which is just suitable for His pastimes. This form is wonderful for even the Lord Himself in His form as the Lord of Vaikuṇṭha, because it is the highest perfection of beauty, enhancing the beauty of all ornaments. SB 3.2.12
Purport
64. Kṛṣṇa's Exquisite Beauty
In the Third Canto, Second Chapter, verse 12, of Śrīmad-Bhāgavatam, Uddhava tells Vidura, “My dear sir, Kṛṣṇa’s form was most wonderful when He appeared on this planet and exhibited the potency of His internal energy. His wonderfully attractive form was present during His pastimes on this planet, and by His internal potency He exhibited His opulences, which are striking to everyone. His personal beauty was so great that there was no necessity for His wearing ornaments on His body. In fact, instead of the ornaments’ beautifying Kṛṣṇa, Kṛṣṇa’s beauty enhanced the ornaments.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse is a continuation of the previous Bhāgavatam verse describing the Lord’s form. Yoga-māyā refers to the Lord’s acintya-śakti arising from His svarūpa. The Lord has appeared in this world by the show of power of His yoga-māyā, and in that manner is able to show greatness in His pastimes among humans (martya-līlaupayikam)—showing great attractiveness in pastimes with a two-handed form. This is astonishing for He who knows Your other forms spread in all time and space (Nārāyaṇa) and it is astonishing even for Yourself (svasya), for no one has ever seen anything so beautiful--because this form is the highest level of the perfection of beauty (saubhaga ṛddheḥ), causing even ornaments to become enhanced in beauty (bhūṣana-bhūṣaṇāṅgam).
yad go-dvija-druma-mṛgān pulakāny abibhrat ||216||
Another example, from the Tenth Canto: Dear Kṛṣṇa, what woman in all the three worlds wouldn’t deviate from religious behavior when bewildered by the sweet, drawn-out melody of Your flute? Your beauty makes all three worlds auspicious. Indeed, even the cows, birds, trees and deer manifest the ecstatic symptom of bodily hair standing on end when they see Your beautiful form. SB 10.29.40
Purport
Regarding the attractiveness of Kṛṣṇa’s bodily beauty and the sound vibration of His flute, in the Tenth Canto, Twenty-ninth Chapter, verse 40, of Śrīmad-Bhāgavatam, the gopīs address Kṛṣṇa as follows: “Although our attitude toward You resembles loving affairs with a paramour, we cannot but wonder at how no woman can maintain her chastity upon hearing the vibration from Your flute. And not only women, but even stronghearted men are subject to falling down from their position at the sound of Your flute. In fact, we have seen that in Vṛndāvana even the cows, the deer, the birds, the trees—everyone—has been enchanted by the sweet vibration of Your flute and the fascinating beauty of Your person.”
Another example, from Lalita-mādhava: What is this great abundance of sweetness that has appeared, never experienced before, and so astonishing? Gazing upon it, I become greedy to possess it. I desire to enjoy it with zeal like Rādhā.
Purport
In Rūpa Gosvāmī’s Lalita-mādhava, it is said, “One day Kṛṣṇa happened to see the shadow of His beautiful form reflected on the jeweled foreground. Upon seeing this bodily reflection, He expressed His feelings: ‘How wonderful it is that I have never seen such a beautiful form! Although it is My own form, still, like Rādhārāṇī, I am trying to embrace this form and enjoy celestial bliss.’“ This statement shows how Kṛṣṇa and His shadow reflection are one and the same. There is no difference between Kṛṣṇa and His shadow reflection, nor between Kṛṣṇa and His picture. That is the transcendental position of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
Sometimes Kṛṣṇa would see His reflection on a polished stone of Govardhana and become attracted.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Seeing His reflection with beautiful form on a jeweled wall, Kṛṣṇa developed greed for it. His desire increased at every moment because of the sweetness of the form.
Only a small portion of the qualities of Kṛṣṇa, who is an ocean of a multitude of astonishing auspicious qualities, have been shown here.
Purport
The above statements describe some of the wonderful reservoirs of pleasure within Kṛṣṇa, as well as the transcendental qualities of His personality. The transcendental qualities of Kṛṣṇa are compared to the ocean: no one can estimate the length and breadth of the ocean. But as one can understand the ocean’s contents simply by testing one drop of it, so these statements will give us some understanding of Kṛṣṇa’s transcendental position and qualities.
An example, from the Tenth Canto: In time, learned philosophers or scientists might be able to count all the atoms of the earth, the particles of snow, or perhaps even the shining molecules radiating from the sun, the stars and other luminaries. But among these learned men, who could possibly count the unlimited transcendental qualities possessed by You, the Supreme Personality of Godhead, who have descended onto the surface of the earth for the benefit of all living entities? SB 10.14.7
Purport
In the Tenth Canto, Fourteenth Chapter, verse 7, of Śrīmad-Bhāgavatam, Lord Brahmā says, “My dear Lord, the inconceivable qualities, beauties and activities which You have revealed by Your presence on this planet cannot be calculated by any material measurement. If one even tries to imagine, ‘Kṛṣṇa may be like this,’ that is also impossible. The day may come when the material scientist, after many, many births or after many, many years, will be able to estimate the atomic constitution of the whole world, or he may be able to count the atomic fragments that permeate the sky, or he may even give an estimate of all the atoms within the universe, but still he will never be able to count the transcendental qualities in Your reservoir of transcendental bliss.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
You possess unlimited transcendental qualities (guṇātmaṇaḥ) as Your very nature. Let all of these millions of qualities, each with a different function, be counted. Is anyone able to count even a portion of the qualities which You manifest (avitīrṇasya) when You appear in this universe (asya) for the benefit of the jīvas (hita)? No one is able to count even those partial qualities. The impossibility of counting is then explained. In time, the intelligent may be able to count the particles of earth, snow, or light in the sky, but they cannot count Your qualities.
nitya-guṇo vanamālī, yad api śikhāmaṇir aśeṣa-netṝṇām |
[nitya-guno vanamaalee, yad api shikhaamanir ashesha-netreenaam |]
bhaktāpekṣikam asya, trividhatvaṁ likhyate tad api ||220||
[bhaktaapekshikam asya, trividhatvam likhyate tad api ||220||]
Blended reading (Sanskrit + English inline)
nitya-guṇo vanamālī, yad api śikhāmaṇir aśeṣa-netṝṇām |
bhaktāpekṣikam asya, trividhatvaṁ likhyate tad api ||220||
Even though Kṛṣṇa is the topmost jewel among unlimited heroes endowed with eternal qualities, He is described as having three forms, which manifest according to the type of devotion in the devotee.
Purport
NoD 23: Kṛṣṇa’s Personality
Śrīla Rūpa Gosvāmī states that although Lord Kṛṣṇa is the reservoir of unlimited pleasure and the greatest leader of all, He is still dependent upon His devotees in three ways. According to the emotional status of the devotee, …
When Kṛṣṇa manifests all qualities, He is described by the intelligent as most perfect. Manifesting the qualities incompletely, He called more perfect, and manifesting even less qualities, He is called perfect.
Purport
When He exhibits Himself in fullness, He is appreciated by great learned scholars as most perfect. When He exhibits Himself in lesser degrees, He is called very perfect. And when He exhibits still less, He is called perfect. This means that Kṛṣṇa is appreciated for three degrees of perfection. These three degrees of perfection are especially exhibited as follows:
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In comparison to the other two, He is called most perfect by manifesting all qualities (though Kṛṣṇa may not display all the qualities all the time), because of the correspondence between the greater intensity of bhakti in Kṛṣṇa’s devotees. In comparison to this, when Kṛṣṇa manifests Himself incompletely (asarva-vyañjakaḥ), and shows comparatively less qualities, He is called more perfect. In comparison to that, when He manifests even less of the qualities (alpa-darśakaḥ), He is called perfect.
In Gokula, Kṛṣṇa appears as most perfect. In Dvārakā, Mathurā and other places, He appears as perfect and more perfect.
Purport
When He is in Goloka Vṛndāvana His transcendental qualities are exhibited as most perfect, when He is in Mathurā He exhibits His qualities as very perfect, and when He is in Dvārakā He exhibits His qualities as perfect.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The perfection in Gokula includes fullness in majesty as illustrated by the following:
tāvat sarve vatsa-pālāḥ paśyato ’jasya tat-kṣaṇāt
vyadṛśyanta ghana-śyāmāḥ pīta-kauśeya-vāsasaḥ
Then, while Lord Brahmā looked on, all the calves and the boys tending them immediately appeared to have complexions the color of bluish rain clouds and to be dressed in yellow silken garments. SB 10.13.46
The perfection of Kṛṣṇa in Gokula also includes fullness in sweetness:
nandaḥ kim akarod brahman śreya evaṁ mahodayam
yaśodā ca mahā-bhāgā papau yasyāḥ stanaṁ hariḥ
O learned brāhmaṇa, mother Yaśodā’s breast milk was sucked by the Supreme Personality of Godhead. What past auspicious activities did she and Nanda Mahārāja perform to achieve such perfection in ecstatic love? SB 10.8.46
Kṛṣṇa in Gokula also includes fullness of mercy:
aho bakī yaṁ stana-kāla-kūṭaṁ jighāṁsayāpāyayad apy asādhvī
lebhe gatiṁ dhātry-ucitāṁ tato ’nyaṁ kaṁ vā dayāluṁ śaraṇaṁ vrajema
Alas, how shall I take shelter of one more merciful than He who granted the position of mother to a she-demon [Pūtanā] although she was unfaithful and she prepared deadly poison to be sucked from her breast? SB 3.2.23
Manifestations in places other than Dvārakā and Mathurā (indicated by the word ādi) are not classified as more perfect or perfect in this statement, since no correlation of gradations have been given for these places. Rather the graduations of perfect and more perfect should be applied appropriately to other places (such as Avanti, Kurukṣetra, and Hastināpura) according to Kṛṣṇa’s particular display of mercy, powers and sweetness at these places.
tat-tal-līlā-bhedād virudhyate na hi catur-vidhāḥ ||225||
Classifying Kṛṣṇa into four different types is not a contradiction, because of respective differences in pastimes of the Lord, who is the abode of many types of qualities and activities.
Purport
If one asks how a personality can be beheld in four quite opposing ways, the answer is that the Lord is the reservoir of all transcendental qualities and activities. Therefore, His different aspects can be analyzed according to the exhibition of His limitless variety of pastimes, and as such there is no contradiction.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
“If one is a dhīra-śānta he cannot be a dhīra-lalita.” Though this rule applies to other people, it does not apply to Kṛṣṇa. That is because at different times He displays these different types.
The person who is inscrutable, modest, tolerant, merciful, determined in vows, who obscures others’ pride, is not boastful, and is strong, is called dhīrodātta.
Purport
Dhīrodātta
A dhīrodātta is a person who is naturally very grave, gentle, forgiving, merciful, determined, humble, highly qualified, chivalrous and physically attractive.
prekṣya tvāṁ mama durvitarkya-hṛdayaṁ dhīr gīś ca na spandate ||227||
An example: Your smile steals the pride of those who think they are brave. You are eager to deliver those in suffering condition. You are true to Your promises. You are firm in holding up the high mountain. You have treated me kindly though I have committed offense. You are brought under control by verses of praise. Seeing You with such an inscrutable heart, my words and intelligence have become inactive.
Purport
In this connection, the following statement given by Indra, the King of heaven, is very significant: “My dear Lord, I admit that I have committed great offenses unto You, but I cannot express my feelings of regret, being bewildered at seeing Your extraordinary chivalrous spirit, Your endeavor to protect Your devotees, Your determination, Your steadiness in lifting the great hill of Govardhana, Your beautiful bodily features and Your astonishing characteristic of being pleased simply by accepting the prayers of Your devotees and offenders.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Indra. “Stealing others’ pride by His smile” indicates His power to obscure others’ pride. “Being eager to deliver those in suffering” indicates His merciful nature. Nirvyūḍha-vrata means “determined in His vows” “Firmness in holding up the mountain” indicates His strength. “Being kind in spite of receiving offenses” indicates His tolerant attitude. “Being controlled by verses of praise” indicates His modesty and not being boastful. Durvitakrya-hṛdaya indicates His inscrutable nature.
All the qualities in the particular list mentioned in relation to Kṛṣṇa should be understood to manifest more prominently in these four types than other qualities, though the other qualities are also present.
Purport
The above statement by the King of heaven is an exact corroboration of Kṛṣṇa’s being dhīrodātta.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In the first three types, the qualities listed are those which are more prominent than other qualities present. They suppress the other qualities in order to manifest themselves clearly in those types.
The previous authorities have described dhīrodātta qualities in Rāmacandra. These same qualities are also seen in Kṛṣṇa according to the type of love in His devotees.
Purport
Many learned scholars have agreed to also accept Lord Rāmacandra as dhīrodātta, but all of Lord Rāmacandra’s qualities are also included in the character of Lord Kṛṣṇa.
He is called dhīra-lalita who is clever, endowed with fresh youth (end of kaiśora period), skilful at joking and free of worries. He is controlled by His dear devotees.
Purport
Dhīra-lalita
A person is called dhīra-lalita if he is naturally very funny, always in full youthfulness, expert in joking and free from all anxieties. Such a dhīra-lalita personality is generally found to be domesticated and very submissive to his lover.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
He is controlled by the devotees according to their endowment of excellent prema.
na pāraye ’haṁ niravadya-saṁyujāṁ
sva-sādhu-kṛtyaṁ vibudhāyuṣāpi vaḥ
yā mābhajan durjara-geha-śṛṅkhalāḥ
saṁvṛścya tad vaḥ pratiyātu sādhunā
I am not able to repay My debt for your spotless service, even within a lifetime of Brahmā. Your connection with Me is beyond reproach. You have worshiped Me, cutting off all domestic ties, which are difficult to break. Therefore, please let your own glorious deeds be your compensation. SB 10.32.22
anayārādhito nūnaṁ bhagavān harir īśvaraḥ
yan no vihāya govindaḥ prīto yām anayad rahaḥ
Certainly this particular gopī has perfectly worshiped the all-powerful Personality of Godhead, Govinda, since He was so pleased with her that He abandoned the rest of us and brought her to a secluded place. SB 10.30.28
kaiśoraṁ saphalī-karoti kalayan kuñje vihāraṁ hariḥ ||231||
An example: Kṛṣṇa made Rādhā lower her eyes in shame by boldly describing their pastimes of the previous night in front of her friends. Taking that opportunity, He displayed His skill by expertly drawing frolicking makaris on her breasts. In this way Kṛṣṇa sported in the groves and fulfilled His youthful years.
Purport
This dhīra-lalita trait in the personality of Kṛṣṇa is described by Yajña-patnī, the wife of one of the brāhmaṇas who were performing sacrifices in Vṛndāvana. She tells her friends, “One day Śrīmatī Rādhārāṇī, accompanied by Her associates, was taking rest in Her garden, and at that time Lord Śrī Kṛṣṇa arrived in that assembly. After sitting down, He began to narrate very impudently about His previous night’s pastimes with Rādhārāṇī. While He was speaking in that way, Rādhārāṇī became very embarrassed. She was feeling ashamed and was absorbed in thought, and Kṛṣṇa took the opportunity to mark Her breasts with different kinds of tilaka. Kṛṣṇa proved Himself to be very expert in that art.” In this way Kṛṣṇa, as dhīra-lalita, was enjoying His youthful proclivities in the company of the gopīs.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
“He fulfilled His youthful years” indicates that He had reached the end of His kaiśora age (nava-tāruṇya) and his carefree nature. Describing His pastimes of the previous night shows his skill at joking. Drawing on Rādhā’s breasts indicates his cleverness and being controlled by His lover.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a statement spoken to persons similar to the wives of the brāhmaṇas by a female messenger who participated in the intimate pastimes.
The qualities of the dhīra-lalita are clearly revealed in Kṛṣṇa. But the dramatic scholars give the example of Cupid.
Purport
Generally, those who are expert in writing drama choose to call Cupid the ideal dhīra-lalita, but we can more perfectly find in the personality of Kṛṣṇa all the characteristics of dhīra-lalita.
An example: Speaking about dharma in front of Yudhiṣṭhira, Kṛṣṇa appears like the best of brāhmaṇas, pleasant with modesty. His eyes are moving steadily and are filled with love. He shows unlimited good qualities through His skilful speech.
Purport
This dhīra-praśānta trait of Kṛṣṇa was exhibited in His dealings with the Pāṇḍavas. On account of the Pāṇḍavas’ faithful devotion to the Lord, He agreed to become their charioteer, their advisor, their friend, their messenger and sometimes their bodyguard. Such is an example of the result of devotional service toward Viṣṇu. When Kṛṣṇa was speaking to Mahārāja Yudhiṣṭhira about religious principles, He demonstrated Himself to be a great learned scholar, but because He accepted the position of younger cousin to Yudhiṣṭhira, He was speaking in a very gentle tone which enhanced His beautiful bodily features. The movements of His eyes and the mode of His speech proved that He was very, very expert in giving moral instruction.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
Kṛṣṇa appeared just like the best of brāhmaṇas. He showed his modesty by acting as Arjuna’s charioteer, and following along with the Pāṇdavas, and serving them. This also indicates that He tolerated suffering. Manthara-snigdha-tāraḥ (His eyes moving steadily) indicates his peacefulness. Discussing dharma with Yudhiṣṭhira indicates His discrimination.
