• vrīḍitaḥ — ashamed
  Past participle of √vrīḍ. Vrīḍā (shame) is a Gauḍīya rasa-element — the gopīs feel vrīḍā before Kṛṣṇa, devotees feel vrīḍā at their own offenses. Both ennoble the bhāva. Satrājit's vrīḍā here is the seed of his eventual surrender.
• avāk-mukhaḥ — face downward
  Compound: avāk (downward) + mukha (face). The body language of remorse. Even Sanskrit grammar codes the moral state — face down, gem in hand, walking home alone.
• anutapyamānaḥ — feeling remorse
  Present participle of anu + √tap (passive). The same √tap as tapas — but here it burns inwardly as remorse. Bhāgavata teaching: anutāpa is the right tapas of the offender; remorse is the heat that prepares the soil.
• pāpmanā — with his sinful behavior
  Instrumental of pāpman. He walks home accompanied by his pāpa — until offered as gift to Hari. The Bhāgavatam's psychology: pāpa is a thing one carries until one hands it over.

• Where does material restoration coexist with the slower work of remorse?
• How do you tend remorse without it becoming despair?

Satrājit's hung head is the chapter's quietest scene. The man who installed a jewel where the deity should sit now walks home with his head down — the deity has corrected the architecture without a word.