FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.61.4

स्मायावलोकलवदर्शितभावहारि- भ्रूमण्डलप्रहितसौरतमन्त्रशौण्डै: । पत्न्‍यस्तु षोडशसहस्रमनङ्गबाणै- र्यस्येन्द्रियं विमथितुं करणैर्न शेकु: ॥ ४ ॥
smāyāvaloka-lava-darśita-bhāva-hāri
[smaayaavaloka-lava-darshita-bhaava-haari]
bhrū-maṇḍala-prahita-saurata-mantra-śauṇḍaiḥ
[bhroo-mandala-prahita-saurata-mantra-shaundaih]
patnyas tu śoḍaśa-sahasram anaṅga-bāṇair
[patnyas tu shodasha-sahasram ananga-baanair]
yasyendriyaṁ vimathitum karaṇair na śekuḥ
[yasyendriyam vimathitum karanair na shekuh]
smāya — with concealed laughter avaloka — of glances lava — by the traces darśita — displayed bhāva — by the intentions hāri — enchanting bhrū — of the eyebrows maṇḍala — by the arch prahita — sent forth saurata — romantic mantra — of messages śauṇḍaiḥ — with the manifestations of boldness patnyaḥ — wives tu — but ṣoḍaśa — sixteen sahasram — thousand anaṅga — of Cupid bāṇaiḥ — with the arrows yasya — whose indriyam — senses vimathitum — to agitate karaṇaiḥ — and by (other) means na śekuḥ — were unable .
Blended reading (Sanskrit + English inline)
smāyāvaloka-lava-darśita-bhāva-hāri
smāya
with concealed laughter
avaloka
of glances
lava
by the traces
darśita
displayed
bhāva
by the intentions
hāri
enchanting
bhrū-maṇḍala-prahita-saurata-mantra-śauṇḍaiḥ
bhrū
of the eyebrows
maṇḍala
by the arch
prahita
sent forth
saurata
romantic
mantra
of messages
śauṇḍaiḥ
with the manifestations of boldness
patnyas tu śoḍaśa-sahasram anaṅga-bāṇair
patnyaḥ
wives
tu
but
ṣoḍaśa
sixteen
sahasram
thousand
anaṅga
of Cupid
bāṇaiḥ
with the arrows
yasyendriyaṁ vimathitum karaṇair na śekuḥ
yasya
whose
indriyam
senses
vimathitum
to agitate
karaṇaiḥ
and by (other) means
na śekuḥ
were unable .
  • bhāva — intentions, mood
    Foundational Gauḍīya term — Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu defines bhāva as the dawn of prema. Here bhāva names the queens' romantic mood communicated through the eyebrows — a precise vocabulary the Bhāgavatam shares with later rasa-śāstra.
  • saurata — romantic
    From surata (conjugal intimacy). Marks the verse's specifically mādhurya-tinged register — the queens engage Kṛṣṇa in dāmpatya-rasa, the householder mode of mādhurya, distinct from the parakīya-rasa of Vraja.
  • anaṅga — Cupid (the bodiless one)
    an-aṅga, 'without a body' — Cupid was burned bodiless by Śiva. The Gauḍīyas distinguish prākṛta anaṅga (mundane lust) from aprākṛta-anaṅga (Pradyumna, Kṛṣṇa Himself); here it is mundane Cupid whose arrows fail.
  • bāṇaiḥ — with arrows
    Instrumental plural of bāṇa. The same word names Bāṇāsura, soon to enter the narrative via Aniruddha. Bhāgavatam weaves the lexical thread: Cupid's bāṇas fail, but Bāṇa-asura's bāṇas will fall before Kṛṣṇa's cakra.
  • indriyam — senses
    Singular here, signalling Kṛṣṇa's senses as one organ under His own control. He is Hṛṣīkeśa, master of indriyas — the verse's theological point against any suggestion that the Lord is moved by sense-objects.
The arched eyebrows of these sixteen thousand queens enchantingly expressed those ladies’ secret intentions through coyly smiling sidelong glances. Thus their eyebrows boldly sent forth conjugal messages. Yet even with these arrows of Cupid, and with other means as well, they could not agitate Lord Kṛṣṇa’s senses.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The arched eyebrows of these sixteen thousand queens enchantingly expressed those ladies' secret intentions through coyly smiling sidelong glances. Thus their eyebrows boldly sent forth conjugal messages. Yet even with these arrows of Cupid, and with other means as well, they could not agitate Lord Kṛṣṇa's senses.
Commentary

This verse describes their alluring activities. They could not conquer his senses with their eyes (karaniah), taking the form of cupid's arrows. What type of arrows were these? Arrows of showing sweet smiles, showing their intentions through glances, and skilful messages sent by the movements of their attractive eyebrows.

Jīva Gosvāmī Gauḍīya
Commentary

This verse describes the special gestures they displayed (prahita) to attract him. Their brows were laden with secret plans related to love affairs (saurata-mantra-śauṇḍaiḥ), endowed with arrows of Cupid. This suggests their brows were like bows with the glances like arrows. Since they failed to attract him they sent out an abundance (maṇḍala) of glances steeped with secret plans for love affairs. The word yasya does not depend on a correlative. A clause with yat need not have a corresponding tat, since the relationship is implied. An example is found the verse sādhu candramasi puṣkaraiḥ kṛtaṁ nīlitaṁ yad abhirāmatādhike of Kāvya-prakāśa 7.188. The present verse indicates that the gopīs of Vraja were superior to the queens because of their possession of the highest pure prema.

Śrīdhara Svāmī Gauḍīya
Commentary

Their charms are described. The phrases modify “with arrows of Cupid.” Anaṅga-bānaiḥ also means “with arrows which pierce the sensitive points so that the limbs do not function.” Their brows were like bows for the arrows. Arrow-like glances with intoxicated messages of love were released by their brows. But they could not agitate his senses as the gopīs did (vi-mathum). The word tu means though. Though they were sixteen thousand (hundred and eight), they could not agitate his senses.

Related values
Prema (Divine Love)Kshama (Forgiveness / Patience)Shraddha (Faith / Reverence)Hrih (Modesty / Sense of Shame)
Related verses
Concepts
Jiva
The queens' coy glances and Cupid-like arrows could not stir Kṛṣṇa's senses. The Lord is the master of His senses; His enjoyment with devotees is on a spiritual plane untouched by material lust.
Reflection Questions
  • How do I distinguish loving exchange with Kṛṣṇa from projecting my desires onto Him?
  • What would it look like to cultivate attraction to Kṛṣṇa free of the agenda to control Him?

Like Cupid's archers firing arrow after arrow at a mountain — each shaft true, each aim deft — yet the mountain neither flinches nor falls. Sixteen thousand bows of arched eyebrows release sidelong glances, and Kṛṣṇa's senses do not stir.

📝 My note

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