FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.42.8

सा तदर्जुसमानाङ्गी बृहच्छ्रोणिपयोधरा । मुकुन्दस्पर्शनात् सद्यो बभूव प्रमदोत्तमा ॥ ८ ॥
sā tadarju-samānāṅgī
[saa tadarju-samaanaangee]
bṛhac-chroṇi-payodharā
[brihach-chroni-payodharaa]
mukunda-sparśanāt sadyo
[mukunda-sparshanaat sadyo]
babhūva pramadottamā
[babhoova pramadottamaa]
sā — she tadā — then ṛju — straight samāna — even aṅgī — her limbs bṛhat — large śroṇi — her hips payaḥ - dharā — and breasts mukunda - sparśanāt — by the touch of Lord Mukunda sadyaḥ — suddenly babhūva — became pramadā — a woman uttamā — most perfect .
Blended reading (Sanskrit + English inline)
sā tadarju-samānāṅgī
sā
she
tadā
then
ṛju
straight
samāna
even
aṅgī
her limbs
bṛhac-chroṇi-payodharā
bṛhat
large
śroṇi
her hips
payaḥ - dharā
and breasts
mukunda-sparśanāt sadyo
mukunda - sparśanāt
by the touch of Lord Mukunda
sadyaḥ
suddenly
babhūva pramadottamā
babhūva
became
pramadā
a woman
uttamā
most perfect .
  • mukunda-sparśanāt — by the touch of Lord Mukunda
    Compound: mukunda (giver of mukti) + sparśana (touch) + ablative -āt. Gauḍīya: the verse names Him Mukunda because the touch gives more than mukti — it gives prema-yogyatā (the fitness for prema), as Kubjā's next verses will show.
  • sadyaḥ — suddenly, at once
    Adverb. Instantaneous. Gauḍīya principle: Bhagavān's mercy is not gradual — when it comes it is total, sadyaḥ. The long crookedness yields in one moment.
  • ṛju — straight
    The opposite of vakra. The verse uses ṛju as the lifelong name of what Kubjā becomes. Gauḍīya allegory: kuṭila-jīva becoming ṛju-jīva — the bhakta's straightness.
  • pramadā — a beautiful woman
    From pra + √mad — to be intoxicated, to delight. She is now pramadā — one whose presence delights. Gauḍīya note: even in her former condition Kṛṣṇa engaged her; now her outer form too matches her devotional capacity.
  • uttamā — most perfect
    Superlative. The Bhāgavata grants the transformed Kubjā the highest grade of beauty — but uses the same word it uses for uttama-bhakti elsewhere, signalling that this outer change foreshadows an inner promotion.
Simply by Lord Mukunda’s touch, Trivakrā was suddenly transformed into an exquisitely beautiful woman with straight, evenly proportioned limbs and large hips and breasts.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
Simply by Lord Mukunda's touch, Trivakrā was suddenly transformed into an exquisitely beautiful woman with straight, evenly proportioned limbs and large hips and breasts.
Commentary

From that time onward, Kubja had a straight body.

Jīva Gosvāmī Gauḍīya
Commentary

By making her straight, her limbs below her chest which were disproportionately small now developed proper proportions (tadā rju-samānāṅgī). This is indicated by the description; she had large hips and breasts. Not only that, she became the best among all women. This means that she attained attractiveness corresponding appropriately to her physical association with the Lord. The main reason was the touch of the Lord. Thus pulling her up by the chin was a secondary reason for play. Just by one of his portions he can give freedom from all faults of saṁsāra and types of liberation such as sārūpya (mukunda) just by thinking of a person. By touching a person how much more he can give.

Śrīdhara Svāmī Gauḍīya
Commentary

In a moment (tadā) she became straight. Her proportions became proper (samānāṅgī). Or because she was crooked previously her chest and other parts were small and irregular. All limbs became proper according to her age. That is explained. Her hips and breasts became large. Actually all limbs became beautiful. She was pramadottamā, the best of women. Kṛṣṇa was he who makes the happiness (mu) of liberation (ku) insignificant by giving the highest bliss (da) of bhakti. By his touch she attained physical blessings. Or he gave principle or spiritual happiness (mu) and earthly happiness (ku) by his touch. Thus she developed special bhāva as well as physical beauty. When he did this, she did not experience any pain.

Related values
Anahankarah (Freedom from False Ego)Asteya (Non-stealing / Honesty)Aparigraha (Non-possessiveness)
Related verses
By Mukunda's touch, Trivakrā suddenly becomes an exquisitely beautiful woman with straight, well-proportioned limbs. One touch is enough; lifetimes of waiting can be finished in a moment.
Reflection Questions
  • What in your life are you treating as a long process that may need only one decisive touch?
  • Could you ask Kṛṣṇa for the touch, not for the long process?

A coal lying among ashes touched by fire suddenly remembers it is gold — not changed, only revealed. Mukunda's touch did not add beauty to Kubjā; it uncovered the form she had always been beneath her crookedness.

Ahalyā's stone redeemed by Rāma's foot

In the Rāmāyaṇa (Bāla-kāṇḍa), Ahalyā, cursed to stone, is restored by the dust of Rāma's foot. One contact with the Lord's lotus foot returns the cursed form to its original.

Kubjā here is Ahalyā's Bhāgavata cousin. Gauḍīya commentators (Sanātana, Viśvanātha) pair them: Rāma uses His foot, Kṛṣṇa uses both feet and two fingers — the gesture is denser, the rasa more intimate, the Lord's involvement more elaborate.

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