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Vinaya-madhura-mūrtiḥ (with sweet modesty) indicates that He able to tolerate difficulties (a quality of the dhīra-śānta) by His modesty (another quality of the dhīra-śānta). Whatever He was instructed to do at that place, He would follow.
sārathya-pāraṣada-sevana-sakhya-dautya-
vīrāsanānugamana-stavana-praṇāmān
snigdheṣu pāṇḍuṣu jagat-praṇatiṁ ca viṣṇor
bhaktiṁ karoti nṛ-patiś caraṇāravinde
Mahārāja Parīkṣit heard that out of His causeless mercy Lord Kṛṣṇa [Viṣṇu], who is universally obeyed, rendered all kinds of service to the malleable sons of Pāṇḍu by accepting posts ranging from chariot driver to president to messenger, friend, night watchman, etc., according to the will of the Pāṇḍavas, obeying them like a servant and offering obeisances like one younger in years. When he heard this, Mahārāja Parīkṣit became overwhelmed with devotion to the lotus feet of the Lord. SB 1.16.16
The verse quoted is connected with the verb “hearing” in the previous verse. Vīrāsana (sitting as a warrior) means that He stayed awake at night with sword in His hand. Nṛpati (king) refers to Parīkṣit. An alternate version of the verse has dharma-putropakaṇṭham (in front of Yudhiṣṭhira).
An example: O sinner! King of the Yavanas! O frog! Today, being foiled, make your residence in the corner of a dark hole. The black snake called Kṛṣṇa is waiting there alert to catch you. Just by glancing casually upwards, I have turned the vessel of the universe to ashes.
Purport
Such qualities were visible in the character of Lord Kṛṣṇa, because when He was writing a letter to Kālayavana, Kṛṣṇa addressed him as a sinful frog. In His letter Kṛṣṇa advised Kālayavana that he should immediately go and find some dark well for his residence, because there was a black snake named Kṛṣṇa who was very eager to devour all such sinful frogs. Kṛṣṇa reminded Kālayavana that He could turn all the universes to ashes simply by looking at them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is from a letter written to Kālayavana. Vyāghuṭya means turning away. Kṛṣṇa’s threat to turn the universe to ashes is only speaking of some power of creating illusions, since such a thing did not happen.
Although qualities such as envy mentioned in verse 236 appear to be faults, they should be regarded as good qualities in Kṛṣṇa, because they are befitting certain pastimes.
Purport
The above statement by Kṛṣṇa seems apparently to be of an envious nature, but according to different pastimes, places and times this quality is accepted as a great characteristic. Kṛṣṇa’s dhīroddhata qualities have been accepted as great because Kṛṣṇa uses them only to protect His devotees. In other words, even undesirable traits may also be used in the exchange of devotional service.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These qualities are suitable (śālitvāt) for certain pastimes such as punishing the wicked in order to protect the devotees.
re śrīdāma-kuraṅga saṅgara-bhuvo bhaṅgaṁ tvam aṅgīkuru ||240||
Another example: Making the low-hanging, water-filled clouds disperse, swinging a frightful trunk, with terrifying trumpeting sounds, I, the monstrous, irrepressible elephant called Kṛṣṇa, destroyer of opponents, have arrived! Flee from the battlefield, O deer called Śrīdāma!
Purport
Once, while fighting with a demon who was appearing as a deer, Kṛṣṇa challenged him in this way: “I have come before you as a great elephant named Kṛṣṇa. You must leave the battlefield, accepting defeat, or else there is death awaiting you.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Fearing the disappearance of bhakti-rasa by the previous verse quoted, starting with āḥ pāpinaḥ, the author gives another example filled with mock derision directed to Śrīdāma. Ambho-bhāra-bhara-praṇamra-jalada is the correct version. Ambho-bhāra-naman-navīna-jalada (new clouds bowing down heavy with water) is an alternative version of the first phrase but not acceptable, since a tat-puruṣa compound such as ambho-bhāra-naman-jalada should not be formed with a present participle of a parasmaipada verb (naman). Viśva-Prakāśa says that aḍambara means the roaring of an elephant or a trumpet announcing a beginning. Ghorāḍambara-ḍambaraḥ means the loud sound of terrifying trumpeting.
harau niraṅkuśaiśvaryāt ko ’pi na syād asambhavaḥ ||241||
[harau nirankushaishvaryaat ko ’pi na syaad asambhavah ||241||]
Blended reading (Sanskrit + English inline)
mitho virodhino ’py atra kecin nigaditā guṇāḥ |
harau niraṅkuśaiśvaryāt ko ’pi na syād asambhavaḥ ||241||
Some of the qualities listed above are contradictory to each other. Though contrary, their existence is not impossible in Kṛṣṇa, because of His unrestricted powers.
Purport
This challenging spirit of Kṛṣṇa’s is not contradictory to His sublime character; because He is the Supreme Being, everything is possible in His character.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse shows the wonderful nature of qualities in Kṛṣṇa, affirming even qualities such as envy in Him. Niraṅkuśaiśvaryāt (unrestricted powers) means “because of His ability to control everything and because He is the shelter of everything.”
This is illustrated in a statement from the Kūrma Purāṇa: The Lord is not gross, nor is He subtle. But He is both gross and subtle. He is without color, but is blackish with red at the edges of His eyes. By His power He possesses contrary qualities.
Purport
There is a nice statement in the Kūrma Purāṇa about these contradictory traits of the Supreme Personality of Godhead. It is stated there that the Supreme Person is neither very fat nor very thin; He is always transcendental to material qualities, and yet His bodily luster is blackish. His eyes are reddish, He is all-powerful, and He is equipped with all different kinds of opulences.
One should never find any fault in the Lord. Though the qualities are contrary, He can resolve them all completely.
Purport
Contradictory traits in Kṛṣṇa’s person are not at all surprising; one should not consider the characteristics of Kṛṣṇa, the Supreme Personality of Godhead, to be actually contradictory. One should try to understand the traits of Kṛṣṇa from authorities and try to understand how these characteristics are employed by the supreme will of the Lord.
This is confirmed in the Mahā-varāha Purāṇa: All of the bodies of the Lord are eternal, and appear repeatedly in the material world. They are devoid of decrease and increase. They are never born of matter. All the bodies have the very nature of the highest bliss, are pure knowledge, are full of all good qualities, and are devoid of all faults.
Purport
In the Mahā-varāha Purāṇa it is confirmed that the transcendental bodies of the Supreme Personality of Godhead and His expansions are all existing eternally. Such bodies are never material; they are completely spiritual and full of knowledge. They are reservoirs of all transcendental qualities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Śāśvatāḥ (eternal) here means that they continually appear in the material world. “Being endowed with all qualities” means that, as required, the forms manifest the qualities (not that all avatāras manifest all the qualities) Kṛṣṇa is the complete manifestation. This is understood from ete cāṁśa kalāḥ puṁsaḥ.
This is confirmed in the Mahā-varāha Purāṇa: All of the bodies of the Lord are eternal, and appear repeatedly in the material world. They are devoid of decrease and increase. They are never born of matter. All the bodies have the very nature of the highest bliss, are pure knowledge, are full of all good qualities, and are devoid of all faults.
Purport
In the Mahā-varāha Purāṇa it is confirmed that the transcendental bodies of the Supreme Personality of Godhead and His expansions are all existing eternally. Such bodies are never material; they are completely spiritual and full of knowledge. They are reservoirs of all transcendental qualities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Śāśvatāḥ (eternal) here means that they continually appear in the material world. “Being endowed with all qualities” means that, as required, the forms manifest the qualities (not that all avatāras manifest all the qualities) Kṛṣṇa is the complete manifestation. This is understood from ete cāṁśa kalāḥ puṁsaḥ.
It is also confirmed in a Vaiṣṇava-tantra: The form of the Lord is without the eighteen great faults, is endowed with all powers and is the very essence (svarūpa) of existence, knowledge and bliss.
Purport
In the Viṣṇu-yāmala-tantra there is a statement that because the Personality of Godhead and His expanded bodies are always full of knowledge, bliss and eternity, they are always free from the eighteen kinds of material contaminations—
The eighteen great faults are mentioned in the Viṣṇu-yāmala: The eighteen faults are bewilderment, sleep, error, material attachment without prema, material lust which brings suffering, fickleness, intoxication, envy, violence, exhaustion, toil, lying, anger, hankering, worry, absorption in worldly affairs, prejudice, and dependency on others.
Purport
Illusion, fatigue, errors, roughness, material lust, restlessness, pride, envy, violence, disgrace, exhaustion, untruth, anger, hankering, dependence, desire to lord it over the universe, seeing duality and cheating.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
However, these same bad qualities are considered good qualities in Kṛṣṇa in relation to the devotees’ prema. Thus moha is illustrated as follows:
tato vatsān adṛṣṭvaitya puline ’pi ca vatsapān
ubhāv api vane kṛṣṇo vicikāya samantataḥ
Thereafter, when Kṛṣṇa was unable to find the calves, He returned to the bank of the river, but there He was also unable to see the cowherd boys. Thus He began to search for both the calves and the boys, as if He could not understand what had happened. SB 10.13.16
Sleep, exhaustion and toil (tandrā, kheda, pariśrama) are illustrated as follows:
kvacit pallava-talpeṣuniyuddha-śrama-karśitaḥ
vṛkṣa-mūlāśrayaḥ śetegopotsaṅgopabarhaṇaḥ
Sometimes Lord Kṛṣṇa grew tired from fighting and lay down at the base of a tree, resting upon a bed made of soft twigs and buds and using the lap of a cowherd friend as His pillow. SB 10.15.16
Error (bhrama) is illustrated as follows:
tāv aṅghri-yugmam anukṛṣya sarīsṛpantau
ghoṣa-praghoṣa-ruciraṁ vraja-kardameṣu
tan-nāda-hṛṣṭa-manasāv anusṛtya lokaṁ
mugdha-prabhītavad upeyatur anti mātroḥ
When Kṛṣṇa and Balarāma, with the strength of Their legs, crawled in the muddy places created in Vraja by cow dung and cow urine, Their crawling resembled the crawling of serpents, and the sound of Their ankle bells was very charming. Very much pleased by the sound of other people’s ankle bells, They used to follow these people as if going to Their mothers, but when They saw that these were other people, They became afraid and returned to Their real mothers, Yaśodā and Rohiṇī. SB 10.8.22
Attachment without prema (rukṣita-rasatā) however does not exist in the spiritual realm. Material lust which brings grief (ulbaṇa-kāma) also does not exist, because in Kṛṣṇa it takes the form of prema. Fickleness (lolatā) becomes a good quality:
vatsān muñcan kvacid asamaye krośa-sañjāta-hāsaḥ
steyaṁ svādv atty atha dadhi-payaḥ kalpitaiḥ steya-yogaiḥ
markān bhokṣyan vibhajati sa cen nātti bhāṇḍaṁ bhinnatti
dravyālābhe sagṛha-kupito yāty upakrośya tokān
Our dear friend Yaśodā, your son sometimes comes to our houses before the milking of the cows and releases the calves, and when the master of the house becomes angry, your son merely smiles. Sometimes He devises some process by which He steals palatable curd, butter and milk, which He then eats and drinks. When the monkeys assemble, He divides it with them, and when the monkeys have their bellies so full that they won’t take more, He breaks the pots. Sometimes, if He gets no opportunity to steal butter or milk from a house, He will be angry at the householders, and for His revenge He will agitate the small children by pinching them. Then, when the children begin crying, Kṛṣṇa will go away. SB 10.8.29
Intoxication (mada) is illustrated as follows:
mada-vighūrṇita-locana īṣat
māna-daḥ sva-suhṛdāṁ vana-mālī
badara-pāṇḍu-vadano mṛdu-gaṇḍaṁ
maṇḍayan kanaka-kuṇḍala-lakṣmyā
As Kṛṣṇa respectfully greets His well-wishing friends, His eyes roll slightly as if from intoxication. He wears a flower garland, and the beauty of His soft cheeks is accentuated by the brilliance of His golden earrings and the whiteness of His face, which has the color of a badara berry. SB 10.35.24
Envy (mātsarya) is illustrated as follows:
tatra pratividhiṁ samyag ātma-yogena sādhaye
lokeśa-mānināṁ mauḍhyād dhaniṣye śrī-madaṁ tamaḥ
By My mystic power I will completely counteract this disturbance caused by Indra. Demigods like Indra are proud of their opulence, and out of foolishness they falsely consider themselves the Lord of the universe. I will now destroy such ignorance. SB 10.25.16
There are many clear examples of violence (so they are not given). Lying is illustrated when Kṛṣṇa and the Pāṇḍavas disguised themselves in front of Jarāsandha, and in other pastimes:
nāhaṁ bhakṣitavān amba sarve mithyābhiśaṁsinaḥ
yadi satya-giras tarhi samakṣaṁ paśya me mukham
My dear mother, I have never eaten dirt. All My friends complaining against Me are liars. If you think they are being truthful, you can directly look into My mouth and examine it. SB 10.8.35
Examples of anger (krodha) are also well known. Hankering (ākāṅkṣā) illustrated as follows:
tāṁ stanya-kāma āsādya mathnantīṁ jananīṁ hariḥ
gṛhītvā dadhi-manthānaṁ nyaṣedhat prītim āvahan
While mother Yaśodā was churning butter, Lord Kṛṣṇa, desiring to drink the milk of her breast, appeared before her, and in order to increase her transcendental pleasure, He caught hold of the churning rod and began to prevent her from churning. SB 10.9.4
Worry (āsaṅkā) illustrated in the following:
kvāpy adṛṣṭvāntar-vipine vatsān pālāṁś ca viśva-vit
sarvaṁ vidhi-kṛtaṁ kṛṣṇaḥ sahasāvajagāma ha
When Kṛṣṇa was unable to find the calves and their caretakers, the cowherd boys, anywhere in the forest, He could suddenly understand that this was the work of Lord Brahmā. SB 10.13.17
Absorption in worldly affairs (viśva-vibhramaḥ) is shown in having the desire to maintain the universe, related to His devotees such as Brahmā. Prejudice (viṣamatvaṁ) is illustrated as follows:
samo ’haṁ sarva-bhūteṣu na me dveṣyo ’sti na priyaḥ
ye bhajanti tu māṁ bhaktyā mayi te teṣu cāpy aham
I envy no one, nor am I partial to anyone. I am equal to all. But whoever renders service unto Me in devotion is a friend, is in Me, and I am also a friend to him. BG 9.29
Dependency on others (parāpekṣā) is shown as follows:
ahaṁ bhakta-parādhīno hy asvatantra iva dvija
sādhubhir grasta-hṛdayo bhaktair bhakta-jana-priyaḥ
I am completely under the control of My devotees. Indeed, I am not at all independent. Because My devotees are completely devoid of material desires, I sit only within the cores of their hearts. What to speak of My devotee, even those who are devotees of My devotee are very dear to Me. SB 9.4.63
Therefore, it says in the Bhāgavatam:
kva śoka-mohau sneho vā bhayaṁ vā ye ’jña-sambhavāḥ
kva cākhaṇḍita-vijñāna-jñānaiśvaryas tv akhaṇḍitaḥ
How can lamentation, bewilderment, material affection or fear, all born out of ignorance, be ascribed to the infinite Supreme Lord, whose perception, knowledge and power are all similarly infinite? SB 10.77.31
Lamentation, bewilderment and material affection and fear when they originate from ignorance are definitely not present in the Lord. However, lamentation, bewilderment, material affection and fear when they originate from knowledge do exist in the Lord.
These qualities originating from knowledge, such as bewilderment arising from prema for the Lord, are also present in the devotees:
itthaṁ sma pṛṣṭaḥ sa tu bādarāyaṇis
tat-smāritānanta-hṛtākhilendriyaḥ
kṛcchrāt punar labdha-bahir-dṛśiḥ śanaiḥ
pratyāha taṁ bhāgavatottamottama
O Śaunaka, greatest of saints and devotees, when Mahārāja Parīkṣit inquired from Śukadeva Gosvāmī in this way, Śukadeva Gosvāmī, immediately remembering subject matters about Kṛṣṇa within the core of his heart, externally lost contact with the actions of his senses. Thereafter, with great difficulty, he revived his external sensory perception and began to speak to Mahārāja Parīkṣit about kṛṣṇa-kathā. SB 10.12.44
The eighteen great faults are mentioned in the Viṣṇu-yāmala: The eighteen faults are bewilderment, sleep, error, material attachment without prema, material lust which brings suffering, fickleness, intoxication, envy, violence, exhaustion, toil, lying, anger, hankering, worry, absorption in worldly affairs, prejudice, and dependency on others.
