Bhakti-rasāmṛta-sindhu .1.8
Blended reading (Sanskrit + English inline)
The gradual process of development to the stage of devotional service is explained in Śrīmad-Bhāgavatam, First Canto: “The beginning is to hear about Lord Kṛṣṇa in the association of devotees who have themselves cleansed their hearts by association. Hearing about the transcendental activities of the Lord will result in one’s feeling transcendental bliss always.” It is also explained in Bhagavad-gītā that for one who has actually come to the spiritual platform, the first symptom visible will be that he is always joyful. This joyous life is attained by one’s reaction to reading Bhagavad-gītā or Śrīmad-Bhāgavatam, or else from associating with persons who are very interested in the spiritual life of Kṛṣṇa consciousness—specifically those who have made the determination to achieve the favor of Govinda by being engaged in transcendental loving service at His lotus feet. Being encouraged by such a feeling, one who is constantly engaged in discharging the regulative principles of devotional service in such a way as to please the Supreme Personality of Godhead develops two principles of compelling force, which come under the heading of vibhāva. Thus one enjoys transcendental bliss.
Four verses explain the role of sādhana, the assisting factors, and the way in which rasa appears. The description of sādhana ends with the eighth verse. The assisting factors are the two saṁskāras, past and present life impressions of bhakti, mentioned after that (saṁskāra-yugalojjvalā). The way in which rasa develops is explained starting from the second half of verse nine (nīyamānā tu rasyatām). After being purified of all faults, a person becomes eligible for the appearance of śuddha-sattva-viśeṣa (hlādinī), indicated by the word prasanna (joyous). By that, he becomes equipped with all knowledge (saṁvit), indicated by the word ujjvala (bright). Gatair anubhavādhvani (within the path of spiritual realization) means that the ingredients of rasa such as vibhāva are dependent only on spiritual realization, not on being an expert poet, as is the case with material rasa.
My note
Source: vedabase.io