FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.52.7

विलोक्य वेगरभसं रिपुसैन्यस्य माधवौ । मनुष्यचेष्टामापन्नौ राजन् दुद्रुवतुर्द्रुतम् ॥ ७ ॥
vilokya vega-rabhasaṁ
[vilokya vega-rabhasam]
ripu-sainyasya mādhavau
[ripu-sainyasya maadhavau]
manuṣya-ceṣṭām āpannau
[manushya-cheshtaam aapannau]
rājan dudruvatur drutam
[raajan dudruvatur drutam]
vilokya — seeing vega — of the waves rabhasam — the fierceness ripu — enemy sainyasya — of the armies mādhavau — the two Mādhavas (Kṛṣṇa and Balarāma) manuṣya — humanlike ceṣṭām — behavior āpannau — assuming rājan — O King (Parīkṣit) dudruvatuḥ — ran away drutam — quickly .
Blended reading (Sanskrit + English inline)
vilokya vega-rabhasaṁ
vilokya
seeing
vega
of the waves
rabhasam
the fierceness
ripu-sainyasya mādhavau
ripu
enemy
sainyasya
of the armies
mādhavau
the two Mādhavas (Kṛṣṇa and Balarāma)
manuṣya-ceṣṭām āpannau
manuṣya
humanlike
ceṣṭām
behavior
āpannau
assuming
rājan dudruvatur drutam
rājan
O King (Parīkṣit)
dudruvatuḥ
ran away
drutam
quickly .
  • mādhavau — the two Mādhavas (Kṛṣṇa and Balarāma)
    Dual form. Mādhava — descendant of Madhu, also 'the Lord of Lakṣmī' (mā = śrī, dhava = husband). Used in the dual because Balarāma and Kṛṣṇa share the title as the two prakāśa of the same Bhagavān-tattva.
  • manuṣya-ceṣṭām — humanlike behavior
    Compound: manuṣya (human) + ceṣṭā (gesture, behavior). Technical term for Kṛṣṇa's deliberate imitation of mortal conduct. Gauḍīyas treat it as the door through which devotional rasa enters — without it His pastimes would be too remote to relish.
  • āpannau — assuming
    Past participle dual of ā-√pad. Connotes 'having taken on' a costume or role. The grammar itself signals that the fleeing is donned, not undergone.
  • dudruvatuḥ — ran away
    Perfect dual of √dru (to run). The very verb the Bhāgavatam will use for the gopīs running to Kṛṣṇa in the rāsa līlā — only here the direction is reversed for the sake of the līlā. The vocabulary of motion is the same; only the heart-direction differs.
O King, seeing the fierce waves of the enemy’s army, the two Mādhavas, imitating human behavior, ran swiftly away.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
O King, seeing the fierce waves of the enemy's army, the two Mādhavas, imitating human behavior, ran swiftly away.
Commentary

Seeing the great speed (vega rabhasam) of the enemy troops Krsna and Balarama, assumed the actions of human beings, and quickly fled.

Jīva Gosvāmī Gauḍīya
Commentary

Kṛṣṇa and Balarāma born in Madhu’s dynasty to perform various pastimes, accepting the activities of humans, ran away. Kṛṣṇa joined with Balarāma whom previously he had kept within Mathurā. Viṣṇu Purāṇa says: manuṣya-dharma-śīlasya līlā sā jagatī-pateḥ / astrāṇy aneka-rūpāṇi yad arātiṣu muñcati // manasaiva jagat-sṛṣṭiṁ saṁhāraṁ ca karoti yaḥ / tasyāri-pakṣa-kṣapaṇe kiyān udyama-vistaraḥ // tathāpi yo manuṣyāṇāṁ dharmān tam anuvartate / kurvan balavatā saṁdhiṁ hīnair yuddhaṁ karoty asau // / sāma copapradānaṁ ca tathā bhedaṁ ca darśayan / karoti daṇḍa-pātaṁ ca kvacid eva palāyanam // manuṣya-dehināṁ ceṣṭām ity evam anuvartate / līlā jagat-pates tasya cchandataḥ parivartate // This is the pastime of the Lord of the universe, who has qualities like human beings. He released unlimited weapons on his enemies. He causes creation and destruction of the universe. He is enthusiast to destroy the enemies. He follows the dharmas of human beings. Creating allies with weaker parties, he fights with the strong. He sometimes conciliates and sometimes creates dissension. He sometimes punishes the enemy and sometimes he flees. In this way he follows the actions of humans. The pastimes of the Lord of the universe take place by his will.

Related values
Anahankarah (Freedom from False Ego)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
Concepts
Dharma
Seeing the enemy's fierce waves, the two Mādhavas — imitating human behavior — run swiftly away. The Lord can choose to flee; running is not always defeat, sometimes it is plan.
Reflection Questions
  • Where do you treat retreat as defeat when it might be Kṛṣṇa's chosen tactic?
  • What would running away serve in your current contest?

The two Mādhavas turn and run the way a king might pretend to lose at chess to draw out his opponent's queen — manuṣya-ceṣṭā, the play of imitating mortal behavior, is the costume Bhagavān wears so that the lesson lands in human terms. The flight is the script of His own play.

Kṛṣṇa's manuṣya-līlā vocabulary

Throughout the Bhāgavatam Kṛṣṇa repeatedly performs manuṣya-ceṣṭā — eating, sleeping, fleeing, weeping — to make His pastimes accessible to embodied jīvas. SB 10.33.36 says He plays this way to teach by example. Running from Jarāsandha is of the same kind as letting Yaśodā bind Him: ostensible limitation, actual līlā.

This is why Gauḍīyas guard against the impersonalist reflex to apologize for these episodes. The 'flight' is not a blemish on Kṛṣṇa's majesty; it is the very medium of His sweetness.

📝 My note

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