Purport
Illusion, fatigue, errors, roughness, material lust, restlessness, pride, envy, violence, disgrace, exhaustion, untruth, anger, hankering, dependence, desire to lord it over the universe, seeing duality and cheating.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
However, these same bad qualities are considered good qualities in Kṛṣṇa in relation to the devotees’ prema. Thus moha is illustrated as follows:
tato vatsān adṛṣṭvaitya puline ’pi ca vatsapān
ubhāv api vane kṛṣṇo vicikāya samantataḥ
Thereafter, when Kṛṣṇa was unable to find the calves, He returned to the bank of the river, but there He was also unable to see the cowherd boys. Thus He began to search for both the calves and the boys, as if He could not understand what had happened. SB 10.13.16
Sleep, exhaustion and toil (tandrā, kheda, pariśrama) are illustrated as follows:
kvacit pallava-talpeṣuniyuddha-śrama-karśitaḥ
vṛkṣa-mūlāśrayaḥ śetegopotsaṅgopabarhaṇaḥ
Sometimes Lord Kṛṣṇa grew tired from fighting and lay down at the base of a tree, resting upon a bed made of soft twigs and buds and using the lap of a cowherd friend as His pillow. SB 10.15.16
Error (bhrama) is illustrated as follows:
tāv aṅghri-yugmam anukṛṣya sarīsṛpantau
ghoṣa-praghoṣa-ruciraṁ vraja-kardameṣu
tan-nāda-hṛṣṭa-manasāv anusṛtya lokaṁ
mugdha-prabhītavad upeyatur anti mātroḥ
When Kṛṣṇa and Balarāma, with the strength of Their legs, crawled in the muddy places created in Vraja by cow dung and cow urine, Their crawling resembled the crawling of serpents, and the sound of Their ankle bells was very charming. Very much pleased by the sound of other people’s ankle bells, They used to follow these people as if going to Their mothers, but when They saw that these were other people, They became afraid and returned to Their real mothers, Yaśodā and Rohiṇī. SB 10.8.22
Attachment without prema (rukṣita-rasatā) however does not exist in the spiritual realm. Material lust which brings grief (ulbaṇa-kāma) also does not exist, because in Kṛṣṇa it takes the form of prema. Fickleness (lolatā) becomes a good quality:
vatsān muñcan kvacid asamaye krośa-sañjāta-hāsaḥ
steyaṁ svādv atty atha dadhi-payaḥ kalpitaiḥ steya-yogaiḥ
markān bhokṣyan vibhajati sa cen nātti bhāṇḍaṁ bhinnatti
dravyālābhe sagṛha-kupito yāty upakrośya tokān
Our dear friend Yaśodā, your son sometimes comes to our houses before the milking of the cows and releases the calves, and when the master of the house becomes angry, your son merely smiles. Sometimes He devises some process by which He steals palatable curd, butter and milk, which He then eats and drinks. When the monkeys assemble, He divides it with them, and when the monkeys have their bellies so full that they won’t take more, He breaks the pots. Sometimes, if He gets no opportunity to steal butter or milk from a house, He will be angry at the householders, and for His revenge He will agitate the small children by pinching them. Then, when the children begin crying, Kṛṣṇa will go away. SB 10.8.29
Intoxication (mada) is illustrated as follows:
mada-vighūrṇita-locana īṣat
māna-daḥ sva-suhṛdāṁ vana-mālī
badara-pāṇḍu-vadano mṛdu-gaṇḍaṁ
maṇḍayan kanaka-kuṇḍala-lakṣmyā
As Kṛṣṇa respectfully greets His well-wishing friends, His eyes roll slightly as if from intoxication. He wears a flower garland, and the beauty of His soft cheeks is accentuated by the brilliance of His golden earrings and the whiteness of His face, which has the color of a badara berry. SB 10.35.24
Envy (mātsarya) is illustrated as follows:
tatra pratividhiṁ samyag ātma-yogena sādhaye
lokeśa-mānināṁ mauḍhyād dhaniṣye śrī-madaṁ tamaḥ
By My mystic power I will completely counteract this disturbance caused by Indra. Demigods like Indra are proud of their opulence, and out of foolishness they falsely consider themselves the Lord of the universe. I will now destroy such ignorance. SB 10.25.16
There are many clear examples of violence (so they are not given). Lying is illustrated when Kṛṣṇa and the Pāṇḍavas disguised themselves in front of Jarāsandha, and in other pastimes:
nāhaṁ bhakṣitavān amba sarve mithyābhiśaṁsinaḥ
yadi satya-giras tarhi samakṣaṁ paśya me mukham
My dear mother, I have never eaten dirt. All My friends complaining against Me are liars. If you think they are being truthful, you can directly look into My mouth and examine it. SB 10.8.35
Examples of anger (krodha) are also well known. Hankering (ākāṅkṣā) illustrated as follows:
tāṁ stanya-kāma āsādya mathnantīṁ jananīṁ hariḥ
gṛhītvā dadhi-manthānaṁ nyaṣedhat prītim āvahan
While mother Yaśodā was churning butter, Lord Kṛṣṇa, desiring to drink the milk of her breast, appeared before her, and in order to increase her transcendental pleasure, He caught hold of the churning rod and began to prevent her from churning. SB 10.9.4
Worry (āsaṅkā) illustrated in the following:
kvāpy adṛṣṭvāntar-vipine vatsān pālāṁś ca viśva-vit
sarvaṁ vidhi-kṛtaṁ kṛṣṇaḥ sahasāvajagāma ha
When Kṛṣṇa was unable to find the calves and their caretakers, the cowherd boys, anywhere in the forest, He could suddenly understand that this was the work of Lord Brahmā. SB 10.13.17
Absorption in worldly affairs (viśva-vibhramaḥ) is shown in having the desire to maintain the universe, related to His devotees such as Brahmā. Prejudice (viṣamatvaṁ) is illustrated as follows:
samo ’haṁ sarva-bhūteṣu na me dveṣyo ’sti na priyaḥ
ye bhajanti tu māṁ bhaktyā mayi te teṣu cāpy aham
I envy no one, nor am I partial to anyone. I am equal to all. But whoever renders service unto Me in devotion is a friend, is in Me, and I am also a friend to him. BG 9.29
Dependency on others (parāpekṣā) is shown as follows:
ahaṁ bhakta-parādhīno hy asvatantra iva dvija
sādhubhir grasta-hṛdayo bhaktair bhakta-jana-priyaḥ
I am completely under the control of My devotees. Indeed, I am not at all independent. Because My devotees are completely devoid of material desires, I sit only within the cores of their hearts. What to speak of My devotee, even those who are devotees of My devotee are very dear to Me. SB 9.4.63
Therefore, it says in the Bhāgavatam:
kva śoka-mohau sneho vā bhayaṁ vā ye ’jña-sambhavāḥ
kva cākhaṇḍita-vijñāna-jñānaiśvaryas tv akhaṇḍitaḥ
How can lamentation, bewilderment, material affection or fear, all born out of ignorance, be ascribed to the infinite Supreme Lord, whose perception, knowledge and power are all similarly infinite? SB 10.77.31
Lamentation, bewilderment and material affection and fear when they originate from ignorance are definitely not present in the Lord. However, lamentation, bewilderment, material affection and fear when they originate from knowledge do exist in the Lord.
These qualities originating from knowledge, such as bewilderment arising from prema for the Lord, are also present in the devotees:
itthaṁ sma pṛṣṭaḥ sa tu bādarāyaṇis
tat-smāritānanta-hṛtākhilendriyaḥ
kṛcchrāt punar labdha-bahir-dṛśiḥ śanaiḥ
pratyāha taṁ bhāgavatottamottama
O Śaunaka, greatest of saints and devotees, when Mahārāja Parīkṣit inquired from Śukadeva Gosvāmī in this way, Śukadeva Gosvāmī, immediately remembering subject matters about Kṛṣṇa within the core of his heart, externally lost contact with the actions of his senses. Thereafter, with great difficulty, he revived his external sensory perception and began to speak to Mahārāja Parīkṣit about kṛṣṇa-kathā. SB 10.12.44
Thus, it has been explained that the amount of sweetness in Kṛṣṇa exceeds that of all of the avatāras and the source of avatāras, Mahā-viṣṇu.
Purport
Regarding all of the above-mentioned statements, it is understood that the Mahā-Viṣṇu is the source of all incarnations in the material world. But because of His greater, extraordinary opulence, we can understand that the son of Nanda Mahārāja is the source of the Mahā-Viṣṇu also.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse, showing the most perfect position of Kṛṣṇa, summarizes the preceding description. According to the method explained in the previous section (ittham), being complete in sweetness, and also in powers, Kṛṣṇa is said to be superior even to Mahā-viṣṇu (avatārinaḥ), famous as the source of all the avatāras.
tathā ca brahma-saṁhitāyām ādi-puruṣa-rahasye (5.59) –
[tathaa cha brahma-samhitaayaam aadi-purusha-rahasye (5.59) –]
asyaika-niśvasita-kālam athāvalambya
[asyaika-nishvasita-kaalam athaavalambya]
jīvanti loma-bilajā jagad-aṇḍa-nāthāḥ |
[jeevanti loma-bilajaa jagad-anda-naathaah |]
viṣṇur mahān sa iha yasya kalā-viśeṣo
[vishnur mahaan sa iha yasya kalaa-vishesho]
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi ||250||
[govindam aadi-purusham tam aham bhajaami ||250||]
Blended reading (Sanskrit + English inline)
tathā ca brahma-saṁhitāyām ādi-puruṣa-rahasye (5.59) –
asyaika-niśvasita-kālam athāvalambya
jīvanti loma-bilajā jagad-aṇḍa-nāthāḥ |
viṣṇur mahān sa iha yasya kalā-viśeṣo
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi ||250||
This is explained in the Brahma-saṁhitā: Mahā-viṣṇu, into whom all the innumerable universes enter and from whom they come forth again simply by His breathing process, is a plenary expansion of Kṛṣṇa. Therefore, I worship Govinda, Kṛṣṇa, the cause of all causes.
Purport
This is confirmed in the Brahma-saṁhitā, wherein it is stated, “Let me offer my respectful obeisances unto Govinda, whose partial representation is the Mahā-Viṣṇu.” The gigantic form of the Mahā-Viṣṇu is the source of generation for innumerable universes. Innumerable universes are coming out of His exhaling breath, and the same universes are going back in with His inhaling breath. This Mahā-Viṣṇu is also a plenary portion of a portion of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse explains how Kṛṣṇa is superior to Mahā-viṣṇu. Govinda mentioned in Brahma-saṁhitā is Vrajendra-nandana Kṛṣṇa, since the beginning verses describe Vṛndāvana Kṛṣṇa. From that, His sweetness can be understood. One should not consider that Govinda mentioned here is different from the son of Nanda. Gautamīya-tantra, explaining the eight and eighteen syllable Kṛṣṇa mantras, describes Govinda as follows:
aneka-janma-siddhānāṁ gopīnāṁ patir eva vā
nanda-nandana ity uktas trailokyānanda-vardhanaḥ
The master of gopīs who reached their perfection after many births is called the son of Nanda. He increases the bliss of the three worlds.
This is the meaning of Govinda after seeing many such statements. The sages have also said sakala-loka-maṅgalo nanda-gopa-tanayo devatā: The son of the cowherd Nanda is auspiciousness for the whole world. (Gautamīya-tantra)
lalitaudāryam ity ete sattva-bhedās tu pauruṣāḥ ||252||
Excellent qualities of the heart, the embodiments of auspiciousness, are glorified as eight: glory, playfulness, sweetness, auspiciousness, steadiness, strength, beauty and generosity.
Purport
NoD 24: Further Traits of Śrī Kṛṣṇa
After describing the different opulences of Kṛṣṇa, Śrīla Rūpa Gosvāmī tries to further describe the transcendental beauties and qualities of the Lord as decorated, enjoying, pleasing, dependable, steady and predominating. He is also described as a meticulous dresser and a magnanimous personality. These are generally considered to be the qualities of great personalities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Maṅgalālaṅkriyā-rūpāḥ means “glorious qualities which are the very form of auspiciousness.” Sattva-bhedāḥ means excellent qualities of the heart.
lalitaudāryam ity ete sattva-bhedās tu pauruṣāḥ ||252||
Excellent qualities of the heart, the embodiments of auspiciousness, are glorified as eight: glory, playfulness, sweetness, auspiciousness, steadiness, strength, beauty and generosity.
Purport
NoD 24: Further Traits of Śrī Kṛṣṇa
After describing the different opulences of Kṛṣṇa, Śrīla Rūpa Gosvāmī tries to further describe the transcendental beauties and qualities of the Lord as decorated, enjoying, pleasing, dependable, steady and predominating. He is also described as a meticulous dresser and a magnanimous personality. These are generally considered to be the qualities of great personalities.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Maṅgalālaṅkriyā-rūpāḥ means “glorious qualities which are the very form of auspiciousness.” Sattva-bhedāḥ means excellent qualities of the heart.
[neeche dayaadhike spardhaa shauryotsaahau cha dakshataa |]
satyaṁ ca vyaktim āyāti yatra śobheti tāṁ viduḥ ||253||
[satyam cha vyaktim aayaati yatra shobheti taam viduh ||253||]
Blended reading (Sanskrit + English inline)
tatra śobhā –
nīce dayādhike spardhā śauryotsāhau ca dakṣatā |
satyaṁ ca vyaktim āyāti yatra śobheti tāṁ viduḥ ||253||
Among the ornaments of auspiciousness, where there is mercy to those who are lower, emulation of those who one regards as greater, as well as courage, enthusiasm, expertise and truth, it is known as śobha (glory).
Purport
Decorated
It is said that a person is great if he is decorated with the qualities of being very merciful toward the unfortunate, very powerful, superior, chivalrous, enthusiastic, expert and truthful.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Adhike here means “to those whom one respects as superior.” Yatra means “in these ornaments of auspiciousness.”
An example: Seeing the pain caused by Indra’s rain in Vraja, Kṛṣṇa desired to destroy Svarga, but then, considering Indra and the devatās to be inferior, a wave of compassion rose within Him. Seeing no one equal to Himself as a suitable object of anger, He who is firm in truth then lifted Govardhana, with the desire of giving bliss to His friends.
Purport
These decorations were manifested in the character of Kṛṣṇa during His govardhana-līlā. At that time the whole tract of land in Vṛndāvana was being disturbed by the rains sent by Indra, as described elsewhere. At first Kṛṣṇa thought, “Let Me retaliate against this vengeance of Indra by destroying his heavenly kingdom,” but later on, when He thought of the insignificance of the King of heaven, Kṛṣṇa changed His mind and felt merciful toward Indra. No one is able to tolerate the wrath of Kṛṣṇa, so instead of retaliating against Indra, He simply showed His compassion for His friends in Vṛndāvana by lifting the whole of Govardhana Hill to protect them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The objection may arise that at least Kṛṣṇa should punish the leader causing the disaster in Vraja. To answer this, it is said that He did not see anyone equal to Himself, and thus He gave up His anger.
An example: Lotus-eyed Kṛṣṇa, while gazing steadily and boldly at the wrestlers, shaking the earth like an elephant, proud with victory, His words touched with the fragrance of humor, entered the raised arena while sprinkling water on the stage.
Purport
This trait was found in Kṛṣṇa when He appeared at the sacrificial arena of King Kaṁsa. It is described that the lotus-eyed Kṛṣṇa entered among the wrestlers without being impolite to them, glanced over them with determination and seemed to them just like an elephant attacking some plants. Even while speaking to them, Kṛṣṇa was still smiling, and in this way He stood valiantly upon the wrestling dais.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
His gaze was slow (mantharām), without meekness and agitation, and thus without modesty (avinayavatīm). Sometimes the phrase vṛṣa iva (like a bull) is found instead of dvipa iva (like an elephant).
While Kṛṣṇa was sitting on the bank of the Yamunā, tarrying there on the pretext of making a long garland of golden kadamba flowers, Rādhā arrived at a ghāṭa on the river. He threw a glance from the corner of His eye at the doe-eyed Rādhā.
Purport
An example of Kṛṣṇa’s pleasing nature is described as follows: “One day while Kṛṣṇa was awaiting the arrival of Śrīmatī Rādhārāṇī by the bank of the Yamunā, He began to make a garland of kadamba flowers. In the meantime, Śrīmatī Rādhārāṇī appeared there, and at that time Murāri [Kṛṣṇa], the enemy of Mura, glanced over Rādhārāṇī very sweetly.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Avaṣṭambha means golden. Kṛṣṇa was making a garland, which was already long (prālambam), extremely long (pravalita-vilambam). With that pretext, Kṛṣṇa delayed moving from the bank of the Yamunā. Another version of the verse is not too suitable.
sākṣī vetti sa bhaktim ity avanata-vrātāś ca cintojjhitāḥ
ke viśvambhara na tvad-aṅghri-yugale viśrambhitāṁ bhejire ||260||
An example: Because there is no sense of injustice in the Lord, even the demons leave their doors open. Because they have faith that Kṛṣṇa is their protector, the devatās indulge in play without worry. Understanding that He is the witness and thus knows their bhakti, those offering obeisances (devotees) have given up anxiety. O supporter of the universe! Who does not have faith in Your lotus feet?
Purport
In this connection Rūpa Gosvāmī says that even the demons were relying upon the dependability of Kṛṣṇa, because they were confident that Kṛṣṇa would never attack them without due cause. Therefore, with faith and confidence, they used to live with their doors wide open. And the demigods, although afraid of the demons, were confident of the protection of Kṛṣṇa. Therefore, even in the midst of danger they were engaged in sportive activities. Persons who had never undergone the reformatory ritualistic ceremonies of the Vedas were confident that Kṛṣṇa would accept only faith and devotion, and so they were engaged in Kṛṣṇa consciousness and were freed from all anxieties. In other words, all kinds of men, from the demigods down to the uncultured, can rely on the causeless mercy of the Supreme Lord.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Instead of the phrase rakṣī kṛṣṇa iti (thinking Kṛṣṇa is our protector) sometimes rakṣī so ’yam iti (He is our protector) is found. The word pramattam here means inattentively. In the sentence pramattam abhitaḥ krīḍāsu raktāḥ surāḥ (The devatās were absorbed completely in playing inattentively), the adjective “inattentive” which actually describes the subject, is attributed to the verb as an adverb, “inattentively.” This has been done to bring about the understanding that by absorbing themselves in play, there is oneness between the subject and the verb. Sākṣī vetti sa bhaktim iti means that the devotees understand that Kṛṣṇa (sa), being the witness (sākṣī) knows (vetti) the real amount of bhakti in the acts they perform. An alternative third line is sākṣī vetti mamāpy asāv agatitām ity āśritāṁ svasthitā: those who are fixed in taking shelter of Kṛṣṇa think “Kṛṣṇa, being the witness, knows my helplessness.”
pratikule ’pi sa-śūle, śive śivāyāṁ niraṁśukāyāṁ ca |
[pratikule ’pi sa-shoole, shive shivaayaam niramshukaayaam cha |]
vyalunād eva mukundo vindhyāvali-nandanasya bhujān ||262||
[vyalunaad eva mukundo vindhyaavali-nandanasya bhujaan ||262||]
Blended reading (Sanskrit + English inline)
yathā –
pratikule ’pi sa-śūle, śive śivāyāṁ niraṁśukāyāṁ ca |
vyalunād eva mukundo vindhyāvali-nandanasya bhujān ||262||
Even though His act was obstructed by Śiva with his trident and Bāṇa’s mother [Note: She is called Śivā in the verse, which usually refers to Śiva’s wife. However Bāṇa’s mother was Koṭarā. Koṭarā is also a name of Durgā.] who had appeared without clothing, Mukunda cut off the arms of Bāṇāsura.
