FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.80.15

स तानादाय विप्राग्र्‍य: प्रययौ द्वारकां किल । कृष्णसन्दर्शनं मह्यं कथं स्यादिति चिन्तयन् ॥ १५ ॥
sa tān ādāya viprāgryaḥ
[sa taan aadaaya vipraagryah]
prayayau dvārakāṁ kila
[prayayau dvaarakaam kila]
kṛṣṇa-sandarśanaṁ mahyaṁ
[krishna-sandarshanam mahyam]
kathaṁ syād iti cintayan
[katham syaad iti chintayan]
saḥ — he tān — them ādāya — taking vipra - agryaḥ — the best of brāhmaṇas prayayau — went dvārakām — to Dvārakā kila — indeed kṛṣṇa - sandarśanam — the audience of Lord Kṛṣṇa mahyam — for me katham — how syāt — will it happen iti — thus cintayan — thinking .
Blended reading (Sanskrit + English inline)
sa tān ādāya viprāgryaḥ
saḥ
he
tān
them
ādāya
taking
vipra - agryaḥ
the best of brāhmaṇas
prayayau dvārakāṁ kila
prayayau
went
dvārakām
to Dvārakā
kila
indeed
kṛṣṇa-sandarśanaṁ mahyaṁ
kṛṣṇa - sandarśanam
the audience of Lord Kṛṣṇa
mahyam
for me
kathaṁ syād iti cintayan
katham
how
syāt
will it happen
iti
thus
cintayan
thinking .
  • ādāya — taking
    Gerund of ā-√dā. The verse insists: he carried the bundle. The pṛthuka travels in his hands — bhakti's offering does not delegate.
  • vipra - agryaḥ — the best of brāhmaṇas
    Compound: vipra (brāhmaṇa) + agrya (foremost). Sudāmā is named foremost — his external poverty does not affect his interior rank. Gauḍīyas read agryaḥ as a deliberate counter to v.7's ku-cailasya: the world sees ku-caila; the text sees vipra-agrya.
  • kṛṣṇa - sandarśanam — the audience of Lord Kṛṣṇa
    Compound: kṛṣṇa + saṁ + darśana. Saṁ-darśana — full, mutual seeing. Stronger than mere darśana. Gauḍīyas note the prefix: Sudāmā longs for the complete reciprocation, not a glance.
  • cintayan — thinking
    Present participle of √cint. He walked in cintā — anxiety, not anticipation. Gauḍīyas read this as proper bhakti: the bhakta never assumes; he longs and worries.
  • prayayau — went
    Aorist of pra-√yā. The verse's only finite action verb in this line — everything else is participle. The going is the only thing Sudāmā does; everything else is interior.
Taking the flat rice, the saintly brāhmaṇa set off for Dvārakā, all the while wondering “How will I be able to have Kṛṣṇa’s audience?”

Among other things, Sudāmā assumed that the gatekeepers would stop him.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Taking the flat rice, the saintly brāhmaṇa set off for Dvārakā, all the while wondering "How will I be able to have Kṛṣṇa's audience?"
Commentary

"He though, " How will I enter, since I will be prevented by the door guards?"

Jīva Gosvāmī Gauḍīya
Commentary

He took the rice since there was nothing else. He departed so it is said (kila).

Śrīdhara Svāmī Gauḍīya
Commentary

He took the rice since there was nothing else. He went with effort (pra), being unable to go property because of his thin body, since he was the devotee of the Lord, the best among brāhmaṇas (viprāgryaḥ). This is certain (kila). He did not give up going there because of his inability. Or kila is connected with the next statement to indicate doubt. Or he went definitely went while definitely thinking (kila), “Will I see the Lord, Kṛṣṇa, bhagavān, directly by some method (katham)?” He was always seeing the Lord in his heart but now it would be direct (sandarśanam), which is very rare.

Related values
Ishvara Pranidhana (Surrender to God)Dhriti (Resilience / Steadfastness / Fortitude)Shraddha (Faith / Reverence)Santosha (Contentment)Dhairya (Composure / Courage)Daksya (Resourcefulness / Skill)Vairagya (Detachment / Dispassion)Udyama (Industriousness / Effort)
Related verses
Concepts
DarshanaJiva
Walking to Dvārakā, Sudāmā wondered: 'How will I ever get Kṛṣṇa's audience?' The genuine devotee assumes nothing about access; he carries humility right up to the gate.
Reflection Questions
  • Where do I assume access to the Lord rather than approaching humbly?
  • What does it mean to walk toward Him not knowing how I'll get in?

A poor man walking toward a coronation hall keeps asking the road — Sudāmā's whole journey is woven from the single anxious thought: how will I even see Him? The bhakta's hesitation is itself bhakti — the certainty that Kṛṣṇa is too great, paired with the hope that He has not forgotten.

Caitanya's walk to Purī

Mahāprabhu, having taken sannyāsa, walked toward Jagannātha Purī asking villagers the way, weeping at every step at the prospect of darśana. The mood is recorded across Caitanya-bhāgavata.

Gauḍīyas read Sudāmā's anxious walk in this same register: kṛṣṇa-darśana approaches and the bhakta's heart cannot believe it is being granted. The walk is sādhana in motion.

📝 My note

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