FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.43.21-22

पिबन्त इव चक्षुर्भ्यां लिहन्त इव जिह्वया । जिघ्रन्त इव नासाभ्यां श्लिष्यन्त इव बाहुभि: ॥ २१ ॥ ऊचु: परस्परं ते वै यथाद‍ृष्टं यथाश्रुतम् । तद्रूपगुणमाधुर्यप्रागल्भ्यस्मारिता इव ॥ २२ ॥
pibanta iva cakṣurbhyāṁ
[pibanta iva chakshurbhyaam]
lihanta iva jihvayā
[lihanta iva jihvayaa]
jighranta iva nāsābhyāṁ
[jighranta iva naasaabhyaam]
śliṣyanta iva bāhubhiḥ
[shlishyanta iva baahubhih]
ūcuḥ parasparaṁ te vai
[oochuh parasparam te vai]
yathā-dṛṣṭaṁ yathā-śrutam
[yathaa-drishtam yathaa-shrutam]
tad-rūpa-guṇa-mādhurya-
[tad-roopa-guna-maadhurya-]
prāgalbhya-smāritā iva
[praagalbhya-smaaritaa iva]
pibantaḥ — drinking iva — as if cakṣurbhyām — with their eyes lihantaḥ — licking iva — as if jihvayā — with their tongues jighrantaḥ — smelling iva — as if nāsābhyām — with their nostrils sliṣyantaḥ — embracing iva — as if bāhubhiḥ — with their arms ūcuḥ — they spoke parasparam — among one another te — they vai — indeed yathā — just as dṛṣṭam — they had seen yathā — just as śrutam — they had heard tat — Their rūpa — of the beauty guṇa — qualities mādhurya — charm prāgalbhya — and bravery smāritāḥ — reminded iva — as if .
Blended reading (Sanskrit + English inline)
pibanta iva cakṣurbhyāṁ
pibantaḥ
drinking
iva
as if
cakṣurbhyām
with their eyes
lihanta iva jihvayā
lihantaḥ
licking
iva
as if
jihvayā
with their tongues
jighranta iva nāsābhyāṁ
jighrantaḥ
smelling
iva
as if
nāsābhyām
with their nostrils
śliṣyanta iva bāhubhiḥ
sliṣyantaḥ
embracing
iva
as if
bāhubhiḥ
with their arms
ūcuḥ parasparaṁ te vai
ūcuḥ
they spoke
parasparam
among one another
te
they
vai
indeed
yathā-dṛṣṭaṁ yathā-śrutam
yathā
just as
dṛṣṭam
they had seen
yathā
just as
śrutam
they had heard
tad-rūpa-guṇa-mādhurya-
tat
Their
rūpa
of the beauty
guṇa
qualities
mādhurya
charm
prāgalbhya-smāritā iva
prāgalbhya
and bravery
smāritāḥ
reminded
iva
as if .
  • pibantaḥ-iva — as if drinking
    The 'as if' is the Bhāgavata's literary delicacy — the crowd is not literally drinking but might as well be. Rūpa Gosvāmī codifies this very pattern: bhāvas in the body of a rasika produce gestures that mimic direct sensory enjoyment. A contiguous-token join of synonyms 'pibantaḥ' and 'iva'.
  • mādhurya — charm
    The mādhurya here is the bhāgavata-mādhurya — Kṛṣṇa's distinctive sweetness, distinguished from Nārāyaṇa's aiśvarya. The Gauḍīya summit (Bhakti-rasāmṛta-sindhu's mādhurya-rasa, Caitanya's iṣṭa-rasa) is named at the moment the crowd's senses are being overwhelmed.
  • prāgalbhya — bravery
    Prāgalbhya is the bold-confident quality — the wrestler-conqueror register of Kṛṣṇa. Gauḍīya rasa-śāstra reads this as the dhīrodātta nāyaka-quality: a hero grave, generous, and unshakeable. Both mādhurya and prāgalbhya in one breath — the Bhāgavata's portrait is complete.
  • smāritāḥ — reminded
    Past participle — 'caused to remember'. Smaraṇa is the second of the nine limbs of bhakti (SB 7.5.23 lists śravaṇaṁ, kīrtanaṁ, viṣṇoḥ smaraṇam…). The verse depicts smaraṇa spontaneously arising in non-devotees the moment they see Bhagavān — proof that the limb is intrinsic to the soul, only dormant.
The people seemed to be drinking Kṛṣṇa and Balarāma with their eyes, licking Them with their tongues, smelling Them with their nostrils and embracing Them with their arms. Reminded of the Lords’ beauty, character, charm and bravery, the members of the audience began describing these features to one another according to what they had seen and heard.

Naturally, those who assembled in Mathurā for the wrestling festival had heard the latest news of Kṛṣṇa’s and Balarāma’s adventures in the city — how the Lords had broken the sacrificial bow, defeated the police and killed the elephant Kuvalayāpīḍa. And now that the people were seeing Kṛṣṇa and Balarāma enter the arena, their greatest expectations were confirmed. Kṛṣṇa is the embodiment of all beauty, fame and opulence, and therefore those assembled in the wrestling arena became fully satisfied by glorifying what they had heard of Him and were now seeing.