Purport
This steadiness was observed in Kṛṣṇa in connection with His chastising the demon known as Bāṇa. The Bāṇa demon had many hands, and Kṛṣṇa was cutting off these hands one after another. This Bāṇa was a great devotee of Lord Śiva and the goddess Durgā. Thus, when Bāṇa was being chastised, Lord Śiva and Durgā became very furious at Kṛṣṇa. But Kṛṣṇa did not care for them.
An example from the Tenth Canto: The various groups of people in the arena regarded Kṛṣṇa in different ways when He entered it with His elder brother. The wrestlers saw Kṛṣṇa as a lightning bolt, the men of Mathurā as the best of males, the women as Cupid in person, the cowherd men as their relative, the impious rulers as a chastiser, His parents as their child, the King of the Bhojas as death, the unintelligent as the Supreme Lord’s universal form, the yogīs as the Absolute Truth and the Vṛṣṇis as their supreme worshipable Deity. SB 10.43.17
Purport
As far as Kṛṣṇa’s predomination is concerned, in the Tenth Canto, Forty-third Chapter, verse 17, of Śrīmad-Bhāgavatam, Kṛṣṇa is described thus by Śukadeva Gosvāmī to King Parīkṣit: “My dear King, Kṛṣṇa is a thunderbolt to the wrestlers; to the common man He is the most beautiful human being; to the young girls He is just like Cupid; to the cowherd men and women He is the most intimate relative; to the impious kings He is the supreme ruler; to His parents, Nanda and Yaśodā, He is just a baby; to Kaṁsa, the King of Bhoja, He is death personified; to the dull and stupid He is just like a stone; to the yogīs He is the Supreme Absolute Truth; and to the Vṛṣṇis He is the Supreme Personality of Godhead. In such a predominating position, Kṛṣṇa appeared in that arena along with His older brother, Balarāma.” When Kṛṣṇa, the reservoir of all mellows, was present in the arena of Kaṁsa, He appeared differently to the different persons who were related to Him in different mellows. It is stated in Bhagavad-gītā that He appears to every person according to one’s relationship with Him.
Another definition of tejas: The intelligent say that tejas means intolerance of offense (since another meaning of tejas is impatience and fierce opposition).
Purport
Sometimes learned scholars describe “predominating” to mean a person intolerant of being neglected.
An example: When the hater of the whole universe, angry Kaṁsa, loudly beckons to Nanda and Vasudeva, with the desire to give them punishment, Kṛṣṇa throws a glance like a messenger sent to the unchaste woman called death for the demons, and ascends the arena with a desire to play.
Purport
This peculiarity in Kṛṣṇa was visible when Kaṁsa was insulting Mahārāja Nanda. Vasudeva was asking Kṛṣṇa’s assistance in killing Kaṁsa, and Kṛṣṇa was glancing over Kaṁsa with longing eyes, just like a prostitute, and was just preparing to jump at the King.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Kṛṣṇa throws a glance, like a woman messenger sent to contact death who is like a prostitute for the enemies of the devotees, towards Kaṁsa. This is the preferred version of the text. Other words do not express the inferiority of Kaṁsa.
udañcad-romāñcaṁ racayati ca kṛṣṇaḥ parikaram ||268||
[udanchad-romaancham rachayati cha krishnah parikaram ||268||]
Blended reading (Sanskrit + English inline)
yathā –
vidhatte rādhāyāḥ kuca-mukulayoḥ keli-makarīṁ
kareṇāvyagrātmā sarabhasam asavyena rasikaḥ |
ariṣṭe sāṭopaṁ kaṭu ruvati savyena vihasann
udañcad-romāñcaṁ racayati ca kṛṣṇaḥ parikaram ||268||
An example: The king of rasa, Kṛṣṇa is joyfully drawing makarīs on the bud-like breasts of Radha with His right hand using a steady mind. When Ariṣṭāsura roars harshly with pride, Kṛṣṇa, while laughing at him as goose bumps rise on His flesh, ties His belt with His left hand.
Purport
This characteristic was found in Kṛṣṇa in two ways: sometimes He used to decorate Śrīmatī Rādhārāṇī with various marks, and sometimes, when He was preparing to kill demons like Ariṣṭāsura, He would take care to arrange His belt very nicely.
Say if there is anyone more magnanimous than the Supreme Lord, who offers even His soul to the destitute and nondescript?
Purport
No one could be more magnanimous than Kṛṣṇa, because He is always prepared to give Himself completely to His devotee. Even to one who is not a devotee, Kṛṣṇa in His form of Lord Caitanya is prepared to give Himself and to grant deliverance.
Although these eight qualities were previously discussed, because they are somewhat remarkable, they have again been described in a separate category.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sthairya was defined in verse 107 of this section already. Similarly, the other qualities can be found described previously. They have been described as separate dispositions because of their excellent nature (viśeṣāt)—that is, they mutually nourish each other and, sometimes, spontaneously on their own, they become prominent.
Kṛṣṇa’s assistants: For matters of dharma, the sages such as Garga; for war, persons such as Sātyaki; and for advice, persons like Uddhava are glorified as assistants to the Lord in revealing these qualities.
Purport
Although Kṛṣṇa is independent of everyone, out of His causeless mercy He is dependent upon Garga Ṛṣi for religious instruction; for learning the military art He is dependent upon Sātyaki; and for good counsel He is dependent upon His friend Uddhava.
The devotees of Kṛṣṇa: [Note: Here the description of the āśraya starts.] Those whose hearts are full of attraction for Kṛṣṇa are called the devotees of Kṛṣṇa.
Purport
NoD 25: Devotees of Kṛṣṇa
A person who is always absorbed in Kṛṣṇa consciousness is called a devotee of Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Those whose hearts (svāntāḥ) are infused with (bhāvita) the most excellent rati (bhāva) for Kṛṣṇa as their object of love are called krṣṇa-bhaktas. This means that they are the ālambana (āśraya), special great devotees attracted to the form of Kṛṣna in a particular mood, to whom Kṛṣṇa is similarly attracted. This implies that the other devotees (relative to this devotee) should be classified as uddīpana. Thus, the other devotees will be later classed as uddīpanas in verse 2.1.302.
proktāḥ kṛṣṇe ’sya bhakteṣu te vijñeyā manīṣibhiḥ ||274||
[proktaah krishne ’sya bhakteshu te vijneyaa maneeshibhih ||274||]
Blended reading (Sanskrit + English inline)
yo satya-vākya ity ādyā hrīmān ity antimā guṇāḥ |
proktāḥ kṛṣṇe ’sya bhakteṣu te vijñeyā manīṣibhiḥ ||274||
The learned understand that all the qualities of Kṛṣṇa from telling to the truth (2.1.24) to bashfulness (2.1.27) are also present in the devotees of Kṛṣṇa
Purport
Śrīla Rūpa Gosvāmī says that all the transcendental qualities discussed previously are also found in the devotees of Kṛṣṇa.
te sādhakāś ca siddhāś ca dvi-vidhāḥ parikīrtitāḥ ||275||
[te saadhakaash cha siddhaash cha dvi-vidhaah parikeertitaah ||275||]
Blended reading (Sanskrit + English inline)
te sādhakāś ca siddhāś ca dvi-vidhāḥ parikīrtitāḥ ||275||
The devotees are said to be of two types: practitioners (sādhakas) and perfected (siddhas).
Purport
The devotees of Kṛṣṇa can be classified into two groups: those who are cultivating devotional service in order to enter into the transcendental kingdom and those who are already in the perfectional stage of devotional service.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The difference is pointed out in order to discuss their particular natures.
Practitioners (sādhaka) are those who have developed rati for Kṛṣṇa but have not completely extinguished the anarthas, and who are qualified to see Kṛṣṇa directly. [Note: This term sādhaka should not be confused with sādhana-bhakti, which ends with the appearance of rati, according to the definitions given in the eastern section. This is a description of the bhāva-bhakta, who may beconsidered a sādhaka because he is not completely pure. Why the bhāva-bhakta is a sādhaka is discussed by Viśvanātha in his commentary on 1.2.1. In verse 277, Rūpa Gosvāmī has quoted the definition of the madhyama-adhikārī in relation to this sādhaka of rati. It would seem that the term covers a wide range of devotees with the person who has attained rati at the top.]
Purport
A person who has attained the stage of attraction for Kṛṣṇa and who is not freed from the material impasse, but who has qualified himself to enter into the kingdom of God, is called sādhaka. Sādhaka means one who is cultivating devotion in Kṛṣṇa consciousness.
[eeshvare tad-adheeneshu baalisheshu dvishatsu cha |]
prema-maitrī-kṛpopekṣā yaḥ karoti sa madhyamaḥ ||277||
[prema-maitree-kripopekshaa yah karoti sa madhyamah ||277||]
Blended reading (Sanskrit + English inline)
yathaikādaśe–
īśvare tad-adhīneṣu bāliśeṣu dviṣatsu ca |
prema-maitrī-kṛpopekṣā yaḥ karoti sa madhyamaḥ ||277||
An example from the Eleventh Canto: An intermediate or second-class devotee, called madhyama-adhikārī, offers his love to the Supreme Personality of Godhead, is a sincere friend to all the devotees of the Lord, shows mercy to ignorant people who are innocent and disregards those who are envious of the Supreme Personality of Godhead. SB 11.2.46
Purport
The description of such a devotee is found in the Eleventh Canto, Second Chapter, verse 46, of Śrīmad-Bhāgavatam. It is said there that a person who has unflinching faith in and love for the Personality of Godhead, who is in friendship with devotees of Kṛṣṇa, and who is very merciful to the ignorant, raising them to the standard of devotional service, and who is uninterested in nondevotees, is considered to be situated in the position of cultivating devotional service.
Another example: Do not worry, that, after you have been drenched in tears arising from the river of the pastimes of the Lord, you will remain in the flame of suffering in the material world. When all the hairs on your limbs dances, then you will see very near, rising in the sky of your heart, the cloud of Kṛṣṇa’s form, full of the shower of mercy which destroys the desire for liberation.
Purport
When one is found shedding tears by hearing of the pastimes of the Lord, it is to be understood that the blazing fire of material existence will be extinguished by such watering. When there is shivering of the body and the hairs of the body stand up, it is to be understood that the devotee is nearing perfection.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In expectation of the removal of causes of obstacles mentioned previously, the author cites this verse. Heti means flame. Pṛthu-roma means hairs and also fish. Thus there is another meaning to the last part of the verse. When the fish begin to dance excessively one can understand that soon a black cloud will appear in the sky with a shower of mercy which will extinguish the desire for water.
Those who experience no suffering at all, who perform all actions while taking shelter of Kṛṣṇa, and who always taste the happiness of continuous prema are known as the perfected devotees.
Purport
When a devotee is never tired of executing devotional service and is always engaged in Kṛṣṇa conscious activities, constantly relishing the transcendental mellows in relationship with Kṛṣṇa, he is called perfect.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In this verse, the siddhas among the great devotees are shown, with the words atha siddhāḥ.
Those who have attained perfection are of two types: those who have attained perfection by sādhana and those who have attained perfection by mercy.
Purport
This perfectional stage can be achieved in two ways: one may achieve this stage of perfection by gradual progress in devotional service, or one may become perfect by the causeless mercy of Kṛṣṇa, even though he has not executed all the details of devotional service.
An example of a sādhana-siddha, from the Third Canto: Persons whose bodily features change in ecstasy and who breathe heavily and perspire due to hearing the glories of the Lord are promoted to the kingdom of God, even though they do not care for meditation and other austerities. The kingdom of God is above the material universes, and it is desired by Brahmā and other demigods. SB 3.15.25
Purport
There is the following nice statement in the Third Canto, Fifteenth Chapter, verse 25, of Śrīmad-Bhāgavatam, describing a devotee who achieves perfection by regularly executing devotional service: A person who is freed from the false egotism of material existence, or an advanced mystic, is eligible to enter into the kingdom of God, known as Vaikuṇṭha. Such a mystic becomes so joyful by constant execution of the regulative principles of devotional service that he thereby achieves the special favor of the Supreme Lord. Yamarāja, the mighty superintendent of death, is afraid to go near such a devotee; so we can imagine the potency of advanced devotional service, especially when devotees sit together and engage in talking of the pastimes of the Supreme Personality of Godhead. Those devotees express their feelings in such a way that they automatically melt with ecstasy, and many transcendental symptoms become manifested in their bodies.
Another example: I offer respects to the great devotees who have destroyed all suffering by the power of bhakti, who usually hate to glance upon the four objects including liberation even though they offer respects to the devotees, whose hearts are full of the bliss of strong prema, whose faces are washed in tears of bliss and whose limbs are covered in goose bumps.
Purport
Anyone desiring advancement in devotional service must follow in the footsteps of such devotees.
Prahlāda Mahārāja said that no one can attain the perfectional stage of devotional service without bowing down before exalted devotees.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Using the word prāyena (usually) indicates that sometimes those devotees may have desires for the four goals as follows:
sarvaṁ mad-bhakti-yogena mad-bhakto labhate ’ñjasā
svargāpavargaṁ mad-dhāma kathañcid yadi vāñchati
If somehow or other, My devotee desires promotion to heaven, liberation, or residence in My abode, he easily achieves such benedictions. SB 11.20.33
na tapo nātma-mīmāṁsā na śaucaṁ na kriyāḥ śubhāḥ ||286||
athāpi hy uttamaḥśloke kṛṣṇe yogeśvareśvare |
bhaktir dṛḍhā na cāsmākaṁ saṁskārādimatām api ||287||
An example of attaining perfection by mercy, from the Tenth Canto: These women have never undergone the purificatory rites of the twice-born classes, nor have they lived as brahmacārīs in the āśrama of a spiritual master, nor have they executed austerities, speculated on the nature of the self, followed the formalities of cleanliness or engaged in pious rituals. Nevertheless, they have firm devotion for Lord Kṛṣṇa, whose glories are chanted by the exalted hymns of the Vedas and who is the supreme master of all masters of mystic power. We, on the other hand, have no such devotion for the Lord, although we have executed all these processes. SB 10.23.42-43
Purport
A person’s achieving perfection in devotional service simply by the causeless mercy of the Lord is explained in Śrīmad-Bhāgavatam in connection with the brāhmaṇas and their wives who were engaged in performing yajña, or sacrifice. When the wives of the brāhmaṇas were favored by Lord Kṛṣṇa and immediately attained the ecstasy of love of Godhead, their husbands said, “How wonderful it is that although these women have undertaken no reformatory performances such as accepting the sacred thread, have not resided in the monasteries of the spiritual master, have not observed the strict principles of celibacy, have not undergone any austerities and have not philosophized upon the observance of ritualistic ceremonies, they still have attained the favor of Kṛṣṇa, which is aspired after even by great mystics! How wonderful it is that these women have attained such perfection, while we, although brāhmaṇas who have performed all the reformatory activities, cannot attain to this advanced stage!”
na tapo nātma-mīmāṁsā na śaucaṁ na kriyāḥ śubhāḥ ||286||
athāpi hy uttamaḥśloke kṛṣṇe yogeśvareśvare |
bhaktir dṛḍhā na cāsmākaṁ saṁskārādimatām api ||287||
An example of attaining perfection by mercy, from the Tenth Canto: These women have never undergone the purificatory rites of the twice-born classes, nor have they lived as brahmacārīs in the āśrama of a spiritual master, nor have they executed austerities, speculated on the nature of the self, followed the formalities of cleanliness or engaged in pious rituals. Nevertheless, they have firm devotion for Lord Kṛṣṇa, whose glories are chanted by the exalted hymns of the Vedas and who is the supreme master of all masters of mystic power. We, on the other hand, have no such devotion for the Lord, although we have executed all these processes. SB 10.23.42-43
Purport
A person’s achieving perfection in devotional service simply by the causeless mercy of the Lord is explained in Śrīmad-Bhāgavatam in connection with the brāhmaṇas and their wives who were engaged in performing yajña, or sacrifice. When the wives of the brāhmaṇas were favored by Lord Kṛṣṇa and immediately attained the ecstasy of love of Godhead, their husbands said, “How wonderful it is that although these women have undertaken no reformatory performances such as accepting the sacred thread, have not resided in the monasteries of the spiritual master, have not observed the strict principles of celibacy, have not undergone any austerities and have not philosophized upon the observance of ritualistic ceremonies, they still have attained the favor of Kṛṣṇa, which is aspired after even by great mystics! How wonderful it is that these women have attained such perfection, while we, although brāhmaṇas who have performed all the reformatory activities, cannot attain to this advanced stage!”
Another example: You are not known to have suffered pains in service of the guru, and you have no trace of exerting even a drop of labor in following the rules of sādhana. But you have succeeded in attaining the river of nectar made of prema coming from the two lotus feet of Mukunda, which are the wealth sought by paramahaṁsas.
Purport
There is a similar statement by Nārada, addressed to Śukadeva Gosvāmī: “My dear Śukadeva Gosvāmī, you never took the trouble to reside under the care of a spiritual master, and yet you have attained such a great status of transcendental knowledge. You never took the trouble to undergo severe austerities, and still, how wonderful it is that you have been situated in the most perfect stage of love of Godhead.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Remembering that the wives of the brāhmaṇas attained perfection of prema by discussing the qualities of the Lord in good association, it is still unclear whether some sort of purification is first necessary for attaining prema by mercy. Thus another example is given (yathā vā), which shows attainment of prema with no purificatory preparation. This is a verse spoken by Ṇārada to Śukadeva.
Those who attained perfection by mercy are Śukadeva, the wives of the brāhmaṇas and Bali, the son of Virocana.
Purport
Śukadeva Gosvāmī and the wives of the brāhmaṇas performing yajña are vivid examples of devotees who achieved the perfectional stage of devotional service by the grace of the Supreme Personality of Godhead.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The example of the wives of the brāhmaṇas has already been given. It should be understood that their perfection was a sudden realization of the truth.
