FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.44.31

हतेषु मल्लवर्येषु विद्रुतेषु च भोजराट् । न्यवारयत् स्वतूर्याणि वाक्यं चेदमुवाच ह ॥ ३१ ॥
hateṣu malla-varyeṣu
[hateshu malla-varyeshu]
vidruteṣu ca bhoja-rāṭ
[vidruteshu cha bhoja-raat]
nyavārayat sva-tūryāṇi
[nyavaarayat sva-tooryaani]
vākyaṁ cedam uvāca ha
[vaakyam chedam uvaacha ha]
hateṣu — being killed malla - varyeṣu — the best wrestlers vidruteṣu — having run away ca — and bhoja - rāṭ — the Bhoja king, Kaṁsa nyavārayat — stopped sva — his own tūryāṇi — musical instruments vākyam — words ca — and idam — these uvāca ha — spoke .
Blended reading (Sanskrit + English inline)
hateṣu malla-varyeṣu
hateṣu
being killed
malla - varyeṣu
the best wrestlers
vidruteṣu ca bhoja-rāṭ
vidruteṣu
having run away
ca
and
bhoja - rāṭ
the Bhoja king, Kaṁsa
nyavārayat sva-tūryāṇi
nyavārayat
stopped
sva
his own
tūryāṇi
musical instruments
vākyaṁ cedam uvāca ha
vākyam
words
ca
and
idam
these
uvāca ha
spoke .
  • bhoja - rāṭ — the Bhoja king
    Compound: bhoja (the Bhoja dynasty) + rāj (king). Kaṁsa is named by dynasty, not by personal name — the Bhāgavatam reduces him to office. He is about to die; he has already lost his name.
  • nyavārayat — he stopped
    Imperfect of ni + √vṛ (to cover, restrain). The verb of suppression — the king stops music the way he had stopped truth. Cf. verse 32: he will now try to stop persons too. The verb generalizes.
  • tūryāṇi — the musical instruments
    Plural of tūrya — drums, conches, the loud instruments of public ceremony. The same tūryas resound in verse 42 from the demigods; the music doesn't disappear, it relocates. Kaṁsa silences his court; the heavens take over.
  • uvāca ha — indeed said
    Idiomatic: uvāca (he said) + ha (emphatic, surely). The narrative-emphatic — the Bhāgavatam underlines the moment because what follows is Kaṁsa's last full speech. Listen carefully; he will not get another.
The Bhoja king, seeing that his best wrestlers had all been killed or had fled, stopped the musical performance originally meant for his pleasure and spoke the following words.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The Bhoja king, seeing that his best wrestlers had all been killed or had fled, stopped the musical performance originally meant for his pleasure and spoke the following words.
Jīva Gosvāmī Gauḍīya
Commentary

He stopped the music which he had commissioned (sva-tūryānī), not the devatā music which he could not stop since he had lost his powers now. Or he could not stop the music which played by itself. Sometimes sa is seen instead of sva. Viṣṇu Purāṇa explains that the music stopped previously. bala-kṣayaṁ vivṛddhiṁ ca dṛṣṭvā cāṇūra-kṛṣṇayoḥ / vārayāmāsa tūryāṇi kaṁsaḥ kopa-parāyaṇaḥ // mṛdaṅgādiṣu tūryeṣu pratiṣiddheṣu tat-kṣaṇāt / khe saṁgatāny avādyanta deva-tūryāṇy anekaśaḥ // jaya govinda cāṇūraṁ jahi keśava dānavam / antardhānagatā devās tam ūcur atiharṣitāḥ // Seeing the destruction of Cāṇūra’ strength and the increase of Kṛṣṇa’s strength, Kaṁsa, full of anger stopped the music. When the mṛdaṅgas and other instruments stopped, at that moment in the sky the devatas’ many instruments began to sound together. The devatās spoke in joy in the sky “Victory to Govinda! Keśava! Kill the demon Cāṇūra.” Hari-vaṁśa says: tataḥ prasvinna-vadanaḥ kṛṣṇa-praṇihitekṣaṇaḥ / nyavārayata tūryāṇi kaṁsaḥ savyena pāṇinā // With sweating face, Kaṁsa glared at Kṛṣṇa and stopped the music with his left hand. svayam eva pravādyanta tūryaghoṣāś ca sarvaśaḥ All the instruments began playing on their own. This means music again sounded though Kaṁsa stopped it. He stopped it on the pretext of speaking so that his words could be heard. He spoke clearly (ha). Kaṁsa was king of some people of the Bhoja dynasty, a branch of the Yadus, but now, everyone held him in disrespect.

Śrīdhara Svāmī Gauḍīya
Commentary

His best wrestlers had been killed. Others had quickly fled in fear far away. He stopped his instruments but could not stop the heavenly instruments, according to Viṣṇu Purāṇa. Or according to Śukadeva, the devatās out of fear of Kaṁsa did not have instruments. Kaṁsa alone had instruments to inspire his wrestlers with a desire for victory. Because his desire was thwarted, he stopped the music. He revealed his wicked nature by his words. He spoke clearly (ha) so that everyone could hear his instructions. Actually he spoke with internal suffering. He informed the Bhojas who were his followers. He ruled because of some portion of the Yadus called Bhojas (bhoja-rāṭ).

Related values
Dana (Charity / Generosity)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)Seva (Service / Selfless Action)Yajña (Sacrifice / Spirit of Offering)Karuna (Kindness / Compassion)Santosha (Contentment)Discriminative Wisdom
Related verses
Concepts
Jiva
Seeing his wrestlers dead or fled, the Bhoja king stops the music meant for his pleasure. Tyrants cut the music when their performance turns against them; cancellation reveals the actual purpose.
Reflection Questions
  • What 'music' do you turn off when an event stops serving your ego?
  • Where do you reveal yourself by what you cancel?

Kaṁsa cuts off the music. The wrestlers were entertainment; with their bodies down, the songs are pointless. The verse marks the exact second a tyrant's spectacle becomes mere violence — the music falls silent before the king does.

📝 My note

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