FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.65.24-25

स्रग्व्येककुण्डलो मत्तो वैजयन्त्या च मालया । बिभ्रत् स्मितमुखाम्भोजं स्वेदप्रालेयभूषितम् । स आजुहाव यमुनां जलक्रीडार्थमीश्वर: ॥ २४ ॥ निजं वाक्यमनाद‍ृत्य मत्त इत्यापगां बल: । अनागतां हलाग्रेण कुपितो विचकर्ष ह ॥ २५ ॥
sragvy eka-kuṇḍalo matto
[sragvy eka-kundalo matto]
vaijayantyā ca mālayā
[vaijayantyaa cha maalayaa]
bibhrat smita-mukhāmbhojaṁ
[bibhrat smita-mukhaambhojam]
sveda-prāleya-bhūṣitam
[sveda-praaleya-bhooshitam]
sa ājuhāva yamunāṁ
[sa aajuhaava yamunaam]
jala-krīḍārtham īśvaraḥ
[jala-kreedaartham eeshvarah]
nijaṁ vākyam anādṛtya
[nijam vaakyam anaadritya]
matta ity āpagāṁ balaḥ
[matta ity aapagaam balah]
anāgatāṁ halāgreṇa
[anaagataam halaagrena]
kupito vicakarṣa ha
[kupito vichakarsha ha]
srak - vī — having a garland eka — with one kuṇḍalaḥ — earring mattaḥ — intoxicated with joy vaijayantyā — named Vaijayantī ca — and mālayā — with the garland bibhrat — displaying smita — smiling mukha — His face ambhojam — lotuslike sveda — of perspiration prāleya — with the snow bhūṣitam — decorated saḥ — He ājuhāva — called for yamunām — the Yamunā River jala — in the water kṛīḍā — of playing artham — for the purpose īśvaraḥ — the Supreme Lord nijam — His vākyam — words anādṛtya — disregarding mattaḥ — intoxicated iti — thus (thinking) āpa - gām — the river balaḥ — Lord Balarāma anāgatām — who did not come hala — of His plow weapon agreṇa — with the tip kupitaḥ — angry vicakarṣa ha — He dragged .
Blended reading (Sanskrit + English inline)
sragvy eka-kuṇḍalo matto
srak - vī
having a garland
eka
with one
kuṇḍalaḥ
earring
mattaḥ
intoxicated with joy
vaijayantyā ca mālayā
vaijayantyā
named Vaijayantī
ca
and
mālayā
with the garland
bibhrat smita-mukhāmbhojaṁ
bibhrat
displaying
smita
smiling
mukha
His face
ambhojam
lotuslike
sveda-prāleya-bhūṣitam
sveda
of perspiration
prāleya
with the snow
bhūṣitam
decorated
sa ājuhāva yamunāṁ
saḥ
He
ājuhāva
called for
yamunām
the Yamunā River
jala-krīḍārtham īśvaraḥ
jala
in the water
kṛīḍā
of playing
artham
for the purpose
īśvaraḥ
the Supreme Lord
nijaṁ vākyam anādṛtya
nijam
His
vākyam
words
anādṛtya
disregarding
matta ity āpagāṁ balaḥ
mattaḥ
intoxicated
iti
thus (thinking)
āpa - gām
the river
balaḥ
Lord Balarāma
anāgatāṁ halāgreṇa
anāgatām
who did not come
hala
of His plow weapon
agreṇa
with the tip
kupito vicakarṣa ha
kupitaḥ
angry
vicakarṣa ha
He dragged .
  • vaijayantyā — named Vaijayantī
    The famous garland of five-colored forest flowers. Vaijayantī is Bhagavān's mālā par excellence — Gauḍīya iconography retains it on both Kṛṣṇa and Balarāma.
  • ambhojam — lotuslike
    Lit. 'water-born' (ambhas + ja) — the lotus. Modifies mukha (face). Bhagavān's face is repeatedly named ambhoja; Gauḍīyas note that the lotus simile is not decoration but theology — His face holds, like a lotus, both root in mud and bloom in light.
  • sveda — of perspiration
    Sweat. One of the eight sāttvika-bhāvas. Bhagavān Himself displays the same somatic markers His devotees do — Rūpa Gosvāmī uses this fact to argue that bhāva is shared substance, not asymmetric.
  • yamunām — the Yamunā River
    Accusative — Yamunā as object of the verb 'called.' She is summoned by name; the river is treated as a person. Gauḍīya theology fully personalizes Yamunā — she is a goddess with biography.
  • anādṛtya — disregarding
    Absolutive of an-ā-√dṛ (to not honor). Yamunā does not honor His call — the verse names her offense precisely. Gauḍīyas note: this is the rare moment where a personal goddess errs and the līlā produces public correction.
  • hala — of His plow weapon
    The plow. The agricultural tool that names Halāyudha. In the next verse it will be called lāṅgala — the Bhāgavatam uses two synonyms, holding the agricultural and martial registers simultaneously.
  • kupitaḥ — angry
    Past participle of √kup (to be angry). Bhagavān's anger — Gauḍīyas distinguish carefully between līlā-krodha (which serves the līlā) and conditioned anger. Here Balarāma's anger publicly establishes that Vraja-līlā is not powerless.
Intoxicated with joy, Lord Balarāma sported flower garlands, including the famous Vaijayantī. He wore a single earring, and beads of perspiration decorated His smiling lotus face like snowflakes. The Lord then summoned the Yamunā River so that He could play in her waters, but she disregarded His command, thinking He was drunk. This angered Balarāma, and He began dragging the river with the tip of His plow.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Intoxicated with joy, Lord Balarāma sported flower garlands, including the famous Vaijayantī. He wore a single earring, and beads of perspiration decorated His smiling lotus face like snowflakes. The Lord then summoned the Yamunā River so that He could play in her waters, but she disregarded His command, thinking He was drunk. This angered Balarāma, and He began dragging the river with the tip of His plow.
Commentary