Those whose very body and qualities are bliss like Mukunda’s, and who possess the highest prema for Kṛṣṇa, which is ten million times greater than attachment for the self are called eternally perfect.
Purport
Eternal Perfection
Persons who have achieved eternal, blissful life exactly on the level of Śrī Kṛṣṇa, and who are able to attract Lord Kṛṣṇa by their transcendental loving service, are called eternally perfect. The technical name is nitya-siddha. There are two classes of living entities—namely, nitya-siddha and nitya-baddha. The distinction is that the nitya-siddhas are eternally Kṛṣṇa conscious without any forgetfulness, whereas the nitya-baddhas, or eternally conditioned souls, are forgetful of their relationship with Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Those who have qualities which are eternal and whose very form is bliss (nityānanda-guṇāḥ) like Mukunda’s are called nitya-siddha. Mention of qualities here also represents bodies. Next, their chief quality is mentioned. They have prema which is ten million times greater (koṭi-guṇam) than the prema for the self. In the compound ātma-koṭi-guṇam, a word in the middle (prema) is missing.
An example, from the discussion between Satyabhāmā and the Lord, from the Padma Purāṇa: O beautiful Satyabhāmā! I have come because of the prayers of Brahmā and the devatās, and My associates have all taken birth with Me. O goddess! The Yādavas that you see are all My associates and are full of all qualities like Me. They always hold Me alone as dear.
Purport
The position of the nitya-siddhas is explained in the Padma Purāṇa in connection with the narration of the Supreme Personality of Godhead and Satyabhāmā-devī. The Lord tells Satyabhāmā, “My dear Satyabhāmā-devī, I have descended to this earthly planet by the request of Lord Brahmā and other demigods. Those who are born into this family of Yadu are all My eternal associates. My dear wife, you should not consider that My associates are ever separated from Me; they are My personal expansions, and as such, you must know that they are almost as powerful as I am. Because of their transcendental qualities, they are very, very dear to Me, as I am very, very dear to them.” Anyone who becomes exhilarated by hearing of the pastimes of Lord Kṛṣṇa when He was present on this earth with His associates is to be understood as nitya-siddha, eternally perfect.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Mat-priyā means that they always hold Me alone as dear, and not themselves.
An example, from the discussion between Satyabhāmā and the Lord, from the Padma Purāṇa: O beautiful Satyabhāmā! I have come because of the prayers of Brahmā and the devatās, and My associates have all taken birth with Me. O goddess! The Yādavas that you see are all My associates and are full of all qualities like Me. They always hold Me alone as dear.
Purport
The position of the nitya-siddhas is explained in the Padma Purāṇa in connection with the narration of the Supreme Personality of Godhead and Satyabhāmā-devī. The Lord tells Satyabhāmā, “My dear Satyabhāmā-devī, I have descended to this earthly planet by the request of Lord Brahmā and other demigods. Those who are born into this family of Yadu are all My eternal associates. My dear wife, you should not consider that My associates are ever separated from Me; they are My personal expansions, and as such, you must know that they are almost as powerful as I am. Because of their transcendental qualities, they are very, very dear to Me, as I am very, very dear to them.” Anyone who becomes exhilarated by hearing of the pastimes of Lord Kṛṣṇa when He was present on this earth with His associates is to be understood as nitya-siddha, eternally perfect.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Mat-priyā means that they always hold Me alone as dear, and not themselves.
Another example, from the Tenth Canto: How greatly fortunate are Nanda Mahārāja, the cowherd men and all the other inhabitants of Vrajabhūmi! There is no limit to their good fortune, because the Absolute Truth, the source of transcendental bliss, the eternal Supreme Brahman, has become their friend. SB 10.14.32
Purport
In the Tenth Canto, Fourteenth Chapter, verse 32, of Śrīmad-Bhāgavatam there is this statement: “How wonderful are the fortunate residents of Vṛndāvana, such as Nanda and the other cowherd men. The Supreme Personality of Godhead, the Supreme Brahman, has actually become their intimate friend!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The repetition of aho bhāgyam expresses wonder. It is therefore not redundant. Or else it expresses the daily appearance of good fortune for the inhabitants of Vraja. Yad can mean “that,” “because,” or “whose.” It is good fortune that the Supreme brahman is their friend. Or, it is good fortune because the Supreme brahman is their friend. Or, it is good fortune of the inhabitants of Vraja, whose friend was the Supreme brahman. The brahman was their friend, and the perfect, full brahman at that. What kind of brahman can be full? Brahman is full because of being a form completely full of bliss. Brahman without form cannot be full. Therefore, the statement implies the beautiful form of Kṛṣṇa by mentioning the fullness of bliss. This is proven by the fact that even those persons expert in impersonal brahma-jñāna later developed ecstatic bodily symptoms from experiencing the form of the Lord. For instance:
tasyāravinda-nayanasya padāravinda-
kiñjalka-miśra-tulasī-makaranda-vāyuḥ
antar-gataḥ sva-vivareṇa cakāra teṣāṁ
saṅkṣobham akṣara-juṣām api citta-tanvoḥ
When the breeze carrying the aroma of tulasī leaves from the toes of the lotus feet of the Personality of Godhead entered the nostrils of those sages, they experienced a change both in body and in mind, even though they were attached to the impersonal Brahman understanding. SB 3.15.43
And further, what specific type of brahman is this? It is the highest bliss (paramānandam), and it is the highest bliss because of its type of bliss. The highest status of bliss comes from bliss with a form rather than without form, which is understood from the statement concerning Sanaka and the other Kumāras just quoted. Therefore, both words, full (pūrṇa) and highest bliss (paramānanda), indicate the type of bliss which has a form. Otherwise, what is the significance of describing brahman with these two additional words.
Having described brahman with these two words, the word “friend” (mitram) is described by the word “eternal” (sanātanam). What type of friend is this brahman? He is an eternal friend, a friend extending over all three phases of time--in past, present and future. The implication of Lord Brahmā is that “Just as You, the Lord, are perfected in all three phases of time, so the people of Vraja are also perfected in all three phases of time.” Since You are their eternal friend, how can anyone describe their good fortune?
dustyajaś cānurāgo ’smin sarveṣāṁ no vrajaukasām |
[dustyajash chaanuraago ’smin sarveshaam no vrajaukasaam |]
nanda te tanaye ’smāsu tasyāpy autpattikaḥ katham ||294||
[nanda te tanaye ’smaasu tasyaapy autpattikah katham ||294||]
Blended reading (Sanskrit + English inline)
tatraiva (10.26.13) –
dustyajaś cānurāgo ’smin sarveṣāṁ no vrajaukasām |
nanda te tanaye ’smāsu tasyāpy autpattikaḥ katham ||294||
Also from the Tenth Canto: Dear Nanda, how is it that we and all the other residents of Vraja cannot give up our constant affection for your son? And how is it that He is so spontaneously attracted to us? SB 10.26.13
Purport
A similar statement is there in the Tenth Canto, Twenty-sixth Chapter, verse 13, of Śrīmad-Bhāgavatam. When Lord Kṛṣṇa lifted Govardhana Hill, the cowherd men, under the protection of Lord Kṛṣṇa, became struck with wonder and went to Nanda Mahārāja and inquired from him, “My dear Nanda Mahārāja, how is it that we are so intensely attached to Kṛṣṇa and that Kṛṣṇa is also so affectionately attached to us? Does it mean that He is the Supersoul of everyone?”
One can understand that the inhabitants of Vraja are eternal associates by the words “eternal friend” in verse 293 and “how is it that He is so spontaneously attracted to us?” in verse 294.
Purport
All of the residents of Vṛndāvana and Dvārakā—namely, the cowherd men and the members of the Yadu family—are eternally perfect devotees of the Lord. As the Lord descends by His causeless mercy upon this planet, so, in order to help in the pastimes of the Lord, these devotees also come here. They are not ordinary living entities or conditioned souls; they are ever-liberated persons, associates of the Personality of Godhead. And just as Lord Kṛṣṇa behaves like an ordinary man when He descends to this planet, so the members of the Yadu dynasty and the residents of Vṛndāvana execute activities just like ordinary men. But they are not ordinary men; they are as liberated as Lord Kṛṣṇa Himself.
Thus, for this reason, the Yādavas known as the cowherd people are said to be eternal associates of the Lord. As with the Lord’s actions, their actions also appear worldly, though everything about them is purely spiritual.
Purport
All of the residents of Vṛndāvana and Dvārakā—namely, the cowherd men and the members of the Yadu family—are eternally perfect devotees of the Lord. As the Lord descends by His causeless mercy upon this planet, so, in order to help in the pastimes of the Lord, these devotees also come here. They are not ordinary living entities or conditioned souls; they are ever-liberated persons, associates of the Personality of Godhead. And just as Lord Kṛṣṇa behaves like an ordinary man when He descends to this planet, so the members of the Yadu dynasty and the residents of Vṛndāvana execute activities just like ordinary men. But they are not ordinary men; they are as liberated as Lord Kṛṣṇa Himself.
na karma-bandhanaṁ janma vaiṣṇavānāṁ ca vidyate ||298||
Also, from the Uttara-khaṇḍa of the Padma Purāṇa: Just as Lakṣmaṇa, Bharata and Saṅkarṣaṇa take birth with the Lord, the Yādava cowherd people, descending from their spiritual planet by the Lord’s will, take birth with the appearance of Lord Kṛṣṇa, and then return to His eternal dhāma along with Him. The birth of these devotees is not caused by the bondage of karma.
Purport
In the Padma Purāṇa, Uttara-khaṇḍa section, it is stated, “Just as Lord Rāmacandra descends along with Lakṣmaṇa (an expansion of Saṅkarṣaṇa) and Bharata (an expansion of Pradyumna), so the members of the Yadu dynasty and the cowherd men of Vṛndāvana also descend with Lord Kṛṣṇa in order to join in the transcendental pastimes of the Lord. When the Supreme Lord returns to His eternal abode, His associates return with Him to their respective places. As such, these ever-liberated Vaiṣṇavas are not bound by the material laws of birth and death.”
As stated in Bhagavad-gītā by the Lord Himself, His birth, deeds and activities are all transcendental. Similarly, the birth, deeds and activities of the associates of the Lord are also transcendental. And as it is an offense to consider oneself to be Kṛṣṇa, so it is offensive to consider oneself to be Yaśodā, Nanda or any other associate of the Lord. We should always remember that they are transcendental; they are never conditioned souls.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The phrase “appear with the Lord, so similarly the Yādava cowherd people” should be supplied in saṁskṛt to verse 297. Yadṛcchayā here means “from one’s own will” rather than accidentally (another meaning of the word). Amara-kośa says yadṛccha svaita: yadṛccha means “one’s will.”
na karma-bandhanaṁ janma vaiṣṇavānāṁ ca vidyate ||298||
Also, from the Uttara-khaṇḍa of the Padma Purāṇa: Just as Lakṣmaṇa, Bharata and Saṅkarṣaṇa take birth with the Lord, the Yādava cowherd people, descending from their spiritual planet by the Lord’s will, take birth with the appearance of Lord Kṛṣṇa, and then return to His eternal dhāma along with Him. The birth of these devotees is not caused by the bondage of karma.
Purport
In the Padma Purāṇa, Uttara-khaṇḍa section, it is stated, “Just as Lord Rāmacandra descends along with Lakṣmaṇa (an expansion of Saṅkarṣaṇa) and Bharata (an expansion of Pradyumna), so the members of the Yadu dynasty and the cowherd men of Vṛndāvana also descend with Lord Kṛṣṇa in order to join in the transcendental pastimes of the Lord. When the Supreme Lord returns to His eternal abode, His associates return with Him to their respective places. As such, these ever-liberated Vaiṣṇavas are not bound by the material laws of birth and death.”
As stated in Bhagavad-gītā by the Lord Himself, His birth, deeds and activities are all transcendental. Similarly, the birth, deeds and activities of the associates of the Lord are also transcendental. And as it is an offense to consider oneself to be Kṛṣṇa, so it is offensive to consider oneself to be Yaśodā, Nanda or any other associate of the Lord. We should always remember that they are transcendental; they are never conditioned souls.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
The phrase “appear with the Lord, so similarly the Yādava cowherd people” should be supplied in saṁskṛt to verse 297. Yadṛcchayā here means “from one’s own will” rather than accidentally (another meaning of the word). Amara-kośa says yadṛccha svaita: yadṛccha means “one’s will.”
ye proktāḥ pañca-pañcāśat kramāt kaṁsaripor guṇāḥ |
te cānye cāpi siddheṣu siddhidatvādayo matāḥ ||299||
The first fifty-five of the qualities denoting Kṛṣṇa, as well as qualities such as the ability to give yoga siddhis, are also present in the perfected devotees.
Purport
It is described that Kṛṣṇa, the enemy of Kaṁsa, has sixty-four transcendental qualities, and all of the ever-liberated souls who accompany the Lord have the first fifty-five of the qualities, without any doubt.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The fifty-five qualities of the Lord (te) and also qualities not mentioned in relation to the Lord such the ability to give aṇimā siddhi are present in the perfect devotees. Though these are not suitable for rasa, they are mentioned to show the superior nature of bhakti.
[bhaktaas tu keertitaah shaantaas tathaa daasa-sutaadayah |]
sakhāyo guru-vargāś ca preyasyaś ceti pañcadhā ||300||
[sakhaayo guru-vargaash cha preyasyash cheti panchadhaa ||300||]
Blended reading (Sanskrit + English inline)
bhaktās tu kīrtitāḥ śāntās tathā dāsa-sutādayaḥ |
sakhāyo guru-vargāś ca preyasyaś ceti pañcadhā ||300||
There are five types of devotees of Kṛṣṇa: those in sānta-rasa, the servants and sons, the friends, the elders and the lovers.
Purport
Such devotees are related to the Supreme Personality of Godhead in any of five transcendental mellows—namely neutrality, servitorship, friendship, parenthood and conjugal love. These relationships with the Lord are eternal, and therefore nitya-siddha devotees do not have to strive to attain the perfectional stage by executing regulative devotional principles. They are eternally qualified to serve Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
The devotees are of different types according to their bhāva. There are two types of servants: those with a feeling of servitude and those who directly take up the role of servant. The second type takes up the position of ālambanam (āśraya). However, giving the siddhis does not indicate any excellence when mentioned in relation to the Lord, since such an act is not astonishing for Him. Thus it was not mentioned as quality of the Lord.
Those things which nourish the bhāva of the practitioner are called uddīpanas or stimuli. These are such things as Kṛṣṇa’s qualities, pastimes, decorations, His smile, the fragrance of His body, His flute, horn, anklets, conch, footmarks, His dhāma, tulasī, the devotee of the Lord and days such as Janmāṣṭamī and Ekādaśī.
Purport
NoD 26: Stimulation for Ecstatic Love
Some things which give impetus or stimulation to ecstatic love of Kṛṣṇa are His transcendental qualities, His uncommon activities, His smiling features, His apparel and garlands, His flute, His buffalo horn, His leg bells, His conchshell, His footprints, His places of pastimes (such as Vṛndāvana), His favorite plant (tulasī), His devotee and the periodical occasions for remembering Him. One such occasion for remembrance is Ekādaśī, which comes twice a month on the eleventh day of the moon, both waning and waxing. On that day all the devotees remain fasting throughout the night and continuously chant the glories of the Lord.
Those things which nourish the bhāva of the practitioner are called uddīpanas or stimuli. These are such things as Kṛṣṇa’s qualities, pastimes, decorations, His smile, the fragrance of His body, His flute, horn, anklets, conch, footmarks, His dhāma, tulasī, the devotee of the Lord and days such as Janmāṣṭamī and Ekādaśī.
Purport
NoD 26: Stimulation for Ecstatic Love
Some things which give impetus or stimulation to ecstatic love of Kṛṣṇa are His transcendental qualities, His uncommon activities, His smiling features, His apparel and garlands, His flute, His buffalo horn, His leg bells, His conchshell, His footprints, His places of pastimes (such as Vṛndāvana), His favorite plant (tulasī), His devotee and the periodical occasions for remembering Him. One such occasion for remembrance is Ekādaśī, which comes twice a month on the eleventh day of the moon, both waning and waxing. On that day all the devotees remain fasting throughout the night and continuously chant the glories of the Lord.
guṇās tu trividhāḥ proktāḥ kāya-vāṅ-mānasāśrayāḥ ||303||
[gunaas tu trividhaah proktaah kaaya-vaan-maanasaashrayaah ||303||]
Blended reading (Sanskrit + English inline)
tatra guṇāḥ –
guṇās tu trividhāḥ proktāḥ kāya-vāṅ-mānasāśrayāḥ ||303||
Qualities are of three types: bodily, verbal and mental.
Purport
Kṛṣṇa's Transcendental Qualities, His Uncommon Activities and His Smile
As far as Kṛṣṇa’s transcendental qualities are concerned, they can be divided into three groups: qualities pertaining to His transcendental body, qualities pertaining to His transcendental speech and qualities pertaining to His transcendental mind.
Though these bodily qualities are included in Kṛṣṇa’s svarūpa, accepting them as separate from the svarūpa, they are called uddīpanas.
Purport
There is no difference between Kṛṣṇa and His body, and therefore the transcendental features pertaining to His body are the same as Kṛṣṇa Himself. But because these qualities stimulate the devotee’s ecstatic love, they have been analyzed as separate causes of that love. To be attracted by the qualities of Kṛṣṇa means to be attracted by Kṛṣṇa Himself, because there is no real distinction between Kṛṣṇa and His qualities. Kṛṣṇa’s name is also Kṛṣṇa. Kṛṣṇa’s fame is also Kṛṣṇa. Kṛṣṇa’s entourage is also Kṛṣṇa. Kṛṣṇa and everything related with Kṛṣṇa which gives stimulation to love of Kṛṣṇa are all Kṛṣṇa, but for our understanding these items may be considered separately.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Because they are qualities of the svarūpa, they are included in the svarūpa (guṇāḥ svarūpam). But the qualities are also accepted as different. When one thinks that Kṛṣṇa has a beautiful body, then the beautiful body is the ālambana with the emphasis on Kṛṣṇa. But when we think of the beauty of the body of Kṛṣṇa, the emphasis is on the beauty, which becomes uddīpana.
