• pati-vratā — devoted to her husband
  Compound: pati (husband) + vrata (vow). Her standing title throughout the chapter. The pati-vratā in Vaiṣṇava tradition is theologically privileged — her vrata toward her husband becomes a channel by which Bhagavān reaches her household.
• prema-utkaṇṭha-aśru — tears of loving eagerness
  Compound: prema (love) + utkaṇṭhā (yearning, longing of the throat) + aśru (tears). Gauḍīya rasa-śāstra catalogues aśru (tears) as one of the aṣṭa-sāttvika-bhāvas — the eight bodily signs of bhāva. Her body is involuntarily producing the marks of prema.
• mīlita-akṣī — with closed eyes
  Compound: mīlita (closed) + akṣi (eye). She cannot bear to look directly. Gauḍīya bhāva: when bhāva is too dense, the senses shut to protect the heart. The same gesture as when Yaśodā sees the universe in Kṛṣṇa's mouth (SB 10.8) — eyes close before the unbearable.
• buddhyā manasā pariṣasvaje — with thoughtful reflection (and) with the heart she embraced
  Instrumentals buddhi (intellect) + manas (mind) + pariṣasvaje (perfect of pari + √svaj — to embrace). The interior embrace precedes any physical one; in Gauḍīya bhāva-śāstra, mānasī-sevā (mental service) is itself a complete category.

• Where could an interior embrace replace an outer one I cannot give?
• What inner bow could I offer the Lord right now?

She closes her eyes — because what is in front of her is too much to look at — and embraces him inside her heart before her body can. This is buddhyā / manasā embracing, the embrace before the embrace, the bhāva that the body's gesture only catches up to.