His face appeared frosty (praleya) with drops of perspiration. She did not respect his words because she thought that the words of a drunk person had no authority. For this reason she disregarded him and did not come, thinking, "If he calls me, wanting to enjoy in the water, then let him come to me."

Jīva Gosvāmī Gauḍīya
Commentary

He wore many garlands including chaplets on his head. The Vaijayantī garland had flowers of five colors. His lotus face had a smile. He shone with these ornaments. Hari-vaṁśa describes him as follows: śirasā cārukeśena kiṁcid āvṛttamaulinā / śravaṇaikāvalambena kuṇḍalena virājatā // candanāgarupītena vana-mālāvalambinā / vibabhāv urasā rāmaḥ kailāseneva mandaraḥ // nīle vasāno vasane pratyag raja-dala-prabhe / rarāja vapuṣā śubhraḥ śaśīva ghana-mālayā // lāṅgalenāvasaktena bhujagābhoga-vartinā / tathā bhujāgra-śliṣṭena musalena ca bhāsvatā // sa matto balināṁ śreṣṭho rarājā ghūrṇitānanaḥ / śaiśirīṣv triyāmāsu yathā khedālasaḥ śaśī // His beautiful hair was partially covered by his crown. He had one earring in his ear. He was anointed with sandalwood paste and with a forest garland on his chest. He appeared like Mandara Mountain with Kailāṣa. He wore blue cloth, shining like a fresh lotus petal. He was brilliant white like the moon with a huge garland. With his plough he appeared like a snake with a hood. He was holding a shining pestle in his hand. The best of the strong, he was intoxicated, with rolling eyes. He was like the moon after three yamas in the cold season, and was fatigued by his sporting. Instead of nijam another version has neti but this is not accepted by Śrīdhara Svāmī since it does not make sense in the context.

Related values
Kshama (Forgiveness / Patience)Shraddha (Faith / Reverence)Hrih (Modesty / Sense of Shame)Tejas (Inner Radiance / Vigour)
Related verses
Concepts
Jiva
Wearing the Vaijayantī garland and enjoying with the gopīs, Balarāma savors every detail of līlā. The smallest items — a particular flower, a particular companion — matter in divine play.
Reflection Questions
  • What 'small' particularity in my devotional life carries more meaning than I admit?
  • Can I treat the specifics of my worship as Balarāma treats His garland?

A king at the height of his pleasure asks a river to come to him — and when she refuses, he drags her course toward him with his plow. The plow that planted the world is now used to redirect a river. Bhagavān's tools, in Vraja, do double duty: agriculture and command.

Govardhana lifted in chapter 25

Earlier in this Canto (SB 10.25) Kṛṣṇa lifted Govardhana with His left little finger to shelter Vraja from Indra's rain. Here Balarāma drags Yamunā with His plow.

Gauḍīyas read these as paired aiśvarya-bursts inside mādhurya-līlā — the brothers each, once, openly assert their lordship over an element (mountain, river). The point is that Vraja-līlā is not powerless; it merely keeps power tucked inside tenderness.

📝 My note

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