[atas tasya svaroopasya syaad aalambanataiva hi |]
uddīpanatvam eva syād bhūṣaṇādes tu kevalam ||306||
[uddeepanatvam eva syaad bhooshanaades tu kevalam ||306||]
Blended reading (Sanskrit + English inline)
atas tasya svarūpasya syād ālambanataiva hi |
uddīpanatvam eva syād bhūṣaṇādes tu kevalam ||306||
The form itself of Kṛṣṇa is the ālambana. His ornaments, age and other items act only as uddīpanas.
Purport
Kṛṣṇa is the reservoir of all transcendental pleasure. Therefore, the impetuses to love of Kṛṣṇa, although seemingly different, are not actually distinct from Kṛṣṇa Himself.
ā-ṣoḍaśāc ca kaiśoraṁ yauvanaṁ syāt tataḥ param ||309||
[aa-shodashaach cha kaishoram yauvanam syaat tatah param ||309||]
Blended reading (Sanskrit + English inline)
kaumāraṁ pañcamābdāntaṁ paugaṇḍaṁ daśamāvadhi |
ā-ṣoḍaśāc ca kaiśoraṁ yauvanaṁ syāt tataḥ param ||309||
Childhood (kaumāra) ends with the fifth year. Boyhood (paugaṇḍa) ends with the tenth year. Youth (kaiśora) ends with the sixteenth year. After that is manhood (yauvana).
Purport
From His appearance day to the end of His fifth year is called kaumāra, from the beginning of the sixth year up to the end of the tenth year is called paugaṇḍa, and from the eleventh to the end of the fifteenth year is called kaiśora. After the beginning of the sixteenth year, Kṛṣṇa is called a yauvana, or a youth, and this continues with no change.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is the general definition. Kṛṣṇa however should be understood to be special. Thus, there are verses such as following:
kālenālpena rājarṣe rāmaḥ kṛṣṇaś ca gokule
aghṛṣṭa-jānubhiḥ padbhir vicakramatur añjasā
O King Parīkṣit, within a very short time both Rāma and Kṛṣṇa began to walk very easily in Gokula on Their legs, by Their own strength, without the need to crawl. SB 10.8.26
Considering the suitability for pastimes, the childhood age (kaumāra) is most fit for vatsala or parental rasa, and boyhood age (paugaṇḍa) is most fit for sakhya-rasa. Youth (kaiśora) is most excellent for madhura-rasa. The majority of examples given in this section are from youth (kaiśora), since it is suitable for all rasas.
Purport
As far as Kṛṣṇa’s transcendental pastimes are concerned, they are mostly executed during the kaumāra, paugaṇḍa and kaiśora periods. His affectionate pastimes with His parents are executed during His kaumāra age. His friendship with the cowherd boys is exhibited during the paugaṇḍa period. And His friendship with the gopīs is exhibited during the age of kaiśora. Kṛṣṇa’s pastimes at Vṛndāvana are finished by the end of His fifteenth year, and then He is transferred to Mathurā and Dvārakā, where all other pastimes are performed.
Śrīla Rūpa Gosvāmī gives us a vivid description of Kṛṣṇa as the reservoir of all pleasure in his Bhakti-rasāmṛta-sindhu. Here are some parts of that description.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Because of suitability, a particular age is most suitable for characteristic pastimes of the certain rasa. This applies to all three ages. The word prāyaḥ in the verse means “abundantly.”
Considering the suitability for pastimes, the childhood age (kaumāra) is most fit for vatsala or parental rasa, and boyhood age (paugaṇḍa) is most fit for sakhya-rasa. Youth (kaiśora) is most excellent for madhura-rasa. The majority of examples given in this section are from youth (kaiśora), since it is suitable for all rasas.
Purport
As far as Kṛṣṇa’s transcendental pastimes are concerned, they are mostly executed during the kaumāra, paugaṇḍa and kaiśora periods. His affectionate pastimes with His parents are executed during His kaumāra age. His friendship with the cowherd boys is exhibited during the paugaṇḍa period. And His friendship with the gopīs is exhibited during the age of kaiśora. Kṛṣṇa’s pastimes at Vṛndāvana are finished by the end of His fifteenth year, and then He is transferred to Mathurā and Dvārakā, where all other pastimes are performed.
Śrīla Rūpa Gosvāmī gives us a vivid description of Kṛṣṇa as the reservoir of all pleasure in his Bhakti-rasāmṛta-sindhu. Here are some parts of that description.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
Because of suitability, a particular age is most suitable for characteristic pastimes of the certain rasa. This applies to all three ages. The word prāyaḥ in the verse means “abundantly.”
Youth (kaiśora) has three divisions: beginning, middle and end.
Purport
Kṛṣṇa’s kaiśora age may be divided into three parts.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Śeṣa or the end, in the case of Kṛṣṇa means that He remains (śiṣyate) eternally at that age. This is the most complete condition as far as age is concerned (rather than a complete end). On the strength of analyzing the derivation of the word, one should also understand that most perfect condition by the word carama, which will be used in verse 327. Carama is related to carati, which means that the youthful age continues (carati) eternally after making its appearance, rather than declining like childhood and boyhood, and losing its beauty.
[romaavali-prakatataa kaishore prathame sati ||313||]
Blended reading (Sanskrit + English inline)
tatra ādyam –
varṇasyojjvalatā kāpi netrānte cāruṇa-cchaviḥ |
romāvali-prakaṭatā kaiśore prathame sati ||313||
At the beginning of the kaiśora age, the complexion becomes indescribably effulgent, the edges of the eyes become reddish and fine hairs appear on the body.
Purport
In the beginning of His kaiśora age—that is, at the beginning of His eleventh year—the luster of His body becomes so bright that it becomes an impetus for ecstatic love. Similarly, there are reddish borders around His eyes, and a growth of soft hairs on His body.
An example: O my friend! Now the body of Kṛṣṇa has taken on a fresh beauty. All His limbs steal the splendor of the dark blue sapphire. A reddish hue has entered the edges of His eyes, and a few very fine hairs have sprung up on His body.
Purport
In describing this early stage of His kaiśora age, Kundalatā, one of the residents of Vṛndāvana, said to her friend, “My dear friend, I have just seen an extraordinary beauty appearing in the person of Kṛṣṇa. His blackish bodily hue appears just like the indranīla jewel. There are reddish signs on His eyes, and small soft hairs are coming out on His body. The appearance of these symptoms has made Him extraordinarily beautiful.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Śitimā means very dark blue. It is a word with the palatial ś (śiti) rather than the word beginning with dental s (siti--binding). Amara-kośa says śitī means white or dark blue. Lohinī means reddish in color. This is a statement of the wife of Kṛṣṇa’s elder cousin brother, Kundalatā.
His typical accoutrement during this period is the Vaijayantī garland, the peacock feather, the costume of a dancer, the sweetness of His flute playing, and the luster of His dress.
An example from the Tenth Canto: Wearing a peacock-feather ornament upon His head, blue karṇikāra flowers on His ears, a yellow garment as brilliant as gold, and the Vaijayantī garland, Lord Kṛṣṇa exhibited His transcendental form as the greatest of dancers as He entered the forest of Vṛndāvana, beautifying it with the marks of His footprints. He filled the holes of His flute with the nectar of His lips, and the cowherd boys sang His glories. SB 10.21.5
Purport
In this connection, in the Tenth Canto, Twenty-first Chapter, verse 5, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī tells King Parīkṣit, “My dear King, I shall try to describe how the minds of the gopīs became absorbed in thought of Kṛṣṇa. The gopīs would meditate on Kṛṣṇa’s dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa’s having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls. They also meditated on Kṛṣṇa’s blowing His flute and on all the cowherd boys’ singing of the glories of the Lord.” That is the description of the meditation which the gopīs used to perform.
At the beginning of youth, the activities consist of sharpening His nails, quivering of His bow-like eye brows, and staining the teeth with dyes.
Purport
Sometimes the gopīs would think about His soft nails, His moving eyebrows and His teeth, which were catechu-colored from chewing pan.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
In order to convey the particular beauty of this age, there is a description of adopting the local customs, such as letting the finger nails grow sharp and coloring the teeth. But it should be understood that at this time the exquisite beauty of such sharp nails and teeth which deride the charm of crown jewels appears spontaneously, and thus they are not included in the list of his accoutrements (which are consciously prepared). The eye brows are like two quivering bows.
na kā sakhi samīkṣaṇād yuvatir asya vitrasyati ||318||
An example: The two eyebrows of the enemy of Agha are dancing like new bows of Cupid. The tips of His rows of fingernails are so sharp that they shine like a line of arrows. The glistening rows of His attractive teeth embody the redness of dawn. What young woman would not be afraid of seeing Him?
Purport
One description was given by a gopī to her friend: “My dear friend, just see how the enemy of Agha has assumed such wonderful features! His brows are just like the bow of Cupid, and they are moving just as though they were dancing. The tips of His nails are so soft—it is as if they were dried bamboo leaves. His teeth are reddish, and so it appears that He has assumed a feature of anger. Under the circumstances, where is the chance for a young girl not to be attracted by such beautiful features and not to be afraid of becoming a victim to such beauty?”
The attractiveness of the first part of youth: O Mādhava! Gazing upon the new sweetness of Your smile, the bewildered, immobilized gopīs are not able to reveal spontaneously the sentiments in their minds. And they are not able to confide in any person. What more can be said? They are so pained that today they have offered three handfuls of water to their life airs.
Purport
Kṛṣṇa’s attractive features are also described by Vṛndā, the gopī after whom Vṛndāvana was named. She told Kṛṣṇa, “My dear Mādhava, Your newly invented smile has so captivated the hearts of the gopīs that they are simply unable to express themselves! As such, they have become bewildered and will not talk with others. All of these gopīs have become so affected that it is as if they had offered three sprinkles of water upon their lives. In other words, they have given up all hope for their living condition.” According to the Indian system, when a person is dead there is a sprinkling of water on the body. Thus, the statement of Vṛndā shows that the gopīs were so enchanted by the beauty of Kṛṣṇa that because they could not express their minds, they had decided to commit suicide.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
These are the words of Vṛnda-devī. In the first half of the verse, discerning Kṛṣṇa’s doubt, she increases His longing by stating the effect without the cause. When He asks “Why are they in such a state?” she describes in the third line the cause and thus makes Him more sympathetic. When He asks in a choked voice, “Then what should they do?” she disturbs His mind in the fourth line with her answer. This is how the verse should be understood. Abhiyoga means “displaying their emotions.”
[ooru-dvayasya baahvosh cha kaapi shreer urasas tathaa |]
mūrter mādhurimādyaṁ ca kaiśore sati madhyame ||320||
[moorter maadhurimaadyam cha kaishore sati madhyame ||320||]
Blended reading (Sanskrit + English inline)
atha madhyamam –
ūru-dvayasya bāhvoś ca kāpi śrīr urasas tathā |
mūrter mādhurimādyaṁ ca kaiśore sati madhyame ||320||
During the middle period of the kaiśora period, Kṛṣṇa displays indescribable beauty in His two thighs, His two arms and His chest, and sweetness in His whole form.
Purport
When Kṛṣṇa arrived at the age of thirteen to fourteen years, His two arms and chest assumed an unspeakable beauty, and His whole form became simply enchanting.
[garuda-mani-kavaatee-sakhyam ichchaty urash cha |]
bhuja-yugam api dhitsaty argalāvarga-nindām
[bhuja-yugam api dhitsaty argalaavarga-nindaam]
abhinava-taruṇimnaḥ prakrame keśavasya ||321||
[abhinava-tarunimnah prakrame keshavasya ||321||]
Blended reading (Sanskrit + English inline)
yathā –
spṛhayati kari-śuṇḍā-daṇḍanāyoru-yugmaṁ
garuḍa-maṇi-kavāṭī-sakhyam icchaty uraś ca |
bhuja-yugam api dhitsaty argalāvarga-nindām
abhinava-taruṇimnaḥ prakrame keśavasya ||321||
An example of the middle of kaiśora age: In the course of Keśava’s fresh youth, His thighs desired to punish the trunks of elephants, His chest desired to make friendship with door panels made of emerald [Note: Several times Kṛṣṇa’s chest is compared to emerald, which is green, though His color is dark blue or blackish. Sometimes however marakata can be used to signify sapphire as well. The other explanation is that the blue of His complexion combines with the golden complexion of the gopīs to make it green.] and His arms scolded door bolts.
Purport
When Kṛṣṇa attained thirteen years of age, His two thighs were challenging the trunks of elephants, His rising chest was trying to come to peace talks with doors of jewels, and His two arms were minimizing the value of the bolts found on doors. Who can describe the wonderful beauty of these features of Kṛṣṇa?
The sweetness of the middle of youth consists of His face brilliant with a soft smile, His eyes restless with flirtation, and His singing which enchants the three worlds.
Purport
The special beauty of Kṛṣṇa’s body was His mild smiling, His restless eyes and His world enchanting songs. These are the special features of this age.
An example: At the sprouting of Hari’s youth, what sweetness became visible! His two restless eyes made friendship with the crafty conduct of Cupid. His lotus face became most radiant with attractive lips embellished with smiles. His singing made even the chaste women break their marriage vows.
Purport
There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.
The excellence of His behavior during the middle of youth consists of a profuse concentration of charming but cunning actions, a great festival of pastimes in the groves and the beginning of the rāsa dance.
Purport
At this age Kṛṣṇa enjoyed the rāsa-līlā, exhibiting His power of joking with the cowherd girls and enjoying their company in the bushes of the gardens by the bank of the Yamunā.
An example: In some places, by His clearly visible lac-stained footprints, in other places by the plundered peacock feathers from His headdress, in other places by beds strewn with discarded belts, by a multitude of disheveled groves and sand glowing with the evident marks of dancing together in a circle--Vṛndavāna announces the manifold pastimes of Govinda.
Purport
In this connection there is the following statement: “Throughout the whole tract of land known as Vṛndāvana there were the footprints of Kṛṣṇa and the gopīs, and in some places peacock feathers were strewn about. In some places there were nice beddings in the bushes of the Vṛndāvana gardens, and in some places there were piles of dust due to the group-dancing of Govinda and the gopīs.” These are some of the features which are due to the different pastimes invented by Śrī Kṛṣṇa in the place known as Vṛndāvana.
The attractiveness of the middle period of youth: O friend! Has an energetic sun full of sweetness arisen in the black sky called Kṛṣṇa? From a distance He has ignited the fire of passion in the sūryakānta jewel [Note: The sūryakānta jewel or sun stone is said to catch the rays of the sun and then give off heat. Thus the gopīs hearts become hot with spiritual passion from being exposed to the sun of Kṛṣṇa.] of my heart and produced a mass of red clouds in all directions. He has made the moon of dharma set, and transformed the blooming night lotus of discrimination into a mere budding state. How can we be delivered from this condition?
Purport
There is the following statement by one gopī, describing Kṛṣṇa’s attractive feature during this age: “My dear friend, just see how all of a sudden in the sky of Kṛṣṇa there is a powerful rising sun and how this rising sun is minimizing the rays of our chastity moon. Our attraction for Kṛṣṇa is so intense that it is drying up the lotus flower of our discrimination, and we are losing our senses in deciding whether we shall continue as chaste women or be victimized by the beauty of Kṛṣṇa. My dear friend, I think that we have lost all hope of life!”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Abhra means sky in this context (though sometimes it means cloud). The red color refers to the intense thirst created by the passion.
tri-vali-vyaktir ity ādyaṁ kaiśore carame sati ||327||
When the final portion of youth (kaiśora) begins, all His limbs become more alluring than previously, with three lines clearly manifest on His navel etc.
Purport
In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa’s arms, legs and thighs became marked with three divisional lines.
An example: I am remembering the killer of demons, Kṛṣṇa, whose chest steals the radiance of a boulder from the emerald mountain, whose two arms agitate the pride of sapphire pillars, whose three folds of skin on His abdomen shame the beauty of the Yamunā’s delicate waves, and whose excellent thighs surpass the trunks of banana trees.
Purport
At that time Kṛṣṇa’s chest challenged a hill of marakata jewels, His arms challenged pillars of the indranīla jewel, the three lines of His waist challenged the waves of the river Yamunā, and His thighs challenged beautiful bananas. One gopī said, “With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me, because He is the killer of all demons.”
The idea expressed in this statement is that the gopīs were comparing their attraction for Kṛṣṇa to an attack by demons; and to counteract their attraction for the beauty of Kṛṣṇa, they were also turning to Kṛṣṇa hopefully, because He is the killer of all kinds of demons. In other words, they were perplexed, because on one hand they were attracted by the beauty of Kṛṣṇa, and on the other they needed Kṛṣṇa to drive away the demon of such attraction.
The sweetness of the last period of youth: O young lady! Behold that person wearing yellow cloth, who is radiating the beauty of fresh youth. With His physical beauty, capable of defeating the five arrows of Cupid, He makes the women lose all composure. He is the playground of the sixty-four arts, and the astonishing beauty of the tips of His eyes crushes the splendor of the wagtail.
Purport
This kaiśora age can be translated as adolescence. At the end of this period all the gopīs said, “Kṛṣṇa is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly married girls. Kṛṣṇa’s bodily features have become so exquisite—it is as if they were all manifesting an artistic sense of the highest sort. His dancing eyes have dimmed the brilliance of the most expert dancer, and so there is no longer any comparison to the beauty of Kṛṣṇa.”
