FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.30.37

ततो गत्वा वनोद्देशं द‍ृप्ता केशवमब्रवीत् । न पारयेऽहं चलितुं नय मां यत्र ते मन: ॥ ३७ ॥
tato gatvā vanoddeśaṁ
[tato gatvaa vanoddesham]
dṛptā keśavam abravīt
[driptaa keshavam abraveet]
na pāraye ’haṁ calituṁ
[na paaraye ’ham chalitum]
naya māṁ yatra te manaḥ
[naya maam yatra te manah]
tataḥ — then gatvā — going vana — of the forest uddeśam — to one region dṛptā — becoming proud keśavam — to Kṛṣṇa abravīt — She said na pāraye — am not able aham — I calitum — to move naya — bring mām — Me yatra — where te — Your manaḥ — mind .
Blended reading (Sanskrit + English inline)
tato gatvā vanoddeśaṁ
tataḥ
then
gatvā
going
vana
of the forest
uddeśam
to one region
dṛptā keśavam abravīt
dṛptā
becoming proud
keśavam
to Kṛṣṇa
abravīt
She said
na pāraye ’haṁ calituṁ
na pāraye
am not able
naya māṁ yatra te manaḥ
aham
I
calitum
to move
naya
bring
mām
Me
yatra
where
te
Your
manaḥ
mind .
  • dṛptā — becoming proud
    From √dṛp (to be proud, swell up). Darpa — the same root in verse 6 where Kṛṣṇa was 'darpa-hara' (pride-remover). The rāsa-text closes the circle: He removes the pride of māninīs, including, when needed, of the most-beloved Herself.
  • na pāraye — I am not able
    Phrase: na (not) + pāraye (am able, present middle of √pṛ) + aham (I). The very first 'aham' in Her speech — a self-assertion-laden 'I.' Compare the earlier gopīs' selfless cries; the pronoun marks the turning point.
  • naya-mām — bring Me
    Phrase: naya (imperative of √nī, lead) + mām (Me). She commands Him. The Beloved-as-servant gesture, sweet when offered, dangerous when demanded. Gauḍīyas note this is the exact moment the rāsa pivots from saṁyoga to vipralambha-for-Her too.
  • yatra-te-manaḥ — wherever Your mind is
    Phrase: yatra (wherever) + te (Your) + manaḥ (mind). The half that softens the command — She at least submits to His direction. But the very claim that He has a destination She must be carried to is what triggers His withdrawal.
  • keśavam — to Kṛṣṇa
    Accusative of Keśava — He of beautiful hair, slayer of Keśī. Note the choice: not 'priyatama,' not 'nātha' — but Keśava, almost formal. The narrator's word-choice signals the shift in the relational register.
As the two lovers passed through one part of the Vṛndāvana forest, the special gopī began feeling proud of Herself. She told Lord Keśava, “I cannot walk any further. Please carry Me wherever You want to go.”
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
As the two lovers passed through one part of the Vṛndāvana forest, the special gopī began feeling proud of Herself. She told Lord Keśava, "I cannot walk any further. Please carry Me wherever You want to go."
Commentary

After describing the union portion of the conjugal rasa of Radha, in order to describe the separation portion of the Radha’s conjugal rasa, a summary is given here. That gopi whom Krsna brought here after giving up other gopis, then began to think that she was the best. The use of sa ca (she also) indicates that just as the other gopis became proud of their good fortune on associating with Krsna, Radha also became proud of her good fortune. She felt like that, because Krsna had given up all the other gopis who had come to fulfil their desire (kama yana) or who did activities to invoke their desire, and began to serve only her. In other words, the anger that Radha felt towards the other gopis for their good fortune previously, had now vanished.

Jīva Gosvāmī Gauḍīya
Commentary

After thinking herself superior, going to a special place in the forest with him, she felt proud. She spoke to Kṛṣṇa, who had tied up her hair (keśavam). “I cannot walk further.” She suggests that she is tired from walking a long distance. “O charming girl! We must go to a pleasant spot far from the others.” Take me in your arms and lead me.

Śrīdhara Svāmī Gauḍīya
Commentary

After thinking herself superior, or because of her pride, from that place of enjoyment, she went to a special place in the forest with him. Or because of being proud (dṛptāḥ), she proceeded on her own (gatvā), thinking, “This is my mercy to him.” She spoke to Kṛṣṇa, the supreme Lord or who benefited Vraja by killing Keśī (keśavam), or who was bewildered by her beauty after binding her hair. She said, “I cannot walk further.” She suggests that she is tired from enjoyment of love. Out of shyness she does not speak directly. Or she speaks out of pride. “O charming girl! We must go to a pleasant spot far from the others.” Take me, putting me on your shoulders as previously.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The special gopī, proud of being chosen, asks Kṛṣṇa to carry her further. Pride blooms exactly where grace has been greatest — the highest gift can spawn the subtlest fall.
Reflection Questions
  • What gift from God has tempted me toward subtle pride?
  • How do I keep gratitude from quietly turning into entitlement?

When a child rides her father's shoulders confident that he will never tire, she eventually says — half jest, half claim — 'now carry me wherever you want.' The gopī's 'na pāraye aham calitum' is exactly this voice, but darkened: pride has begun to read intimacy as entitlement. The same gesture that was sweet in verse 31 sours here.

📝 My note

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