— A.C. Bhaktivedanta Swami Prabhupāda
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The people seemed to be drinking Kṛṣṇa and Balarāma with their eyes, licking Them with their tongues, smelling Them with their nostrils and embracing Them with their arms. Reminded of the Lords' beauty, character, charm and bravery, the members of the audience began describing these features to one another according to what they had seen and heard.
Commentary

This verse describes how they drank the beauty of Krsna. With wide eyes they saw him, with tongues they tasted, with widened nostrils they smelled and with open arms they embraced. They began to speak about what they had seen (breaking the bow) and heard (such as lifting govardhana) without chronological order. His form was attractive as his blackish color mixed with red blood, and with the elephant tusk in his hand. He was attractive with qualities like courage. He was sweet with his smiling glances. He showed confidence in breaking the bow without hesitation. Having seen or heard these things, they tried to remember them (smarita iva), though they were not qualified, and talked about them.

Jīva Gosvāmī Gauḍīya
Commentary

These two verses are taken together. The word tau (the two boys) should be added as the object of the verse. The people seemed to drink them with their two wide open eyes. The dual case is used for the eyes to indicate that each person used his two eyes to drink. They seemed to lick the two boys with their tongues when they began describing the boys’ sweetness using their tongues. They seemed to be trying to smell them, with greed to obtain their fragrance from far off, by their nostrils which began breathing heavily and opened widely on facing the two boys. They seemed to embrace the boys with their arms when they moved their arms around in order to see their forms. Arms is used in the plural since when they moved their arms quickly, they appeared to be many rather than two per person. Desire for these actions developed among the qualified spectators, and thus they carried out actions resembling drinking, licking, smelling and embracing. Yathā-dṛṣṭam and yathāśrutam are avyayī-bhāvas (indeclinable compounds). First the word yathā should be discussed. It indicates qualification, successive actions, restriction, and similarity. An example of restriction is yathā balam: according to his strength. An example of qualification is yathā dānam: donation according to qualification. It indicates similarity like the word saha or sa as in savīṇam dhvanati: it sounded like a vīṇa. They had seen him break the bow. That much was the limit. They had heard that he lifted Govardhana. That much they had heard. According to that they spoke. This indicates qualification. Though limitation and qualification are different, here the meaning finally becomes qualification. Or similarity may be expressed by “They spoke about them similar to what they had heard and seen.” Or, they were qualified to see events such as breaking the bow according to what they had heard—that Kṛṣṇa was a portion of Nārāyaṇa and nothing more than that. Previously they had doubted, and now the confirmed this by seeing him personally. They remembered his form as Bhagavān, with qualities like his unequalled beauty, his sweetness or natural attractiveness of form and qualities which were now somewhat uncovered, and their unlimited nature (prāgalbhya). Previously they had doubted whether the two had these qualities and form or not. Having seen and heard about them, they would now not forget. They perceived them directly (smaritā iva). Or, though they remembered the qualities and form of the two always, now on seeing their form and qualities directly they were most astonished. The two seemed to be new objects of remembrance (smaritā iva). The words of astonishment are described in the following verses according to Śrīdhara Svāmī.

Śrīdhara Svāmī Gauḍīya
Commentary

They drank them with their eyes. Absorbed in seeing them, they did nothing else. They seemed to drink, since drinking their forms was actually impossible. They licked him (kissed him) or touched him, tasting him with their tongues. They embraced him firmly with their many arms (instead of two arms). They developed four arms because of the sweetness, or many people had many arms. They became absorbed in him using their knowledge senses. This indicates their intense love for the boys. Seeing him in front, they used their eyes, tongues and noses. They did not use their ears to hear him. Or speaking about him (ucuḥ) indicates kīrtana. The four are in order of increasing importance (ending with embracing). Smelling is superior to tasting, since in smelling one can relish all his limbs and garland at once. Vai means well known or clear. Because of fear of Kaṁsa for a long time they did not remember. By seeing their forms, they remembered their greatness. They remembered their beauty (rūpa) and qualities. Sweetness and bravery are included in their beauty and qualities but are mentioned separately because of their outstanding nature. Actually living in Mathurā they never forgot the two boys, but now they had similarity to remembrance. Pragalbhyam can also mean absence of fear or having all skills. Thus they described their beauty, qualities, skills and greatness.

Related values
Anahankarah (Freedom from False Ego)Kshama (Forgiveness / Patience)Udyama (Industriousness / Effort)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
The audience drank Them with eyes, licked with tongues, smelled with nostrils, embraced with arms — describing Their beauty, character, charm and bravery while reminded. All senses become channels of devotion when Kṛṣṇa appears, not just vision.
Reflection Questions
  • Which of your five senses is least involved in your devotion right now?
  • What small adjustment could let that sense begin participating?

The crowd drinks with eyes, licks with tongues, smells with noses, embraces with arms — every sense reaches for Kṛṣṇa at once, because His form is the natural object of every indriya. This is bhakti before doctrine: the senses, finally meeting their actual purpose, leap toward Bhagavān without instruction.

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