The end of youth is characterized by the manifestation of bliss from the most amazing pastimes of conjugal love never before enacted, in which the girls of Vraja are filled with the sum total of love.
Purport
At this stage of Kṛṣṇa’s bodily features, the conjugal loving affairs with the gopīs and similar pastimes become very prominent.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Bhāva-sarvasva-śālitā means refers to pastimes radiant with the sum of all loving states (bhāva), present in the gopīs. This indicates the highest praise for the gopīs’ type of love. Here the age of youth was described in four ways: by bodily characteristics, by dress, by actions and by special attractiveness. Although the dress, actions and attractiveness are all part of the characteristics, they are designated separately in order to describe them in detail. In the beginning of youth, these things are clearly divided by the author, but the dress of the middle and end periods of youth are not mentioned separately because of being generally the same in all three parts of youth. The sweetness of Kṛṣṇa, which is the cause of attractiveness, however, was shown separately in verse 329 with the last part of youth. That sweetness however is manifest even in the beginning of youth.
The sweetness of the beginning of youth is indicated in verse 319 with “Gazing upon the new sweetness of Your smile,” in verse 318 with “The two eye brows of the enemy of Agha are dancing like new bows of Cupid,” and in verse 316 with “He filled the holes of His flute with the nectar of His lips.”
The sweetness of the middle period of youth is indicated in verse 324, which describes “the excellence of activities etc.” (ceṣṭādi-sauṣthavam). Sauṣṭhavam means excellence. (They are excellent because of their sweetness.)
In the last period of youth, attractiveness is also mentioned, in the present verse (331), though not made a separate category like sweetness. Actually, though excellence (sauṣtḥavam), sweetness (mādhurya) and attractiveness (mohanatā) are distinguished from each other, they actually indicate the same thing. They should not be understood as separate items. Excellence (sauṣtḥavam) is a unique beauty of the limbs suitable for sweetness and attractiveness. Sweetness is the pleasure arising from that unique beauty. Attractiveness is being attracted to the unique beauty of Kṛṣṇa with the exclusion of all other experiences. In this way the meaning of the section has been explained.
Abhuta-pūrva here indicates “not previously enacted.” [Note: Thus the beginning of youth mentions all four categories, whereas the middle and end of youth mention bodily characteristics, activities and attraction. Sweetness is added in a separate category in the end of youth. The present verse mentions the activities of the last period of youth. Attractiveness is discussed in verse 333.]
An example: The king of the groves, equipped with the six elements necessary for the arts of Cupid, rules the excellent kingdom of romantic love. In one place He picks a quarrel with His beloved women. In another place He dispatches love letters along with parrots. In another place He becomes eager to meet for pastimes. In another place, He resolves differences using a go-between, and in another place, He unites with a gopī.
Purport
There are six features of conjugal loving affairs, called peacemaking, picking a quarrel, going to meet one’s lover, sitting together, separation and support. Lord Kṛṣṇa expanded an empire of these six features, of which He was the ruling prince. Somewhere He was picking quarrels with the young girls, somewhere He was scratching them with the nails of parrots, somewhere He was busy going to visit the gopīs, and somewhere He was negotiating through cowherd friends to take shelter of the gopīs.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This being so, in this verse, the author illustrates the behavior or actions in the last period of youth. The six elements, equated with ruling the kingdom of romantic love, should be taken from Nīti-ṣāstra as follows: sandhir nāvigraho yānam āsanaṁ dvaidham āśrayaḥ: alliance (sandhi), battle (vigraha), going (yāna), sitting (āsana), division (dvaidha), and assistance (āśraya). (Amara-kośa 2.7.968) First, battle (vigraha) is illustrated with picking quarrels. Then division is illustrated with dispatching letters (kandarpa-lekhān kīrair arpayati). Following that, moving is illustrated with desire for meeting (krīḍābhisārodyamam). Assistance is indicated by resolving differences (sakhyābhedhayati). Alliance is indicated by uniting with a gopī. Sitting is indicated by being master of the groves.
An example of attractiveness of the late kaiśora period: O Kṛṣṇa, today your age of youth, in the role of guru, is teaching the golden gopīs the art of whispering in each other’s ears, the method of making verses of praise for messengers when alone, cleverness in cheating husbands, practice in sneaking to the forest at night, deafness to the words of the elders, and rapt hearing of the flute sound.
Purport
Some of the gopīs addressed Him thus: “Dear Kṛṣṇa, because of Your adolescent age, You have just become the spiritual master of these young girls, and You are teaching them to whisper among themselves. You are teaching them to offer solemn prayers, as well as training them to cheat their husbands and to join You in the gardens at night, without caring for the instructions of their superiors. You are enthusing them by the vibration of Your enchanting flute; and, as their teacher, You are teaching them all the intricacies of loving affairs.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This verse speaks of the attractiveness of the last part of youth. Thus in all three parts of youth, the description of attractiveness should be understood to be similar. Because of frequent disagreement the gopīs have the tendency to whisper amongst each other as if engaging in battle with each other.
Even though the age of youth is said to be the svarūpa of the protagonist (ālambana), it is also considered to be the stimulus (uddīpana) because of appearing as one among many forms of age.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
It was already shown in verse 305 that though the qualities are part of the svarūpa of Kṛṣṇa, differentiation is made, and thus the qualities act as stimuli (uddīpanas). Taking the age of youth as an example, the same principle is established again, confirming their status as stimuli. Though youth (kaiśoram) is the svarūpa of the protagonist (netuḥ), because of being a quality of the svarūpa, youth is also a stimulus, because of appearing at a suitable time among the different forms of childhood, boyhood and youth, following after the possessor of those qualities, Kṛṣṇa Himself. The ages always follow after the ālambana, the foundation of the qualities. The stimuli (uddīpanas) appear now and then.
tan nātirasa-vāhitvān na rasajñair udāhṛtam ||335||
[tan naatirasa-vaahitvaan na rasajnair udaahritam ||335||]
Blended reading (Sanskrit + English inline)
bālye ’pi nava-tāruṇya-prākaṭyaṁ śruyate kvacit |
tan nātirasa-vāhitvān na rasajñair udāhṛtam ||335||
Sometimes it is heard that new youthfulness appears even in Kṛṣṇa as a small child, but since that does not nourish rasa, it is not mentioned by those knowledgeable of rasa.
Purport
It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
For instance, in the Vrata-ratnākara of the Bhavisya Purāṇa it is said:
bālye ’pi bhagavān kṛṣṇas taruṇaṁ rūpam āśritaḥ
reme vihārair vividhaḥ priyayā saha rādhayā
Even in His baby years, Kṛṣṇa took on the form of youth and enjoyed various pastimes with His dearmost Rādhā.
Not producing proper rasa (nātirasa-vāhitva) means that the rasas should manifest according to a particular order and not otherwise. [Note: Kaumāra is favorable for vatsala-rasa, paugaṇḍa is favorable for sakhya-rasa, and kaiśora is favorable for madhura-rasa.]
na kasyāḥ kaṁsāre harati hṛdayaṁ paṅkaja-dṛśaḥ ||337||
O Kṛṣṇa! Your face with long eyes, your broad chest like an emerald riverbank, Your two arms like pillars, Your graceful sides, narrow waist, and hips attractive with ever-increasing waves of sweetness—which hearts of the lotus-eyed gopīs will not be stolen by these features?
Purport
Such perfect bodily features of Kṛṣṇa are described as follows: “My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The waves (laharī) refer here to the appearance of increasing sweetness. The word jaghana refers to the front portion of the hips of the male. The usage of the word is found in relation to the universal form in Bhāgavatam: mahītalaṁ taj-jaghanaṁ: the hips of the universal form are Mahītala. (SB 2.1.27) Another version is also found: prathima-lalitaṁ śroṇi-phalakam: hips and loins full of grace.
O beautiful woman! The jeweled earrings and other ornaments in contacting His body cannot at all function as ornaments to enhance His beauty. Rather those ornaments all become decorated by His body and have thus increased their beauty.
Purport
The ornaments on the body of Kṛṣṇa were not actually enhancing His beauty, but just the reverse—the ornaments were beautified by Kṛṣṇa.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Only by being enhanced by the beauty of Kṛṣṇa can they function as ornaments. This will be confirmed in verse 360: aṅgair evābharaṇa-paṭalī bhūṣitā dogdhi bhūṣām: the ornaments fulfill their function as ornaments by ornamenting His limbs.
api nava-pallava-saṅgād aṅgāny aparajya śīryanti ||341||
Ah! So tender is the body of this young boy with the complexion of a new cloud that by touching new shoots, His limbs become bruised and torn.
Purport
It is described that every part of Kṛṣṇa’s body was so soft that even at the touch of newly grown leaves, the color of the touched part of His skin would change.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Aparajya means His limbs undergo pain so that they become discolored.
The intelligent understand that all the verbal and mental qualities which have been mentioned already in the section describing the protagonist are uddīpanas.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
There is no need to further describe the verbal and mental qualities within uddīpanas since they have been included in the previous examples (of Kṛṣṇa’s sixty-four qualities).
The rasa-līlā, killing of the demons and other pastimes are called activities (ceṣṭā).
Purport
At this kaiśora age, Kṛṣṇa’s endeavors were always bent toward arranging the rāsa dance, as well as toward killing the demons in the forest of Vṛndāvana. While Kṛṣṇa was engaged in enjoyment with the boys and girls within the forest of Vṛndāvana, Kaṁsa used to send his associates to kill Kṛṣṇa, and Kṛṣṇa would show His prowess by killing them.
O lotus-eyed Lord! You, an expert dancer, longing for the pleasure of the rāsa-līlā to begin, were embraced on all sides by gracefully hipped, dancing gopīs. Rambhā and other heavenly damsels, smitten by Cupid’s play, beheld Your beauty at that time. The sweetness exhibited at that time is dragging away our hearts.
Purport
At this kaiśora age, Kṛṣṇa’s endeavors were always bent toward arranging the rāsa dance, as well as toward killing the demons in the forest of Vṛndāvana. While Kṛṣṇa was engaged in enjoyment with the boys and girls within the forest of Vṛndāvana, Kaṁsa used to send his associates to kill Kṛṣṇa, and Kṛṣṇa would show His prowess by killing them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
This is a letter sent by the women of Vraja to Kṛṣṇa when He was in Mathurā.
Killing demons, from Lalita-mādhava: When Ariṣṭāsura shakes his head in jest, Śiva pales and departs for a cave in Mandara Mountain with his bull. Ah! See the fun! Kṛṣṇa so causally has killed that wicked bull demon.
Purport
At this kaiśora age, Kṛṣṇa’s endeavors were always bent toward arranging the rāsa dance, as well as toward killing the demons in the forest of Vṛndāvana. While Kṛṣṇa was engaged in enjoyment with the boys and girls within the forest of Vṛndāvana, Kaṁsa used to send his associates to kill Kṛṣṇa, and Kṛṣṇa would show His prowess by killing them.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Aḥ expresses anger in this verse. The anger is directed against the listener, whose mind has been distracted elsewhere. Amara-kośa (3.3.857) says ās tu syāt kopa-pīḍayā: āḥ indicates anger or suffering.
The Lord has three types of clothing: two-piece outfit, four-piece dress, and multi-piece dress, in orange, red, [Note: Kāśmīra means kuṁkuma which is saffron. It is reddish as filaments, but yellow when soaked and used as flavoring.] yellow, and other colors.
Purport
Kṛṣṇa's Apparel and Garlands
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sometimes the four-piece outfit includes the top cloth also. The different styles of dress are befitting the occasion.
praṇayatu mama netrābhīṣṭa-pūrtiṁ mukundaḥ ||349||
[pranayatu mama netraabheeshta-poortim mukundah ||349||]
Blended reading (Sanskrit + English inline)
yathā stavāvalyāṁ mukundāṣṭake (3) –
kanaka-nivaha-śobhā-nindi pītaṁ nitambe
tad-upari nava-raktaṁ vastram itthaṁ dadhānaḥ |
priyam iva kila varṇaṁ rāga-yuktaṁ priyāyāḥ
praṇayatu mama netrābhīṣṭa-pūrtiṁ mukundaḥ ||349||
An example from the Mukundāstaka of Stavāvalī: May Mukunda, wearing on His hips a yellow dhoti which derides the glory of a pile of gold, with reddish upper cloth, tinged with the passion for His beloved, satisfy the desire of my eyes.
Purport
Kṛṣṇa's Apparel and Garlands
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Viśvanātha Cakravartī Ṭhākura
Gauḍīya
Bhakti-sāra-pradarśinī
Commentary
One His hips, He wears yellow cloth because that is the complexion of His beloved. On top, He wears a brilliant red cloth which indicates His attraction for His beloved. That cloth indicates His attraction which is like His attachment to the gold color of His beloved (priyāyāḥ priyam varṇam iva raga-yuktam).
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Itthaṁ vastraṁ dadhānaḥ (dressed with cloth of this color) refers to the previously mentioned lower and upper cloth. Another version of the verse has kanaka-nivaha-śobhā-nindi-vastraṁ nitambe, paridadhad upariṣṭān navya-vāhlīka-valgu-tanu-rucim anurāgenānvitāṁ vā priyāyāḥ: Mukunda, who wears on His hips a cloth deriding the glory of a heap of gold, and on the upper body cloth attractively glowing with the delicate beauty of saffron, as if colored with love for Rādhā.
The enemy of Kaṁsa, smiling in great joy, and wearing a pink dhoti, orange turban, an excellent vest of shining gold, and multi-color sash, creates joy in us.
Purport
In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Pāṭala means a combination of white and red—rose colored according to the Amara-kośa. Verse 347 mentioned other colors besides orange, red and yellow.
The wise say that the multi-piece outfit consists of many pieces of cloth, cut and uncut, of many colors, suitable for performing artists.
Purport
In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates.
karoti karabhoru me ghana-rucir mudaṁ mādhavaḥ ||353||
[karoti karabhoru me ghana-ruchir mudam maadhavah ||353||]
Blended reading (Sanskrit + English inline)
yathā –
akhaṇḍita-vikhaṇḍitaiḥ sita-piśaṅga-nīlāruṇaiḥ
paṭaiḥ kṛta-yathocita-prakaṭa-sanniveśojjvalaḥ |
ayaṁ kalabha-rāṭ-prabhaḥ pracura-raṅga-śṛṅgāritaḥ
karoti karabhoru me ghana-rucir mudaṁ mādhavaḥ ||353||
O slender-thighed woman! Mādhava, the color of the rain cloud, effulgent like a young elephant king, bedecked for a multitude of pastimes, effulgent with a stylish creation of cut and uncut cloth, in white, gold, blue and red colors, is giving me bliss.
Purport
This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa’s gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Sanniveśa means a created work. Kalabha-rāṭ-prabha means one who has the effulgence of the king of the young elephants. Both cut and uncut cloth are mentioned because cloth was used to make various ornaments by cutting (whereas whole pieces of cloth were used for shawls and turbans etc.) Similar cloth was given by the weaver to Kṛṣṇa when He first went to Mathurā. Use of the word śṛṅgāritaḥ denotes wearing fancy cloth similar to that of a young elephant (since śṛṅgāra can refer particularly to the elaborate dressing of an elephant on festive occasions.)
Hair styles, applied cosmetics, garlands, body tilaka, tilaka on the forehead, betel nut preparations and imitation lotuses are called accessories.
Purport
Ākalpa refers to the texture of Kṛṣṇa’s hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process.
Tying the hair consists of tying the hair at the back of the neck, binding flowers in the hair, binding the hair in a knot at the top, and braiding the hair. [Note: Veṇi refers to a braid, but the word used to describe it is simply gumphana, strung together.] The cosmetics are white, multicolor, and yellow.
Purport
Kṛṣṇa’s hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Jūṭa refers to hair tied at the back of the neck. Kavarī refers to hair decorated with flowers and other items. Cūḍā refers to hair bound at the top of the head. Veṇī refers to hair tied and hanging far down the back.
There are three types of garland: Vaijayantī, jewel garland and forest garland. They may also extend over the chest, serve as a chaplet around the top knot, or hang from the neck downwards.
Purport
Kṛṣṇa used to put a vaijayantī garland around His neck. This vaijayantī garland is made of flowers of at least five different colors. Such a garland was always long enough to touch Kṛṣṇa’s knees or feet. Besides this garland of flowers, there were other kinds of flower garlands too—sometimes decorating His head, sometimes hanging around His neck and chest.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The Vaijayantī garland is five-colored and hangs down to the knees. The forest garland is made of leaves and flowers and extends to the feet. Further differences are then described. The vaikakṣa extends horizontally across the chest. The āpīḍa garland or chaplet girdles the topknot on the head. The prālamba hangs straight down from the throat.
The body tilaka (citram) is yellow, white and reddish, filled with pictures of makarīs [Note: Makara is often translated as crocodile, the carrier of Gaṅgā-devī. However, usually in temple art it is a combination of many animals: jaws of a crocodile with pointed teeth, scales of a fish, the tail of a peacock, the trunk of an elephant, the eyes of a monkey, and the tusks of a boar. Makarī indicates a female makara. The term makarī patra however can also indicate curly patterns in general.] The forehead tilaka (viśeṣaka) is also yellow, white or red. Intelligent persons also modify these into other colors spontaneously.
Purport
Artistic paintings with sandalwood pulp and colored sandalwood were also to be found on the body of Kṛṣṇa.
śyāmāṅga-dyutir adya me sakhi dṛśor dugdhe mudaṁ mādhavaḥ ||358||
O friend! The moon of His face shines with betel nut and a faultless hair style. A yellow garland rests on His raised chest. He wears radiant tilaka on His forehead, and His body becomes charming with the wealth of designs made of finely ground saffron ointment. Today, the dark-bodied, attractive Mādhava gives bliss to my eyes.
