FolioCorpusŚrīmad-Bhāgavatam

Śrīmad-Bhāgavatam 10.17.7

तं तार्क्ष्यपुत्र: स निरस्य मन्युमान् प्रचण्डवेगो मधुसूदनासन: । पक्षेण सव्येन हिरण्यरोचिषा जघान कद्रुसुतमुग्रविक्रम: ॥ ७ ॥
taṁ tārkṣya-putraḥ sa nirasya manyumān
[tam taarkshya-putrah sa nirasya manyumaan]
pracaṇḍa-vego madhusūdanāsanaḥ
[prachanda-vego madhusoodanaasanah]
pakṣeṇa savyena hiraṇya-rociṣā
[pakshena savyena hiranya-rochishaa]
jaghāna kadru-sutam ugra-vikramaḥ
[jaghaana kadru-sutam ugra-vikramah]
tam — him, Kāliya tārkṣya - putraḥ — the son of Kaśyapa saḥ — he, Garuḍa nirasya — warding off manyu - mān — full of anger pracaṇḍa - vegaḥ — moving with terrible swiftness madhusūdana - āsanaḥ — the carrier of Lord Madhusūdana, Kṛṣṇa pakṣeṇa — with his wing savyena — left hiraṇya — like gold rociṣā — the effulgence of which jaghāna — he struck kadru - sutam — the son of Kadru (Kāliya) ugra — mighty vikramaḥ — his prowess .
Blended reading (Sanskrit + English inline)
taṁ tārkṣya-putraḥ sa nirasya manyumān
tam
him, Kāliya
tārkṣya - putraḥ
the son of Kaśyapa
saḥ
he, Garuḍa
nirasya
warding off
manyu - mān
full of anger
pracaṇḍa-vego madhusūdanāsanaḥ
pracaṇḍa - vegaḥ
moving with terrible swiftness
madhusūdana - āsanaḥ
the carrier of Lord Madhusūdana, Kṛṣṇa
pakṣeṇa savyena hiraṇya-rociṣā
pakṣeṇa
with his wing
savyena
left
hiraṇya
like gold
rociṣā
the effulgence of which
jaghāna kadru-sutam ugra-vikramaḥ
jaghāna
he struck
kadru - sutam
the son of Kadru (Kāliya)
ugra
mighty
vikramaḥ
his prowess .
  • tārkṣya-putraḥ — the son of Tārkṣya (Kaśyapa)
    Patronymic. Garuḍa is great by birth as well as by service. The Bhāgavatam routinely names lineage to underline that Vaiṣṇava dignity is multi-layered — kula, guṇa, and bhakti together.
  • madhusūdana-āsanaḥ — the carrier (seat) of Lord Madhusūdana
    Compound: Madhusūdana (Killer of the demon Madhu, i.e. Kṛṣṇa-Viṣṇu) + āsana (seat). Garuḍa's whole identity is being-the-seat-of-the-Lord. Gauḍīyas read this as the model of dāsya-rasa: I am the place where the Lord rides.
  • hiraṇya-rociṣā — with a golden effulgence
    Compound: hiraṇya (gold) + rocis (radiance). Even the corrective blow is luminous. Bhagavān's discipline is never dull or grey; it shines like His own ornaments. Cf. SB 10.9, where Yaśodā's binding-rope is itself part of the līlā's beauty.
  • savyena — with his left (wing)
    The left side — minor, casual. Garuḍa does not even need his right wing. A quiet exaltation of the Lord's servant: full force is held in reserve, and an idle gesture suffices for the enemy.
The angry son of Tārkṣya moved with overwhelming speed in repelling Kāliya’s attack. That terribly powerful carrier of Lord Madhusūdana struck the son of Kadru with his left wing, which shone like gold.
Viśvanātha Cakravartī Ṭhākura Gauḍīya
Translation
The angry son of Tārkṣya moved with overwhelming speed in repelling Kāliya's attack. That terribly powerful carrier of Lord Madhusūdana struck the son of Kadru with his left wing, which shone like gold.
Commentary

Garuda, the sone of Kasyapa (takrsa putra), the carrier of Madhusudana, , filled with anger, moved quickly and preventing Kaliya from biting him.

Jīva Gosvāmī Gauḍīya
Commentary

Marīci was known as Tṛkṣa. His son was Kaśyapa or Tārkṣa. Garuḍa was his son (tārkṣa-putraḥ). Thus he had the power of the great sage. Another version has tārkṣī meaning “belonging to Tārkṣa’s family” from the rule gargādibhyo ‘ṅ (Pāṇini 4.1.104). Another name for Garuḍa is Tārkṣya. Compared to Garuḍa, Kāliya was nothing. There was great different between them by their natures. Thus Garuḍa was called the sitting place of Madhusūdana. Kāliya developed his evil nature from his mother. Thus he is called kadrū-suta. Garuḍa had beauty: golden wings. He struck Kāliya with his left wing, as a casual act.

Śrīdhara Svāmī Gauḍīya
Commentary

Garuḍa was the son of Kaśyapa or Tārkṣya. This indicates his great power. Kāliya did not have such power, or lineage, since he was not a devotee of the Lord, or the son of a great sage. Garuḍa is famous as an associate of the Lord with great strength and bravery. His was moreover angry (manyumānaḥ) because of Kāliya’s offense and thus his speed was overwhelming (pracanda-vegaḥ). Or naturally he was quick. He had on him the seat of the Lord who killed the demon Madhu (madhusūdanāsanaḥ). Therefore his prowess was intolerable (ugra-vikramaḥ). The descriptive terms can act as successive causes of the next item. In this way Garuḍa had great qualities. He hit Kāliya with his wing which was like gold, beautiful and very hard. Or he instilled fear by the golden shining wing which defeated the shining fire of the snakes. He used his left wing, casually. Kadru-sutam (snake) indicates a natural enemy. He defeated him (nirasya) or threw him far away and then beat him with his left wing. Or he beat him with his wing but did not kill him, because he was a brother (kadru-sutam).

Related values
Karuna (Kindness / Compassion)Kartavya (Duty / Responsibility)Dana (Charity / Generosity)Aparigraha (Non-possessiveness)Yajña (Sacrifice / Spirit of Offering)Vairagya (Detachment / Dispassion)
Related verses
Garuḍa strikes Kāliya with his left wing, which shines like gold. The Lord's servants act with beauty and decisiveness — even punitive blows carry golden grace.
Reflection Questions
  • What recent decisive correction in my life came with a strange beauty I missed?
  • Where would I respond differently to discipline if I noticed its gold sheen?

One strike of Garuḍa's golden wing is enough — Bhagavān's servant does not need a thousand blows. So in the spiritual world: a single touch of guru's instruction, a single line of śāstra, can rout an enmity the sādhaka has fed for lifetimes. The wing shines like gold because the Lord's protective stroke is itself the form of His mercy.

Hanumān's tail on Laṅkā

When Rāvaṇa's men set fire to Hanumān's tail, the Lord's servant turned the very weapon into Laṅkā's burning. Like Garuḍa's golden wing felling Kāliya, Hanumān's tail-fire was the master's response moving through the servant's body.

Gauḍīyas read both episodes the same way: when an offender strikes a Vaiṣṇava, the Vaiṣṇava's own body becomes the rod of correction. The servant does not need separate equipment; he is the equipment.

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