Purport
One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the red spots of kuṅkuma [Note: Kuṅkuma is a sweetly scented reddish powder which is thrown on the bodies of worshipable persons.] on His body and the tilaka on His forehead.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Alika means forehead. Patrāṅguliḥ refers to the designs drawn on the body. The form described above fills completely (dugdhe) with pleasure (mudam) the eyes, which become the receptacles of that beauty.
keyūra-nūpurādyaṁ ca ratna-maṇḍanam ucyate ||359||
[keyoora-noopuraadyam cha ratna-mandanam uchyate ||359||]
Blended reading (Sanskrit + English inline)
atha maṇḍanam –
kirīṭaṁ kuṇḍale hāraś catuṣkī valayormayaḥ |
keyūra-nūpurādyaṁ ca ratna-maṇḍanam ucyate ||359||
The jeweled ornaments (maṇḍanam) include crowns, earrings, necklaces, broaches, bracelets, rings, armbands, and anklets.
Purport
His helmet, His earrings, His necklace, His four garments, the bangles on His hands, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa’s ornaments.
Colorful belt, an incomparable diadem, earrings of alluring diamonds, a pearl necklace, spotless bracelets, pearl-studded broach, delightful rings, and anklets filled with sweetness—these profuse ornaments attain the status of ornaments because they are decorated by the beauty of the limbs of Kṛṣṇa.
Purport
Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, His embroidered garments and the beautiful rings on His fingers.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Hāras tāraḥ here refers to a string of the most perfect pearls. Ūrmi means a ring for the finger. Instead of aghāreḥ (enemy of Agha) sometimes śaurer (son of Vasudeva) is seen. Bracelet and ring are in the singular to signify the class, but actually Kṛṣṇa wore many bracelets and rings. It is like saying “He possesses barley grain” when we actually mean “He possesses many barley grains.” By mentioning the class, there is the suggestion of the individual items. The rule is jātyākhyāyām ekasmin bahuvacanam anyatarasyām: the name of a class of objects is in the singular, and optionally in the plural (Pāṇini 1.2.58)
When these decorations are made of flowers they are called sylvan ornaments. The drawings using curved lines painted on the forehead and body are made of minerals.
Purport
Kṛṣṇa is sometimes called vana-mālī. Vana means “forest,” and mālī means “gardener,” so vana-mālī refers to one who extensively uses flowers and garlands on different parts of His body.
An example of the smile, from Kṛsṇa-karnāmṛta: O Kṛṣṇa! Your gentle smiles which remove all pain by producing an unbroken stream of rasa of the highest bliss are disgracing all other rasas and emitting an unrestricted ocean of nectar.
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Nirvāṇa means highest bliss and śītani means taking away all pain.
An example of the fragrance of His limbs: Since the unprecedented river of fragrance flowing everywhere is causing the hairs of us self-satisfied sages to stand on end, I think the enemy of Madhu, a faultless ocean of fragrance, has come to Kurukṣetra to enjoy Himself on the occasion of the eclipse.
Purport
Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the Battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, “Lord Kṛṣṇa was going to the Battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence.”
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Kuru-bhuvam means Kurukṣetra. The alternative word vinaśanam (another word said to mean Kurukṣetra) is not valid.
His flute: The fickle sound of Kṛṣṇa’s flute reveals its excellence by breaking the meditation of the exalted sages, criticizing the sweetness of nectar, and insistently preaching respect for the edicts of Cupid.
Purport
Kṛṣṇa's Flute
As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages. Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.
The sweet-sounding muralī is two hands long (twenty-four fingers or eighteen inches long) with a hole at the end and four holes for producing sounds.
Purport
Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound.
The vaṁsikā is seventeen fingers long with nine holes (12.75 inches). Eight holes for playing notes are half a finger in diameter and spaced half a finger apart. A hole for blowing is placed one and a half fingers from the eighth hole and is one finger in diameter. There are four fingers space remaining at the head of the flute and three fingers space remaining at the end of the flute.
Purport
The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The phrase ardhāṅgulāntaronmānam (width of half a finger) means the distance between two holes. (There are seven spaces between eight holes). It is half a finger in diameter, which is also the dimension of the holes themselves. Instead of tataḥ sārdhāṅgulāt (at a distance of one and a half fingers) sometimes tato ’ṅgulyantare (at a distance of one finger) is found, but the former is correct, since that fits the description of the total length, which is seventeen fingers. Accepting a distance of one finger would bring the total length to sixteen and half fingers, making the flute half a finger short. Therefore, that version has no foundation.
Now the word aṅgulam is without indication of measurement. The ending mātra (measure) has been omitted because the word aṅguli is understood to be a unit of measure. Also, the word aṅguli changes to aṅgula at the end of a compound when preceded by a numeral or indeclinable. [Note: Pāṇini 5.4.86]
The vaṁsikā is seventeen fingers long with nine holes (12.75 inches). Eight holes for playing notes are half a finger in diameter and spaced half a finger apart. A hole for blowing is placed one and a half fingers from the eighth hole and is one finger in diameter. There are four fingers space remaining at the head of the flute and three fingers space remaining at the end of the flute.
Purport
The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
The phrase ardhāṅgulāntaronmānam (width of half a finger) means the distance between two holes. (There are seven spaces between eight holes). It is half a finger in diameter, which is also the dimension of the holes themselves. Instead of tataḥ sārdhāṅgulāt (at a distance of one and a half fingers) sometimes tato ’ṅgulyantare (at a distance of one finger) is found, but the former is correct, since that fits the description of the total length, which is seventeen fingers. Accepting a distance of one finger would bring the total length to sixteen and half fingers, making the flute half a finger short. Therefore, that version has no foundation.
Now the word aṅgulam is without indication of measurement. The ending mātra (measure) has been omitted because the word aṅguli is understood to be a unit of measure. Also, the word aṅguli changes to aṅgula at the end of a compound when preceded by a numeral or indeclinable. [Note: Pāṇini 5.4.86]
When space between the mouth hole and the first hole for notes is ten fingers, the vaṁśī is called mahānanda (great delight) and sammohinī (the bewitcher). If the space is twelve fingers, the vaṁśi is called ākarṣiṇī (the attractor). If the space is fourteen fingers, the vaṁśī is called ānandinī (bliss-giver).
Purport
Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
It should be understood that there is an increase in the space between the mouth hole and the finger holes by ten, twelve and fourteen fingers in these flutes.
When space between the mouth hole and the first hole for notes is ten fingers, the vaṁśī is called mahānanda (great delight) and sammohinī (the bewitcher). If the space is twelve fingers, the vaṁśi is called ākarṣiṇī (the attractor). If the space is fourteen fingers, the vaṁśī is called ānandinī (bliss-giver).
Purport
Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Commentary
It should be understood that there is an increase in the space between the mouth hole and the finger holes by ten, twelve and fourteen fingers in these flutes.
[gopaanaam vallabhaa seyam vamshuleeti cha vishrutaa |]
kramān maṇimayī haimī vaiṇavīti tridhā ca sā ||372||
[kramaan manimayee haimee vainaveeti tridhaa cha saa ||372||]
Blended reading (Sanskrit + English inline)
gopānāṁ vallabhā seyaṁ vaṁśulīti ca viśrutā |
kramān maṇimayī haimī vaiṇavīti tridhā ca sā ||372||
The ānandinī is a favorite with the cowherd people and is also called vaṁśulī. The vaṁśīs are respectively made of jewels, gold, and bamboo.
Purport
Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.
The horn: A wild buffalo horn with gold covering at both ends and jewel inlay in the middle is called Mandraghoṣa (Rumbling Thunder).
Purport
Kṛṣṇa's Buffalo Horn
Kṛṣṇa used a buffalo horn as a bugling instrument. This instrument was always highly polished and circled with gold bands, and on the middle there was a hole.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Gavala means the horn of a wild buffalo. This however is only a representative name, and indicates the horn of the spotted antelope and other horns as well. The horn is bound with gold at both ends (agrima-paścimam).
Bitten by the flute, like a scorpion with natural poisonous venom in the form of its shrill sound, the gopī Tārāvalī, leader of a group, drank some milk in the form of the sound of a small buffalo horn in order to counteract the poison. But rather than mitigate the burning poison of the flute’s sound, it increased the pain twofold.
Purport
Regarding these instruments, there is a metaphorical statement about a gopī named Tārāvalī. It is said that Tārāvalī was bitten by the most venomous snake of Kṛṣṇa’s flute. Then, in order to neutralize the poisonous effect, she drank the milk produced by the buffalo horn in the hand of Kṛṣṇa. But instead of decreasing the poisonous effect, it increased it a thousand times. The gopī was thus put into the most miserable poisoned condition.
An example of His anklets: Having heard the sound of Kṛṣṇa’s ankle bells, I have become extremely impatient to see Him, and am possessed with intense zeal. But I cannot leave the place because my elders are present in front of me.
Purport
The Attraction of Kṛṣṇa's Leg Bells
A certain gopī once stated to her friend, “My dear friend, when I heard the sound of the leg bells of Śrī Kṛṣṇa, I immediately started to go out of the house to see Him. But most regrettably, my superiors were present just before me at that time, and I could not go out.”
kambus tu dakṣiṇāvartaḥ pāñcajanyatayocyate ||376||
[kambus tu dakshinaavartah paanchajanyatayochyate ||376||]
Blended reading (Sanskrit + English inline)
atha kambuḥ –
kambus tu dakṣiṇāvartaḥ pāñcajanyatayocyate ||376||
The conch: The conch with its spiral turning to the right is called Pāñcajanya.
Purport
Kṛṣṇa's Conchshell
Kṛṣṇa’s conchshell is known as Pāñcajanya. This Pāñcajanya conch is also mentioned in Bhagavad-gītā. Kṛṣṇa sounded it before the Battle of Kurukṣetra.
The sound of the king of conches, Pāñcajanya, blown by Kṛṣṇa, wanders throughout the world, causing abortions in the wives of the demons, announcing auspiciousness to the inhabitants of Svarga, and making the hair stand on end.
Purport
It is said that when Lord Kṛṣṇa blows on His transcendental conchshell, the wives of the demons become subject to abortions, and the wives of the demigods become blessed with all auspiciousness. In this way, the sound of Kṛṣṇa’s conchshell used to vibrate and circulate all over the world.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
The expression “causing abortions in the wives the demons” indicates chastising the demons by Kṛṣṇa’s playful action. Nāndīkaraḥ means a public reciter of good news. Mādhavādhmāta-dhāmnaḥ means “whose body is blown by Mādhava.”
An example of His footprints, from the Tenth Canto: Increasingly agitated by ecstasy at seeing the Lord’s footprints, his bodily hairs standing on end because of his pure love, and his eyes filled with tears, Akrūra jumped down from his chariot and began rolling about among those footprints, exclaiming, “Ah, this is the dust from my master’s feet!” SB 10.38.26
Purport
Kṛṣṇa's Footprints
It is stated in Śrīmad-Bhāgavatam that when Akrūra, who drove Kṛṣṇa from Vṛndāvana to Mathurā, saw the footprints of Kṛṣṇa on the land of Vṛndāvana, his ecstatic love for Kṛṣṇa increased so much that the hairs on his body stood up. His eyes became overflooded with tears, and in such ecstasy he jumped out of the chariot and fell down on the ground and began to chant, “How wonderful this is! How wonderful this is!”
Another example: O friends! Understand that Kṛṣṇa has gone to the bank of the Yamunā by this path for certain, because the markings of the flag, thunderbolt, goad and lotus are attracting my eyes.
Purport
Similar feelings were expressed by the gopīs when they were going to the bank of the Yamunā and saw Kṛṣṇa’s footprints in the dust. When Kṛṣṇa walked on the ground of Vṛndāvana, the marks of His sole (flag, thunderbolt, fish, a rod for controlling elephants, and a lotus flower) would be imprinted upon the dust of the land. The gopīs became overwhelmed simply at seeing those marks on the ground.
An example of His place: What to speak of seeing all the places of rare glory where the Lord performed pastimes, even hearing the name of Mathurā steals away my mind.
Purport
Kṛṣṇa's Places of Pastimes
One devotee has exclaimed, “Oh, I have not as yet visited the wonderful places where the pastimes of the Lord were performed. But simply by hearing the name of Mathurā I have become overwhelmed with joy!”
atha tulasī, yathā bilvamaṅgale [Note: Not in present editions of the work.] –
[atha tulasee, yathaa bilvamangale [note: not in present editions of the work.] –]
ayi paṅkaja-netra-mauli-māle
[ayi pankaja-netra-mauli-maale]
tulasī-mañjari kiñcid arthayāmi |
[tulasee-manjari kinchid arthayaami |]
avabodhaya pārtha-sārathes tvaṁ
[avabodhaya paartha-saarathes tvam]
caraṇābja-śaraṇābhilāṣiṇaṁ mām ||381||
[charanaabja-sharanaabhilaashinam maam ||381||]
Blended reading (Sanskrit + English inline)
atha tulasī, yathā bilvamaṅgale [Note: Not in present editions of the work.] –
ayi paṅkaja-netra-mauli-māle
tulasī-mañjari kiñcid arthayāmi |
avabodhaya pārtha-sārathes tvaṁ
caraṇābja-śaraṇābhilāṣiṇaṁ mām ||381||
An example of tulasī, from Kṛṣṇa-karṇāmṛta: O tulasī bud from lotus-eyed Kṛṣṇa’s chaplet! I make one prayer to you. Inform the chariot driver of Arjuna that I desire the shelter of His lotus feet.
Purport
Kṛṣṇa's Favorite Plant: Tulasī
Lord Kṛṣṇa is very fond of tulasī leaves and buds. Because tulasī buds are usually offered up to the lotus feet of Kṛṣṇa, a devotee once prayed to the tulasī buds to give him some information about the lotus feet of the Lord. The devotee expected that the tulasī buds would know something about the glories of Lord Śrī Kṛṣṇa’s lotus feet.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Avabodhaya pārtha-sāratheḥ means avabodhaya pārtha-sārathim (“Inform Pārtha-sārathi”). Arthayāmi means “I pray.” This is in the parasmaipada (though the object of the action is the self, and therefore ātmanepada would be more correct) because verbs such as cur can be conjugated either as parasmaipada or atmanepada with the same meaning, according to the rules of the grammatical textbook called Pārāyaṇa.
An example of the devotee as uddīpana, from the Fourth Canto: Dhruva Mahārāja, seeing that these uncommon personalities were direct servants of the Supreme Personality of Godhead, immediately stood up. But, being puzzled, in hastiness he forgot how to receive them in the proper way. Therefore, he simply offered obeisances with folded hands and chanted and glorified the holy names of the Lord. SB 4.12.21
Purport
Kṛṣṇa's Devotees
One may sometimes become overwhelmed with joy by seeing a devotee of the Lord. When Dhruva Mahārāja saw two associates of Nārāyaṇa approaching him, he immediately stood up out of sincere respect and devotion and remained before them with folded hands; but because of his ecstatic love, he could hardly offer them a proper reception.
— A.C. Bhaktivedanta Swami Prabhupāda
Gauḍīya Ācāryas
Jīva Gosvāmī
Gauḍīya
Durgama-saṅgamanī
Commentary
Vijñāya tāv uttama-gāya-kiṅkarāu means “understanding that the two persons were servants of the enemy of Madhu.” But he actually understood that they were principal servants of the Lord. The alternative abhyuditaḥ instead of abhyutthitaḥ (same meaning) is taken in the text. This means that he rose up directly facing them. This verse is taken from the story of Dhruva.
kathaya sa dayitas te kvāyam āste vayasyaḥ ||383||
[kathaya sa dayitas te kvaayam aaste vayasyah ||383||]
Blended reading (Sanskrit + English inline)
yathā vā –
subala bhuja-bhujaṅgaṁ nyasya tuṅge tavāṁse
smita-vilasad-apāṅgaḥ prāṅgaṇe bhrājamānaḥ |
nayana-yugam asiñcad yaḥ sudhā-vīcibhir naḥ
kathaya sa dayitas te kvāyam āste vayasyaḥ ||383||
Another example: O Subala! Please tell us where your dear friend Kṛṣṇa is. While throwing side glances endowed with a gentle smile and placing His arm on your raised shoulder while stand in the yard, He would inundate our eyes with waves of nectar.
Purport
There is a statement by a gopī who addressed Subala, a friend of Kṛṣṇa: “My dear Subala, I know that Kṛṣṇa is your friend and that you always enjoy smiling and joking with Him. The other day I saw you both standing together. You were keeping your hand upon Kṛṣṇa’s shoulder, and both of you were joyfully smiling. When I saw the two of you standing like that in the distance, my eyes at once became overflooded with tears.”
An example of the days commemorating the Lord: here are many astonishing festival days celebrating the Lord. However, the auspicious eighth tithi of the waning moon in the month of Bhadra (Janmāṣṭami) gives me great joy. Thus ends the First Wave concerning vibhāva in the Southern Section of Bhakti-rasāmṛta-sindhu.
Purport
Special Days for Remembering Kṛṣṇa
There are many statements about the festive days in connection with Kṛṣṇa’s different activities. One of these festive days is Janmāṣṭamī, the day of Kṛṣṇa’s birth. This Janmāṣṭamī day is the most opulent festival day for the devotees, and it is still observed with great pomp in every Hindu house in India. Sometimes even the devotees of other religious groups take advantage of this auspicious day and enjoy the performance of the ceremony of Janmāṣṭamī. Ecstatic love for Kṛṣṇa is also aroused on the days of Ekādaśī, which are other festive days in connection with Kṛṣṇa.
2.2 The Second Wave
Concerning Anubhāva
In the Southern Section of the Bhakti-rasāmṛta-sindhu
Outline of Anubhāva
I. Definition of Anubhāva
II. Śīta
A. Singing
B. Yawning
C. Breathing heavily
D. Disregard
E. Drooling
F. Smiling
III. Kṣepana
A. Dancing
B. Rolling on the ground
C. Shouting
D. Stretching the body
E. Bellowing
F. Laughing loudly
G. Whirling about
H. Hiccups
(They are not illustrating in this order in the text.)